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Ant-Man and the Wasp: Quantumania (2022) Review

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Ant Man and the Wasp - Quantumania

Time: 124 minutes
Age Rating: 860940[1] Violence
Cast:
Paul Rudd as Scott Lang/Ant-Man
Evangeline Lilly as Hope van Dyne/Wasp
Jonathan Majors as Kang the Conqueror
Kathryn Newton as Cassie Lang
David Dastmalchian as Veb
Katy O’Brian as Jentorra
William Jackson Harper as Quaz
Bill Murray as Lord Krylar
Michelle Pfeiffer as Janet van Dyne
Corey Stoll as Darren Cross/M.O.D.O.K.
Michael Douglas as Hank Pym
Director: Peyton Reed

Ant-Man and the Wasp find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that pushes them beyond the limits of what they thought was possible.

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The Ant-Man movies aren’t among the best movies in the MCU by any means, but they were fun, charming, and worked as pallet cleansers following major Avengers movies. I rewatched the two movies for the first time since I saw them in cinemas, and I appreciate them a lot more now, especially compared to much of the MCU nowadays. So with that in mind, making the third Ant-Man movie the introduction of the MCU’s next major villain (named Kang) was certainly a strange decision. I had doubts that it would work, but I thought that it would end up working itself out. Turns out I was a bit too optimistic.

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The first 5 minutes of Quantumania resembles the Ant-Man films with a light and comedic tone. From the moment the main characters are transported into the Quantum Realm however, everything falls apart. Gone is the familiar charm and humour, as it moves from familiar locations into a sci-fi setting. It even lacks some of the supporting characters and cast from the previous two movies, including Michael Pena, Judy Greer and Bobby Cannavale, which is a little disappointing. A lot of what made Ant-Man appealing was his operation in a normal sized world, whether he shrunk down or grew larger. Setting the movie in an already microscopic world removes the uniqueness of those abilities. Not only that, but instead of focussing on relatively smaller stakes, the film is at an Avengers level scale with higher consequences. If Quantumania is meant to be a trilogy ender, then it’s a terrible note to end on. So as that, it’s very disappointing. However, even on its own, it is a very generic sci-fi movie. The familiar plot involves a revolution against a dictator (Kang) and it’s just so hard to care about anything that’s going on. There is barely any development to any of the characters, and not much for Ant-Man or The Wasp to actually do. Honestly, they could’ve swapped Ant-Man out for any Avengers character, and it would’ve worked the same. Much of the movie feels dull and on autopilot. I tolerated the first two acts because of the mystery it was building, but I would struggle to get through it a second time since it’s a whole lot of nothing. Most of it consists of people moving from place to place with a lot of exposition dumped about the Quantum Realm or Kang, and then occasionally something somewhat exciting happens. The third act did have a somewhat entertaining climax, at least in contrast to the aimless first two acts. Even the Quantum Realm is a very dull and standard sci-fi setting. Much of it plays like a bad Star Wars knock off. The creatures and ships are weird, but in a half-hearted way, as if the visuals and the writing were generated by an AI. It has some humour, but it’s less like the comedy in the Ant-Man films and is more of the obligatory Marvel humour in most of their movies nowadays, which misses more than it hits. For what its worth though, it doesn’t drop to the level of the humour in Thor: Love and Thunder. Quantumania is essentially a 2 hour trailer for what’s to come with the Kang era. The “setup for the next movie” criticism can apply to many of the past MCU movies, Iron Man 2 being an example. The difference is that you can still find an actual story and movie in that, and you feel that things are at least moving. Quantumania however feels hollow, not much of consequence happens, and not much of significance happens with these characters. And while it aims to get audiences interested in what’s to come, I don’t think it really succeeded.

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Paul Rudd once again plays Scott Lang/Ant-Man and as always, he’s effortlessly charming and delivers in his scenes, whether it be with the comedy or the drama. As I said earlier though, it feels like there’s not much for his character to do. Despite being a third of the title, ironically The Wasp (Evangeline Lilly) doesn’t play that significant of a part, and doesn’t leave any impression on the movie. Kathryn Newton plays Scott Lang’s now grown-up daughter Cassie, and I don’t think she was very good. That being said, the writing given to her was terrible. The dynamic between Cassie and Scott looked like it was going to be a major part of the movie, but this arc is sorely underdeveloped that you could practically miss it. It doesn’t help that Newton and Rudd have virtually no chemistry. Michael Douglas and Michelle Pfeiffer reprise their roles as Hank Pym and Janet van Dyne, and they are mostly just fine. Pfeiffer at the very least had a much bigger role in this movie compared to the last, and does handle her part well. Douglas however seems like he doesn’t want to be in these movies anymore. Bill Murray is in the movie for a bit, but he leaves so little of an impression that they really could’ve hired anyone for the role.

