Time: 93 Minutes
Age Rating: contains low level offensive language
Jason Schwartzman as Max Fischer
Bill Murray as Herman Blume
Olivia Williams as Rosemary Cross
Seymour Cassel as Bert Fischer
Brian Cox as Dr. Nelson Guggenheim
Mason Gamble as Dirk Calloway
Director: Wes Anderson
Max Fischer (Jason Schwartzman), a student at Rushmore Academy, excels at everything except academics. He meets and falls in love with a teacher, Ms Cross (Olivia Williams), but later discovers that his mentor (Bill Murray) is also in love with her.
I’ve heard about Rushmore for a while, all I knew about it was that Wes Anderson directed it (one of his earlier movies), Bill Murray was in it, and it was meant to be great. Having watched Bottle Rocket a day earlier, I found that movie to be a pretty good start for Anderson as a director, even though it performed poorly at the box office. However, his second film with Rushmore is definitely a step above his previous movie, which was really great all round.
Rushmore is a coming of age movie, sometimes they can be hit or miss for me, but this film really worked for me, and this probably ranks among my favourites of the subgenre. The writing is truly great, and the script has been finely tuned to near perfection, with some exceptional dialogue. The movie is very funny and entertaining, yet it’s more deeper than it initially appears, even emotionally resonant. It’s also got a good range when it comes to its tone, with it bouncing between being comedic, pessimistic, hopeful, sad, and more, and it is all balanced quite well, never feeling like a mess at all. Like with Bottle Rocket, Anderson focuses his attention more onto his eccentric characters instead of the visual style, and it does work to some great effect here. The characters are particularly a shining point in the movie, quirky but quite endearing and memorable. At an hour and half long, Rushmore is paced extremely well, with never a dull moment.
The cast are all great on their parts. Jason Schwartzmann shines incredibly well in the lead role of Max Fischer, and he portrayed this character pretty much perfectly, couldn’t have imagined anyone else in the role. Bill Murray was also a highlight, giving probably one of his best performances, and that’s saying a lot. Having seen him in some of his other major roles, by comparison he was rather quiet and understated here, he was fantastic. The pairing of Schwartzman and Murray was particularly great, and they contrast each other perfectly. This movie would start a long running collaboration between Murray and Wes Anderson, where he would be appearing in every single one of his movies from that point forward. Olivia Williams was also great in her part. Other cast members including Brian Cox play their parts well.
After Bottle Rocket, Wes Anderson has definitely advanced as a filmmaker since that point. He’s definitely more confident in his direction here and starting really forming his own style. From the unique aesthetic, the transitions, the use of colours, the montages, and the soundtrack, all of it works greatly. At this point of his career he hasn’t reached the style that’s present in most of his later movies, he’s still evolving and honing it, and as I said earlier, there’s still more focus on the characters than the style. Another thing I can say is that it is unique while never feeling overbearing, and so if you want to get into some of Wes Anderson’s movies but worried that his more recent movies just won’t work for you because of his style being so different than what you’re used to, Rushmore would be a perfect place to start with his filmography. Back to that soundtrack, all of it was great, and each song choice was perfect.
Rushmore is funny, sentimental, and very well written and directed by Wes Anderson. It’s quite entertaining and is greatly acted, particularly by Jason Schwartzman and Bill Murray. It is definitely worth watching for sure if you haven’t checked it out already, and I get the feeling I’m going to revisit this movie a number of times.