Scream VI (2023) Review

Time: 122 Minutes
Age Rating: graphic violence & content that may disturb
Cast:
Melissa Barrera as Sam Carpenter
Jasmin Savoy Brown as Mindy Meeks-Martin
Jack Champion as Ethan Landry
Henry Czerny as Christopher Stone
Mason Gooding as Chad Meeks-Martin
Liana Liberato as Quinn Bailey
Dermot Mulroney as Wayne Bailey
Devyn Nekoda as Anika Kayoko
Jenna Ortega as Tara Carpenter
Tony Revolori as Jason Carvey
Josh Segarra as Danny Brackett
Samara Weaving as Laura Crane
Hayden Panettiere as Kirby Reed
Courteney Cox as Gale Weathers
Director: Matt Bettinelli-Olpin, Tyler Gillett

Four survivors of the Ghostface murders leave Woodsboro behind for a fresh start in New York City. However, they soon find themselves in a fight for their lives when a new killer embarks on a bloody rampage.

Recently I watched through all the Scream movies and was finally prepared to check out Scream 5. While not one of the better movies in the franchise, I did enjoy it, and it was pretty good as far as legacy sequels go. The Ready or Not directors would also be returning to direct the sixth movie, and I was ready to watch my first Scream movie in the cinemas. Scream VI ended up pretty good, and a notable improvement over the last movie.

With the exception of Scream 3 and 4, most of the Scream openings are great. However, the beginning of Scream VI rivals the original for the best beginning scene. A notable part of the movie which has been hyped up is the fact that it doesn’t take place in Woodsboro, but instead in New York City. This really isn’t the first time a Scream movie has taken place outside of Woodsboro, since they did that for its second and third movies. However, you do feel a greater scale in Scream VI, and you get environments and set pieces not seen in previous movies. Scream VI benefits from its strong focus on the story and its main characters. The story itself is fast paced enough, but spends enough time with its characters. An aspect present throughout the movies was the meta commentary, but there doesn’t appear to be much of it here. Most of it is relegated to Mindy (Jasmin Savoy-Brown) talking about horror movie tropes in a few scenes, otherwise its not present much. Scream VI is really more a commentary of its own franchise and I was actually fine with it. The third act here isn’t as crazy as 2022’s but is more controlled and character motivated, and I enjoyed it. I think that a lot of people will have problems with the Ghostface reveals. While I admit my predictions weren’t entirely correct (compared to most people online who apparently figured it out quickly), it did feel somewhat underwhelming. Still, it does make sense in the story and is better fleshed out than most other Ghostface reveals. It doesn’t just pull a Scream 3 and introduce a long-lost secret brother of the protagonist and just expect the audience to roll with it. Something that’s always been a thing in the Scream movies is the high number of close calls during Ghostface attacks. Despite it being more grounded in realism compared to other modern slashers, there’s many instances of characters being attacked in ways that should kill them, yet they somehow survive. While this isn’t exactly a new thing, with the increased brutality over the first four movies, it really makes it harder to take seriously. Scream VI takes this to new levels of ridiculousness, and it can take you out of the movie a little. On a larger problem though, it does feel very safe for all its increased violence and a Ghostface who’s apparently “one like you’ve never seen before”, especially looking at the death. While some of these movies opt to move in bold directions, Scream VI aims to honour the series instead. While my instinct is usually to go against this, it still works for what it is.  

There are some returning actors from the original 4 Scream movies, but not many. Of the main trio, it’s just Courteney Cox as Gale Weathers who appears here, playing a very small supporting role in the plot. The more prominent returning actor would be Hayden Panettiere as Kirby Reed who was assumed dead at the end of Scream 4. However, she was brought back for this movie, and it was great seeing her again; she plays off the other characters really well. The four surviving characters from Scream 5 return as the leads, and if there’s one thing that Scream VI gets right, it’s that it shows that even though the movie doesn’t have Dewey or Sidney and not a whole lot of Gale, these four can carry a film themselves. They have such great chemistry together and felt convincing as friends. Melissa Barrera is much better here as protagonist Sam Carpenter, and the movie fully takes advantage of the darker aspects with her being the daughter of Billy Loomis, which does well at setting her apart from Sidney Prescott as a protagonist. The only bad thing I can say about her character is that the film keeps adding in hallucination scenes with her dead father, which the movies really could’ve done without. The other three characters also get expanded on more. Jenna Ortega continues to give one of the best performances in the Scream movies (especially during the horror scenes), and the twins Mindy and Chad played by Jasmin Savoy-Brown and Mason Gooding also get to do a lot more here. Other actors like Dermot Mulroney, Jack Champion, Josh Segarra and Samara Weaving work in their parts too.

