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Top 25 Best Films of 2022

It’s time for me to present my (as usual very late) list of my favourite films of the year.

So far I’ve watched 78 movies from 2022, and I think I’ve seen most of the movies I wanted to watch. Still, there are some I didn’t get around to before making this list. So to cover all bases, here are some of the movies I haven’t seen yet:

  • Armageddon Time
  • Cha Cha Real Smooth
  • Emily the Criminal
  • The Menu
  • The Quiet Girl
  • The Wonder

Honourable Mention: Barbarian

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Barbarian is best experienced if you go into it blind. This new horror movie is greatly written ans does well at making you feel unsettled from the start, with the strong atmosphere, suspense and feeling of dread. There’s even some surprising humour which fits into the movie and doesn’t take away from the tension. The performances are really good, including Georgina Campbell, Bill Skarsgard and especially Justin Long. Zach Cregger’s direction was great, with outstanding camerawork and cinematography, from the movements to the choice of lens. It’s not without some issues: the social commentary is a little muddled, the twists don’t hit as hard in the second half, some unexpected jumps in the narrative causes hiccups in pacing, and it would have benefitted from a longer runtime. Still, Barbarian is a solid, suspenseful, entertaining and well crafted horror movie, and one of the best horror movies of 2022.

My review of Barbarian

Some other Honourable Mentions:

  • Kimi
  • The Woman King
  • Argentina, 1985
  • Marcel the Shell with Shoes On
  • Vortex
  • Thirteen Lives

With the honourable mentions done, here are my favourite movies of 2022.

25. Elvis


I admit I’m one who wasn’t sure how I’d feel about the Elvis Presley biopic considering that I’m not always favourable on Baz Luhrmann’s movies, but I was surprised by his latest movie. As someone not familiar with the central subject, I liked it. It’s not a particularly complex biopic and it is very familiar and standard, but it does succeed for me because it tries to capture the spirit of Elvis and emphasizes the spectacle. The story is fairly engaging and has this consistent energy throughout, and the interesting choices (hit or miss) help to make it somewhat stand apart from other music biopics. There are also some great performances from the cast including Olivia DeJonge, Helen Thomson and Richard Roxburgh, while Austin Butler is fantastic as Elvis Presley, talking and singing like him but also capturing his essence incredibly well. Luhrmann’s style is in your face and while it didn’t always work for me in his other movies, it did here. It’s very chaotic and perhaps a bit overwhelming, but it was a real experience watching in the cinema, from the dazzling visuals to the sound and music. I do feel like it might not hit as hard on a rewatch, especially on a smaller screen. But from my first viewing, I really liked it.

My review of Elvis

24. Everything Everywhere All at Once


When I watched Everything Everywhere All at Once for the first time, I assumed that it would still be in my top 10 of the year. I will admit that this movie has gotten worse for me. On the second viewing, the very quirky humour felt more grating, random for the sake of being random, and it didn’t hit as hard this time. That being said, I still like the movie and it is impressive in some ways. It is sincere and heartfelt, and I even found the family drama to be more compelling than the actual multiverse part. The film is helped by the great performances, especially from Michelle Yeoh, Ke Guy Quan, and Stephanie Hsu. The Daniels (Scheinert and Kwan) directed this well, with a visually kinetic style and is energetic from beginning to end. The action is really entertaining, the editing is perfect, and the score is great. When I watched the movie, I was sure that Everything Everywhere All at Once wouldn’t be for everyone, and while there’s certainly others who understandably can’t get into this at all, it ended up being a hit and one of the most beloved movies of the year by audiences. In spite of my problems with it, I do at least like it.

My review of Everything Everywhere All at Once

23. Resurrection

One of the more overlooked movies from 2022, especially when it comes to horrors/thrillers. Resurrection is a slow building paranoia thriller about emotional abuse and trauma, which becomes more disturbing as more shocking revelations are presented. It’s effective in making you constantly anxious and stressed. For a while it’s hard to figure out what is happening, adding to the uncomfortable feeling. The sharp and unsettling tone is helped by the strong direction, striking cinematography and ominous score. It strongly benefits from some fantastic performances, including Tim Roth and Grace Kaufman. However the standout is Rebecca Hall, giving a phenomenal performance in the lead role. So much of the movie relies on her, and she conveys terror, trauma and guilt so well. Resurrection does get shaky as it approaches its third act and goes in a different direction compared to the otherwise grounded first two acts. Also, while I respect the vague and ambiguous ending, it’s still one I’m not sure about yet. Overall though, Resurrection is a tense, anxiety driven and unsettling psychological thriller that deserves more attention.

My review of Resurrection

22. Ambulance


Michael Bay’s latest film is one of his best, and the more I think about it, the more I like it. The story is straightforward, focussing on a heist and hostage situation taking place in an ambulance. It’s really over the top and implausible, and comparable to the action movies from the 90s. It comes with the sense of self awareness, yet remains one of Bay’s more emotional movies, mainly with the central three characters. It also benefits from the performances: the main trio with Jake Gyllenhaal, Yahya Abduel-Mateen II and Eiza Gonzalez are all really good, especially Gyllenhaal in a wonderfully unhinged and energetic performance. While it’s comparatively restrained for Bay, it was still refreshing watching a modern action movie and being able to feel the director’s style throughout. The action is spectacular with wonderful destruction, and was excellently captured on screen, especially with the use of drones. This made it an action movie like none of the others from 2022. Ambulance was one of Michael Bay’s best movies and a highly satisfying cinema experience.

My review of Ambulance

21. All Quiet on the Western Front


There’s usually at least one or two war movies released every year. However of those, I think this most recent All Quiet on the Western Front definitely deserves all the acclaim. It’s a bleak and moving anti-war film from the perspective of German soldiers in World War 1. It humanizes soldiers on all fronts while capturing the worst of humanity. It’s really one of the only recent war movies I’ve seen which successfully conveys that there are no winners in war. The story isn’t particularly complex but it’s handled so well and the emotional beats hit hard. The acting is all excellent (especially from Felix Kammerer in the lead role), who all deliver devastating and raw performances. It’s also a film so carefully and immaculately crafted, it’s fantastic on a technical level and help to form an accurate picture of WW1 from the production design and environment to the brutal war sequences. All Quiet on the Western Front was a lengthy but impactful, brutally realistic and unsettling portrait of war. Not an enjoyable movie to watch, but one well worth watching.

