Time: 111 Minutes Age Rating: Violence and offensive language Cast: David Arquette as Dewey Riley Neve Campbell as Sidney Prescott Courteney Cox as Gale Weathers Matthew Lillard as Stu Macher Rose McGowan as Tatum Riley Skeet Ulrich as Billy Loomis Jamie Kennedy as Randy Meeks W. Earl Brown as Kenny Jones Joseph Whipp as Sheriff Burke Liev Schreiber as Cotton Weary Drew Barrymore as Casey Becker Director: Wes Craven
A year after Sidney’s mom is murdered, more murders start to occur. She begins to suspect if these murders are related and tries to find the killer as everyone seems to be a suspect.
I meant to revisit the Scream movies before the 5th film released in 2022, but I just never got around to it. Thankfully, Scream VI would be releasing the following year, giving the opportunity (and excuse) to come back to the iconic horror franchise. I’m glad to say that the original still holds up.
Scream was a game changer for the slasher genre and the horror genre on the whole, and a big part of that came from Kevin Williamson’s clever script. It’s a darkly funny satire and self-aware deconstruction of the slasher sub genre, which has held up well over the years. It is very meta but avoids bordering on irritating, it subverts the tropes, yet embraces them. It certainly helps that it is made by smart people who have an actual appreciation for horror. Scream balances all the elements quite well, there is some effective comedy and meta satire, but it still works as a great slasher movie in its own right. The plot is fairly straightforward, but it’s not generic by any means. Right from the famous opening sequence it has your attention, and while the twists may be somewhat predictable on repeat viewings, on the first viewing they are really effective.
While much of the characterisation is pretty standard as far as slashers go, the acting is great from everyone, with Neve Campbell, David Arquette, Courtney Cox, Skeet Ulrich, Rose McGowan, Jamie Kennedy and Matthew Lillard all delivering on their parts. Drew Barrymore is also memorable in her short screentime.
Wes Craven is already well versed in the horror genre with films like Nightmare on Elm Street and The Hills Have Eyes, so he was perfect for a movie like this, and this is one of his best works. As much as the movie serves as a satire on horror movies, it also succeeds as a horror movie itself. There are some great slasher sequences, a standout being the iconic opening scene with Drew Barrymore. The killer action is brutal, and it delivers on the violent deaths that you’d expect from a slasher movie, and especially one from Craven. An aspect that I particularly enjoy in all the Scream movies is that the killer Ghostface isn’t the typical inhuman Michael Myers or Jason Voorhees level of horror killer. They are very human, and as such are a bit of a klutz, constantly tripping over, falling into things, and even getting smacked by the person they are chasing. At the same time, they remain somewhat intimidating and the danger still feels real. There’s also a good use of music, and Marco Beltrami’s score is particularly fitting.
It’s easy to see how and why Scream was so influential to the horror genre, leading to so many copycats with a wide range of success. However, none of them could achieve what the original film did back in 1996. On its own, Scream serves as both a dark meta comedy on horror movies, and a simple yet effective slasher film. It is well worth watching if you’re a fan of horror movies, especially slashers.
Time: 113 Minutes Age Rating: Offensive language, violence and content that may offend Cast:
Kurt Russell as Stuntman Mike
Rosario Dawson as Abernathy
Vanessa Ferlito as Arlene
Jordan Ladd as Shanna
Rose McGowan as Pam
Sydney Tamiia Poitier as Jungle Julia
Tracie Thoms as Kim
Mary Elizabeth Winstead as Lee
Zoë Bell as Herself Director: Quentin Tarantino
Stuntman Mike (Kurt Russell) is a professional body double who likes to take unsuspecting women for deadly drives in his free time. He has doctored his car for maximum impact; when Mike purposely causes wrecks, the bodies pile up while he walks away with barely a scratch. The insane Mike may be in over his head, though, when he targets a tough group of female friends, including real-life stuntwoman Zoe Bell (who served as Uma Thurman’s double in “Kill Bill”), who plays herself.
