This is the third year that I shall be ranking the Best Picture Nominees for the Academy Awards. This year I’m not quite as invested in the film awards given that it’s taken me this long to actually release it, but I thought that I might as well give my thoughts on the nominees.
Considering the past year’s weird year for movies with plenty of pushbacks of release dates, this year’s lineup of nominees was actually great. Not only did I like them all, almost all of them are great, there’s just one film that’s out of place here, but I even liked that movie. Out of the three years where I’ve ranked the Best Picture nominees, this has to be the strongest lineup yet.
The ranking of the nominees is all based off my personal preference and how much I liked them.
8. The Trial of the Chicago 7
The Trial of the Chicago 7 was one of the frontrunners for Best Picture, but at this point it seems to have become firmly the least liked best picture nominee by many. I understand a lot of the criticisms, and even agree with a lot of them. Upon further thought, some of writer and director Aaron Sorkin’s “sorkinisms” can get a little annoying, specifically with how he decided to portray certain events and people from the real life story. It is certainly a movie that I like a lot less now compared to when I first saw it. Still, a year where The Trial of the Chicago 7 is the worst Best Picture nominee is a pretty good year for the Oscars. Ultimately, it’s the script and performances that still has me liking the movie a considerable amount, it’s a fairly engaging and energetic courtroom thriller. The script keeps you locked in from beginning to end with a fast pace, and it has some great dialogue. There’s also some solid acting from the massive cast here, with the highlights being Sacha Baron Cohen, Yayha Abdul-Mateen II and Mark Rylance. The Trial of the Chicago 7 is worth watching, but it still very much the weakest of the nominees.
The much talked about Minari rightfully makes its presence known at the Oscars with a well deserved Best Picture nomination. It’s a real portrait of the immigrant experience of a Korean-American family in search of the American Dream, and as it’s based off director Lee Isaac Chung’s childhood, that makes it even more personal and special. It isn’t a plot driven movie, instead focusing on many moments, both little and notable, which only add to the naturalness of the story. These characters’ story is tender, heartfelt, emotional, funny and above all else, genuine and human. On top of the compelling story as well as the beautiful direction and look of the movie, the performances from everyone are natural and outstanding, with Steven Yeun, Alan Kim and Youn Yuh-jung being the standouts. Minari is a great and personal family drama, and it absolutely deserved its nominations at this year’s Oscars.
Despite being quite a late release in Oscar season, Judas and the Black Messiah was quite a standout movie among the nominees. It could’ve been a by the numbers biopic based on significant true events, however it is captivating from beginning to end, tightly scripted and compelling, with a strong energy and intense atmosphere throughout. It also isn’t a typical biopic, it felt more like a historical drama thriller, and in some ways that actually helps the movie more. This movie is timely, meaningful and impactful to today’s society with the topics it covers, and it really lingers in the mind long after watching. The movie is definitely hard to watch at times, it’s a powerhouse tragedy of a drama that is more truthful and unapologetic than you would expect a big budget awards movie having. This riveting and greatly delivered story is paired with a great supporting cast including Jesse Plemons, Dominique Fishback and Ashton Sanders, as well as excellent lead performances from Daniel Kaluuya and Lakeith Stansfield (both of whom are very much deserving of their acting nominations). Judas and the Black Messiah is a bold and fantastic film that deserves its praise and accolades. It may be a late release, but definitely check it out when you get the chance to if you haven’t already.
Nomadland seems to be very much the frontrunner of the nominees, and it’s not difficult to see why. While it’s not at the top of my list, it very much deserves all the love and acclaim. Essentially, it is a poetic, quiet and contemplative character study, and an intimate look at loss and grief. The movie is fairly plotless and there isn’t much driving the story, but given the nature of the actual plot and characters, that is actually quite fitting. You get lost in the lead character’s journey as you are quite invested with what is happening with her story. The acting from everyone was great but it really is the story of Frances McDormand’s lead character. McDormand is subtle and understated yet incredibly powerful in this role, and she gives quite possibly her best performance yet. The standout aspect in this whole movie however is the work from director Chloe Zhao. Her direction is phenomenal on so many levels, perfect on a technical level for sure. It is clearly crafted with so much love and care, and she’s more than capable of telling a story with even just the movement of the camera alone. The cinematography is natural yet gorgeous, everything looks beautiful whether the focus of the shots are stunning landscapes, or relatively mundane places or objects. I perfectly understand if a lot of people don’t like this movie, it is quite slow, and you really have to get invested in the story and the lead character’s journey to really have it work for you. However, I still think it is one of the best films from the past year.
Sound of Metal was in some awards discussions, but I didn’t think that it would get much attention from the Oscars outside of a couple nominations. However, it got nominated a total of 6 times, including Best Picture, and I’m so happy that it got this attention. The story of a drummer who suddenly has to adjust to his new circumstances after he begins to lose his hearing may go on a narrative arc familiar to many other stories, but it has this genuine, thoughtful and rawness throughout that hooks you in emotionally. It refrains from large moments of drama and instead focuses on quiet and powerful character interactions and moments that have you constantly engaged. By the end of the movie, it is a truly heartbreaking yet uplifting story all at once. The acting is also phenomenal. Olivia Cooke and Paul Raci are strong and powerful supporting players, while Riz Ahmed gives some of the best acting work of the year in the lead role with a believable, naturalistic and truly human performance. Even the technical choices and directions were incredibly effective, especially with how it plays with sound and what we (or the lead character) hear or don’t hear. It doesn’t seem like Sound of Metal is one of the leading contenders for Best Picture but I’m just glad that it’s getting recognised at the very least.
Promising Young Woman is one of the most controversial, polarising and much talked about movies from 2020, and everyone who saw it had a pretty strong opinion on it. There are some people who love it, and some people who hated it, and I’m thankfully in the former camp. Despite the initial look of the movie from the trailers and other marketing, it is more than I expected it to be. It is a revenge movie as advertised, but was also a character study, jumped between multiple tones seamlessly, and was a lot more nuanced than expected, while having a subversive, thrilling, and unpredictable plot. Emerald Fennell’s directorial debut is confident, bold and impressive here, it is meritoriously crafted on all fronts, visually stunning and with a strong style. Then of course one of the key elements to this movie: Carey Mulligan, who gives an outstanding and complex performance, and one of the highlights from the past year. At the very least, this film is a great showcase for her excellent acting talents. Promising Young Woman was already one of the most standout films from 2020, but it is great to see it get recognised at the Oscars, regardless of whether it wins anything or not.