My review of All Quiet on the Western Front

20. White Noise


From brief glances, White Noise looked a little weird and I didn’t pay attention to it much. Yet it’s one of the most interesting movies to come from 2022. It’s an ambitious film which takes a lot of risks and is firmly not for everyone. It initially starts out simple with an initial plot focussing on a family’s lives being disrupted by an airborne toxic event. However, that’s just the start, and the plot isn’t really consistent. I found it to be strange and perplexing initially, especially with the very strange and unnatural dialogue. However there was something intriguing and exciting about it that had me curious to see where it would go, and I quickly found myself wrapped up in this off kilter and multi genre movie. The film benefits from a strong cast who deliver in their roles, with Adam Driver, Greta Gerwig and Don Cheadle all being great. Even Noah Baumbach gives it a distinct style that adds a lot to the movie and gives the right tone through visuals alone. White Noise is a darkly humorous, absurdist, satirical, and wonderfully weird dramedy. I admit that there’s a lot that I didn’t understand and much of my liking of it comes from its boldness and uniqueness. I’m not quite sure I understood everything that it was going for, but I’m sure things will be clarified upon rewatch. Still, the end result just seemed to work for me.

My review of White Noise

19. Women Talking

Film Review - Women Talking

A very late entry on this list, Women Talking is fantastic and lived up to all its acclaim. It’s a self contained and dialogue heavy movie, but is handled in such a way that its not too stagey. It touches on heavy topics like rape and sexual assault, but handles them well. It’s very layered, has depth, and handles the subject matter with a lot of empathy and sensitivity. It’s a hard movie to watch, but in spite of the bleakness, it is hopeful by the end. There is an outstanding ensemble of performances, especially with Rooney Mara, Jessie Buckley, Claire Foy, and Ben Whishaw. It’s further helped by Sarah Polley’s strong direction, it is top notch on a technical front with great editing and cinematography, and has one of the best scores of the year from Hildur Guðnadóttir. It’s a riveting, sensitive and powerful movie, and well worth watching.

My review of Women Talking

18. RRR


My first venture into Indian and Tollywood cinema paid off. RRR is a well constructed movie which is a lot of things: part action, part romantic comedy, part historical drama. As a result it’s tonally all over the place, yet the combination works quite well. It’s an unabashedly wild movie with spectacular and over the top action and exhilarating musical numbers, yet has genuine heart and emotional stakes, especially with the central relationship between the characters played by N.T. Rama Rao Jr. and Ram Charan. It is a long movie at 3 hours, but I never once felt bored. RRR is an entertaining and visually gorgeous spectacle, and it’s not a surprise that it ended up being such a hit.

My review of RRR

17. Three Thousand Years of Longing


I admit I was skeptical from the looks of the movie despite George Miller directing and Idris Elba and Tilda Swinton starring. Yet it ended up being one of the most distinct and surprising movies of the year. The best way I can describe the movie is that it’s a subdued, endearing and existential fairy tale love story for adults, and a sincere character study about stories and the importance of them. Much of it is just one character recounting the many stories from his past and I found it all riveting. Helping this are the strong performances from Idris Elba and Tilda Swinton, and George Miller’s direction, with stunning visuals and plenty of spectacular and creative sequences. Three Thousand Years of Longing is rough in parts from the CGI and some pacing issues towards the second half, however it’s great on the whole. It’s visually beautiful, director driven, sincere, and not afraid to be creative, weird or different. Definitely worth checking out if you missed it.

My review of Three Thousand Years of Longing

16. Guillermo del Toro’s Pinocchio


While I didn’t watch the other two Pinocchio movies released in 2022, it seems Guillermo del Toro’s version is easily the best of them. It is also one of the best films of the year. It tells its captivating story incredibly well, and it is more complicated and complex than expected, with it being childlike, sweet and uplifting, yet heavy, emotional and unafraid to get dark (as expected for a movie set in Mussolini’s Italy). The voice performances are excellent and convey the characters incredibly well, especially David Bradley, Gregory Mann, Cate Blanchett, Ewan McGregor and Christoph Waltz. The stop motion animation is gorgeous and stellar, everything looks like a work of art, and the movements are flawless. The designs are great and the production designs are wonderful with so much detail. Guillermo del Toro’s Pinocchio is a mature, charming, magical and wonderfully crafted film, with so much passion on display. I highly recommend it, it’s very likely the best animated film from 2022.

My review of Guillermo del Toro’s Pinocchio

15. After Yang


After Yang released earlier this year but seemed to have been forgotten, which is a shame because it is incredible. Despite its futuristic setting, at its core, it is about coming to terms with a potential death in the family. It’s a very contemplative and meditative movie with an intimate story about memory, losing time and what it means to be alive and in a family. The conversations are thought provoking and meaningful, and the film sticks with you long after watching. It certainly helps that the committed cast all give tremendous and powerful performances, especially Colin Farrell. Koganada unsurprisingly delivers with his direction, given his work on Columbus. It has this calming and dreamlike atmosphere as well as visually stunning, from the cinematography to the production design. After Yang is fantastic, an intimate, existential yet beautiful reflection on life, loss and humanity. It definitely deserves a lot more attention than it’s been receiving.

My review of After Yang

14. Aftersun

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I admit that I was cautious going into Aftersun. Every time a slice of life or coming of age movie releases and reaches critical acclaim, I end up just liking it but finding it underwhelming and not being able to get into it, Aftersun was an exception. The plot is simple with a girl spending her last holiday with her father and not much happens. However, characters and details reveal themselves over time and I was invested. I found the subtle approach to be very effective, no dramatic outbursts or monologues to be seen here, it feels like we are right there with the characters in real life. It captures the feeling of childlike innocence but with an undercurrent of profound sadness. Charlotte Wells was amazing with her directorial debut. So much is conveyed from the story with visuals alone and the way things are filmed and portrayed. And of course, Paul Mescal and Frankie Corio are key to making the film work as well as it did, delivering some of the most believable and best performances of the year. Aftersun is a contemplative, quiet and moving film that snuck up on me. It only gets much better the more I think about it.

My review of Aftersun

13. Crimes of the Future


Crimes of the Future is a welcome return for David Cronenberg, delivering yet another bizarre film with great worldbuilding, a strange and interesting futuristic setting, and a unique vision of the future of human revolution. If anything, I wished that I could’ve seen more or even get a sequel. There’s also a lot happening thematically, including the fascination with the human body and how it evolves over time. The cast including Viggo Mortensen, Lea Seydoux, and Kristen Stewart all deliver in their roles, and help to sell the strangeness of these characters, their actions and the world they live in. Cronenberg’s direction is stellar and on a technical level it’s fantastic on all fronts, the cinematography and production design help to convey this vision of the future. The effects are outstanding with all the CGI and makeup effects, mainly for the body horror, and said body horror is used to serve it’s concept and story instead of trying to provoke a reaction. Finally it has a fantastic score from Howard Shore that is among his very best work. Crimes of the Future was a welcome return to form for David Cronenberg; a thought-provoking dystopian horror neo noir.

