Tag Archives: Til Schweiger

Inglourious Basterds (2009) Review

Time: 153 Minutes
Age Rating: 860949[1] Violence and offensive language
Cast:
Brad Pitt as Aldo “The Apache” Raine
Mélanie Laurent as Shosanna Dreyfus/Emmanuelle Mimieux
Christoph Waltz as Hans Landa
Eli Roth as Donny “The Bear Jew” Donowitz
Michael Fassbender as Archie Hicox
Diane Kruger as Bridget von Hammersmark
Daniel Brühl as Private First Class Fredrick Zoller
Til Schweiger as Hugo Stiglitz
Director: Quentin Tarantino

In World War 2, a group of American soldiers led by LT. Aldo Raine (Brad Pitt) is sent into Nazi occupied France to kill as many Nazis as possible. A plan is made to kill high ranking German officers at a movie theatre. That movie theatre belongs to Shosanna Dreyfus (Melanie Laurent), a Jewish refugee who witnessed the deaths of her family by Colonel Hans Landa (Christoph Waltz). When she finds that every major Nazi officer is attending for a premiere, she hatches a plan of her own.

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Inglourious Basterds is widely considered one of the best films from Quentin Tarantino, and for good reason. The acting, direction but most of all the writing makes this such a unique, different and entertaining movie, which has gotten better every time I’ve watched it. One of his most complete movies and definitely one of his top tier movies, if not his all time best.

It’s no surprise that Quentin Tarantino’s writing is fantastic, in its 2 hour and 20 minute runtime it doesn’t miss a beat. From start to finish the film is riveting, a good example of one of these scenes, happens to be one of the best scenes, which is at the very beginning; it was a very tense and it’s a credit to the actors and Tarantino. One thing that is different from his other movies is the way it is structured; the film is broken up into chapters, focussing on particular characters. It’s only in the final chapter where both the Basterds, Hans Landa and Shosanna are in the same chapter. As usual the dialogue is fantastic, and while Tarantino could be considered self-indulgent with some of the dialogue in this movies, here all of it feels just right. Another difference is the use of 4 multiple languages throughout the movie, which was definitely a different turn from Tarantino and made things interesting. The final act of this movie is exhilarating and very entertaining in one bloodbath of a finale.

Tarantino gets the best out of everyone who stars in his movies and Inglourious Basterds is no exception. Brad Pitt is hilarious in this movie, especially with his very overplayed accent. Other actors like Eli Roth, Diane Kruger, Michael Fassbender and Daniel Bruhl, all have great moments in this movie and contribute to the movie immensely. There are however two standouts among the cast. The performance that steals the show of course is by Christoph Waltz as Hans Landa. Waltz is magnetic when he’s on screen, that aforementioned opening scene establishes him as an absolute screen presence. Melanie Laurent is often overlooked in this movie but she’s really fantastic here, definitely deserving of much more praise.

Quentin Tarantino effortlessly directs this movie with his style and infuses it with a lot of energy. Tarantino really helps to set the film in the 1940s, from the production design to the costumes, all of it was done well with great detail and it really paid off. Helping this is the music picked for it, even when some of the songs that are used in a much later time period (including Cat People by David Bowie), they fit perfectly in the scenes they are placed in.

Inglourious Basterds has gotten better every single time that I’ve seen it. The performances from its large and talented cast (especially from Melanie Laurent and Christoph Waltz) were great, and of course the writing and direction is at the core of what made it work so well. Though we are still a little while away from Once Upon a Time in Hollywood, at this point in time I’d say that Inglourious Basterds may well be Tarantino’s best film yet. Definitely watch it if you haven’t seen it already.

Atomic Blonde (2017) Review

Time: 115 Minutes
Age Rating: 860949[1] Contains graphic violence, sex scenes, offensive language & nudity
Cast
Charlize Theron as Lorraine Broughton
James McAvoy as David Percival
John Goodman as Emmett Kurzfeld
Til Schweiger as The Watchmaker
Eddie Marsan as Spyglass
Sofia Boutella as Delphine Lasalle
Toby Jones as Eric Gray
Bill Skarsgård as Merkel
Director: David Leitch

Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent who’s willing to use all of her lethal skills to stay alive during an impossible mission. With the Berlin Wall about to fall, she travels into the heart of the city to retrieve a priceless dossier and take down a ruthless espionage ring. Once there, she teams up with an embedded station chief to navigate her way through the deadliest game of spies.

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While one half of the directors of John Wick continued with the sequel, the other half (David Leitch) worked on an adaptation of a graphic novel titled The Coldest City which resulted in Atomic Blonde. With the talent of the director, as well as the talent of actors involved such as Charlize Theron and James McAvoy, how could I not be excited? And it lived up to expectations. The actors were great in their roles (particularly Theron and McAvoy), the story was interesting enough and David Leitch’s direction were all great.

Atomic Blonde’s plot isn’t anything special but it works for the movie. There is enough twists to keep you invested in what’s going on from start to finish. Whether all the twists will hold up on a second viewing remains to be seen. The plot kept me pretty interested throughout and I was consistently entertained. One last thing I want to address, I know a lot of people will go into Atomic Blonde expecting Jane Wick but don’t, Theron’s Lorraine Broughton is not like John Wick, and the world that this film is isn’t the criminal underworld from the John Wick universe. The only thing similar in both the John Wick films and Atomic Blonde is the excellent direction. That’s not necessarily a bad thing, it’s just different. No, Atomic Blonde doesn’t have the fascinating world that John Wick has, but it doesn’t need to. For what the movie that it was aiming to be, Atomic Blonde succeeded very well.

Charlize Theron absolutely owns her role as Lorraine Broughton, she’s fantastic in her action sequences and actingwise she is fantastic as well, she really does have a screen presence. She steals every scene she’s in. However another showstealer is James McAvoy, who is also great in his role as a very wild, shady and morally ambiguous character. There were times when both McAvoy and Theron were on screen and I couldn’t tell who stole the show more. McAvoy was definitely one of the highlights of the film. Other actors like Sofia Boutella, Toby Jones, John Goodman and Eddie Marsan were really good in their roles.

David Leitch’s direction naturally is great. This movie like John Wick is very stylised and was one of the highlights of the film. Unsurprising the action is great with the cinematography capturing all the action clearly, the stunts and choreography looked genuine especially from Charlize Theron and they were very entertaining overall. Probably the most standout action sequence is inside a apartment and at a stairwell later in the movie, it is brutal and unrelenting. It is also a long 7 minute unbroken take (or at least appears to be). That was the best action sequence in the film, so incredibly done. I guess maybe the only negative I can say that its not consistent as to whether the action scenes are stylistic or realistic and brutal and they feel distinctly different from each other but that’s a minor issue. The soundtrack is also really great, along with Tyler Bates’s score, there is a bunch of classic songs that play very well in the film.

Atomic Blonde is a really good action movie, the actors was good, Theron and McAvoy stole the show and it had some truly great action sequences. For those wondering, no, I wouldn’t quite consider it at the level of quality of the John Wick movies but honestly it doesn’t need to be. I actually wouldn’t mind a sequel to Atomic Blonde if it actually happens, I would love to see more of Lorrain Broughton in action. To repeat a point I said before, don’t go in expecting Female John Wick, maybe expect the similar action but that’s it, Atomic Blonde is its own thing, and I’m glad it is.