Time: 114 Minutes Age Rating: violence, content that may disturb Cast:
Kåre Hedebrant as Oskar
Lina Leandersson as Eli
Per Ragnar as Håkan
Peter Carlberg as Lacke
Ika Nord as Virginia Director: Tomas Alfredson
When Oskar (Kåre Hedebrant), a sensitive, bullied 12-year-old boy living with his mother in suburban Sweden, meets his new neighbor, the mysterious and moody Eli (Lina Leandersson), they strike up a friendship. Initially reserved with each other, Oskar and Eli slowly form a close bond, but it soon becomes apparent that she is no ordinary young girl. Eventually, Eli shares her dark, macabre secret with Oskar, revealing her connection to a string of bloody local murders.
I remember wanting to watch Let the Right One In for quite a while. It’s regarded as one of the best vampire films ever and also one of the best horror movies of the 21st Century thus far. I even read the book many years ago. Having seen it, I can confirm that it’s well worth the watch, for both fans and non-fans of horror.
Let the Right One In is a vampire movie and there are some familiar and recognisable rules in place that are established during the film, they can’t be in the sun, they don’t grow old physically, and they need to survive on human blood. However, the movie is more focussed on the characters than the actual mythology of the vampires in the world of the film, and that’s what I really liked. It is a drama first and foremost. At its core, Let the Right One In is a coming of age drama, that deals with themes and issues of loneliness, bullying, revenge and existentialism. It’s far more than what you expect going in, even if the plot is fairly straight forward. The movie is technically a horror movie and dark no doubt, the story is creepy, unsettling and haunting, however at the same time quite emotional. Even though the pacing can get a little slow sometimes, the story keeps you rather invested throughout. The script was written by John Ajvide Lindqvist, who wrote the original novel that the movie is based on, and he adapted his own book quite well for the big screen. The only things of the movie that don’t quite work as the antagonist figures (even though they are a small part of the movie), especially all the very one dimensional bullies who are generically evil movie bullies which we’ve seen in plenty of movies before. It’s a small fault but it is noticeable.
The acting is great from everyone. Of course the highlights are the two leads in Kare Hedebrant and Lina Leandersson, and they play their parts perfectly. Their connection and on-screen dynamic are really believable, which is good because it’s pretty much the driving force of the whole film. The supporting cast do well, but it’s the two lead performances that are really the focus.
Let the Right One In is directed so well by Tomas Alfredson. It is gorgeously shot as expected by Hoyte van Hoytema, and the ice cold Scandinavian setting is captured so well here (especially with the snow). There are horror moments and scenes of violence, but they aren’t treated like most horror movies would have them. Most of the violence is shown in long shots and doesn’t get in your face about it; it’s not over the top, yet handled with a level of realism and is disturbing enough that it effectively gets under your skin. There isn’t a lot of focus on the score by Johan Söderqvist, but it’s great and fits the whole film perfectly.
Let the Right One In is a twisted and haunting yet beautiful film, acted greatly and excellently directed. It easily ranks among the best vampire movies, and is one of the most essential horror movies in recent memory. A must watch film for sure, especially for those who are fans of horror. Check it out as soon as you can.
Time: 127 Minutes Age Rating: contains violence and offensive language Cast:
Gary Oldman as George Smiley (“Beggarman”)
Colin Firth as Bill Haydon (“Tailor”)
Tom Hardy as Ricki Tarr
Mark Strong as Jim Prideaux
Ciarán Hinds as Roy Bland (“Soldier”)
Benedict Cumberbatch as Peter Guillam
David Dencik as Toby Esterhase (“Poorman”)
Stephen Graham as Jerry Westerby
Simon McBurney as Oliver Lacon
Toby Jones as Percy Alleline (“Tinker”)
John Hurt as Control Director: Tomas Alfredson
A retired spy, George Smiley (Gary Oldman) is summoned by the Government to investigate a furtive case. With a secret Soviet agent assumed to be working within their system, will George be able to unveil his identity?
I remember watching Tinker Tailor Soldier Spy many years ago, and it’s always been one of those movies I’ve been meaning to rewatch for some time. I remember finding it to be a good movie, but it was really slow and I didn’t understand completely everything that was going on, it was a really complicated movie. I finally saw it a second time, and I got all the acclaim this time round, it’s a very well made movie, even though I can understand why it might not work for some people.