I remember when I first saw Death Proof many years ago, I heard it was his worst movie, but I was expecting that going in, and I was just expecting a reasonably okay movie. I was still immensely disappointed in the end result, it was overlong and dull, and for a tribute to exploitation movies in general, it partially misses the mark. Having rewatched a lot of Quentin Tarantino’s movies in the lead up to Once Upon a Time in Hollywood, I decided to watch Death Proof again, to see if I still felt that way about the movie. While I didn’t dislike it as much when I first saw it, most of my feelings on the movie haven’t really changed all that much.
As it’s a second review of the movie, I might delve into spoilers, so if you haven’t watched the movie yourself that just know this. Personally though I don’t think much of the experience could be ruined by spoilers. The biggest problem of the movie is that it tries to do two things at once, and they doesn’t work together. On one hand it’s meant to be an exploitation tribute movie, it was even paired with Robert Rodriguez’s Planet Terror in a collection called Grindhouse. It certainly gets the sleaze aspect correct, and it does have some moments of the graphic violence that you’d expect. There are no doubt some grindhouse elements, and the concept alone sounds like a exploitation movie. However, Death Proof movie also tries to be dialogue driven, and it just doesn’t fit the movie at all. All of Quentin Tarantino’s movies, save for Kill Bill Vol. 1 (and maybe Django Unchained and Inglourious Basterds) are dialogue driven, and Death Proof is no exception. For those who don’t know, exploitation movies are rather trashy, and usually filled with a bunch of explicit content, whether it be violence or sex. Not that I necessarily need that to enjoy the movie, but considering what it’s supposedly aiming to be, the focus on a lot of dialogue is just rather confusing. Even if you were going to try to make it work, the dialogue in the movie isn’t necessarily bad but it’s nowhere near as captivating as his other movies, it’s really weak. I didn’t dislike it as much as the last time I saw the movie but its pretty underwhelming. Usually Tarantino writes some very memorable characters. Taking Kurt Russell’s Stuntman Mike out of it however you don’t really remember the characters outside of the actors playing them.
The movie is split into two halves. The first half is mostly at a bar, it’s not that good but at least you feel like it’s really building up to something, with Stuntman Mike around the group of characters. The second half is much different. It starts with Stuntman Mike but then he disappears and doesn’t really come back till like the last 20 minutes of the movie, so there’s like no tension whatsoever and you’re just watching these uninteresting characters just talk about random things, except (as I mentioned the earlier) the dialogue isn’t all that good. Sure, there really wasn’t a lot happening in the first half but at least you felt like he was around to pose a threat. The second half also contains a questionable at best scene where the girls leave Mary Elizabeth Winstead with a guy who just so happened to play a trucker rapist in Kill Bill, and they ended the scene with some very unnerving implications to say the least. I’m not even sure what the point of that scene even was, because if anything that just makes us not care about these characters. While I do like the idea of making having a switch around with Stuntman Mike then being chased by the lead women, the fact that he just went after them in broad daylight was a little far fetched and kind of out of character for him considering how slowly he took his time planning his murders in the first half. Still, the last act was entertaining and a fitting way to end the movie. The movie is under an hour and 50 minutes long and it definitely feels far too long, probably shouldn’t have been more than 80/90 minutes. Honestly if you cut out (or at least shortened) quite a lot of the dialogue, you might’ve been able to make the movie shorter and overall a lot better.
Kurt Russell is one of the most recognisable actors in the movie as Stuntman Mike, although being listed as the lead, he just sort of appears on screen every so often. With that said, he kills it in all of his scenes as a serial killer who uses a car instead of a knife or a chainsaw. And when he gets shot in the third act and finds himself on the run, his sudden change in acting was effectively hilarious. The first group of women included Vanessa Ferlito, Sydney Tamiia Poitier, Jordan Ladd and Rose McGowan, with the second group consisting of Rosario Dawson, Tracie Thoms, Mary Elizabeth Winstead and Zoe Bell (as herself). All in all they are at about the same level, they are alright but can only do so much. I really just didn’t care about these characters, which really was the main problem.
