Princess Mononoke (1997) Review

Time: 125 Minutes
Age Rating: Contains violence
Cast:
Yōji Matsuda as Ashitaka
Yuriko Ishida as San
Yūko Tanaka as Lady Eboshi
Kaoru Kobayashi as Jiko-bō
Masahiko Nishimura as Kohroku
Tsunehiko Kamijō as Gonza
Akihiro Miwa as Moro
Mitsuko Mori as Hii-sama
Hisaya Morishige as Okkoto-nushi
Director: Hayao Miyazaki

In the 14th century, the harmony that humans, animals and gods have enjoyed begins to crumble. The protagonist, young Ashitaka – infected by an animal attack, seeks a cure from the deer-like god Shishigami. In his travels, he sees humans ravaging the earth, bringing down the wrath of wolf god Moro and his human companion Princess Mononoke. His attempts to broker peace between her and the humans brings only conflict.

Right after watching and loving Spirited Away and Kiki’s Delivery Service, I was interested in checking out more anime films from Studio Ghibli. I’ve heard from many that Princess Mononoke was among their best, so that was the next movie I chose. I ended up loving it a lot, a large scale and engaging experience, it’s one of my favourite anime movies at the moment.

Princess Mononoke really is an epic, it’s a beautiful film with an absolutely stunning story. As great as the visuals are, it was the story where the film wins me over completely. It may be a story set during what appears to be a specific period in Japan, but it also feels representative of today’s modern world. It finds a way to use its world and mythology to parallel environmental issues in the real world today, but it still manages to feel other-worldly like Ghibli movies do. There is a lot to take from Princess Mononoke, especially with its poignant and mature themes. One of the most prominent topics that the film deals with is the effects of industrialization and deforestation on nature. The dynamic of human nature (and technology) against nature itself isn’t entirely original really (especially in film), but Princess Mononoke actually provides a surprising amount of nuance, portraying both sides as having positive and negative attributes, and it’s not a simplistic good vs evil thing. Even the ‘villains’ are shown to be more than just evil people. You can easily say that the characters are all archetypes, but they are archetypes with depth nonetheless. It’s got all the wonder an adventure of previous Ghibli movies, but it’s not a movie for kids. There’s no simple innocence to this wonder, or adventurous consequence-free discovery like in Kiki’s Delivery Service. From the opening scene it become very clear that this is not an animated film for small children, it’s very much a darker animated movie, and that’s even before it gets to the striking violence. It was actually quite bold and ambitious to make a film this long, grim and nihilistic but it pays off. Despite the long runtime at around 2 hours and 15 minutes, the pacing is immaculate, neatly switching between intimate moments and grand epic battles, and never stumbling once.

It is incredibly directed by Hayao Miyazaki, the story itself already is an epic but the direction makes it feel that way even more so. Besides the beautiful drawings from the character designs to the landscapes and everything else in between, it feels like it could possibly be Miyazaki’s grandest in terms of scale. The hand-drawn animation is absolutely dazzling, the supernatural creatures as well as forest are vividly imagined. It’s also a surprisingly violent movie, with a lot more severed heads and arms than I was expecting. Speaking of which, the action in this movie is great, and there are many thrilling sequences watch. The powerful score from Joe Hisaishi also adds a lot to the movie.

Beautifully animated, dark and engaging, Princess Mononoke is a fantastic and thematic epic of an anime film. While there’s plenty of other Studio Ghibli movies I need to watch, this is currently my favourite film from them so far.

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Spirited Away (2001) Review

Time: 125 Minutes
Age Rating:
Cast:
Rumi Hiiragi as Chihiro Ogino/Sen
Miyu Irino as Haku/Spirit of the Kohaku River
Mari Natsuki as Yubaba/Zeniba
Takeshi Naito as Akio Ogino
Yasuko Sawaguchi as Yūko Ogino
Tsunehiko Kamijō as Chichiyaku
Takehiko Ono as Aniyaku 
Bunta Sugawara as Kamaji
Director: Hayao Miyazaki

10-year-old Chihiro (Rumi Hiiragi) and her parents (Takashi Naitô, Yasuko Sawaguchi) stumble upon a seemingly abandoned amusement park. After her mother and father are turned into giant pigs, Chihiro meets the mysterious Haku (Miyu Irino), who explains that the park is a resort for supernatural beings who need a break from their time spent in the earthly realm, and that she must work there to free herself and her parents.

Spirited Away was the first film from Studio Ghibli that I watched, and also among the first anime movies I’ve seen. It had been on many ‘best films of all time’ list, so I had been meaning to get around to it for a while. I went in knowing nothing, and it turned out to be really great and somehow lived up to all the hype and more.

I didn’t know much about the movie going in and it turned out to be quite a surprise. So if you haven’t seen it before, I think it’s worth not knowing too much before watching. I can say that it’s very creative and endearing, and while it’s a cliché to say it, it’s quite magical. There’s a lot of imagination on display, it’s really like nothing I’ve seen before. It is a coming of age story about childhood innocence, that combines drama, adventure, comedy, and fantasy all into one film. There’s also so much in this movie to unpack it’s actually astounding.  It’s whimsical but is also surprisingly dark and frightening when telling it’s very mature story about greed and identity, in fact the whole movie is more mature than I thought it would be. There are plenty of themes of environmental pollution, labour relations greed and the passage to adulthood. It’s also a movie full of hope throughout. The plot itself is nicely structured and finely paced while the memorable and well thoughts out characters make the drama more compelling and are cleverly fleshed out in the script. The film does slow down to allow time for main character Chihiro and the audience to the see the beauty of the world. The movie does take time in its roughly 2 hour long runtime for her to take part in seemingly mundane things which does add a lot to the movie, I was invested throughout. One of the ways that the film handles worldbuilding well with a level of richness is the lack of exposition, showing the world, story and characters with the visuals and character actions instead of telling it to us straight up. It’s just all well crafted and put together overall.

Directed by Hayao Miyazaki, Spirited Away is animated and made absolutely beautifully. It was made in the early 2000s, and it still really holds up well today. It’s not just the movements but also the designs and imagination, as well as the environments. It really lets the visuals speak a whole other language to you as the viewer, the visual storytelling does a lot of the work for the movie without needing characters to speak it. It’s absolutely creative especially on a visual level. I can only imagine how kids felt watching this for the first time, mainly the designs of some of the creatures and people as they were far scarier than most animated movies. The score from Joe Hisaishi also adds a lot to the movie.

Spirited Away is a much watch for sure. It’s a beautiful and endearing come of age film, that’s animated excellently. If you wanted a place to start watching anime, Spirited Away would be a great place to begin. It’s an extraordinary film that was a complete pleasure to watch, and a movie that I do want to come back to someday.