My review of Crimes of the Future

12. Decision to Leave

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Park Chan–wook’s latest movie was predictably great. It initially presents itself as a police procedural (relatively standard compared to his other films), but over time reveals itself as a romantic thriller, almost like a Wong Kar-wai film if it was made by Park instead. The first half of the story is engrossing and intriguing, filled with details, clues, and is layered with important subtleties. It all came down to the central relationship which is unconventional yet compelling and I was wrapped up in it. This is certainly helped by the performances from Tang Wei and Park Hae-il, who excellently portray the central compelling on screen relationship. Park’s direction is phenomenal, the cinematography is spectacular, the visuals are alluring, and the camerawork is incredibly inventive. It’s certainly one of the best films of the year on a technical level. The only reason this movie is not higher on the list is mainly because of a somewhat disappointing second half which I wasn’t as invested in outside of the ending. Beyond that, Decision to Leave is a phenomenal movie that deserved a lot more attention.

My review of Decision to Leave

11. Glass Onion: A Knives Out Mystery


As a fan of the first Knives Out, I consider its sequel to be at the very least on the same level of quality, while trying enough different stuff that it’s a distinct enough film. Rian Johnson has delivered another snappy and sharp screenplay which doubles down on the twists, humour, social satire and more. While initially hard to follow where it was going, it was overall well plotted and not easy to predict, and the third act and conclusion was satisfying. Again a talented ensemble cast is assembled, including Janelle Monae, Edward Norton, and Kate Hudson. Also, Daniel Craig once again returns as Benoit Blanc in more of a lead role, and is delightful and entertaining to watch as ever. Glass Onion is thoroughly entertaining and was one of the most fun experiences I had with a movie in 2022.

My review of Glass Onion: A Knives Out Mystery

10. Tár


Tár is a great character study focusing on the rise and fall of a (fictional) esteemed conductor and composer, and is one of the best crafted films of the year. It’s riveting from beginning to end, the long stretches of dialogue are excellently written, and Todd Field’s direction is outstanding with a great and distinct visual style. It’s the performances which tie everything together, particularly with a career best Cate Blanchett. The lead character of Lydia Tár is already compelling, excellently crafted and put together, and Blanchett portrays her wonderfully. One of the year’s best films for sure.

My review of Tár

9. Bones and All


Bones and All is many things, a horror film, a romance, a roadtrip movie, and a coming of age story, and it succeeds at all of them. It’s certainly deranged and disturbing given that it’s a movie about cannibals, yet remains sincere, tender, and beautiful. The relaxed approach to the story pays off well and helps us get emotionally invested in the troubled central characters. Luca Guadagnino’s direction is amazing, capturing the 1980s Middle America time period and setting especially with the gorgeous cinematography and the great use of the different locations. The performances are all great with a strong cast including Mark Rylance, but it’s particularly Taylor Russell and Timothee Chalamet who stand out. Those two share believable chemistry and their endearing relationship is the heart and soul of the movie; the movie just wouldn’t have worked nearly as well if that didn’t succeed. Bones and All is a riveting, brutal, unique and beautifully made romantic horror film that I was very invested in from beginning to end.

My review of Bones and All

8. The Fabelmans


Steven Spielberg’s latest film is his most personal, and one of his best. A semi autobiography and coming of age story, it’s a heartfelt reflection on his own life that’s cleverly written and excellently directed (as to be expected). It showcases the passion of films and the pursuit of one’s dreams, and while it is a love letter to movies, it still highlights the cost and sacrifice that comes with pursuing said dream. It’s also a love letter to Spielberg’s family, as he recreates his childhood memories and personal struggles within his family life. The movie could’ve easily been self indulgent, but it’s authentic, genuine and compelling to watch. Gabriel LaBelle, Michelle Williams and Paul Dano are fantastic and believable here but really everyone plays their parts well, including Seth Rogen and a memorable David Lynch appearance. The Fabelmans is an intimate, personal and earnest love letter to cinema and family, and its definitely one of the most ‘complete’ movies released in 2022.

My review of The Fabelmans

7. The Banshees of Inisherin


The Banshees of Inisherin is one of the most layered and complex films of the year. It’s initially simple as it focuses on a friendship fading away, but reveals itself as something more. It’s a tragicomedy with lots of levity, humour and witty dialogue, yet is a melancholic, existential and bittersweet movie at the heart of it, with a darker undercurrent. It’s Martin McDonagh’s most emotional, mature and layered film yet, focussing on loneliness, despair and inner turmoil. It exceeds greatly particularly because of its outstanding performances: Colin Farrell (potentially career best here), Brendan Gleeson, Kerry Condon and Barry Keoghan are all amazing. The Banshees of Inisherin is a beautiful, layered, darkly funny and emotional tragicomedy. McDonagh’s latest film just might be his best yet.

My review of The Banshees of Inisherin

6. Nope


Nope is Jordan Peele’s most ambitious film yet, and it just might be my favourite of his. He has delivered a suspenseful horror spectacle which also works as a genre picture and love letter to sci-fi. While it’s his least scary movie, there’s a real sense of unnerving dread, eerie tension and atmosphere, and it even contains his most disturbing scene yet. At the same time, there’s effective comedy, whimsical moments that are reminiscent of Steven Spielberg’s movies, and is entertaining throughout. As expected it’s thematically dense and layered with social commentary about exploitation, and turning tragedy and trauma into spectacle, making Nope a spectacle about a spectacle. The small but effective cast give great performances, with Daniel Kaluuya, Keke Kalmer, Steven Yeun and more bringing across their characters wonderfully. Jordan Peele delivers in his direction of his biggest movie yet. The cinematography is stunning, capturing the sky at different times of the day, the sound design is immersive, and the scenes of tension are effective, even the shots of clouds are unnerving. Nope is a spectacular and memorable sci-fi horror movie, and I’m looking forward to what Jordan Peele makes yet.