Mank is probably one of the least popular of the nominees. Even if it doesn’t seem to be this year’s Best Picture ‘enemy’ (The Trial of the Chicago 7), it really has a very niche audience. It’s a movie about the writing of Citizen Kane, set in the 30s and 40s, and made to look like it was made from that era. While I wouldn’t try to claim that it’s one of director David Fincher’s most accessible work, I am one of the few people who actually do love this film and think it’s great. The story of Mank may essentially be about the writing of one of the greatest movies of all time (as proclaimed by certain people at least), but it is mainly about the screenwriter himself, and what inspired him to do this. It’s also about Hollywood in the 30s and 40s, the politics at the time, and the Hollywood system and its many flaws. I found that quite interesting to watch, even if not everyone did. The whole cast were great, with the likes of Gary Oldman, Amanda Seyfried, Lilly Collins, Charles Dance and more delivering some great work, with Oldman particularly giving the best performance I’ve seen from him. On a technical level it is perfect, Fincher has directed this movie excellently. It does well at recreating the looks of film from the 40s with black and white, film grain and the sound mixing, it is a stunning movie, and it really immerses you in that era. While many could understandably write it off as just another movie about Hollywood, it still actually feels like there was passion behind it. Mank is not going to win the Best Picture award but if it did somehow did, I think it would deserve it.
Probably an unexpected pick for the favourite nominee out of the 8. The Father looked like textbook Oscar bait, excellent award winning actors starring in a movie based off a play about someone who is getting old, and the marketing didn’t do much to help change that perception. I went into it expecting something good, however it was truly phenomenal on so many levels. There have been plenty of movies focusing on people on dementia but its never been portrayed like this. The Father plays more like a slow moving nightmare or horror movie despite being a drama essentially. The unreliable perspective is used incredibly well as we are in the lead character’s confused point of view, conveyed excellently through the writing and plotting, as well as writer and director Florian Zeller’s outstanding technical work. And I can’t talk about this movie before touching upon the performances, mainly the two nominated with Anthony Hopkins and Olivia Colman. Colman is incredibly believable as someone who is grappling with watching her father slowly declining, one of her best acting work. But it is Hopkins’s movie, and this is truly his all time best performance in his long and fantastic acting career. He is absolutely phenomenal, breath-taking and heartwrenching in the lead role. He’s pitch perfect from beginning to end, and it is quite possibly one of the best performances I’ve ever seen. It’s not a movie that I want to watch again, not just because of the subject matter, but also because it’s such an emotional and rough experience of a movie. However out of all these 8 movies, it had the longest lasting impact on me. A truly outstanding film that unfortunately doesn’t have a strong chance at winning, but is at the very least recognised by being one of the nominees.
2020 was a very weird year for film. There was a pushback of plenty of movies, so a lot of the movies I was looking forward to that year was pushed back a year or even more. I also watched a lot less movies from 2020 year compared to past years, having only seen 55 movies from this year. Still, there were good films that came out in 2020 that are worth praising.
I should mention that films like The Father and Judas and the Black Messiah, which would otherwise be higher up on this list, are 2021 movies and so won’t be on this list.
The Nest was a smaller movie that didn’t seem to get a lot of attention from many people, but those who had seen it had very positive things to say about it. I’m glad I checked it out, it’s definitely worth seeing.
It’s a slow moving drama and it does take a while to figure out what it is about. However at its core, The Nest is a family drama portraying a slow but catastrophic disintegration of a marriage, and a deconstruction of the nuclear family, with themes about family, wealth, and what it means to be successful. It made for a slow descent into chaos that really creeps up on you. It was uneasy, uncomfortable and stressful to watch, with a sinister and moody atmosphere throughout, akin to a horror movie. The acting is also strong, with Jude Law being really good in his part and Carrie Coon being the outstanding stand out among the cast. It’s not for everyone and will be too slow for some, but I do think that it is worth checking out.
I had a feeling that I would really like Weathering with You from the moment I heard that it was from the filmmaker of Your Name, which is one of my favourite anime films of all time. While his latest movie doesn’t quite top his previous movie, I still think that it’s great.
Many of the great elements from Your Name are here. It blends multiple elements and genres including romance, drama, fantasy and coming of age together for its personal and smaller scaled story. The characters are well established and likable, and I liked following them. The direction from Makoto Shinkai as usual is outstanding, with his distinct and hyper-realistic animation style. The visuals are amazing, from the character movements, to the locations and settings. Empathetic and emotional, and under a beautiful direction throughout, I found Weathering with You to be enthralling.
One Night in Miami was up there in the movie awards conversation, and for very good reason. It’s very strong on all fronts, acting, directing and writing, it’s a very powerful movie, and it’s a great film overall.
One Night in Miami does take a while to get going, but by the time the four main characters meet up, you’re invested in the characters and the plot. It’s a relatively simple movie, mostly taking place in one location. However it dives into many thought provoking and relevant conversations and keeps your attention all the way through. It is very well written, with some brilliant dialogue that’s incredibly well written and compelling (which it would need to be given that it’s dialogue focused and based off a play). The performances from the main four leads in Eli Goree, Aldis Hodge, Leslie Odom Jr are excellent in their parts, and they play off each other very well. Regina King’s debut here as a filmmaker is fantastic, making the movie feel very cinematic despite it being based off a play. One Night in Miami is a very impressive movie that I was invested in from beginning to end.
This was actually the first 2020 movie that I watched. Initially I liked it quite a lot, it was very entertaining and was for sure one of Guy Ritchie’s best movies. However, upon a rewatch it held up for me, and I liked it even more. I really wasn’t expecting it to still be in my top 20 of 2020 over a year later.
The Gentlemen is very entertaining, with some strong writing throughout. It’s sharp, memorable, and really funny. Like with Snatch, there are multiple characters and storylines crossing over and intertwining. It may be known as an action comedy, but really the great dialogue is the action of The Gentlemen. The cast are all fantastic on their parts, with Matthew McConaughey, Hugh Grant, Charlie Hunnam, and Colin Farrell being my favourites of the performances. Guy Ritchie is at home directing in this genre. His style in this movie is his substance, it’s polished to perfection and it works to great effect. The Gentlemen is a return to form for Guy Ritchie, more so than RockNRolla, which was released over 10 years earlier. It’s darkly hilarious, constantly entertaining, and I really enjoyed watching it.
This is another movie that I wasn’t expecting to be in my top 20 by the end of the year. Until Emma, I hadn’t watched a single Jane Austen adaptation, but Emma proved to be a delightful experience of a movie that had me entertained from beginning to end.
Emma is great, hilarious, very witty, and snappy, with some rich characters and some great dialogue. Anya Taylor-Joy is pitch perfect in the title role, while the large supporting cast that consists of Johnny Flynn, Bill Nighy, Mia Goth, Miranda Hart, Josh O’Connor, Callum Turner and performed well on their parts. AAdditionally, Autumn de Wilde’s work as director is incredible. It is visually stunning and gorgeous, and all edited together incredibly well, along with having great production values. Much of the movie is very stylish, but it is done in a way that suits the material. I’ll admit that ultimately it took me a second viewing to understand and really ‘get’ this movie, but from that point, I found Emma to be such a fun and well made movie, and one of the movie highlights from 2020.
Black Bear was quite an unexpected movie, one that definitely benefits from not knowing too much going into it. While it does make it a hard movie to describe or sell to people, I can assure you that it is well worth the watch.