The Ready or Not directors (Matt Bettinelli-Olpin and Tyler Gillett) are back, and their work in Scream VI is a notable improvement over Scream 5, even though that was already a well-made movie. It has some great camerawork and cinematography with really good uses of colour. There are some strong set pieces, sequences and locations, and the setting change certainly allowed them to do a lot more. While Scream 5’s tension wasn’t that great, Scream VI is much better at this, with some genuinely suspenseful scenes. Brian Tyler returns to compose the score after his work in Scream 5, and again it’s pretty solid.

Even if it’s a little safe, Scream VI is another entertaining and strong entry in the franchise, with some memorable horror set pieces, and a great cast and direction. With 6 entries in the franchise, Scream seems to be one of the only horror franchises that remains strong on the whole. While I do wonder how long it’ll sustain this streak, I’m definitely open to watching even more of them.

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Spider-Man: No Way Home (2021) Review

Time: 148 Minutes
Age Rating: Violence
Cast:
Tom Holland as Peter Parker/Spider-Man
Zendaya as Michelle “MJ” Jones-Watson
Benedict Cumberbatch as Dr. Stephen Strange
Jacob Batalon as Ned Leeds
Jon Favreau as Harold “Happy” Hogan
Jamie Foxx as Max Dillon/Electro
Willem Dafoe as Norman Osborn/Green Goblin
Alfred Molina as Otto Octavius/Doctor Octopus
Benedict Wong as Wong
Tony Revolori as Eugene “Flash” Thompson
Marisa Tomei as May Parker
Director: Jon Watts

With Spider-Man’s identity now revealed, our friendly neighborhood web-slinger is unmasked and no longer able to separate his normal life as Peter Parker from the high stakes of being a superhero. When Peter asks for help from Doctor Strange, the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man.

I will admit that I wasn’t sure about how Spider-Man: No Way Home would turn out. I enjoyed the previous two MCU Spider-Man movies but my liking for them has decreased over time as I’ve thought about them. Also the fact that this time they would be bringing back new old Spider-Man villains from the previous versions of Spider-Man, it just left me feeling unsure going into it. With all that being said, the movie pleasantly surprised me.

No Way Home starts with where the last movie ended with everyone learning that Peter Parker is Spider-Man. He was also framed for killing Mysterio but that aspect is forgotten very early, however the public identity is present throughout. One addition which did feel weird going in was bringing in the real multiverse (not the fake multiverse presented by Mysterio in the last movie). However the multiverse actually works for Peter’s story, it doesn’t go too overboard with the multiverse elements and stays true to the core storyline of Peter’s identity. The film never loses focus on what it is. No Way Home is definitely heavily reliant on nostalgia, unsurprising since they bring back 5 villains from the previous Spider-Man movies (with the same actors playing them). However it actually works to enhance the movie and it’s to the betterment of the characters. Something that the MCU Spider-Man movies have been lacking were serious consequences and heavy decisions (outside of the identity reveal at the end of the last movie). No Way Home however really puts Holland’s Spider-Man through the ringer and by the end, the story really does capture the essence of Spider-Man. It gives the character of Peter Parker some tragedy and I was honestly surprised at how dark it could get at points, it’s not constantly light hearted all the way through. But now we get into the issues. Despite what I just said, it’s still very much an MCU movie especially with the use of comedy, in that they have way too much of it (with only half the jokes actually working). Although I will give credit that they do dial it back in some scenes, and I will always praise those instances in MCU movies considering that ever since The Avengers (2012) they’ve really struggled to hold off from breaking dramatic or emotional tension with a quip or joke. There was a lot happening in the movie and as such it’ll require a rewatch for me to fully process it all. However I will say that there is some messiness, particularly in the first half of the movie. That’s where the movie stumbled along for a bit, it’s only when it reaches the middle where it got into its stride.