My review of Nope

5. Top Gun: Maverick

Top Gun: Maverick

I have watched Top Gun: Maverick more times than any other 2022 movie: twice in cinemas and on the third viewing at home, it was just as thrilling as the first two times. Maverick remains one of the biggest surprises of 2022 for me, considering I mildly enjoyed the first movie as a cheesy 80s classic. However, the sequel is a genuinely great blockbuster. Joseph Kosinski directs this excellently, it’s an incredibly well put together action film, from the cinematography to the editing and sound, and the aerial sequences are intense and fantastically done. The cast all deliver including Miles Teller and Val Kilmer, and Tom Cruise sells his role of Maverick, still the same character from the 80s but with an added emotional weight I wasn’t expecting. In fact, the most surprising aspect was the genuine and meaningful drama and an actually solid story. While it’s similar to the original in some ways, it’s executed better here, whether it be with more fleshed out character dynamics, or the sense of gravitas. Unlike the original it builds up to the climax and you feel the stakes leading up to it, giving each action sequence added weight and tension. It even does justice to the original with a mix of old and new; honouring the original while moving forward to do its own thing. It felt like there was a genuine reason for this sequel to be made, and is definitely up there as one of the best legacy sequels. It surpasses the first movie in every regard and is one of the best action movies of recent years. It is really worth watching even if you’re not a big fan of the original.

My review of Top Gun: Maverick

4. The Batman


The latest take on Batman by Matt Reeves was immensely satisfying. A murder mystery detective action thriller inspired by Se7en, it’s dark, bleak and grungy and I was invested throughout. It embraces the goofiness of the comics, while taking itself seriously. It also benefits from being self contained, not feeling that it needs to set up the next film or tie in any other characters. The cast are all wonderful in their roles, Zoe Kravitz, Jeffrey Wright, Andy Serkis, Colin Farrell, John Turturro and Paul Dano deliver great portrayals of their already iconic characters. Robert Pattinson as Batman is however the standout, who is thankfully another unique take on the Caped Crusader. As a reclusive Bruce who spends most of his life as Batman, Pattinson’s performance is mostly minimalist, but very fitting for this version of the character, and he conveys a lot physically and emotionally. The direction from Matt Reeves was excellent; the noir ambience and atmosphere from the stellar cinematography, to the lived in Gotham City (which may well be the best representation of that setting). I can say with certainty that The Batman is at least one of my favourite versions and portrayals of the character, and I’m looking forward to seeing what Reeves delivers next.

My review of The Batman

3. The Northman


The latest film from Robert Eggers may be his most accessible, but is still a dark, brutally and wonderfully weird film, and remains one of the best cinema experiences I’ve had. It may be a fairly straightforward simplistic revenge story, but it is riveting and immersive, and does well at depicting vengeance and the endless cycle of violence. As expected with this being an Eggers movie, it’s authentic to the time period, from the dialogue to all the other little details surrounding the movie. A large and impressive cast including Alexander Skarsgard, Anya Taylor-Joy, and Nicole Kidman all deliver. The direction from Eggers was exceptional, more than delivering on the larger scale. The cinematography and visuals are outstanding, and the battle sequences are brutal and gnarly. It really helped you feel like he took you back to that time and place. Apparently Eggers had to make some compromises for this movie, but you wouldn’t know it from the fantastic end result. The Northman is a creative, ambitious and uncompromising hard R epics that we don’t get much of nowadays.

My review of The Northman

These next two are so close together, they could practically be tied for first place.

2. Avatar: The Way of Water


I used to be in the group of people that just wasn’t that into the first Avatar, but in rewatching it, I gained a greater appreciation. It held up very well over the years, and is crafted on such a high level compared to most of the blockbusters released today. That certainly enhanced my experience for the sequel, which improved upon the original in just about every way. James Cameron continues to build this world further and expand into new territory; with the level of detail in this world, you can really feel his passion for these films. Despite the larger scale, The Way of Water still feels intimate with the focus on characters. There is so much heart and sincerity throughout, even allowing for the middle hour of the film to be quiet and lacking with conflict so that we can just spend time with these characters. While the first movie felt a little trapped within a familiar plot structure, The Way of Water feels freer to follow its characters. And of course, it ends with a satisfying climax which is a blast to watch, especially in the cinema. James Cameron’s direction is on another level, and he delivers yet another amazing technical achievement, with the technology not only serving as a visual spectacle, but also helping to tell its story. The visual effects are outstanding, everything from the characters, the water, the creatures and more look so real, and the action is entertaining and well captured. Avatar: The Way of Water is spectacular, epic and beautiful. I would love to see more modern day blockbusters to have as much passion and craft put into it. With the expected success at the Box Office, it seems that we are definitely getting all of James Cameron’s planned sequels, and I am thoroughly looking forward to them.

My review of Avatar: The Way of Water

1. Babylon


When I first watched Avatar: The Way of Water, I thought that my favourite film of 2022 was locked in, yet a month later, a little movie called Babylon changed that. Damien Chazelle’s most ambitious work yet takes massive swings and is one of the more polarising movies of 2022. An epic covering the rise and fall of multiple characters involved in Hollywood in the 1920s, it’s chaotic yet coherent and I was enthralled throughout. It’s funny and entertaining with outrageous moments, while also being a sad and tragic story. It explores eras of cinema and how much film has changed, celebrating cinema while also serving as a hate letter to Hollywood. It helps that there’s a great and talented cast behind it, especially with Diego Calva and Margot Robbie delivering excellent performances. It’s phenomenally directed, bombastic and stylish, with stunning cinematography, frenetic energy from beginning to end, and the best score of the year. Babylon is ambitious and an enthralling and exhilarating experience. It isn’t for everyone but it worked perfectly for me.

My review of Babylon

What are your favourite movies from 2022?


Ranking the 2023 Best Picture Nominees

It’s time for my yearly ranking of the latest Best Picture nominees. 

Overall, I’d say that it’s a pretty a good lineup. There are definitely some movies I wish were here and my Best Picture picks would certainly be different. However, for me there isn’t anything too objectionable compared to other years, and 9 of these films are in my top 25 favourites of 2022. 

Once again, the ranking of the nominees is all based on my personal preferences and has nothing to do with how much they “deserve” to win. 

10. Triangle of Sadness

While I still like it, Triangle of Sadness is pretty easily my least favourite of the nominees. It does border on “wish they didn’t nominate it”, but as far as least favourite nominees of each year go, it’s not that bad. It’s yet another satire on the rich, to some mixed results. On one hand, the first two acts are pretty strong, it has some great moments, and it is really helped by the great performances, including Dolly de Leon, Harris Dickinson, Charlbi Dean and Zlatko Burić. On the other hand, some of the satire is a mixed bag (not helped by the self satisfied attitude), and the entire last third was a slog to sit through, and paled compared to what came before. Overall though, I’m okay with it being among the nominees in spite of its many issues. That being said, I don’t see it winning Best Picture or any other awards it was nominated for. 