For those who don’t know much about Tinker Tailor Soldier Spy, although it’s classed as a spy movie, this isn’t the James Bond or Jason Bourne kind of spy movie. It’s an investigative and truly espionage spy movie, with complex and shifty characters in a morally grey and bleak world. There aren’t many gunshots, and there isn’t anything even close to resembling action scenes. It’s also a very slowly paced movie, and this will definitely turn off a lot of people, I will admit that there were moments where it got a little too slow for my liking. It’s more than just that it’s a slow paced movie, it’s really complicated too, and maybe even hard to follow at times. You really have to pay close attention to from start to finish, otherwise you’ll probably miss some vital details. It’s not so much that it’s bad at crafting the story for the big screen, in fact I heard that it was well done considering the source material was apparently extremely hard to follow as it was. There are just a lot of moving parts, plotlines and characters that you have to pay attention to. Even having known much of the plot from the last viewing, after my second viewing I still had to look up a couple of things about the plot to clarify a few things I wasn’t certain about. As I was, I was invested in what was going on, even if it dragged in parts and I was lost in moments. The writing is quite strong, and the dialogue quite layered, with intimate character moments and subtext carefully placed throughout. Now having quite a good understanding of what happened, I think I’ll get this movie even more on a further 3rd viewing.
Tinker Tailor Soldier Spy has such a great ensemble cast, and all of them worked well together. Gary Oldman plays the lead character of George Smiley, and he absolutely transforms into the role. Smiley is calm and collected, yet captivating in every scene. He’s quite effectively subtle, conveying so much without having to say much. The rest of the cast are at the top of their game, with Colin Firth, Benedict Cumberbatch, Toby Jones, Tom Hardy, Mark Strong, Ciaran Hinds and John Hurt all giving great performances. The highlights out of all of them for me were Benedict Cumberbatch, Mark Strong and Tom Hardy doing so much in their screentime.
Tomas Alfredson directed this movie quite well, he really set it well in the time period of the Cold War. The cinematography was by Hoyte Van Hotema, who shot the movie very well. It’s a very grey looking movie, yet it somehow still manages to be visually stunning and stylish. Tomas also does well at building up an effective atmosphere. The score by Alberto Iglesias is also great and fits the movie quite a bit.
Tinker Tailor Soldier Spy won’t be for everyone, especially if you’re expecting a fast paced movie, it might even test the most patient of viewers. From the second viewing however, I found it to be a complex, deeply layered story, directed very well and features outstanding performances from its ensemble cast. I liked it a lot more on a second viewing, and I think that I will like it even more the more I come back to it.
Time: 119 Minutes Age Rating: Graphic violence, horror, offensive language & content that may disturb Cast:
Michael Fassbender as Detective Harry Hole
Rebecca Ferguson as Katrine Bratt
Charlotte Gainsbourg as Rakel Fauke
Val Kilmer as Gert Rafto
J. K. Simmons as Arve Støp
Toby Jones as Investigator Svenson Director: Tomas Alfredson
For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snowfall of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with cat-and-mouse games. As the vicious murders continue, Harry teams up with a brilliant recruit (Rebecca Fergusson) to try and lure the madman out of the shadows before he can strike again.
I remember The Snowman being one of my most anticipated films of 2017, however upon its release, I heard it was utterly disastrously bad. I had been meaning to getting around to it sometime, and I remember watching it sometime the past year or so, and while I don’t hate it as much as other people, it wasn’t good. It is a complete mess, and not a very interesting or entertaining mess at that. Only some of the performances and the decent cinematography are holding the movie back from being a failure on every front.
