Time: 119 Minutes
Age Rating: ![860940[1]](https://thecinemacritic.files.wordpress.com/2014/05/8609401.png){kind=small}
Nudity and Sex Scenes
Cast:
Eddie Redmayne as Lili Elbe/Einar Wegener
Alicia Vikander as Gerda Wegener
Matthias Schoenaerts as Hans Axgil
Ben Whishaw as Henrik
Amber Heard as Ulla
Sebastian Koch as Dr. Warnekros
Director: Tom Hooper
After standing in as a female model for a painting by his wife Gerda (Alicia Vikander), Danish artist Einar Wegener (Eddie Redmayne) becomes enamored with his feminine identity and begins living as a woman named Lili Elbe. Although their marriage becomes strained, Gerda stands by Lili as she explores her true self and eventually undergoes one of the world’s first gender-reassignment surgeries in the 1930s.
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Ever since the first image of Eddie Redmayne in this movie came out, I was intrigued. This sounded like an interesting movie, as well with Eddie Redmayne, Alicia Vikander’s and Tom Hooper’s involvement. While it’s not great, I do think that The Danish Girl is worth seeing for its performances from its lead actors. The production design and direction of the scenes are still pretty good as well and the overall direction of the scenes from Hooper was decent. However its writing didn’t quite hold up, and unfortunately does bring down the movie a little bit from what it could’ve been.
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As I just mentioned, I felt that the writing was the weakest aspect of the movie. I don’t think it’s bad by any means and it gets the job done in moving the plot and characters along. I did hear that it was inaccurate from the original story but I don’t know of the original story. I will say that I thought that Redmayne’s change and how that affected his and Vikander’s relationship was handled well. But the writing did fall short of what it could’ve been. The movie despite being 2 hours long did feel like 2 hours and a half, I think it was stretched out a little too much. I also thought that the film really didn’t explore who these two characters actually were. After the seeing the movie I realised that apart from their place in the plot, I didn’t really know much of who they are. There was some emotional component that was missing from this movie, I can’t exactly determine what it is.
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Eddie Redmayne is again incredible and made up for his disastrous performance in Jupiter Ascending. I thought his transition and discovery was very believable, he manages to portray both Einar and ‘Lili’, and seemed totally different from one another, this must’ve been a very difficult role to pull off. The fact that when Eddie Redmayne is dressed up as a woman, actually looked like a woman helped, in fact he looked more out of place when he wasn’t dressed up as a woman, both physically and emotionally. Alicia Vikander is also great, she gets a lot to do in this movie as a wife seeing her husband slowly disappearing and coming to terms with his transformation. Although I felt that the characters didn’t have that much depth in terms of the writing, both Redmayne and Vikander made them seem like real people and elevated themselves above the material given.
![12622163_10153687283834713_6808383206294381650_o[1]](https://thecinemacritic.files.wordpress.com/2016/02/12622163_10153687283834713_6808383206294381650_o1.jpg)
The production designs and value was great and I thought that it reflected the 1920s time period quite well. The soundtrack by Johann Johansson was also great. The scenes and the overall film were directed well by Tom Hooper, my problem is really not with his visual direction, it was the script that had the most problems.
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The Danish Girl isn’t that great of a movie and doesn’t hold up as well on its own. The writing could’ve been better, the pacing could’ve been handled better and the characters weren’t as well written as they should’ve. But it’s the performances from Eddie Redmayne and Alicia Vikander that make the film worth watching. Sure the movie on the whole could’ve been better, especially with the writing, but the performances are good enough for me to recommend this movie.
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The Cinema Critic 