My review of Triangle of Sadness

9. Elvis

As time goes on, I wonder if my initial love for Elvis came from watching in the cinema. It was certainly an experience, from the music to Baz Luhrmann’s overt direction. At its core though, it is a standard music biopic. It does however benefit from the style and approach that Luhrmann gave to it, making it very entertaining to watch throughout. On the whole, the performances are solid (questionable Tom Hanks aside) with Austin Butler really delivering as Elvis Presley. Elvis has potential in the technical categories and Butler is definitely one of the Best Actor frontrunners, but I don’t see it winning Best Picture. 

My review of Elvis

8. Everything Everywhere All at Once


Admittedly, I loved Everything Everywhere All at Once when I first watched it. Then after a repeat viewing and further thought, for me it got worse over time. There are some great parts to it. I like the genuine and emotional moments, I enjoy the creativity and energy, and the performances are fantastic, mainly from Michelle Yeoh, Ke Huy Quan and Stephanie Hsu. I just think it’s a case of it not holding up as well on a rewatch, and I found the quirkiness and humour to be more grating that time. Still, I can’t be too mad at it. I appreciate that a movie this weird and different is being celebrated and even making it to the Oscars. It’s currently one of the frontrunners for Best Picture, and while it’s clearly not my pick for that award, if it does end up winning, EEAAO will be certainly different from all the past winners at the very least. 

My review of Everything Everywhere All at Once

7. All Quiet on the Western Front


I remember watching All Quiet on the Western Front and assuming that it would be nominated for Best International Feature, but I wasn’t expecting it to be a major awards player. I know that some people might be annoyed that yet another war movie has been nominated for Best Picture (following movies like 1917 and Dunkirk), but it’s a really good movie. It is a great anti war film which actually delivers on being anti war, and has the right effect on you. It’s directed incredibly well, portraying the horrors of World War 1 with a sense of dread throughout, and it’s helped by the fantastic performances, especially from Felix Kammerer and Albrecht Schuch. I don’t see it winning Best Picture but I do see it potentially winning in the technical categories. I’m happy to see this among the Best Picture nominees. 

My review of All Quiet on the Western Front

6. Women Talking


Women Talking had a lot of momentum going into awards season but the push for it seemed to have decreased over time. Thankfully, it still managed to get one of the Best Picture nominations, because it deserved to be recognised. The script is fantastic with riveting conversations, and handles with care, empathy and nuance the very heavy subject matters. The ensemble of performances are fantastic, especially from Rooney Mara, Ben Whishaw, Jessie Buckley and Claire Foy. Sarah Polley’s direction is all around strong, from the fittingly moody cinematography, solid editing, and another phenomenal score from Hildur Guðnadóttir which ranks among the best of the year. Women Talking is well worth checking out if you haven’t already, it is one of the best movies of the year. With two nominations, Best Picture and Best Adapted Screenplay, it’s unlikely to win the former, but I hope it wins the latter because it deserves that at least. 

My review of Women Talking

5. Tár


Tár is of the best crafted films of the year, and well deserving of its Best Picture nomination. The writing is immaculate with fantastic dialogue, Todd Field’s direction is careful and precise, and the performances are really good, with a strong supporting cast backing up an outstanding and career best performance from Cate Blanchett. I’m not sure if it’s winning Best Picture but it has a better shot than most of the other nominees. I’d certainly be more than okay with it winning. 

My review of Tár

4. The Fabelmans


The Fabelmans is Steven Spielberg’s best film in a very long time. While it’s somewhat a love letter to movies, it also highlights the sacrifices that one would have to make on the journey to that type of career, and it serves as a tribute to his family. Even that aside, it’s a very compelling and complete coming of age story. It’s only furthered by some great performances from everyone, especially from Gabriel LaBelle, Michelle Williams and Paul Dano, and Spielberg’s typically top notch direction. The Fabelmans is one of the Best Picture frontrunners and I would be more than satisfied if it won. 

My review of The Fabelmans

3. The Banshees of Inisherin


Martin McDonagh’s latest and best film is also one of the frontrunners. As expected from McDonagh, Banshees is incredibly well made and layered; it is a dark comedy and has its funny moments, but is melancholic, felt very real and resonated. This is only further helped by the excellent performances, which were rightfully recognised by the Oscars (with the main 4 actors in Colin Farrell, Brendan Gleeson, Barry Keoghan and Kerry Condon receiving nominations). Out of the three BP front runners which have a chance at winning, Banshees would be my pick. 

My review of The Banshees of Inisherin

2. Top Gun: Maverick

Top Gun: Maverick

People had been predicting Top Gun: Maverick would be making it to the Oscars, but I didn’t think that it would actually happen. Maverick isn’t what you’d expect from a Best Picture nominee, it’s an action movie and a legacy sequel to a classic 80s movie, but then again, it is a very well made movie and one of the most popular films from the past year. Yes, the action and direction is incredibly impressive and is what most people expect going in. However, the simple yet effective and emotional story elevates it above just being another action movie with just good action. I have now watched it three times and I’m just as invested and entertained with every viewing. It is one of my favourite movies of 2022 and one of my favourite action movies of recent years. I don’t expect it to win Best Picture at all but it definitely has a shot at winning some of the technical categories. 

My review of Top Gun: Maverick

1. Avatar: The Way of Water


To put it plainly, Avatar: The Way of Water is my favourite film out of the 10 nominees: a great sequel which builds upon the original and made for an even better movie. James Cameron has created yet another technical achievement, with outstanding visuals and effects which manage to top the first film (which itself has held up really well over the past 13 years). The performances from everyone are strong (with Sigourney Weaver and Stephen Lang being the standouts), and the story manages to be on a larger scale, while primarily being a family drama that I was invested in. All the elements just really came together for me, making my two viewings of The Way of Water in the cinema unforgettable. It has a good chance at sweeping a lot of the technical awards, though I don’t expect it to win Best Picture. 

My review of Avatar: The Way of Water

How would you rank the Best Picture nominees? What do you think of them?