I liked Tom Holland as Spider-Man in his previous appearances, but he hasn’t always had the best material to work with. However this is by far his best performance as the character. It certainly helped that this movie really allowed him to be Spider-Man, and he sells the most emotional moments really well. I’m now looking forward to seeing what happens next with him. Compared to the previous two love interest characters in the previous live action versions of Spider-Man, Zendaya’s MJ really doesn’t have much going on as a character. Nonetheless she is good and enjoyable in the part, and she has great chemistry with Tom Holland. Benedict Cumberbatch returns as Doctor Strange in a notable supporting role. I would say this is Cumberbatch’s worst outing as the character, mainly because of his writing and he felt rather out of character throughout much of the film. Marisa Tomei returns as Aunt May, in the previous appearances it’s a rather thankless role and doesn’t do much outside of being Peter’s aunt (especially compared to previous versions of the character). However she is given much more to do here and actually has an impact on Peter and his decisions, which I was happy to see.

The MCU Spider-Man trilogy have consistently great villains, and No Way Home is no exception. Despite these villains being from the Tobey Maguire and Andrew Garfield Spider-Man films and are actually fairly fleshed out, and most of them go through their own arcs. Sandman and The Lizard are fully CGI creations but those roles are still reprised by Thomas Haden Church and Rhys Ifans. They almost feel added on given that the remainder 3 villains get more focus but I still liked seeing them here. The villain most distinctly different from their last on screen appearance was Jamie Foxx’s Electro. He’s no longer blue like he was in The Amazing Spider-Man 2 and his personality has changed to basically Jamie Foxx with lightning, and I can’t tell whether its better or worse. Still he’s fun to watch. It was really nice seeing Alfred Molina return as Doc Ock as well. The standout from the whole movie though is Willem Dafoe as Norman Osborn/Green Goblin, and he might’ve even topped his performance from Spider-Man 1. He doesn’t really wear the mask for much of the film and honestly it was for the better given that Dafoe is terrifying and threatening here without it. He is such a strong on screen presence and he is one of my favourite parts of the film, easily one of the MCU’s best villains. There are also some other noteworthy appearances which I won’t mention by name but needless to say, I was very satisfied with them.

One of my least favourite parts of these recent Spider-Man movies was the direction from Jon Watts. His work isn’t necessarily inherently bad, it’s competent but that’s just it. I know that a lot of MCU movies look very similar, but even by those standards, Watt’s direction really lacks any unique style. In some way No Way Home is the same, but for what it’s worth it does show some sign for improvement. Some of the shots and editing are quite bland, but it has its moments, especially when in the scenes set during night time. There’s also some very effective action sequences, the standout without spoiling takes place in an apartment. There are some Doctor Strange dream visuals in a couple scenes, however it’s not as well done as it was in his original movie or in Infinity War. The blue and green screen can actually be terrible at times, with some dodgy CGI. However I liked the action and movie enough to look past those moments. Michael Giacchino can compose some really good scores however for the most part his work on the Spider-Man movies isn’t all that great for the most part, and No Way Home is the same here.

Spider-Man: No Way Home was one of the most surprising movies of the year. It gives Tom Holland’s Spider-Man a personal story with stakes and weighty consequences which I greatly appreciated, along with it being very entertaining. With some effective action, great and memorable villains (with Willem Dafoe being the standout) and a surprisingly effective use of nostalgia, I really liked it. I’m really interested to see what happens next with this version of Spider-Man.

