Tag Archives: Tom Bateman

Cold Pursuit (2019) Review

Time: 119 Minutes
Age Rating: 860949[1] Violence, suicide themes, sexual references & offensive language
Cast:
Liam Neeson as Nels Coxman
Tom Bateman as Trevor “Viking” Calcote
Tom Jackson as White Bull Legrew
Emmy Rossum as Kim Dash
Domenick Lombardozzi as Mustang
Julia Jones as Aya
John Doman as John “Gip” Gipsky
Laura Dern as Grace
Director: Hans Petter Moland

Nels Coxman’s (Liam Neeson) quiet life as a snowplow driver comes crashing down when his beloved son dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to coldblooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss (Tom Jackson).

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Liam Neeson ever since 2008’s Taken has starred in a bunch of revenge thrillers, so one could be forgiven for completely blanking on this year’s Cold Pursuit as just being more of the same, albeit set in the snow. That or it is just remembered as that one movie where Neeson said some things on a press tour that got him into some hot water to say the least. I was meaning to check it out earlier but missed it at the cinemas, so checked it out more recently. Cold Pursuit has its issues but its pretty entertaining overall.

It’s around 90 minutes long and for the most part it’s paced reasonably well. It starts off like you’d expect it to, it shows Liam Neeson in his normal life, tragedy strikes with his son being killed, and then he goes on his path of revenge. The second act is when you really notice something strange about the tone of the movie. As previously mentioned, this is a dark comedy and is very offbeat throughout, and you should probably know that going in or the experience is going to be a little surprising to say the least. You think that it would mainly focus on Liam Neeson, and while he is very prominent, it also focuses on two other groups of characters, one led by the main antagonist Viking, and the other being another crime group who would come into conflict with Viking. Personally I liked how they handled it, mostly because in the third act everything comes together to really work to hilarious effect (no spoilers). However the second act is a little stretched out, even if the runtime of the movie is shorter, and I would’ve liked to have seen more of Neeson, he needed to be in the movie a little more (particularly in the second act).

It really feels like Liam Neeson was cast in the lead role for a reason given his typical lead revenge roles, and he’s effortlessly good as expected. This time however, this isn’t a Liam Neeson with a particular set of skills, just a normal guy who is out for revenge. Tom Bateman plays the drug lord and the main antagonist of the movie. He’s crazy and unhinged but he’s mostly used for comedy, as he doesn’t really do anything till like the third act. He’s just so over the top but in the right kind of way, he’s deliberately not meant to be taken seriously. Most of the rest of the cast is fine as well. There is a subplot following a couple cops played by Emmy Rossum and John Doman, and while the two are okay in their roles, their parts didn’t really amount to anything. It’s almost like they’re in the movie to show that police exist in this town but they basically contribute nothing to the plot. The worst treatment of a character/actor is definitely with Laura Dern as Neeson’s wife. It’s actually kind of ridiculous, she appears for scenes before and after her son’s death, and then they just disappear and aren’t mentioned or seen ever again. I heard that apparently it was like that with the original movie, but then I wish the director then would’ve improved the role instead of keeping it the same.

Turns out that this movie is actually an English language remake of In Order of Disappearance, a film also made by the same director, Hans Petter Moland. He really does place you in the snowy location very well. His direction is especially great when it comes to the comedy. For example, every time someone dies, a title card comes up with the name of the person who was just killed. A lot of the time this is used for some really great comedy. The action itself when it actually happenss is quite good, however don’t expect the amount of action in some of Neeson’s other flicks like Taken.

Cold Pursuit isn’t anything special but it’s a fun movie. Liam Neeson and the cast worked well (although Laura Dern and Emmy Rossum weren’t given the best things to work with), and the writing and overall direction made it work as a dark comedy. It’s definitely not a conventional Neeson thriller and despite its issues, I’d say that it’s worth a watch.

