Enemy of the State (1998) Review

Time: 132 Minutes
Cast:
Will Smith as Robert Clayton Dean
Gene Hackman as Edward “Brill” Lyle
Jon Voight as NSA Department Head Thomas Brian Reynolds
Regina King as Carla Dean
Loren Dean as NSA Agent Hicks
Jake Busey as Krug
Barry Pepper as NSA Agent David Pratt
Director: Tony Scott

A videotape containing footage of congressman Phil Hammersley’s murder is planted on a lawyer, Robert Dean. Government operatives, who are trying to retrieve the evidence, target him.

Tony Scott is known for making lots of action thrillers, and Enemy of the State just might be one of his best.

Enemy of the State is consistently entertaining throughout, with an intriguing story. The stakes are relatively realistic, and the tensions is sustained from beginning to end, as there is a constant feeling of threat. That is helped by a fast pace which keeps the plot constantly moving. It almost feels like the paranoia, conspiracy and political thrillers of the 70s, but mixed with a bombastic Jerry Bruckheimer action flick. With it being about government surveillance, the film has actually aged pretty well. It is kind of funny how it reads like a post 9/11 and Patriot Act movie, but it was released back in 1998, so everything involving the NSA and future US government activities in the 2000s were almost predicted. The plot gets ridiculous at points, but it was entertaining enough that I could easily roll with it. In terms of flaws, it is a little long, and the narrative could get needlessly convoluted at times. Also, there’s some unnecessary subplot where Will Smith’s character’s wife believed that he cheated on her, and while it’s a fairly minor issue, it gets resolved so quickly that it felt like its only there to pad out the runtime.

The movie has an impressive cast. Will Smith is really good in the lead role; if I have this correct, this is one of his earliest ‘dramatic’ roles of his. He sells his character’s confusion and desperation from the situation he’s landed in, but also the humour and charisma. Gene Hackman is another big name, only making his first appearance a considerable way into the movie. He is great though, and the movie really picks up when he enters the film. He is perfectly suited as a paranoid ex-NSA operative, and the scenes between him and Smith are particularly great. Jon Voight is also effective as the villain. However, not everyone has good parts. Some notable names have relatively small parts like Tom Sizemore, Phillip Baker Hall, Gabriel Byrne, Regina King and Lisa Bonet have pretty thankless roles. 

You can tell from the opening scene that this is a Tony Scott film, his style is very much on display. There is this frenetic energy throughout, and the fast paced editing really suits this movie. The editing and cinematography help to convey the feeling that everyone’s actions are being viewed. Unsurprisingly, Scott again delivers some exhilarating and entertaining action scenes. The score from Trevor Rabin and Harry Gregson-Williams really fits the movie, especially in the action and chase scenes.

Enemy of the State isn’t without its issues, mostly with some of the writing and characters. However, it’s a solid political and espionage action thriller that was both of its time and ahead of its time. The actors (especially Will Smith and Gene Hackman) are really good, the plot is intriguing and riveting, and Tony Scott’s great direction made it even better. Well worth checking out.

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Unstoppable (2010) Review

Time: 98 Minutes
Age Rating: M – contains offensive language
Cast:
Denzel Washington as Frank Barnes
Chris Pine as Will Colson
Rosario Dawson as Connie Hooper
Director: Tony Scott

An unmanned, half-mile-long freight train hurtles towards a town at breakneck speed. An engineer and a young conductor, who happen to be on the same route, must race against time to try and stop it.

Unstoppable is a train focussed action movie from Tony Scott and would be his last film before his death. It’s not one of Scott’s best movies but it is still quite good.

The plot is pretty simple with it being about a train that won’t stop and train workers try to stop it before it causes massive damage. It’s based on true evens and you can probably figure out how it’ll end, though that’s not really a bit problem. It’s very well constructed and has a pretty tight script. It takes a little while to start, but once the train gets loose and begins speeding off, the movie really takes off and doesn’t let up till the end. The high stakes are clearly conveyed, and help to keep you invested. Helping that is the drama and development with the main two characters, which gets you invested in the story, you even get to learn a lot about them in just the first 5 minutes. It’s energetic and paced well through its 98 minute runtime, with a lot of tension and suspense.

Denzel Washington and Chris Pine are great, fitting their roles quite well. Their characters’ progressions and backstories are pretty familiar, but both actors help to sell it, especially with the convincing chemistry. Other actors like Rosario Dawson play their roles well too.

The most striking aspect of the movie however is of course Tony Scott’s direction, delivering his trademark hyperactive style to this movie, especially with the camera zooms, breakneck camerawork and quick cutting. Scott is more than familiar with action at this point, so unsurprisingly the action set pieces are well crafted, tense and fantastic, and manage to feel somewhat grounded. The final act is especially intense, and has a satisfying end.