The Snowman is based off a novel of the same name, I never read the book, but I’ve heard it is great and is probably not done justice in the movie. The Snowman has a bizarre feeling throughout, and not really the one intended. Much of the way things are played seriously come across as being unintentionally hilarious. For one, the lead character played by Michael Fassbender is named Harry Hole, which immediately opens up so many obvious jokes. Harry Hole was the name of the lead character in the book, however it was pronounced something like Harry Holy, so they could’ve either pronounced it that way or just changed it, but they didn’t. However, the name thing is just a minor issue in a movie full of major issues. The script itself wasn’t that good, its full of familiar serial killer and thriller tropes and doesn’t really do anything unique, but the story itself isn’t particularly interesting either. The first act had me on board, it wasn’t good but it was starting out, so I was willing to give it a chance. However, at the end of the first act, I began to realise that the plot hadn’t really started yet. It threw in a bunch of subplots with a bunch of random characters, and it became incredibly hard to follow anything that was going on. There is a subplot with Val Kilmer that the movie would randomly cut to, it’s only later that you learn why he’s somewhat important, but it’s really distracting when he seemingly has nothing to do with the plot and it kept focussing on him. Then there’s also a subplot with J.K. Simmons and I don’t remember why the movie spent so much time with him. The Snowman is also not very engaging, it’s just tedious to watch. The 2 hour runtime feels closer to 2 hours and 30 minutes. I will say that the experience is improved by doing literally anything while watching it, so if you have a computer or phone in front of you while watching, it’s an alright way of watching it. The third act is incredibly rushed, and if the movie hadn’t already gone to its lowest point, it certainly did by then. When the killer was revealed, it wasn’t necessarily something I predicted, but it was also something I didn’t really care for. By the time the reveal happened I had lost any shred of interest in the plot, but I’m not entirely certain that the character got any setup or hints suggesting that they would be the killer. It’s also worth noting that the director admitted that there was a short filming schedule and that 10 to 15% of the script remained unfilmed, leading to narrative problems when editing commenced. While I’m sure that the film would’ve retained much of its problems even with the extra footage, it definitely would’ve made the movie at least more comprehensible than how it turned out. At the end they even try to tease a possible sequel with Fassbender’s Hairy Hole (since there’s a book series featuring him, The Snowman is not just a one-off) which probably won’t happen.
This movie has such a great cast and doesn’t manage to use any of them to their fullest potential. Most of them aren’t bad and they are trying their best, however they aren’t great either. Michael Fassbender’s Harry Hole is disjointed, and I don’t mean that in a good way. His character is an alcoholic but there’s no real reason given as to why he is one. Everyone also keeps mentioning how he’s some kind of legendary detective, but we get nothing to see to really back it up. There’s no real defined character for him and he is all over the place, in that it feels like the writers didn’t know what to do with him. Fassbender played him as best as possible given what he had to work with, but needless to say this is far from his best work. Rebecca Ferguson is also the other lead in the movie and also does what she can, however she also doesn’t have much to work with and can only do so much. Charlotte Gainsbourg is pretty good as Hairy Hole’s ex-husband, but again there’s really only so much she could do in her role. The rest of the cast of characters seem out of place and pointless. J.K. Simmons is here playing some shady business tycoon, who I guess is one of the suspects or something (it’s hard to remember), but he doesn’t really add to anything. Not to mention he’s doing this random Scandinavian accent that really does nothing to help his performance at all. Toby Jones is also here for some reason, even though his character could be played by literally anyone. No one in the rest of the cast is really worth mentioning with the exception of one notable actor, and that is Val Kilmer in a supporting role as some detective that the film would cut to occasionally. Kilmer is not looking quite like himself, and it’s not from intentional makeup, he was actually suffering from a form of mouth cancer. That probably explains why his mouth is not moving that well and why there is terrible and out of sync dubbing, with someone’s voice that is clearly not his. Maybe he was put into the movie as like a favour but for his own sake it might’ve been better if they got someone else to play the role.
I like the director Tomas Alfredson, who also made Tinker Tailor Soldier Spy and Let the Right One In (the latter of which I haven’t seen yet). He’s clearly a more than capable director, yet for some reason parts of the direction just wasn’t working here. The cinematography by Dion Beebe is one of the best parts of the movie, it actually looks quite stunning, especially in the scenes taking place amongst a lot of snow. It does elevate the movie just a bit, so it’s not an ugly looking movie. The music choices were terrible, most of the score is fine if generic and uninspired. As for the non-score bits, there are some other songs that randomly make an appearance and don’t fit in at all with the movie. The editing in many of the scenes is terrible, the editing between the scenes is jarring and doesn’t fit together but even some scenes have been cut up very roughly. Many of the ‘tense’ scenes are just disjointed that they’re hard to get into.
The Snowman is such wasted potential, and I’m not sure how this movie ended up the misfire it was. At best it’s an average but good looking and passable thriller, at worst it’s a disastrous, laughable mess of a film, that shouldn’t have been approved for release. I guess it might be okay to watch if it’s on in the background as that’s what I did, and I didn’t hate it that way (I can only imagine what it was like seeing it in the cinema). However, if you are like a fan of the book or are genuinely looking forward to the movie, you’ll be disappointed with this movie. I don’t put this up to American adaptations ruining the book or whatever, after all David Fincher did well adapting The Girl with the Dragon Tattoo, another Swedish thriller. Hopefully, The Snowman will get the proper live action treatment that it deserves.