The Fabelmans (2022) Review


The Fabelmans

Time: 151 Minutes
Age Rating: 860940[1] Offensive language
Gabriel LaBelle as Samuel “Sammy” Fabelman
Michelle Williams as Mitzi Schildkraut-Fabelman
Paul Dano as Burt Fabelman
Seth Rogen as Bennie Loewy
Judd Hirsch as Boris Schildkraut
Director: Steven Spielberg

Young Sammy Fabelman falls in love with movies after his parents take him to see “The Greatest Show on Earth.” Armed with a camera, Sammy starts to make his own films at home, much to the delight of his supportive mother.

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The Fabelmans is Steven Spielberg’s latest film; I knew of it starring Paul Dano and Michelle Williams, and it would be a semi autobiography about his own life growing up. Even though it was Spielberg and he delivers consistently solid movies, I didn’t know how I would be finding this one. Coming of age stories for the most part don’t do anything for me, and I was a little over “love letters to cinema”, which the film looked like it was going for. The Fabelmans however ended up as one of my favourite movies of 2022.


The script from Steven Spielberg and Tony Kushner is clever and well written. As to be expected, The Fabelmans is clearly deeply personal to Spielberg and feels like a reflection on his life, very heartfelt and with a real vulnerability to it. Effectively, its part family drama and part coming of age story. As expected going in, it is a love letter to movies, with protagonist Sammy Fabelman having a childhood which centred around falling in love with cinema and filmmaking. The movie portrays the inspiring nature and passion of filmmaking, as well as the pursuit of fulfilling one’s dreams. The Fabelmans does more than just showing “the power of cinema”, by highlighting the cost and sacrifice that comes with pursuing that dream. Spielberg recreates his childhood memories and presents the personal struggles within a dysfunctional family life. The movie serves as a love letter to his family, as he looks back on his childhood with bittersweet nostalgia. In fact, the movie is at its strongest when it is focussing on the family dynamics. The whole movie also feels very authentic; it easily could’ve been self-indulgent or an ego trip, given that Spielberg is making a movie about himself being interested to become a filmmaker when he was younger. However, it is genuine and compelling throughout. There’s a lot of depth to it, and its earnest and touching. It jumps between various tones, there are plenty of moments of levity, and overall, it felt like a very complete story. Honestly, there’s a lot to like here even if you’ve never heard of Steven Spielberg or aren’t as passionate about cinema. However, I can definitely see aspiring filmmakers connecting with a lot of the movie.


The actors are all amazing in their parts. Gabriel LaBelle plays the lead role of Sammy Fabelman and he’s fantastic and believable. While Sammy is clearly modelled on a much younger Steven Spielberg, he is a great character. We are emotionally invested in his journey, and LaBelle holds his own against the older actors. Michelle Williams and Paul Dano play his parents and are equally stellar, delivering some of the best performances of their careers. Seth Rogen is great and memorable in a supporting role, and Judd Hirsch is good in a smaller role. Other supporting actors like Julia Butters and Chloe East are also good, while David Lynch is incredibly memorable in a cameo appearance.


Unsurprisingly, Steven Spielberg’s direction is as strong as ever. Everything from Janusz Kaminski’s stunning cinematography to the editing and John Williams’s solid score was top notch, and I think its safe to call The Fabelmans one of the best crafted films of 2022.


The Fabelmans is an intimate, personal, and earnest film and love letter to cinema and family. It is directed to perfection by Steven Spielberg and has excellent performances from everyone, especially Gabriel LaBelle, Michelle Williams and Paul Dano. It’s one of 2022’s best, and one of Spielberg’s best.

Top 25 Anticipated Movies of 2022

There’s a lot of potentially great movies coming this year. No doubt like the past couple years, a number of these movies will be delayed (for many of them it won’t be the first time). In any case, there’s a lot of exciting movies set for release in 2022 that I’m looking forward to.

25. Creed III

I will admit that I’m not a massive Rocky fan, I’ve only seen the first Rocky and the 2 Creed films, but I do like them. Even though I thought that Creed II was a perfectly fitting ending to the series, I’m interested in watching another one. Creed III will have Michael B. Jordan and Tessa Thompson returning to their roles, and also has the addition of Jonathan Majors as the min antagonist. However the most interesting part is that Michael B. Jordan will be directing, much like how Sylvester Stallone once directed a Rocky movie. So at the very least, I’m interested to see how it turns out.

24. Don’t Worry Darling


Don’t Worry Darling has me mainly interested because of the people involved with it, both with the director and actors. The movie follows an unhappy housewife in the 1950s who discovers a disturbing truth, while her husband hides a dark secret. Unfortunately, I’m one of the only people who didn’t like Booksmart, but I thought that Olivia Wilde’s direction in it was good, and I was looking forward to seeing what she made next. The prospect of her directing a horror and psychological thriller has me very interested. Then there’s the actors attached to the film. Florence Pugh and Harry Styles are in the lead roles, and the rest of the cast includes Chris Pine, Gemma Chan, KiKi Layne and Wilde herself. With the talent involved, I am very curious about this movie at the very least.

23. The Black Phone

Scott Derrickson is a good director mostly known for horror and after 7 years, he is finally making another horror movie. The Black Phone is about a 13-year-old boy who is abducted by a serial killer and is trapped in a soundproof basement. A disconnected phone on the wall begins to ring and he can hear the voices of the killer’s previous victims, who try to help him escape. While the trailer gives a lot away, I really like the look of it. I especially like the mix of supernatural and ghost horror with serial killer horror. Add Ethan Hawke as a serial killer and The Black Phone looks like a solid horror movie that will provide some thrills.

22. Three Thousand Years of Longing

George Miller’s Three Thousand Years of Longing looks to be something of an epic adventure movie starring Tilda Swinton and Idris Elba, and I already like the sounds of it. I’ve been hoping for another film from Miller, its been 7 years since his last film Mad Max: Fury Road, so I would be excited for whatever he would be making next.

21. The Fabelmans

Steven Spielberg’s next film is based off his own childhood and includes a cast featuring Paul Dano, Michelle Williams and Seth Rogen. There’s not really much to say about it, that director and cast have me interested.

20. Pinocchio

There are actually 2 Pinocchio films coming out in 2022. One of them is a live action Disney remake directed by Robert Zemeckis. However the Pinocchio movie I’m placing on this list is a stop motion animated film from Guillermo del Toro. While I wouldn’t usually be interested in this sort of film, his name being involved in this project has me interested to say the least. As expected with del Toro co-directing (alongside Mark Gustafson), this version of Pinocchio will be on the darker side especially when compared to the Disney adaptations of the story. It’s also a stop motion animation and while we didn’t get to see much of the animation outside of a recently released teaser, I’m sure it’ll look fantastic. There is also a voice cast that includes Ewan McGregor, David Bradley, Ron Perlman, Tilda Swinton, Christoph Waltz, Cate Blanchett, Tim Blake Nelson, John Turturro and Burn Gorman. All things considering, it’s Del Toro directing that has me interested most of all.

