Time: 116 Minutes
Age Rating: Violence, drug use & suicide
Hugh Jackman as Nick Bannister
Rebecca Ferguson as Mae
Thandiwe Newton as Emily “Watts” Sanders
Cliff Curtis as Cyrus Boothe
Marina de Tavira as Tamara Sylvan
Daniel Wu as Saint Joe
Director: Lisa Joy
Nick Bannister (Hugh Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed as he uncovers a violent conspiracy while trying to solve the mystery behind a client (Rebecca Ferguson) who disappeared.
I was quite curious about Reminiscence going into it, I liked how it looked from the trailers, I liked the cast involved including Hugh Jackman and Rebecca Ferguson, and the director is Lisa Joy, who is one of the creators of Westworld. I was a little hesitant after seeing the less than stellar critical response, but I wanted to see it for myself. I’m definitely in the minority of people who actually liked it, despite some clear issues.
The premise about investigating the mind is great, and the concept of being able to recall memories definitely gives the film the ability to use flashbacks in a natural way that actually works within the context of the plot. It is definitely reminiscent of other sci-fi movies, borrowing from films like Inception and Eternal Sunshine of the Spotless Mind, but I still like what was done here. However, I think a lot of this could’ve been executed better. The pacing wasn’t the best, it takes quite a while for the plot to really progress, and some of the story is fairly predictable. I liked the story for the most part, I was on board throughout and it never really lost me. With that said, the story is definitely more interesting after a slower first half. Reminiscence is very neo noir inspired and I really liked that aspect of the film. I also really liked the world that is being built here, even if it comes with some issues in the way that Lisa Joy decided to convey it. There is a lot of exposition in this movie as it is establishing the current state of the world and the setting, especially towards the beginning. This is probably why it takes so long for the movie to get to the actual mystery at the centre of the story. While I definitely appreciate the amount of detail and context that Joy tries to give this world, it was a bit too much. A lot of the exposition comes through Hugh Jackman narrating throughout the film, something which I’ve noticed a lot of other people complaining about. I’m somewhat inclined to give this a pass simply because it is a play on hard boiled neo-noir films to a degree. However, the use of it was nonetheless overbearing and just about borders on self-parody. Not only that, but the dialogue a lot of the time is very over-melodramatic at many points. While it does feel like it doesn’t feel like it meets its potential and is a little disappointing, I wouldn’t say that the script is bad by any means.
While much of the characters feel a little underdeveloped, the acting from the solid cast definitely elevates them. Hugh Jackman does a very good job in the lead role as expected. Everyone else does well, Rebecca Ferguson is particularly a standout, and actors like Thandiwe Newton and Cliff Curtis are also great in their parts.
This is Lisa Joy’s directorial debut, and while there are some issues, I think it’s a good first film. First of all, this movie has some stunning cinematography, and the production design is solid. This noir inspired futuristic setting is gorgeous and fascinating to watch, at the very least on a visual level. There aren’t a ton of action scenes, but they are decent when they are there. There is a particularly creative action scene that takes place inside a collapsing building. Sometimes the CGI is a bit too noticeable but it didn’t bring me out of the movie. The score from Game of Thrones and Westworld composer Ramin Djawadi is great and really fits the tone and vibe of the film.
Once again, I don’t think that Reminiscence really reaches the peak of its potential, and it was a little disappointing, with the script definitely being the weakest point. However, I was still invested throughout, I liked what Lisa Joy was going for, and it has some really good moments. Joy’s direction and the performances from the cast (especially Jackman and Ferguson) are also great, and elevates the overall quality of the film. At the very least I do think that it is worth checking out.