I must emphasise that it’s a movie worth going into blind, especially with its significant turn some way into the movie. While it’s not perfect and does detach you from the narrative a bit, it does add something interesting to the film. What I can say is that it leaves a lot of room for interpretation and analysis. The writing itself is great, the dialogue is chaotic, sharp and very memorable. The acting work from everyone is great, with Christopher Abbott and Sarah Gadon being solid in major supporting roles. However it’s Aubrey Plaza who gets the most recognition from this movie and for very good reason, she’s fantastic here. Plaza is captivating and intense, some of the best acting work I’ve seen from her, and truly one of the highlight performances from the past year. It’s directed well too, beautiful to look at, and its intense camerawork gives the film a dynamic and real feeling. Sound design is great and sharp, and that paired with the bleakness of the cinematography and its haunting score helps creating a foreboding sense of dread. Black Bear is a mindbending, unexpected and well directed dramatic thriller, with effective tension throughout. To a degree it’s not for everyone, but I do think that it’s worth a watch.
As a major awards season contender, The Trial of the Chicago 7 seems to have become firmly the least liked best picture nominee (which usually ends up happening to at least one nominee every year). I really do understand a lot of the criticisms, in fact some of my praise on this movie has decreased a little bit upon further thought even though I really liked it when I first saw it. But looking back on it, I still like it quite a lot.
The script was all the things you’d expect from Aaron Sorkin, with snappy and captivating dialogue, a fast pace, and some memorable moments. It locks you in with what’s happening from beginning to end. There’s also a massive ensemble cast for this movie, everyone is great including Sacha Baron Cohen, Yahya Abduel-Mateen II, Mark Rylance, Eddie Redmayne, John Caroll Lynch, Jeremy Strong, and Frank Langella. Unfortunately, it does have some notable aspects which do take away from the movie, even in retrospect. It definitely has some Sorkinisms with some of the dialogue choices, how he chose to represent certain events and people on screen, and especially the ending. I would’ve liked to have seen a darker and more accurate representation of the real life events for sure. With all that said, I still think it was a good movie and I do think that it’s worth watching if you haven’t seen it already.
Mangrove is the first entry in the Small Axe anthology, all of which are directed by Steve McQueen. I haven’t seen all 5 movies yet, but at the moment in time, I don’t see the rest of them topping this one. It’s solid in every aspect, and I was engaged from beginning to end.
Steve McQueen gives a great examination of the themes and subject matters in the forefront as he sheds light on an incredible true story. It’s smaller scale, yet very compelling story of a community together, fighting for their human rights. It’s quite a powerful movie, and I was invested throughout. It takes a while to get to the trial, but the first half of the movie is necessary as we are introduced to the people and the Mangrove itself. Then when it gets to the courtroom drama, it is riveting and well written. The cast are all great, with the highlights being Shaun Parkes, Letitia Wright and Darcus Howe. McQueen’s direction here is strong, his work here is more subdued and restrained compared to his other work but it’s very effective here. All in all, it’s a well crafted and passionate historical drama. While I can’t speak for the quality of the entirety of Small Axe, I do think Mangrove is worth checking out at the very least.
Never Rarely Sometimes Always was one of the most surprising movies from 2020. It’s a very small indie movie that got a lot of traction, and then acclaim, and it definitely deserved all the attention it has been receiving.
What was immediately noticeable about Never Rarely Sometimes Always was its approach to storytelling. It’s not so focused on dialogue and it makes a lot of use out of silence, speaking volumes by saying a little. It tells a story through subtext and silence, from the character’s actions, the performances and the direction, making the movie feel all the more real. It resists going all in on unwelcome melodrama or larger ‘dramatic’ and overtly emotional moments, instead focusing the attention on being more natural. It’s empathetic and honest too, and by the end is very powerful. The acting is impressive from Sidney Flanigan and Talia Ryder in the lead roles, both performances are subtle, genuine and powerful and share great chemistry together. The whole movie feels authentic from the sets, to the sound, and to the cinematography and camerawork, especially with what they focus and linger on. I did want more character development, but it is the sort of movie where you aren’t given the full context of everything, or know why certain people do what they do, and I think that really works for the film. Never Rarely Sometimes Always is a raw, nuanced and powerful movie, and one that you should definitely check out if you haven’t already.
Charlie Kaufman’s I’m Thinking of Ending Things was definitely one of the most polarising movies of 2020. It’s really not for everyone, however I’m glad that I’m one of the people who liked this movie quite a lot.
I’m Thinking of Ending Things isn’t a horror movie in the conventional sense, but it is quite bleak, melancholic and depressing, yet very well written from Kaufman, with many layers and much to talk about. I was invested, even if much of the movie consisted of long conversations, I was fascinated with what was happening. The acting from everyone is great, with Jesse Plemons, Toni Collette and David Thewlis all performing greatly. However, it’s Jessie Buckley who’s the standout here, delivering one of the best performances from 2020. Kaufman’s direction shines a lot here too, from its stunning (and 4:3 ratio) cinematography, to the great and off kilter editing that indicates that something is really off throughout. There’s not much clear cut explanations about much of what the film is trying to say, and I admit that I don’t exactly understand everything. For me it’s quite possible that a rewatch could improve or break the movie for me. For now, I’ll just say that I had a really good experience watching it. It’s a strange and confusing film that will frustrate many, but I thought it was great.
Saint Maud had been one of the most anticipated horror movies from 2020, and while some people were disappointed with the film after all the hype, I thought it was great. It’s a short and simple, yet effective and intimate psychological horror film.
Saint Maud is less intense horror and scares than creepy, disturbing and unsettling, with a creeping sense of dread throughout. It was a slow burn of a character study, that I was invested in throughout. This movie is a look at religious fanaticism, mental illness, loneliness and isolation. Morfydd Clark is amazing, mesmerising, and captivating in the lead role, one of the highlights of the film for sure. Rose Glass directs this movie incredibly well, I really want to see what she makes next. The movie is visually stunning with gloomy cinematography and memorable imagery, and features some great sound mixing and music, all of which combine together to build suspense and tension as well as a chilling atmosphere. It could’ve benefited by being a bit longer to flesh out its ideas and themes, but all in all, Saint Maud was a great horror film.
The Invisible Man was one of the earlier movies from 2020 that still managed to get released before cinemas closed and movies started to be delayed. It still remained a very memorable movie even amongst all the other newer releases, and one that I’m still incredibly impressed by.
This is a modern adaptation of the original story, and that certainly seemed difficult to make, definitely hard to make an invisible man actually scary. However, director/writer Leigh Whannell and co. pulled it off, and the tweaks to modernise the story worked to great effect. The story is essentially about domestic abuse and gaslighting, and explores the traumas in an abusive relationship. That was more unsettling than the actual idea of a man being invisible. The movie is unnerving, and you feel as paranoid as the protagonist. While some of the concepts and ideas on paper might sound silly, it actually works here. As great as the rest of the movie around her is, Elisabeth Moss was key to making it succeed as well as it did, she gave an incredible performance on her part. Whannell directed this movie so well, this and Upgrade shows him as a great horror filmmaker and I’m looking forward to seeing what he makes next. The use of lingering camera shots and movements are so effective, making you unnerved at what you’re seeing, or not fully seeing. Combining that with the great visual effects and the powerful sound design and score, and it really escalates the already tense atmosphere. If you’re a fan of horror, I highly recommend checking out The Invisible Man.