Unstoppable is a highly energetic, stylised and tense thriller, with a good script, great performances, and has solid direction from Tony Scott.

The Taking of Pelham 123 (2009) Review

Time: 106 Minutes
Age Rating: R16 – contains violence & offensive language
Cast:
Denzel Washington as Walter Garber
John Travolta as Dennis ‘Ryder’ Ford/Mr. Blue
John Turturro as Lieutenant Vincent Camonetti
Luis Guzmán as Phil Ramos/Mr. Green
Michael Rispoli as John Johnson
James Gandolfini as the Mayor of New York
Director: Tony Scott

A subway dispatcher’s day is thrown into chaos when four armed men hijack the subway train and take the commuters as hostages. They demand USD 10 million from the mayor as ransom.

Tony Scott’s The Taking of Pelham 123 is a remake of the 1970s hostage thriller of the same name. I did watch that 1974 original, but its been a while since I saw it, so I am viewing the 2009 version as its own movie. Overall, it is pretty good action thriller.  

The premise is pretty familiar and straightforward, it’s a hostage situation where a subway train is hijacked, and someone has to negotiate with the leader of the hijackers. The script is pretty thin, but it was suspenseful and well paced throughout, and I found it consistently entertaining. It particularly comes alive during the phone interactions between the two leads, it is vibrant, and the back and forth conversations are thrilling.

There is a great cast, but it mostly comes down to Denzel Washington and John Travolta in the lead roles. Washington is reliably good, bringing life to a character in an ordinary job who finds himself caught in a very tense situation, and he helps to get you connected to the story. Travolta plays the leader of the hijackers and that antagonist of the film. His performance is unhinged, campy, psychotic and brash, and he’s clearly having a lot of fun here. He definitely won’t work for everyone, but I liked him here. These two are the driving force of the movie and particularly made for a good pairing because of how much they contrasted against each other. Washington is grounded and underplays things, while Travolta is incredibly over the top. There’s a clear connection between the two characters and they play well off each other, with their interactions being some of the highlights of the movie. There’s also a pretty good supporting cast, with actors like John Turturro, Luis Guzman, James Gandolfini giving solid performances.

Tony Scott directs this with his trademark frenetic style (most evident in his 2000s movies), which really helps to propel things forward. The cinematography is dizzying, frantic and has vibrant colours, the editing is fast paced and flashy, and the action is pretty gripping. With this, Scott does particularly well at adding a lot of visual style to the phone conversations.

The Taking of Pelham 123 is a well made and tense hostage thriller, confidently and stylishly directed by Tony Scott, and with solid lead performances from Denzel Washington and John Travolta. Not one of Scott’s best by any means, but it is pretty good, and worth checking out.

True Romance (1993) Review

Time: 97 Minutes
Age Rating: R18
Cast:
Christian Slater as Clarence Worley
Patricia Arquette as Alabama Whitman
Dennis Hopper as Clifford Worley
Val Kilmer as Elvis
Gary Oldman as Drexl Spivey
Brad Pitt as Floyd
Christopher Walken as Vincenzo Coccotti
Bronson Pinchot as Elliot Blitzer
Samuel L. Jackson as Don “Big Don”
Director: Tony Scott

A comic-book nerd and Elvis fanatic Clarence (Christian Slater) and a prostitute named Alabama (Patricia Arquette) fall in love. Clarence breaks the news to her pimp and ends up killing him. He grabs a suitcase of cocaine on his way out thinking it is Alabama’s clothing. The two hit the road for California hoping to sell the cocaine, but the mob is soon after them.

True Romance was a movie that I had been meaning to watch for some time. I knew that it was one of Quentin Tarantino’s earliest scripts which he sold so he could make Reservoir Dogs, and which was directed by Tony Scott instead. It didn’t disappoint.

As expected, Tarantino’s script is great. True Romance definitely contains a lot of his trademarks: snappy dialogue, violence, dark humour, a lot of pop culture references and a clear love for cinema. It’s definitely a flawed script, it’s definitely not among Tarantino’s best, and doesn’t have a whole lot of substance to it. However, Tony Scott executes the script well and makes it work even better, particularly with its hyper kinetic pace and flow. It succeeds at being an oddly charming romance crime film, and I especially prefer Scott’s ending compared to what Tarantino had in mind originally.  

