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Goldfinger (1964) Review

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Goldfinger

Time: 110 Minutes
Age Rating: 860940[1]Medium level violence
Cast:
Sean Connery as James Bond
Honor Blackman as Pussy Galore
Gert Fröbe as Auric Goldfinger
Shirley Eaton as Jill Masterson
Director: Guy Hamilton

MI6 agent James Bond investigates a gold-smuggling ring run by businessman Auric Goldfinger. As he delves deeper into his activities, he uncovers a sinister plan to attack Fort Knox’s gold reserve

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Goldfinger is one of the most iconic James Bond movies, some people have even declared it as the best Bond movie of all time. While I wouldn’t quite say that it’s one of my all-time favourites in the franchise, I do think that it’s a good movie, along with being an incredibly important Bond movie.

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The James Bond series started with Dr No, which was an espionage spy thriller. From Russia with Love was similar to that, but succeeded more and had a slight step towards becoming like the James Bond movies we all know today. Goldfinger however was the first movie that was fully in the James Bond formula, and in fact established it. It has a sequence in which James Bond gets gadgets from Q (Desmond Llewelyn) while plenty of other spy gadgets are in the background, along with the familiar Bond and Q banter. Q in From Russia with Love makes an appearance just to give Bond a suitcase, but here they have the classic back and forth. This even has the introduction of the Aston Martin. In terms of tone, it definitely is lighter and more humorous than the first two movies, leaning more towards camp, killer laser beams and all. It is definitely self-aware of its absurdity, the introduction scene of Pussy Galore being an example of this. At the same time, it takes itself seriously when it needs to and doesn’t come anywhere close to reaching the absurdity of the Roger Moore movies. Bond gets thrown into plenty of thrilling situations, and it starts off with a bang in the energetic opening scene. While I generally like the movie, it has its fair number of issues. It is definitely outdated, especially with the treatment of women (a particular scene with Bond in a barn with Pussy Galore sticks out). However, it still has its issues that are unrelated to when it was made. The script can be a bit expository at times, and the pacing can drag a bit, especially in the second half.

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Sean Connery is once again enjoyable to watch as James Bond, especially with the charisma, the physicality, and the one liners. With all that said, I think his performances in the previous two movies were better. Bond is just not that interesting to watch here, the vulnerability he had in From Russia with Love just isn’t here. It doesn’t help that around the middle point Bond just doesn’t do much within the plot. Nonetheless, he is good in his part. Name aside, Honor Blackman as Pussy Galore was certainly a step forward in terms of what a Bond Girl was for the series. There’s definitely some writing issues, her motivations are a little all over the place especially in the third act, but she plays the role well. Gert Fröbe makes for a memorable villain as Auric Goldfinger, despite some noticeable ADR and dubbing. Unlike Dr No., where the titular villain appears in the third act and From Russia with Love where its major villains are mostly in the background, Goldfinger is the villain from beginning to end. In a way, he is very over the top especially with his plans but both the writing and performance gives him enough qualities and moments to make him feel relatively human, preventing him from becoming a full on cartoon character. Even his henchman Oddjob, who doesn’t speak and kills people with his hat, is entertaining.

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Instead of Terence Young who directed the first two James Bond movies, Goldfinger has Guy Hamilton directing, and he did a good job. Goldfinger gets even larger in terms of spectacle compared to the last couple of movies. The action scenes are very effective and well filmed, and the set design is particularly strong. There is an increase in Bond gadgets over the last two films, and the film utilises them well. The musical score from John Barry is strong as to be expected. There’s also the Goldfinger song as sung by Shirley Bassey, which remains one of the most iconic opening Bond songs.

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Goldfinger does have some issues and I don’t quite love it as much as everyone else. Despite its problems though, it has a charm to it. The cast are pretty good, it’s quite entertaining, and it established the Bond formula, for better and for worse. There are better movies in the series, and in terms of the Connery era, I still think From Russia with Love is better, but it is still a good film.