There have been some great horror movies from 2020, but Brandon Cronenberg’s Possessor is my favourite of them all. A disturbing, unsettling and incredibly well-made psychological horror film, it made for a very memorable experience.
Possessor is a very creative, ambitious and unapologetic movie, packed with so many ideas. It doesn’t hold your hand, requiring you to put the pieces together of what’s happening in the story. It’s deliberately paced yet I was very intrigued throughout. The futuristic setting is bleak, and much of the movie is unsettling even before it gets to the brutality and shocking images. The cast are all great, especially Andrea Riseborough and Christopher Abbott as the leads. Brandon Cronenberg directs this film incredibly well. It’s a visually and aesthetically stunning movie with a great colour pallet, and some outstanding hypnotic, surreal and nightmarish sequences. It’s an assault on the sense from the very first scene all the way to the end. Possessor is very much not for everyone, the gore at the very least will turn people off, and some might not be as into the story. But it was one of the most riveting and intense experiences I’ve had watching a horror movie recently.
I went into Soul not being quite sure of what to expect. I just saw one of the trailers and knew that it was a Pixar movie from the people who made Inside Out. I didn’t expect it to be as great as it turned out to be.
If you haven’t seen it already, I recommend going into Soul without not knowing much about it. It was a lot deeper than expected, with it being a journey that really makes you think about life. It’s a beautifully told and very human story that’s full of sincerity, honesty and heart about what it means to be alive, as well as the purpose of life. It’s Pixar’s most mature movie by far, in fact I see older audiences getting much more out of the movie. At the same time, it is entertaining and there’s some good humour here too. The characters are great, even the brief characters who only have a few minutes of screentime are memorable, and they are voiced by a great cast including Jamie Foxx, Tina Fey, Graham Norton and Rachel House. The movie is also directed well by Pete Doctor, beautifully and stylishly animated with its stylised photorealism approach to the locations and characters (at least when the movie takes place in the real world). It’s only enhanced further by the outstanding score from Trent Reznor and Atticus Ross. Soul is one of Pixar’s most clever, poignant and honest films, and one of their best.
There had been a lot of hype and anticipation for Minari based off the early reactions, and they were absolutely justified. It’s fantastically made on every level, and was all around an incredible experience.
Minari is a heartfelt and empathetic portrait of the immigrant experience from the perspective of a Korean-American family in the search of the American Dream, showing the hardships they go through. Their story is tender, genuine, funny and heartwarming. Director Lee Isaac Chung translates his own personal childhood story to the big screen in such a beautiful way. The cast all deliver truly great performances, especially Steven Yeun, Alan Kim and Youn Yuh-jung. Minari is a great and truly personal family drama. Watch this as soon as you can.
Nomadland is one of the most acclaimed movies from 2020 and it’s for very good reason. It’s a poetic, quiet and contemplative character study, and an intimate look at grief and loss. It’s great on pretty much every front.
Nomadland is plotless yet character driven as we follow the main character become a nomad over the course of the movie. It really is a story about real people and real stories, full of many memorable and heartfelt side characters who leave their mark on the film in an effective way. Despite it not really having a driving force throughout, we get lost and invested we follow the main character on her spiritual journey. The acting from everyone is great. Along with the performances from the real life nomads in the supporting cast, Frances McDormand here gives quite possible her best performance yet. Chloe Zhao’s direction is nothing short of extraordinary, and on a technical level the movie is pretty much perfect. The cinematography is natural, personal and gorgeous. Whether its be capturing beautiful landscapes or mundane areas, Zhao makes everything look beautiful. I do understand if people don’t like the movie, but I do think that it’s worth a watch at the very least.
Released later in the year, Another Round quickly became one of my favourite movies of 2020. A dark comedy about drinking, life and more, it is energetic, hilarious yet heartbreaking and compelling.
The plot is about drinking but instead of just focusing on the negative effects, the film shows both the positives and negatives, while looking at serious subject matters including alcoholism, discontent lives, midlife crises, and marriage. It’s honest in a way that’s not sappy, it feels genuine. There’s a lighthearted tone throughout, so it’s easy to watch and is entertaining, but it also has emotional moments and darker aspects that stick with you. The cast are great especially the main 4 actors in Mads Mikkelsen, Thomas Bo Larsen, Lars Ranthe and Magnus Millang, with Mikkelsen giving one of his all-time best performances. Another Round is a humane, warm and cathartic dramedy that shows the benefits and drawbacks of alcohol, and is a very reflective and entertaining movie about life, friendship and day drinking. Check it out if you haven’t already.
Sound of Metal really crept up on me, an impactful and genuine drama that’s incredibly thoughtful, powerful and well made. I’m so glad that it’s receiving all the acclaim and awards recognition, because it absolutely deserves them.
While Sound of Metal might be structured in a predictable way in that it’s about someone who has something happen to them that changes their life, and then they have to grow to accept their new circumstances, it doesn’t play out how you’d expect. It feels real and you are invested with what happens. It’s thoughtful, sensitive, and impactful, never once getting to the point where it feels heavy handed. It’s an insightful look into the experiences of people that we can only imagine ourselves. It focuses on quiet and powerful character interactions and moments over larger dramatic moments. This is only also helped further by the impressive direction from Darius Marder, especially with the incredible use of sound mixing. Then there’s the outstanding acting, Olivia Cooke and Paul Raci giving memorable supporting performances, and Riz Ahmed’s powerfully affecting performance is his career best. Definitely worth checking out as soon as possible if you haven’t already.
Promising Young Woman was one of the most talked about movies from 2020, leaving quite an impact on critics and audiences. Stylish, provocative and excellently made, it was one of the past year’s most memorable movies.
The writing is strong, subversive and unpredictable. It is tonally all over the place, jumping between dark drama and thriller to comedy, it’s a movie that’s rather hard to categorise. It is a little more than what I expected it to be, while it is sort of a revenge movie as advertised, it’s also a character study, and the film was surprisingly nuanced. The performances from everyone are all great, but it’s the career best performance from Carey Mulligan that stands out most of all. At the very least, this movie is an excellent showcase for her excellent acting talents. Emerald Fennell’s directorial feature film debut is great, sporting an intoxicating visual style with the cinematography, costumes and production design. Unpredictable, well crafted, shocking and timely, Promising Young Woman is a movie where everyone is going to have a strong opinion on it. If you haven’t already, watch it for yourself.
Da 5 Bloods showcases all of Spike Lee’s greatest talents and is amongst his best movies. Ambitious, urgent and impactful, it’s very well crafted and all around incredible.