One of the biggest standouts of the movie is the incredibly large and talented cast involved. The characters are memorable, and the actors help to convey them incredibly well, particularly in delivering Tarantino’s witty dialogue. Christian Slater and Patricia Arquette are fantastic as the lead characters, both of whom help to really anchor the movie. While the romance may be sudden, the two have such excellent chemistry that it’s believable. The supporting cast is large and great, including the likes of Gary Oldman, Val Kilmer, Dennis Hopper, Christopher Walken, Val Kilmer, Brad Pitt, Tom Sizemore, Samuel L. Jackson, and James Gandolfini. Even if they aren’t in many scenes, they make the most of their screentime.

Tony Scott’s energetic direction is one of the key parts of the movie’s success, as important as the script. It is definitely an earlier film of Scott’s as it is very different from his more recent direction seen in the likes of Man on Fire, Unstoppable and Enemy of the State. Still, its very stylish and has some stunning cinematography. It also has some startling brutal violence that benefits from Scott’s rapid editing and stylised action. The soundtrack is also solid, from Hans Zimmer’s composed score to the other great musical choices.

True Romance is entertaining from beginning to end, a great paring of Quentin Tarantino’s great (if imperfect) writing with Tony Scott’s slick direction, featuring an outstanding ensemble cast. It’s my favourite from Scott, and it is well worth checking out.

Déjà Vu (2006) Review

Time: 126 Minutes
Cast:
Denzel Washington as ATF Special Agent Douglas Carlin
Paula Patton as Claire Kuchever
Jim Caviezel as Carroll Oerstadt
Val Kilmer as FBI Special Agent Paul Pryzwarra
Adam Goldberg as Dr. Alexander Denny
Director: Tony Scott

Doug joins hands with the FBI in order to investigate a ferry explosion. Using a technique that enables him to look into the past, he also tries his best to save a woman he knows.

Déjà Vu is possibly one of Tony Scott’s best movies, a stylish action thriller that’s enjoyable throughout.

Déjà Vu takes a familiar sci-fi/time travel concept and handles it in an exciting way. It gets into certain concepts with time bending and wormholes, and while it might not make the most sense, I was willing to go along with what they were saying. There’s also a surprising amount of emotional depth; this is probably one of Scott’s more sentimental and sincere films, with themes involving love transcending time and space. There’s a ton of exposition (mostly to do with explaining time travel), but it worked well enough for me. It is paced very well across its runtime and culminates in a spectacular final act.

As expected, Denzel Washington gives an excellent, charismatic and earnest performance in the lead role of the detective. It also has a solid supporting cast. Paula Patton and Adam Goldberg are good, and Val Kilmer has enjoyable chemistry with Washington.

Tony Scott directs this very well with his familiar style, especially with the cinematography, saturated colours and editing. The action is great, very stylish and frenetic. The standout set piece for me was a car chase where the pursued and pursuer are in two completely different time periods.

Déjà Vu is an entertaining and well directed time travel action thriller from Tony Scott, with creative and exciting set pieces, a surprisingly engaging story, and a good cast of performances led by Denzel Washington.

Top Gun (1986) Review

Time: 110 Minutes
Age Rating: contains coarse language
Cast:
Tom Cruise as LT Pete “Maverick” Mitchell
Kelly McGillis as Charlotte “Charlie” Blackwood
Val Kilmer as LT Tom “Iceman” Kazansky
Anthony Edwards as LTJG Nick “Goose” Bradshaw
Tom Skerritt as CDR Mike “Viper” Metcalf
Director: Tony Scott

As students at the United States Navy’s elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.

Classic 80s movie Top Gun is getting a sequel titled Top Gun: Maverick, released over a few decades after the original’s release. It has been a while since I had watched the first movie, so I was interested in revisiting it before the newest film’s release. I wouldn’t say that it is great but there’s a lot to like about it

Despite this movie being about dogfighting and fighter pilots, Top Gun is less of an action movie and more of a coming-of-age film. Most of the actual flying is just done in training, real combat only happens in the third act. The writing isn’t anything special, the script is definitely formulaic, and I didn’t find the story to be all that thrilling or compelling. While I wouldn’t say that I was bored watching it, the story is a bit dull. I think the biggest criticism I have for Top Gun is that it feels more like a collection of memorable scenes more than a greatly cohesive movie; the plot didn’t have much direction or drive. The characters didn’t stand out for me but they were likable enough. When the drama appears, it really comes out of nowhere and is melodramatic but it works for the 80s vibe. Speaking of which, the 80s cheese factor helped a lot of the movie, it made some of the weaker and over the top elements work better for me.