Murder on the Orient Express (2017) Review

Time: 114 Minutes
Age Rating: 860940[1] Adult Themes
Cast
Kenneth Branagh as Hercule Poirot
Tom Bateman as Bouc
Penélope Cruz as Pilar Estravados
Willem Dafoe as Gerhard
Judi Dench as Princess Dragomiroff
Johnny Depp as Samuel Ratchett
Josh Gad as Hector MacQueen
Derek Jacobi as Edward Henry Masterman
Leslie Odom Jr. as Dr. Arbuthnot
Michelle Pfeiffer as Caroline Hubbard
Daisy Ridley as Mary Debenham
Marwan Kenzari as Pierre Michel
Olivia Colman as Hildegarde Schmidt
Director: Kenneth Branagh

A lavish trip through Europe quickly unfolds into a race against time to solve a murder aboard a train. Everyone’s a suspect when Detective Hercule Poirot (Kenneth Branagh) arrives to interrogate all passengers and search for clues before the killer can strike again.

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I was curious about Murder on the Orient Express, I had never read the original book or watched any adaptations. It was the cast and crew involved that had me interested, especially with Kenneth Branagh directing and starring. As someone who hasn’t seen any version of the story beforehand, I ended up thoroughly enjoyed Branagh’s Murder on the Orient Express. The performances (particularly from Kenneth Branagh) and the direction really make this movie. It does have some issues (particularly with its characters) but its good elements far outweigh the weaker elements overall.

I can’t comment on any similarities and differences between this and the original book or other adaptations, so I’ll just treat it as its own thing. It’s not a flashy typical Hollywood whodunit, it is slower paced and feels restrained. I can see a lot of people getting bored of this movie so if you’re going to see it just know that it is very slow paced. The pacing didn’t bother me personally, it felt just right. I was quite intrigued throughout the whole movie, my attention didn’t waver once. This movie has a surprisingly amount of effective humour, especially from Branagh’s Poirot. One issue that I had is that there is so much going on that at times it is hard to follow. At the end, even though I understood most of what happened, I had to look up the plot to clarify certain things. You have to be paying close attention or you could miss details, I know because I was paying attention and I didn’t pick up all of it. The second problem and probably the biggest problem is the handling of the supporting characters. The supporting characters aren’t developed or fleshed out that well. You might be able to remember some aspect about them (like in terms of the actor or the character’s job) but that’s about it. So when names are being thrown all about by Poirot as he theorises what happened, it’s a little jarring and at times hard to follow what’s going on. Its hard to remember these supporting characters, I can barely remember any of the supporting characters’ names, save for a couple.

This movie has a lot of A list actors but the true star of this movie is Kenneth Branagh as Hercule Poirot. He is a little over the top but it works, Hercule is a quirky and likable character and its basically worth watching the movie for this performance alone. Also he manages to sell that over the top handlebar moustache. We have a large and talented supporting cast with Willem Dafoe, Daisy Ridley, Judi Dench, Josh Gad, Michelle Pfeiffer, Olivia Colman, Penelope Cruz, Leslie Odom Jr., Johnny Depp and others. For many of those who have had long careers like Judi Dench and Willem Dafoe, their performances here aren’t going to rank up as one of their best but they play their part well, in fact everyone plays their parts rather well. A stand out to me was Josh Gad, who surprised me, he’s usually known for comedic roles in movies like Frozen and Beauty and the Beast. But here he proves that he is really good in a dramatic role. Even Johnny Depp was good, granted his performance was one of the weaker performances and he doesn’t have a massive amount of screentime. As I said, the actors played their roles well, it’s just that the characters really weren’t that fleshed out that well aside from Hercule. I have no issues about the acting however.

Kenneth Branagh directs the film very well. The cinematography is truly great, it’s beautiful looking. The long takes also help show just how big of scale everything is. It makes use of its locations very well. The editing also was top notch and worked well, especially in the scenes where Poirot is piecing together what happened.

I’m not sure how much you’ll like 2017 Murder on the Orient Express. I think you will at the very least appreciate and enjoy Kenneth Branagh’s performance and his direction. Personally, I really liked it, with the acting (especially from Kenneth Branagh) and the direction and the plot which is mostly done well. There are some aspects that didn’t quite work in terms of some of the characters but for the most part this movie does everything right. Branagh has mentioned that he was interested in doing more films with the character of Poirot and I am completely on board for that. I’d love to see him make a return.