The Grand Budapest Hotel (2014) Review

Time: 99 Minutes
Age Rating: Violence, offensive language, sexual references & nudity
Cast:
Ralph Fiennes as Monsieur Gustave H.
Tony Revolori as Zero Moustafa
F. Murray Abraham as Mr. Moustafa
Adrien Brody as Dmitri
Willem Dafoe as J. G. Jopling
Saoirse Ronan as Agatha
Tilda Swinton as Madame D.
Edward Norton as Albert Henckels
Mathieu Amalric as Serge X
Jeff Goldblum as Kovacs
Harvey Keitel as Ludwig
Tom Wilkinson as Author
Jude Law as the Young Writer
Bill Murray as M. Ivan
Jason Schwartzman as M. Jean
Léa Seydoux as Clotilde
Owen Wilson as M. Chuck
Director: Wes Anderson

Gustave H. (Ralph Fiennes), a concierge, is wrongly framed for murder at the Grand Budapest Hotel. In the process of proving his innocence, he befriends a lobby boy (Tony Revolori).

I remember The Grand Budapest Hotel as being one of the earlier movies I saw from Wes Anderson, and it was the first movie from him I watched in the cinema. I had previously seen Fantastic Mr Fox and Moonrise Kingdom and while I liked them when I saw them for the first time, I wasn’t really into his work that much. I remember the experience in the cinema back in 2014 watching it because I found myself surprised at just how much I loved it. A rewatch upon watching all of Wes’s movies only confirms to me that it is his best, an unbelievably delightful and charming movie that entertains from beginning to end.

The Grand Budapest Hotel’s screenplay is again written by Wes Anderson, and I have to say that it has to be one of his most polished and complete works, if not his most. This movie is one of the select number of films which I can say I found genuinely enthralling. Wes Anderson’s strongest movies with the likes of The Royal Tenenbaums and Rushmore had me interested generally throughout. However, The Grand Budapest Hotel had me invested from beginning to end and was endlessly entertaining. The movie feels completely original, and the story is heartfelt and endearing, features quirky and entertaining characters, and some unique and hilarious comedy. The dialogue was great, quick witted and memorable, and it’s perfectly paced across its 100 minute runtime. The plot itself is intricate but never confusing, and is also the largest scale movie from Wes Anderson. The Grand Budapest Hotel really gives you a sense of adventure and escapism, while also having melancholic and darker qualities and themes that you don’t expect at first.

Wes Anderson is known for his massive and talented ensemble cast, but this may well be his biggest cast to date, and that’s saying a lot. Ralph Fiennes as Gustave H. gives not only one of his best performances of his career, but one of the best performances from a Wes Anderson movie. He’s charismatic, his line delivery is absolutely perfect, he really does handle the dry humour perfectly and fully portrays his well written and memorable character. Tony Revolori is also one of the leads and shouldn’t be overlooked, he’s really great too and shares great on screen chemistry with Fiennes. There was quite a supporting cast including Willem Dafoe, Jeff Goldblum, Adrien Brody, Saoirse Ronan, Edward Norton, Tilda Swinton, F. Murray Abraham, Harvey Keitel, Tom Wilkinson, Jude Law, Bill Murray, Jason Schwartzman, Mathieu Amalric, Lea Seydoux and Owen Wilson. Everyone is great in their parts and make themselves stand out in their respective scenes, even if they are in just 1 or 2 scenes.

Wes Anderson’s direction is phenomenal, even when compared to all his past work. His style is instantly recognisable once the movie begins. The cinematography is beautiful and vibrant. It is said with some movies that every shot could be framed as a painting, The Grand Budapest Hotel is one of those movies. The changing of the aspect ratios was also effective, moving to 4:3 for most of the film. The production design and costume design were outstanding too. The score by Alexandre Desplat is unique and amazing, and it really fits perfectly with the rest of the movie.

The Grand Budapest Hotel is an enthralling and delightful adventure, perfectly written and directed by Wes Anderson, and features an outstanding ensemble of great performances. It’s like he took everything great from his past movies and put it all in here with this one. Having gone through his entire filmography, I can say with confidence that this may well be his magnum opus. It is also firmly one of my favourite movies, especially from the 2010s. It’s an essential watch for sure, and also a great place to start with Wes Anderson if you haven’t seen any of his movies before.