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So much of the movie is hyping up the main villain and next major antagonist of the MCU, Kang. To be fair, actor Jonathan Majors is doing some heavy lifting and makes the character better than it was written. The movie picks up somewhat whenever he’s on screen. It’s just as well that they got an actor on his calibre considering that Kang’s first appearance (outside of the Loki show) wasn’t the greatest. Quantumania’s idea of building up Kang comes from people talking about all the things he’s done, despite himself not actually doing anything significant in the movie. Contrast this with Thanos; multiple films had characters talking about the things he’s done and how dangerous he is, and then when he finally served as a central villain of a film, he killed significant MCU characters and erased half of the universe. I can assure you that nothing of the sort happens in this movie with Kang. It really doesn’t help that they keep him hidden for much of the movie, with characters referring to him as “him” or “the conqueror”. While I get that they wanted to build suspense, his character ended up being really underdeveloped and with unclear and generic motives. Any depth that was given to the character was provided by Majors. As for how they convey how dangerous Kang is, any possible threatening factor he has is nullified by the fact that his first opponent in the movies is Ant-Man, and he isn’t able to instantly kill him without a second thought. Honestly, he made a much bigger impression in the Loki Season 1 finale. There’s another villain worth mentioning, Kang’s henchman in the form of MODOK, who’s pretty much a guy with a giant head and a small body. He’s a ridiculous character in the comics and so a ridiculous character here, and they really lean into the silliness and comedy. The writing isn’t really that funny, so it’s just as well that actor Corey Stoll performs it in such a way that it is funny. For what it’s worth, the movie does actually pick up a little whenever he’s on screen.

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Peyton Reed returns to direct the third Ant-Man movie. While I liked his work in the previous two films, his work in Quantumania is severely disappointing. His direction worked for the smaller stakes and identifiable setting, but it didn’t work so well for a sci-fi epic. The action is fine but very generic and basic. Quantumania very likely tops Thor: Love and Thunder as the worst looking MCU movie. The visuals are beyond terrible, so much of it looks fake, and there are multiple points where it straight up looks like Sharkboy and Lavagirl (which came out nearly a couple decades ago). I lost track of the number of times actors would be standing in front of blatantly obvious greenscreen, with nothing in the scene looking real. Even Ant-Man’s ability to shrink and grow isn’t that special this time around. As I said, making Ant-Man grow large to the size of a building or shrink down to the size of an ant worked in his previous appearances, because there’s identifiable scale. When it happens in the Quantum Realm, it just doesn’t have the same effect. The creatures and alien designs are certainly strange, but almost ripped from aliens in other sci-fi movies. And if that’s not enough, there’s also the look of MODOK, which is quickly one of the biggest jokes from those who have seen the movie. I get that he’s supposed to look weird like he does in the comics. However, instead of coming across as creepy or gross, in Quantumania he just looks like a guy who just can’t get enough of a wide angle lens snapchat filter, or a villain in a rejected straight to dvd sequel to Sharkboy and Lavagirl. However, I’m not going to harp on MODOK’s design too much despite how hilarious of a misfire it is, because it did provide some unintentional entertainment.

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Ant-Man and the Wasp: Quantumania is yet another low point for the MCU. A product that is lacklustre, dull and generic with terrible visuals, and was mostly a slog to get through.  It sacrificed the fun and charm of the previous Ant-Man movies for a bad sci-fi flick to set up future films in the MCU, and it didn’t even succeed at that. There are some enjoyable moments, some of the action is entertaining enough, and the performances from Paul Rudd, Jonathan Majors and to a degree Corey Stoll elevated the experience somewhat. Overall though, it’s at least in the top 2 worst movies from the MCU alongside Thor: Love and Thunder. That being said, despite being a worse movie, at least Love and Thunder wasn’t trying to be “The Beginning of a New Dynasty” as Ant-Man 3 so boldly claimed it would be. While I liked most of its movies, Phase 4 was a meandering mess for the MCU, and Quantumania was meant to kick off Phase 5 with a bang. Alas, it looks to be even worse.

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Midsommar (2019) Review

Time: 147 Minutes
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1] Graphic violence, sex scenes, drug use & suicide
Cast:
Florence Pugh as Dani Ardor
Jack Reynor as Christian Hughes
William Jackson Harper as Josh
Vilhelm Blomgren as Pelle
Will Poulter as Mark
Director: Ari Aster

With their relationship in trouble, a young American couple travel to a fabled Swedish midsummer festival where a seemingly pastoral paradise transforms into a sinister, dread-soaked nightmare as the locals reveal their terrifying agenda.

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The delay on this review warrants an explanation. For many, Midsommar has already been released months ago. However for whatever reason, it took A24 a really long time to release it here in New Zealand, surprising considering that Hereditary (another A24 and Ari Aster directed movie) released here around the same time as everywhere else. So there was an absurd wait for it to come to cinemas here, and as of this moment I’m not even sure if it’ll ever come. The wait was bad enough, but it also seemed like plenty of people were just willing to post screencaps and spoilers about it with no filter whatsoever. So I pretty much knew most of the movie weeks before going into it, so that could be why a lot of the more ‘shocking’ parts really had little to no impact on me. So if at points I sound rather bitter throughout the review, that’s probably why.