19. Avatar 2

I will openly admit being one of the people who just wasn’t into Avatar. The direction and visuals are fantastic, but I just felt nothing for the story and characters. Also constantly hearing for the past decade about how James Cameron is making 3 more of these movies with nothing to show for it, it got kind of annoying. With that said, looking at the way some big budget films are going, I have been coming around on the ideas of the Avatar sequels. Cameron clearly puts a lot of effort and dedication into these movies, and I am curious to see what he has planned for them. Even if the Avatar sequels turn out to be mostly just great visuals, it is no doubt going to be better crafted than most of the major blockbusters released over the past 5 years.

18. Doctor Strange in the Multiverse of Madness

This is the sequel to 2016’s Doctor Strange, with returning actors with Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams and Benedict Wong, along with adding Elizabeth Olsen as Scarlet Witch, who’ll play a significant part in the plot. Most notable of all however is that Sam Raimi is directing, returning to comic book movies since he last made one 15 years ago. Raimi’s influence is already apparent in the intriguing trailer. I am slightly concerned as to the reshoots and wondering whether it learned the wrong lessons from Spider-Man No Way Home with regard to the use of nostalgia and cameos. Apparently it might contain more characters from Marvel movies from outside the MCU, whether that be the Fantastic Four, Ghost Rider, Ben Affleck’s Daredevil or whoever. It does have the potential to be a mess if they are going down that path, but I’ll go into it open minded.

17. Aquaman and the Lost Kingdom

It seems that the first Aquaman movie wasn’t for everyone, however it was one of my favourites of the non Snyder-directed DCEU films. It was unapologetically over the top and silly, which was probably why I liked it so much. Along with having the returning cast, most importantly James Wan returns to direct, I really liked his direction in the first movie, and I’m interested to see what he does with the second movie.

16. Disappointment Blvd.

I am admit myself a little mixed on Ari Aster. On the one hand I loved Hereditary from my one viewing of it, it’s definitely one of the most memorable horror films I’ve seen in recent memory. On the other hand, I just didn’t find his second film Midsommar to be that good, certainly with impressive direction and having a strong lead performance from Florence Pugh, but I found myself let down by it. However I am still interested in checking out whatever he directs next. His next film as it happens doesn’t seem to be a horror movie, at least based off its premise. It is meant to be a decades spanning portrait of one of the most successful entrepreneurs of all time, so I’m interested to see what story Aster is going for here. Not only that, but the Joaquin Phoenix will be in the lead role and honestly he accounts for about 50% of my anticipation for this film. I have no idea what kind of movie it’ll be, but I’m intrigued nonetheless.

15. Black Adam

With the recent direction that the DCEU has been taking, I’ve been having some mixed feelings about some of their upcoming releases. One of the better looking films is actually Black Adam, foucssing on the Shazam villain/anti-hero of the same name. It has quite a cast involved, including Aldis Hodge and Pierce Brosnan. Not only that but it’s directed by Jaume Collet-Serra who has directed a wide range of movies from action thrillers with his Liam Neeson movies, to light hearted adventures like Jungle Cruise, to horror films like Orphan and The Shallows. His direction in those films are impressive and from the teaser for Black Adam, it already looks quite good. Its just unfortunate that my one hesitation is to do with the lead actor, Dwayne Johnson. Given that for a while he’s just been playing variations of the same character in his films, for him to take on the powerful and dangerous Shazam villain makes me wonder how that’ll turn out, especially as he’ll no doubt have quite a lot of creative control. That aside, I am still looking forward to the movie.

14. Spider-Man: Across the Spider-Verse – Part One

Spider-Man: Into the Spider-Verse was one of the more surprising movies I watched in recent memory. A great Spider-Man story with memorable and well defined characters with unique and fantastic animation. It was inevitable that it would end up receiving a sequel, which is what we have here. The decision to break the follow up into two parts was certainly interesting, but honestly I don’t need to know anything more other than it being a Spider-Verse sequel.

13. The Banshees of Inisherin

Writer and director Martin McDonagh has only made a few movies, but he’s done a lot with what he’s made. He made In Bruges and Seven Psychopaths and more recently got awards recognition with Three Billboards Outside Ebbing, Missouri. His next film reunites him with his In Bruges lead actors Brendan Gleeson and Colin Farrell. It focuses on a pair of lifelong friends on a remote Irish island finding themselves in an awkward time in their relationship when one of them no longer wants to be friends. It doesn’t sound the most interesting of plots, but I really like Martin McDonagh’s writing style, very dark and very funny. His involvement and the cast (which also includes Barry Keoghan and Kerry Kondon) have me very interested.

12. Operation Fortune: Ruse de Guerre

Writer and director Martin McDonagh made In Bruges and Seven Psychopaths and more recently got awards recognition with Three Billboards Outside Ebbing, Missouri. His next film reunites him with his In Bruges lead actors Brendan Gleeson and Colin Farrell. It focuses on a pair of lifelong friends on a remote Irish island finding themselves in an awkward time in their relationship when one of them no longer wants to be friends. It doesn’t sound the most interesting of plots, but I nonetheless like Martin McDonagh’s writing style, very dark and very funny. His involvement and the cast (also including Barry Keoghan and Kerry Kondon) have me very interested to see how it turns out.

11. Bullet Train


Any action movie from John Wick, Atomic Blonde and Deadpool 2 director David Leitch will have my attention, especially when its about five assassins on individual assignments on a Japanese bullet train. However it also has a very impressive cast, with the likes of Brad Pitt, Aaron Taylor-Johnson, Joey King, Logan Lerman, Michael Shannon, Zazie Beetz, Lady Gaga, Brian Tyree Henry, Karen Fukuhara and more involved. At the very least, I think we are going to get an entertaining and well made action thriller that will be a lot of fun.

10. Havoc

I really like Gareth Evans, from his work on his excellent action movies in the Raid films to his horror film Apostle. So naturally I’m excited for his newest action movie, Havoc. After a drug deal gone wrong, a detective must fight his way through a criminal underworld to rescues a politician’s estranged son, while unravelling a deep web of corruption and conspiracy that ensnares the entire city. That sounds like a good premise for Evans to work with, especially for an action movie. There is also a good cast in Tom Hardy, Forest Whitaker, Timothy Olyphant, Jessie Mei Li, Michelle Waterston. Evans is great at the action scenes so I know that those scenes will be fantastic at the very least.