Da 5 Bloods really is an epic war movie from Spike Lee. It’s very well written with a balanced tone, featuring dark comedy as well as emotional and character driven moments, with multi-dimensional and complex characters. It’s a truly emotional journey that works on so many levels, with so much depth here. There’s some hard-hitting commentary about race in America, PTSD, the ramifications of war and more, and it’s done in an intelligent and relevant way. It’s deeply empathetic, and through and through feels like a passion project. The acting is fantastic from everyone including Jonathan Majors, Clarke Peters, the late Chadwick Boseman, and especially Delroy Lindo. On a technical level it’s great, from the stunning cinematography to the well-tuned editing and more. Da 5 Bloods is one of the best films about the Vietnam War, and one of the most powerful war films I’ve seen. I feel like it’s been forgotten as more movies came out in 2020 but I really do think it’s one of that year’s best.
One of the more divisive awards movies, Mank definitely didn’t work for everyone really, it’s a rather niche movie. It’s not one of David Fincher’s more rewatchable movies by any means. However, I’m one of the few people who loved this film, and I do think it’s great for what it is.
While as it was pitched and seemingly marketed as a movie about the writing of the classic film Citizen Kane, it’s more about the main character of Mank, and the events and people which inspire him to write the movie. It’s a film about Hollywood during the 30s and 40s, the politics at that time and the flaws of the Hollywood system. While it took me a while to figure out what the movie is about, I thought it succeeded in just about every single way imaginable. The whole cast is great, with the likes of Gary Oldman, Amanda Seyfried and Lilly Collins delivering some great works, with Oldman particularly giving the best performance I’ve seen from him. It’s also perfect on a technical level, David Fincher directs this excellently. There’s a lot of attention to detail to recreate the look of film in the 40s with the black and white, film grain, and sound mixing, and there’s tributes to Citizen Kane as to be expected. While it could easily be seen as just another typical Hollywood biopic, Mank really does feel like there’s passion behind it. As I said earlier, it is one of the more divisive movies from 2020 and very much isn’t for everyone. But I do think that it is worth a watch.
Tenet was one of my all time most anticipated movies of 2020, Christopher Nolan’s name already sold me on it and the film itself looked spectacular from the trailers. I managed to watch Tenet in cinemas twice, and I loved it. While I expected another 2020 movie to come along and take the top spot on this list, nothing really had come close to topping Tenet as my favourite movie of the past year.
Tenet is at its core is a large-scale espionage and spy movie, which just happens to have a sci-fi time aspect to it. There are plenty of twists and turns, and the story itself could be complex and challenging. While it’s confusing on a first viewing, on repeat viewings it makes so much more sense, and you can see how well put together it is. Even if you can find issues in the movie like how some of the characterisations aren’t as strong as they could be, it’s nonetheless one rollercoaster of a ride. It’s ambitious, thrilling and such a fantastic experience from beginning to end. The cast including John David Washington, Robert Pattinson, Elizabeth Debicki, and Kenenth Branagh all perform their parts greatly. However of course much of the film’s success comes down to the direction from Christopher Nolan, on a technical level it is pretty much perfect. It’s very well shot and has some incredible action sequences, in fact I’d say that this movie has some of the best action that Nolan has done. From the opening opera house sequence to the climactic action scene, it’s exhilarating and overwhelming. The practical effects and sound design are outstanding too, and that’s even before you get to Ludwig Goransson’s excellent score, which fits the rest of the movie perfectly. It’s one of my favourite Christopher Nolan movies, it’s among my very long list of favourite movies, and it’s my favourite film of 2020.
Time: 101 Minutes Age Rating: Violence, deals with rape and suicide Cast:
Carey Mulligan as Cassandra “Cassie” Thomas
Bo Burnham as Dr. Ryan Cooper
Alison Brie as Madison McPhee
Clancy Brown as Stanley Thomas
Jennifer Coolidge as Susan Thomas
Laverne Cox as Gail
Chris Lowell as Al Monroe
Connie Britton as Dean Elizabeth Walker Director: Emerald Fennell
Nothing in Cassie’s (Carey Mulligan) life is what it appears to be — she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs from the past.
Promising Young Woman was one of my most anticipated movies of 2020. From the trailer it looked interesting and bold, and Carey Mulligan looked like she was going to be fantastic in the lead role. Despite it being released a bit later than was originally planned, I actually did manage to watch Promising Young Woman in cinemas and I’m glad I did. Promising Young Woman is stylistic, provocative, excellently made and acted, and it is one of the best movies of 2020.
I won’t say too much about the plot itself, because the less you know going in, the better the experience will be for you. The script from Emerald Fennell was great, I was invested for the entire of its runtime of 113 minutes. One thing worth noting is that the trailer is quite different and not quite representative of the movie. It’s not nearly as violent as I expected it to be (it was given a R18 in New Zealand). However, it was also more disturbing than I expected it to be. It is a little hard to categorise this movie, but the most accurate description I could give is that it is a dark drama and comedy with some thriller elements. The tone does jump all over the place sometimes, but for whatever reason, Fennell pulls it off. It was entertaining and funny at many points, and there’s even a prominent romantic subplot. At the same time the story is still very dark, and a lot of disturbing things happen in it. With the subject matter alone, I can see it potentially being a bit triggering for some people, so keep that in mind before watching. For the most part you don’t really see anything graphic, but rape and sexual assault are nonetheless very prominent aspects of the movie. I’ve seen some people call the movie a bit shallow and honestly I can see why to a degree, even though it was handled much better than I was expecting.
While Promising Young Woman is sort of a revenge movie, it’s a bit different from what you’d expect from it, taking some aspects in different directions. It might have you a bit confused in its first act as you try to figure out what’s happening, who the main character is, what is she doing, etc. I was on board with the movie throughout, but at a certain point it becomes much more mature and asks questions about the protagonist in a great way. With regard to the main character, the film does not demean her motivations, but it definitely asks if any of the things that she does is actually solving anything. It does slow down towards the middle of the film, but I still liked watching it. Then there’s the elephant in the room, the one aspect that could make or break the movie for many, the third act and particularly the ending. Without going into it too much, the ending goes in quite a different direction compared to the rest of the movie, and will be polarising for some people. Now I must admit that through certain circumstances, I already knew of the ending going into the movie, so it wasn’t as shocking for me like it was for others. Having said that, watching the movie from the perspective of someone who knew what was going to happen, to a degree I felt that it was the inevitable conclusion from looking at the overall story and the lead character. With that said, I can definitely see why some people take issue with it.
The casting of everyone was pitch perfect. Carey Mulligan gives quite possibly the best performance of her career as lead character Cassie, she was the perfect person to play this role. She covers such a range of emotions over the course of the movie, and there’s even moments where it’s almost like she switches between 2 different personalities in a single scene. The trauma that is a living part of Cassie’s life (which I won’t reveal) doesn’t feel forced when the viewer watches Mulligan act. There’s a lot of nuance to it, and it isn’t just sadness vibes to reflect her trauma. Overall, Carey Mulligan gave such a thrilling, complex performance, she completely owned the role and understood the character so well. The supporting cast really brought so much to the table to make this film work as well. Bo Burnham is surprisingly great as Cassie’s boyfriend. Even if his character’s fairly predictable from a plot perspective, Bo makes the character his own and has excellent chemistry with Mulligan. Clancy Brown and Jennifer Coolidge were funny as Cassie’s parents, and their scenes helped fill out her character in a satisfying way. Other cast members like Alison Brie, Alfred Molina and more also do well in their few (but vital) scenes.