Quentin Tarantino directed this, and I think he mostly did a good job with it. He manages to make Death Proof look like an exploitation movie, some of it works, other parts don’t. The effects and filter on the screen is done to make it look like an exploitation movie, there’s even parts where the screen blacks out a second, meant to look like it’s changing to the next film reel. In the first part of the second half, the screen turned black and white (I guess it’s meant to be like meta with projectors losing colours) and when it returns, the scratchy effects are completely absent all the way to the end of the movie, never really understood why that happened. The car scenes themselves are good, it really consists of just 3 though, the crash with the first group of women, the bit where Russell is chasing the second group of women with Zoe Bell on the roof on the car, and him getting chased himself. The crash scene is straight out of a grindhouse movie, with the impact happening and rewinding to see the absolute damage it happened on everything and everyone. The chase with Zoe Bell on a car (who’s a real stuntwoman and she certainly performed that scene well that well) was very thrilling. And of course the final chase was gratifying as Russell found the tables turned against him. I don’t remember the soundtrack of Death Proof that much but I remember the songs fitting the movie reasonably well, which Tarantino does well in all of his movies.
Quentin Tarantino has a near perfect lineup of movies on his filmography, but Death Proof stands out in a bad way, by far his worst movie. If you like a lot of his other movies and haven’t seen this one yet, it’s worth giving it a chance at least. Just make sure not to take the movie seriously at all. Having seen this movie twice, I still don’t think it works. As for making effective tributes to exploitation movies, Robert Rodriguez’s Planet Terror seemed to be way more aware of the movie it should be trying to be.
Time: 105 Minutes Age Rating: Violence and offensive language Cast:
Rose McGowan as Cherry Darling
Freddy Rodriguez as Wray
Josh Brolin as Dr William Block
Marley Shelton as Dr Dakota Block
Jett Fahey as J.T.
Michael Biehn as Sheriff Hague
Naveen Andrews as Abby
Bruce Willis as Lieutenant Muldoon
Director: Robert Rodriguez
In Texas, a gang lead by a black market dealer Abby (Naveen Andrews) faces a group of renegade militaries leaded by Captain Muldoon (Bruce Willis). During their shootout, Abby shoots a recipient of biological weapon, which releases an experimental gas that turns humans to flesh-eating zombies. When the outbreak affects most of the local population, a group of people lead by the mechanic Wray (Freddy Rodriguez), Sheriff Hague (Michael Biehn), the stripper Cherry (Rose McGowan) and Dr. Dakota (Marley Shelton) fight to survive and become the last hope to save the world.
Planet Terror is the first part in the Grindhouse pack, paired with Quentin Tarantino’s Death Proof. As I pointed out in my Death Proof review, Quentin Tarantino’s movie unfortunately failed to entertain or interest me in the slightest and ended up as a bore. Planet Terror however is very entertaining and knows exactly what it is supposed to be. It’s a blood and gore drenched ride that doesn’t have a dull moment that will be entertaining for those who will be able to stomach it.
The movie can be cheesy but that adds to the style; nothing is played straight. To give you an idea of the level of how unrealistic it can be, Rose McGowan’s character’s character has her leg removed (not spoiling anything) and near the end of the movie has a gun attached to where it should be before shooting a whole lot of zombies without even pulling the trigger. It is also at times self aware, in fact that there is a moment in the film where the screen shows ‘Missing film reel’ in the middle of a scene. The dialogue in exploitation movies are often bad, but here it’s quite good, if a bit cheesy at times. The film isn’t just constant action and violence, it has explosive moments, hilarious moments, disgusting moments and occasionally, shocking moments. There were some scenes which I felt could’ve been cut out (most notably one with a child and a gun) which wouldn’t have really changed the movie but overall the writing is actually better than most exploitation movies.
Exploitation movies don’t really have great performances (they are in fact bad most of the time) but Planet Terror does have some decent performances. Rose McGowan does a pretty good job as the main character, even better when she’s in the action scenes with her gun-leg. Other actors like Freddy Rodriguez, Michael Biehn, Marley Shelton and Josh Brolin are also good in their roles.