There are some solid performances. Tom Cruise plays the lead character of Maverick in one of his early iconic roles. I wouldn’t say its one of his all-time best performances by any means, but it is definitely one of his most recognisable characters. Cruise is charming and fun to watch, while also giving some depth and development to his character. The chemistry and bromance between Maverick and his friend Goose (Anthony Edwards) was very convincing. That’s more than I can say between the romance between him and Kelly McGillis’s character, which could be more than a little cheesy at times, but again the 80s vibe made it sort of work for me. Generally, the rest of the cast are decent enough.

Tony Scott’s stylish direction is one of the best parts of the film, it’s not one of Scott’s best but it is well made. The cinematography is great, and the dogfighting action sequences are beautifully shot. There aren’t as many of these action scenes as you’d initially think, but they are staggered out so they have us wanting more. The soundtrack is pure 80s and wonderfully enjoyable (even if it’s a little repetitive at points).

If you were to make a list of the top 5 most iconic 80s movies, Top Gun would be right up there. There are definitely some issues with the writing and characters, and I wouldn’t call it great. However, there’s a real charm to it, and I can see why it became something of a cult classic. The cast led by Tom Cruise are solid, it’s well directed by Tony Scott, and the action sequences are entertaining. I do think it is worth checking out at least once.

Crimson Tide (1995) Review

Time: 110 Minutes
Cast:
Denzel Washington as Lieutenant Commander Ron Hunter
Gene Hackman as Captain Frank Ramsey
George Dzundza as Chief of the Boat Walters (COB)
Matt Craven as Lieutenant Roy Zimmer
Viggo Mortensen as Lieutenant Peter Ince
James Gandolfini as Lieutenant Bobby Dougherty
Director: Tony Scott

The Captain of a submarine (Gene Hackman) wants to launch an attack while his deputy (Denzel Washington) wants to wait for confirmation. Their conflict escalates into a mutiny with both of them fighting for the command of the ship.

I heard of Crimson Tide for a while, I knew of it as a submarine movie directed by Tony Scott and starring Denzel Washington and Gene Hackman. It was on my list of movies to check out eventually but for whatever reason I hadn’t checked it out yet. Eventually I did watch it and I was quite surprised at how good it was.

The plot is great, it is a predictable yet entertaining story. It is always so kinetic from beginning to end, tightly crafted, and just all around suspenseful, with never a dull moment here. The pacing is just right, it can feel a little slow in the beginning as it is setting the scene and characters, but once it gets going, it really gets going. The second and third acts are particularly intense, without a stopping point. One of the biggest surprises is that it places character and conflict ahead of the action. Usually you’d expect this type of film to constantly cut away to the action as the drama unfolds, however Tony Scott keeps the distractions to a minimum, and it’s generally a very contained movie. The majority of the movie focuses its attention on the colliding ideals of the weathered Lieutenant Commander (Gene Hackman), and his vigilant new XO Captain (Denzel Washington). The moral greyness of the dilemma at the forefront of the movie is well handled, with a surprising amount of depth given to the nature of military procedure in the case of an emergency launch, and the importance of following protocol. Much of the tension the movie wrings from the internal conflict between the two leads, particularly with the tense and heated dialogue. As everything slowly builds up within that clash of ideologies, it just only feels like you could expect it all to blow anytime soon. Scott really drives home the fact that these men are alone, with just as many questions as the audience. Something also great is that despite some of what Hackman’s character does, there’s no clear-cut villain here really, just two men who both firmly believe that they are doing the right thing. Quentin Tarantino actually did some script-doctoring on this movie, but his contributions were probably the weakest part of the movie, with the comic book and Star Trek references being very out of place with the rest of the movie. On the whole though, Crimson Tide is very entertaining and thrilling from beginning to end.

The acting is great from everyone, but it mostly comes down to Gene Hackman and Denzel Washington in the lead roles, both of whom deliver really solid performances. It’s thrilling seeing the two go at each other. I do feel like Washington’s character could’ve been better developed or defined really, though he did the job alright. Hackman’s character of Ramsey (the commander) however is very well written, with a good character arc. The supporting cast all bring their A-games too including James Gandolfini and Viggo Mortensen.

Tony Scott’s direction is great and handles everything well. He keeps everything so fittingly tense, especially given the claustrophobia of the film’s setting, as well as strain applied to the ticking clock elements. It’s a great looking movie too, it looks fantastic with the colours, the set designs are convincing, and even the early CGI special effects are used appropriately enough. Finally, Hans Zimmer composes a bombastic yet very effective score.

Crimson Tide is an effective and claustrophobic submarine thriller, and much better than I thought it would be. The story is simple yet one that you get invested in, it’s directed incredibly well, tense throughout, and has some strong performances, especially from Gene Hackman and Denzel Washington. One of Tony Scott’s best.