It’s not just the script from Emerald Fennell that was great, it was her direction of the movie too. This is her debut feature film, and it’s definitely a bold and impressive debut at that. Promising Young Woman is meticulously directed on all fronts. First of all, visually it’s absolutely stunning. The visual element of this film is intoxicating, and Fennell seems to have an already established style that feels signature to her. The use of colour is particularly fantastic. Fennell didn’t overlook one production element down to the set design, to the costume design. The sound design was great and stood out too surprisingly, seeing this in a theatre emphasised this and allowed me to really experience it. The use of music and the music choices themselves are fantastic across the board. The amount of well timed needle drops and the sound mix came together to put you directly in Cassandra’s headspace. For example, there’s one moment where it features a violin rendition of Brittany Spears’s Toxic, and it added so much to the scene it was included in.
Promising Young Woman is an unpredictable, well crafted, shocking, and timely movie. It’s excellently written and directed, and the casting is perfect, with Carey Mulligan giving her best performance yet. Now it’s for sure one of the most controversial and polarising movies of 2020, and it won’t work for everyone, but I think it’s one of the best movies from that year.
2019 was a great year for film, and a good way of ending the decade. 2020 also looks to offer even more fantastic films, especially with the likes of Denis Villeneuve, Christopher Nolan, David Fincher, and many more talented filmmakers releasing their new movies. Indeed, there’s plenty of movies here that I have my attention on, and hoping that they will deliver.
I should be noting that with films like Guillermo Del Toro’s Nightmare Alley, I’m going off the assumption that they are going to be released in 2021, so if that film somehow gets released this year, its exclusion from this list isn’t because I’m not interested in it, far from it in fact. Also, some of these movies don’t have a release date yet, and I had to make an assumption that they’re actually releasing in 2020. Lastly, some of these movies could be pushed back (a couple of entries on this list actually have been pushed back from last year), there’s just no way of telling.
Honestly there’s really not much to say about Mainstream, I’m interested in it mainly because of some of the cast involved, and I’m hoping that the movie is pretty good in itself.
Three lovers struggle to preserve their identities as they form an eccentric love triangle within the fast-moving modern world.
I like Andrew Garfield, Maya Hawke, and Jason Schwartzman, and they’re the reason I’m somewhat paying attention to the movie. There’s really nothing more I can say about this movie thus far, I’m not familiar with director Gia Coppola, but with the cast and the premise, at the very least it has potential.
Mainstream hasn’t been given a release date yet.
39. Bad Boys for Life
I’m not a massive fan of the Bad Boys movies, I liked the first one fine enough for what it is, but the second I just really couldn’t get into. People had been talking about a 3rd instalment for quite a while, and it seems like now we’re getting it. I’m still not completely sold on it just yet, but I’m nonetheless paying attention to it.
The once inseparable duo of Marcus Burnett and Michael “Mike” Lowery is coming apart: an aging Burnett has become a police inspector while Lowery, suffering a midlife crisis, is assigned to head up AMMO, a “young guns” group of millennial cops with whom he has nothing in common. Both of them reunite once again when a fierce cartel mob boss, whose brother they defeated years earlier, makes a retaliation effort on Mike just as both he and Marcus are about to officially retire.
Will Smith and Martin Lawrence reprise their roles, and their dynamic is the highlight of these movies, I’m looking forward to seeing them again. Outside of that, don’t know what to expect from the rest of the movie. I’m not familiar with the director, this time its not Michael Bay directing the movie, and I can’t tell whether that’s a good thing or a bad thing. Chances are the story is going to be pretty familiar to the past movies and I’m not expecting much from that front. I’m just hoping for a reasonably fun and entertaining 2 hours in the cinema.
Bad Boys for Life is scheduled to be released on January 17, 2020.
38. The Conjuring 3: The Devil Made Me Do It
It does feel weird this movie not being higher on my list. I liked James Wan’s The Conjuring, and The Conjuring 2 even more, so I’ve been looking forward to a 3rd movie. However there are some things that I’m legitimately concerned about, they aren’t enough to make me not want to watch this movie.
One of the most sensational cases form the files of real life paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), where a young boy is murdered and the murder suspect claims demonic possession as a defense for the first time in the history of the United States.
First of all the obvious must be addressed, this title is terrible. The Devil Made Me Do It is a silly title, not to mention with the previous movie being just titled The Conjuring 2, it makes you wonder why they made that decision. It’s not enough to justify prematurely declaring that the movie will be terrible, but it does give you pause. The main concern I have however is that it isn’t James Wan who’ll be directing this, that job falls to Michael Chaves. The problem is Chaves directed The Curse of La Llorana, which was a spin off in this Conjuring universe, and from what I’ve heard it’s not that good. I’m not entirely confident that he’ll deliver on a good movie with this. However with a premise that has potential, and Patrick Wilson and Vera Farmiga returning to reprise their roles, I can’t say I’m at least somewhat interested in checking it out.
The Conjuring 3: The Devil Made Me Do It is scheduled to be released on September 11, 2020.
37. Ghostbusters: Afterlife
Although I liked the first two movies, I’m not a massive fan of Ghostbusters. Maybe I might need to give them a rewatch, but I generally regard them as fun 80s movies that are pretty decent but that’s it. I wasn’t even expecting another Ghostbusters movie after Sony’s reboot really didn’t work out so well. Normally I wouldn’t be interested, but the fact that this is actually Ghostbusters 3 at least compels me to pay some attention to this movie.
After being evicted from their home, two children and their single mother move to a farm in Summerville, Oklaholma inherited from their late grandfather. When the town experiences a series of unexplained earthquakes, the children discover their family’s link to the original Ghostbusters, who have become something of a myth as many have long-since forgotten the events of the “Manhattan Crossrip of 1984”, and the secret legacy that their grandfather left behind.
There had been talks about a Ghostbusters 3 for the longest time, and after the recent reboot, it seemed like people had given up on it. After the longest time however, they are actually making it. The cast for the new Ghostbusters are great, with McKenna Grace, Finn Wolfhard, Carrie Coon, and Paul Rudd, that group of actors have quite the talent, and I’m looking forward to seeing how they work out. Additionally Bill Murray, Dan Aykroyd, Ernie Hudson, and Sigourney Weaver return to reprise their roles, and the fact that they aren’t just being used for cheap cameos but instead passing the torch onto new actors and characters played a large part in me being sort of interested in this movie. I haven’t seen much from writer and director Jason Reitman, but I liked Juno and Tully, which I’ve seen from him. That’s not to guarantee that because he’s involved, the movie will be fantastic, I liked Paul Feig and his Ghostbusters movie was kind of middle of the road. Nonetheless there’s a lot of talent involved, and I really hope it pays off well.