This is so far the bloodiest movie I’ve seen and I’ve seen Kill Bill and Django Unchained. All of the zombies are really designed with a lot of detail and are made as disgusting as possible. Like Death Proof, this does have a hazy camera filter but this time it stays throughout the whole movie and in my opinion, is used much better. The action scenes are well filmed, though keep in mind a lot of it is intentionally blown out of proportion, though you’ve probably figured that out already; they were never going for any realism (I once again draw attention to the gun for a leg).
It is a better tribute to exploitation movies than Death Proof. The reason I give this film a higher score than most people would rate it is because of how it managed to entertain me. It’s not a movie that I think everyone should watch; if you hate these types of movies, nothing’s going to change your mind. However, if you are a fan of Grindhouse movies, it’s worth checking out, I haven’t watched any exploitation movies before and I had a great time with it. This movie isn’t great and isn’t going to win awards but it was never meant to; what makes it entertaining is the fact that it knows what it’s supposed to be and it delivers in that regard.
Time: 113 Minutes Age Rating: Offensive language, violence and content that may offend Cast:
Kurt Russell as Stuntman Mike
Rosario Dawson as Abernathy
Vanessa Ferlito as Arlene
Jordan Ladd as Shanna
Rose McGowan as Pam
Sydney Tamiia Poitier as Jungle Julia
Tracie Thoms as Kim
Mary Elizabeth Winstead as Lee
Zoë Bell as Herself Director: Quentin Tarantino
Two separate sets of voluptuous women are stalked at different times by a scarred stuntman (Kurt Russell) who uses his “death proof” cars to execute his murderous plans.
Death Proof is the second part of the Grindhouse movie pack which is paired with Robert Rodriguez’s Planet Terror. Quentin Tarantino usually has something to impress me with, usually with the dialogue and the performances he can make the actors give. Unfortunately, with this movie he’s unsuccessful doing this. His tribute to the grindhouse (or exploitation) movies should entertain but it doesn’t do that. Instead we are left with a 113 Minute movie that only a few times had my interest.
Tarantino’s movies are dialogue driven movies however people who know about exploitation movies know that the dialogue isn’t well written. Still, Tarantino makes the movie dialogue driven and it doesn’t work. The dialogue here is more cringe worthy than some real exploitation movie dialogue because unlike the exploitation movies which don’t focus on it (and therefore it’s easier to just look past it), this movie really focuses on it a lot. Nearly all of the dialogue has nothing to do with anything; Tarantino manages to make his other movies have people talking about irrelevant things while keeping the movie entertaining (like the tipping scene from Reservoir Dogs) but here it is just boring and makes this one of the most frustrating movie experiences to sit through. Despite the plot being about these women being stalked by Kurt Russell’s character, there is no presence of him being a threat; I wouldn’t even call this movie a thriller.
Easily the best performance of this movie is by Kurt Russell, he really relishes in the role that he has, apart from near the end where he seems to jump character. He is not in the movie a lot though; he pops up somewhere in the middle and twice near the end. Also, despite being advertised as the main star of this movie, he’s not really that; the women are; which consist of Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell as herself. Although they do the best they can with what they have, the script doesn’t really give them a chance to give the characters any personality. I know that exploitation movies don’t usually have characters that have much personality but if someone is going to write a dialogue driven movie, the characters should have at least some personality. It results in the audience not really caring for any of the characters.
The movie for the first half of the movie uses the grainy grindhouse filter well; in that aspect it felt like a grindhouse movie. However halfway through the movie the film changes to a black and white look for no reason at all and halfway through that scene it changes to colour without the grainy look. The car scenes are well done and aren’t CGI, however (I’m not spoiling anything here) there are only two car chase scenes. The soundtrack is well chosen by Tarantino, as he usually does.
Quentin Tarantino’s Death Proof is not a movie that I would recommend that people see but I wouldn’t say to avoid it. I’ve heard of people who absolutely love this movie, for whatever reason. What I will say is that if you are planning to watch this movie, be careful of what you expect. Robert Rodriguez’s Planet Terror seems to capture more successfully the style and enjoyment of a grindhouse movie much more than this movie. Death Proof isn’t a terrible movie but it isn’t really one that I’d say is good.