Midsommar was one of my most anticipated movies of the year. All I really knew about it was that it is the next film by Ari Aster, who directed Hereditary, which was in itself quite a great horror movie and one of the highlights from 2018. Midsommar was definitely an interesting change in terms of concept, it’s surrounding people who go to a Swedish cult and I was interested in it. As the movie released in most places and time passed, I just wasn’t that hyped for it. Admittedly it’s likely to do with the aforementioned fact that I was spoiled. Nonetheless I got onto watching it as soon as I could watch it in a quality that wasn’t cam footage. I’ve finally seen the movie, and let’s just say that I have some conflicting thoughts about this movie.

Unlike plenty of people who have absolutely no consideration for others, I actually don’t want to spoil this movie for anyone, as it’s probably better experienced going in not knowing too much. So for those who haven’t been spoiled yet, this review is completely spoiler free. I’m fully aware that there is a director’s cut, I don’t know the differences between the cuts since I haven’t seen that version just yet. It’s going to be a while before I watch that however, it’s nearly 3 hours long and I don’t know if I’d be up for that. The theatrical cut is 2 hours and 30 minutes long, and I already had a hard time getting through all of that. The first 20 minutes is quite slow, and already it didn’t start off the best. It takes its time really building up everything or even getting to the primary location of the movie. I didn’t necessarily want it to be rushing through the plot, but I did want it to pick up the pace a little bit. It feels incredibly drawn out, even after it starts getting really ‘wild’ after the first hour. It’s got some horror, but it’s not horror in the traditional sense of a lot of jumpscares and the like. Hereditary was much more of a horror movie than Midsommar, so don’t expect to see similarities in the scares department. That’s not to say that the movie considerably improved when I viewed it as a drama instead of a horror movie however. The movie also has a surprising amount of comedy, and I can at least say that when present it was done well. So if you’re wondering why certain moments appear more comedic than scary, chances are that it was intentional. This movie like Hereditary was about grief, but whereas I felt that movie did it well, Midsommar did it to mixed results (no spoilers). The movie also sort of about toxic relationships, it establishes what direction it is going in but it sure takes it’s time telling it, with not much interesting stuff in between. Some thought has been put into aspects of the cult, but its rather 2 dimensional typical cult stuff. It’s really like you’ve seen similar things like this before. Sure there are some intentionally weird moments I guess, but again I wasn’t invested enough in the characters or the plot to be affected by or care about it. The ending is something that people are conflicted about. Given some of the reactions (because again some people on social media couldn’t just hold back on talking about the ending), I feel like some people are interpreting it wrong. While I’m fine with it, it’s nothing that I loved or anything, it was just like “well, I guess the movie is over”. Though my reaction is probably more to do with the rest of the movie than the actual ending. Now for the inevitable question, did knowing what was going to happen affect my experience? I did know in fact what was going to happen, but given that the movie was 2 hours and a half long, I expected much more to happen in between these moments. However that’s not the case, I could sum up the plot in about a few sentences and the amount of depth with the plotlines in that summary is about as deep as the actual movie goes. Yes the movie has stuff about bad relationships and grief/trauma, but it doesn’t really do anything with them. Not to mention waiting around for certain plot points to occur made the experience somehow even more tedious.

The acting was quite good. The highlight is Florence Pugh as the lead character, easily the closest thing to a complex character in Midsommar. She does display a wide range of emotions, and is really good in the movie. The rest of the characters aren’t really given much in terms of depth. Jack Reynor plays the boyfriend and he does very well, but he more than the rest of the cast really suffers most from not having enough material to work with (though I did hear there’s more stuff with him in the director’s cut). The rest of the cast including Will Poulter, William Jackson Harper and Vilhelm Blomgren were also good.

Ari Aster has definitely continued to expand his talent since Hereditary, going from a movie with a darker pallet to a much brighter one, and usually set out in the open where everything can be seen. There’s a lot of detail put into the location, costumes, production design and the like. It’s very well directed and a really good looking movie overall. If you have a weak stomach you might not be able to handle it, as there is some gore. With that said, none of it actually affected me or really disturbed me, it was sort of just there. The movie at times really seemed like it was trying to be disturbing, given the times it sometimes cut back to the moments of gore, but it didn’t make it any scarier to me. I wasn’t even really unnerved by the movie on the whole, I was just watching what was happening. I guess credit to Aster for only having one jumpscare throughout the whole movie.

Midsommar is a movie that I have some very mixed thoughts on. The direction is pretty good, the acting is great, and some of the ideas did have potential. Even though I don’t dislike the movie however, I do have my issues. The movie is drawn out throughout it’s very long runtime, fails to interest, doesn’t really deliver on the themes it attempts to have a commentary on, and at times was a real chore to get through. Despite its length, it really explores so very little, it made me wonder why this movie even existed. It’s actually quite disappointing to me, I really thought I would like it a lot more. I might need to watch Hereditary again to see if that movie still holds up on a second viewing. Perhaps the director’s cut fixes some of the issues I have, but given the drawn out pacing and the length, let’s just say it’ll be a while before I get around to it. I honestly can’t guarantee whether you’ll like Midsommar or not, even about whether you liked Aster’s previous movie or not. I have seen people who hate Hereditary love this movie, and vice versa. So quite simply, if you’re interested in seeing it, then check it out for yourself.