9. Everything Everywhere All at Once

Swiss Army Man was an incredibly weird movie about a farting and talking corpse played by Daniel Radcliffe that can seemingly do anything that somehow managed to be absolutely fantastic. The directors of that, Daniel Scheinert and Daniel Kwan (known as the Daniels), are releasing another very weird movie, however this time it is an action movie. The plot is far fetched with Michelle Yeoh trying to save the world by exploring other universes connecting with the lives she could have led and has a multiverse. Its basically Michelle Yeoh in the Multiverse of Michelle Yeoh. The directors already had me interested but the trailer already made it look really exciting and entertaining. Definitely has the potential to be one of 2022’s most memorable films.

8. After Yang

Sometime in the past years I finally got around to watching Columbus and I absolutely loved it. I was anticipating director Kogonada’s next film and it looks like its finally here. Starring Colin Farrell, Jodie Turner-Smith and Haley Lu Richardson, After Yang is about a father and daughter attempting to save the life of their robotic family member, definitely a different kind of movie from Columbus considering its going into sci-fi. I’m not quite sure what to expect but the early viewings of After Yang have been very positive and I’m intrigued to watch it, if only for the director’s work on Columbus.

7. Nope

Jordan Peele made a massive impact on the horror genre with his directorial debut Get Out, a great and original horror film. His next film was Us, and while that wasn’t quite at the level as his debut, I actually liked it quite a lot. So whatever the case, I’m very interested to see what Peele directs next and we are getting that with his newest film, Nope. Like with Us, there is very little information given as to the actual plot of the movie. However we got Peele writing and directing which already has me on board. Additionally, there’s a cast which includes Daniel Kaluuya and Steven Yeun, which has me very interested. Whatever it is, I’m excited for whatever Nope turns out to be.

6. Blonde

While biopics can be very typical and usually end up being just a display of some good acting at best (at worst its failed Oscar bait), the upcoming film about Marilyn Monroe sounds like it’ll be very interesting. The talent involved is difficult to ignore, and the story and movie on the whole seems like it’ll be anything but conventional. Ana de Armas is a great actress, starring in recent films like Knives Out, Blade Runner 2049 and No Time to Die, and so I am interested to see how she does as Marilyn Monroe. Also, Andrew Dominik is a fantastic filmmaker from his works of Chopper, Killing Them Softly, and of course The Assassination of Jesse James by the Coward Robert Ford. However what interests me the most is how unconventional this movie seems to be from word of mouth. In fact it seems like there’s going to be issues with releases, mainly due to the fact that the current cut earned itself the dreaded NC-17 rating. It does have me somewhat concerned about the actual release and whether it’ll be tampered with so that it is safe enough for audiences (especially as the movie is distributed by Netflix). Still, consider me intrigued at the very least.

5. Knives Out 2

Rian Johnson’s surprising hit whodunit is receiving a sequel, following another case taken on by Daniel Craig’s Benoit Blanc. Along with Craig returning there is a new supporting cast including Dave Bautista, Edward Norton, Jessica Henwick, Kate Hudson, Ethan Hawke, Kathryn Hahn and Leslie Odom Jr. Definitely a lot of great names attached. We don’t know anything about the plot except its another murder case that Benoit Blanc is taking on, and Rian Johnson is returning to write and direct, and that’s all we need to know.

4. Babylon

Damien Chazelle is one of my favourite filmmakers working today, with Whiplash, La La Land and First Man being particularly great to excellent movies. His next movie is set in Hollywood during the transition from silent films to talkies. While we’ve definitely had movies like that and we know that the Oscars are going to be really into it by the mere fact that it’s about Hollywood, I am interested to see what Chazelle does with it. The main cast of the movie includes Margot Robbie, Brad Pitt, Katherine Waterston, Samara Weaving, Max Minghella, and Tobey Maguire, all great actors whose involvements naturally had me interested. Most of all though, I’m intrigued by the idea of Chazelle making a movie about Hollywood. He’s done so much across his past three movies, and the fact that its his next work alone has me interested.

3. The Northman

Robert Eggers has quickly become one of my favourite directors with The Witch and The Lighthouse alone, and with The Northman he is taking on looks to be his biggest undertaking yet. It’s a large scale Viking tale focusing on a Viking prince going on a quest to avenge his father’s murder. It has an absolutely stacked ensemble with Alexander Skarsgard, Nicole Kidman, Anya Taylor-Joy, Ethan Hawke and Bjork and Willem Dafoe, all of whom are great actors who’ll do wonderfully in their parts. We don’t really get many movies focusing on Vikings so that’ll be interesting to see. Not only that but it’s also by Eggers, whose is an amazing filmmaker as shown in his last two movies focused on old timely from the commitment of the setting to the authentic dialogue. The trailer was amazing, showing off a large scale, and was very much gritty and dark. I can’t wait to see what he does with this, it already looks spectacular.

2. The Batman

Yes, it’s another Batman movie. This Batman tale is more detective focused than anything that came before, focussing on a Se7en/Zodiac esque serial killer with The Riddler. The castings are great, Zoe Kravitz as Catwoman, Andy Serkis as Alfred Pennyworth, Colin Farrell as The Penguin, Paul Dano as The Riddler, and of course Robert Pattinson as Batman. Each of them are perfect for their parts, particularly Pattinson, who was a perfect actor for a younger Batman. Matt Reeves’s last movie War for the Planet of the Apes really showed that he is incredible at handling blockbusters, and so I’m greatly looking forward to seeing what he does with Batman. All the trailers look intriguing and fantastic while doing a good job at hiding much of the plot. Perhaps it’s a predictable choice, but The Batman already looks fantastic, and I can’t wait for it.

1. Killers of the Flower Moon

Martin Scorsese is my favourite director, so naturally I’m very interested in whatever he has coming up. Killers of the Flower Moon looks to be among Scorsese’s best. It is based on a non-fiction book focusing on the serial killings of members of the oil wealthy Osage Nation in 1920s Oklahoma, which prompted an FBI investigation. It also looks to be a very ambitious with the highest budget that Scorsese has ever worked with. There’s also a cast which include Leonardo DiCaprio, Robert De Niro, Jesse Plemons, Brendan Fraser and John Lithgow, all of whom will definitely play their parts well. It was one of my most anticipated movies ever since it was announced and I’m really looking forward to it.

What are your most anticipated movies of 2022?