Ghostbusters: Afterlife is scheduled to be released on July 10, 2020.
36. The Way Back
I heard about this movie for a little while, after working on The Accountant (a movie that I thought was rather good), Ben Affleck and director Gavin O’Connor were going to work on another movie together. From the brief glances I’ve had at the movie, and of the trailer, it certainly has some potential.
A former HS basketball phenom (Ben Affleck), struggling with alcoholism, is offered a coaching job at his alma mater. As the team starts to win, he may have a reason to confront his old demons. But will it be enough to set him on the road to redemption?
From director Gavin O’Connor I’ve only seen The Accountant and Warrior, but they were quite good, and so this movie is being handled by someone who is more than capable at carrying this story. Ben Affleck can generally give some good performances, but this almost feels like the role was tailor made for him. From the looks at the trailer, he seems to be playing the role rather well. The two of them are the reason I’m interested in the movie, I’m really not sure how it’s going to turn out beyond that.
The Way Back is scheduled to be released on March 6, 2020.
35. Promising Young Woman
I only heard of the movie more recently, with a new trailer that captured my attention. With a good cast and premise, I’m definitely keeping my eye on Promising Young Woman.
Everyone said Cassie (Carey Mulligan) was a promising young woman, until a mysterious event abruptly derailed her future. But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right to give Cassie a chance to right the wrongs of the past.
It’s been a while since we’ve seen Carey Mulligan in a movie, and this seems to be a fantastic role for her. From the trailer, it looks like she’s handling her part quite well. Additionally this movie has Bo Burnham, Alison Brie, Adam Brody, and Clancy Brown in supporting roles. Beyond that and the premise, I really don’t know what to expect from it at all. I’m mainly going in for Carey Mulligan, but hopefully the film on the whole is great too.
Promising Young Woman is scheduled to be released on April 17, 2020.
34. Guns Akimbo
I’ve heard about Guns Akimbo for the longest time, ever since the set pictures came out with Daniel Radcliffe in a bathrobe with guns stuck to his hands. I have no idea what’s taking this movie so long to actually come out, but I’m really looking forward to seeing whatever this is supposed to be.
A guy (Daniel Radcliffe) relies on his newly-acquired gladiator skills to save his ex-girlfriend from kidnappers.
I really liked Daniel Radcliffe and Samara Weaving, and the trend of Radcliffe starring in some weird indie films graciously doesn’t seem to be ceasing anytime soon. I don’t know much about the movie beyond the premise and actors, but it seems like it’ll be at the very least something over the top and fun.
Guns Akimbo will probably be released sometime in 2020.
33. The Invisible Man
Leigh Whannell’s last film with Upgrade was one of the biggest surprises of 2018. Naturally I was interested in seeing what his next film would be, and it so happened to be a remake/adaptation of The Invisible Man.
When Cecilia’s (Elisabeth Moss) abusive ex (Oliver Jackson-Cohen) takes his own life and leaves her fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
Leigh Whannell with Upgrade showed himself to be a very impressive filmmaker, and I’m looking forward to seeing what he’ll do with this concept. I’m not familiar with most of the actors, but I do know of Elisabeth Moss, and from what little I’ve seen her in, I know she’s very talented and will no doubt give another good lead performance here. The Invisible Man is a very loose adaptation of the original book, as well as a loose remake of the 1933 movie, so at least it’s trying something new. However it seems to be a stalker/slasher film, but just the antagonist being invisible. It does then feel like this movie might’ve been better not connected to a source material, however it is worth noting that this movie was going to be the Dark Universe Invisible Man movie (connected to 2017’s The Mummy) originally before it was cancelled. If you haven’t seen the trailer, I wouldn’t recommend watching it, as it seems to show most of the movie. There’s a part of me that thinks that this could just be a generic slasher movie. Still, it’s got me curious about it.
The Invisible Man is scheduled to be released on February 28, 2020.
Morbius is a new entry in Sony’s Spider-Man Villain Universe, the Spider-Man cinematic universe that doesn’t actually have Spider-Man in it (at least for the time being). This time it’ll focus on a character lesser known to the public, Morbius, a vampire who happens to be a Spider-Man villain. I have no idea what to really expect, but I’m at least interested in it.
Biochemist Michael Morbius (Jared Leto) tries to cure himself of a rare blood disease, but inadvertently infects himself with a form a vampirism instead.
Jared Leto is in the lead role as Morbius, and Leto certainly has the potential to give some great performances. I don’t know much about the character of Morbius, but if he’s given the right writing and direction, he could be great in this role. Additionally, you have a supporting cast consisting of Matt Smith, Jared Harris, and Tyrese Gibson, so there’s a lot of talented people involved. The director is Daniel Espinosa, who made Life, which I personally liked. I also know he made Safe House and Child 44, which I’ve heard mixed things about. I honestly don’t know what sort of movie Morbius will be really, but good or bad, it seems like it’ll be something at least somewhat different from a comic book movie, and that’s always good to see.
Morbius is scheduled to be released on July 31, 2020.
I watched the original Candyman last year, I was really surprised in how much I liked it, it was really well made. The new Candyman movie is something I’m curious about but I’m also unsure about it, mostly because I’m not sure what it’s supposed to be.
A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.
Apparently this new Candyman movie will be a spiritual sequel to the original, which is at least a step above being a remake. Nonetheless, not sure what the movie will be about just yet. The lead will be played by Yahya Abudul-Mateen II, and we also have Tony Todd returning, and I assume that he’s reprising his role as the Candyman. If he is, then that’s great, because he’s fantastic in that role. I’m somewhat curious about this movie, I’m not sure what to expect from it, and I’ll be keeping an eye on it for sure.
Candyman is scheduled to be released on June 12, 2020.
30. Venom 2
2018’s Venom wasn’t the movie I was expecting it to be. It was very over the top and goofy, and in that it was entertaining for what it is. However it also didn’t fully work as that, as it feels like a mash of ideas and tones, that works enough to be fun, but not enough to be that good. With the sequel introducing the character of Carnage to the big screen, I have no idea what kind of movie we’ll be getting this time. However I’m still on board to see what it is.
This time we have Andy Serkis on board to direct the sequel, who is a very interesting pick for this movie. Given his work with motion capture, I’m sure he’ll do something great on that front at least. Tom Hardy and Michelle Williams also reprise their roles from the first movie, and Hardy seems to have committed completely to whatever was written for this character (for better or for worse), so I look forward to seeing him again. Woody Harrelson was revealed to be Cletus Kasady at the end of Venom, the villain who would go on to become Carnage. I do wonder how they’re going to handle him, given that the character is a serial killer and the last movie was a PG-13/M, I’m not sure whether or not they’ll go all the way with this character. As unintentionally funny as his appearance was in the first movie, Harrelson is a talented actor and could actually be great in this role if his character is handled well. Additionally there’s Naomie Harris and Stephen Graham who will also play parts in the movie. I’d be disappointed if it’s another messy yet funny and somewhat entertaining superhero flick, but I got a feeling that Venom 2 will at least be slightly better than that.
Venom 2 is scheduled to be released on October 2, 2020.
29. Black Widow
After Avengers: Endgame, people are starting to drop off out of interest of the MCU, and I’ll admit myself as being one of these people. There have been talks for under a decade of a Black Widow movie ever since her on screen debut in 2010 with Iron Man 2. However, despite appearing frequently in the MCU movies, she’s never gotten her movie, until now that is.
A film about Natasha Romanoff (Scarlett Johansson) in her quests between the films Civil War and Infinity War.
There’s an undercurrent of feeling that this movie feels too late, and it’s particularly frustrating that it takes place after Civil War, because this just means that it should’ve been made 3/4 years ago (however I suppose it’s better than yet another origin story). What makes matters worse is the fact that Black Widow in the MCU is now dead, so it almost feels in vain. The trailer looked pretty good, rather standard Marvel, but has enough intriguing bits to make me interested. I generally like Scarlett Johansson as Black Widow, but I really do feel like she hadn’t been used to her fullest potential in her previous apperarances. While I still don’t feel like the character would be used to her fullest potential, at least this time she’ll be front and center, and not just a co-lead at best. Additionally, you have a supporting cast with Florence Pugh, David Harbour, Rachel Weisz and Ray Winstone. I don’t necessarily know if it’ll be much more than the standard MCU level quality (the trailer certainly makes it look like it’s not much better than that), I can’t deny that I’m interested in it.
Black Widow is scheduled to be released on May 1, 2020.
28. A Quiet Place Part 2
A Quiet Place was one of the biggest surprises of 2018, a very effective horror movie, and it worked well for what it was. Because it was so successful, a sequel was greenlit with the same crew. While a sequel doesn’t seem unnecessary, I’m open to seeing what ideas they have in store for the follow up.
The Abbott family must now face the terrors of the outside world as they fight for survival in silence. Forced to venture into the unknown, they realise that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.
John Krasinski retursn to direct the sequel, he did such a good job with the first movie. Along with the returning main characters with Emily Blunt, Millicent Simmonds and Noah Jupe as the family at the centre, you have the additions of Cillian Murphy and Djimon Hounsou, both are very talented actors and I’m looking forward to seeing what they do in the movie. I don’t think A Quiet Place needed a sequel, it was fine as it is, but I’m hoping Part 2 proves me wrong and does something special.
A Quiet Place: Part 2 is scheduled to be released on March 20, 2020.
27. Godzilla vs. Kong
I liked the MonsterVerse movies, with the two Godzilla movies and Kong: Skull Island. Now their incarnations of Godzilla and King Kong will be clashing after years of build up. There are some concerns that I have, but no doubt it’s something that I’m really looking forward to seeing on the big screen.
In a new world where man and monster now coexist, Monarch must lead the way to a prosperous future alongside the Titans, keeping humanity in check. However, rival factions that want to manipulate the Titans for war begin to rise under the guise of a nefarious conspiracy, threatening to wipe out all life on the planet. Meanwhile on Skull Island, strange seismic activity draws the attention of Godzilla and Kong alike.
I’ve not seen any of the older King Kong and Godzilla movies (outside of Peter Jackson’s King Kong), nor have I seen any versions where the two have fought each other, but to see these modern incarnations of these titans clashing with fantastic visuals, I can’t wait. In addition to Millie Bobby Brown and Kyle Chandler returning from Godzilla: King of the Monsters, you have Alexander Skarsgard, Rebecca Hall, Brian Tyree Henry, Eiza Gonzalez, Jessica Henwick and Demian Bichir being added to the cast list. I’m aware that the human characters aren’t particularly anything special, but that’s nonetheless a pretty good cast. This movie is directed by Adam Wingard, who made You’re Next, The Guest, and Death Note (the latter of which wasn’t all that good), and I’m interested in seeing what he has planned for this movie. One thing that is a little concerning to me was the amount of release date delays it has, from March 13, to May 22, to May 29, and now November 20. Now at least it’s being kept in the same year, but it’s still a little concerning that they kept pushing it back. Nonetheless, I’m sure it will at least be something spectacular to see on the big screen at the very least.
Godzilla vs. Kong is scheduled to be released on November 20, 2020.
26. The French Dispatch
I will admit I’m not a massive fan of Wes Anderson. While I haven’t seen a lot of his movies, of the few that I have seen, the only one I really loved was The Grand Budapest Hotel. Nonetheless, I definitely appreciate him as a filmmaker, and I’ll for sure check out any future movies he puts out. I’m not exactly sure what The French Dispatch is supposed to be at this time, but I’m getting the feeling that it’ll really surprise me.
A love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch” magazine.
Whether you love, hate or are indifferent to Wes Anderson, you can’t deny that he makes movies like no other person. So even if his style isn’t exactly my favourite, I’m kind of interested to see what he does. As per typical of Anderson, he has a phenomenal cast, and it’s actually overwhelming how large it is. Frances McDormand, Bill Murray, Timothee Chalamet, Jeffrey Wright, Benicio del Toro, Lea Seydoux, Tilda Swinton, Saoirse Ronan, Kate Winslet, Elisabeth Moss, Willem Dafoe, Christoph Waltz, Owen Wilson, Adrien Brody, Jason Schwartzman, and so many more. With that cast and director, I can’t deny I’m somewhat curious about how The French Dispatch will turn out.
The French Dispatch is scheduled to be released sometime in 2020.
25. Top Gun: Maverick
I’ll openly admit that I’m not a big fan of Top Gun. There’s a lot of good in it and it’s certainly an 80s classic, it just wasn’t anything more than that to me. Still, I’m somewhat interested in seeing what the sequel, Maverick, has to offer us.
After more than thirty years of service as one of the Navy’s top aviators, Pete Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him.
Joseph Kosinski directs this, his work on Tron: Legacy and Oblicion was relatively decent. The trailer for this movie looks impressive, with a lot of stunts, and you know that all of them are practical (with Tom Cruise of course performing all of his own himself). Outside of Tom Cruise and Val Kilmer returning, you have Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, and Ed Harris as part of the new cast. I’m not really sure what to expect from this movie outside of an updated and improved version of the first movie, but I’m sure it’ll be entertaining at the very least.
Top Gun: Maverick is scheduled to be released on June 26, 2020.
As I said when talking about Black Widow, I’ve been growing less interested in the MCU. While I’m going to watch all of their upcoming movies, it will take some new places and characters to make me particularly interested in their newer instalments. Thankfully, it looks like The Eternals will be just that.
In a story spanning over 7000 years, the Eternals, an immortal alien race created by the Celestials, protect humanity from their evil counterparts the Deviants.
I don’t really know anything about the Eternals, what little I know is that they are a powerful race of cosmic beings who’ve been around for millions of years. Most of the MCU protagonists are human, or at least start as such, so to immediately start off and take place in this kind of world, it sounds exciting. You also have a great cast, with the likes of Angelina Jolie, Richard Madden, Kumail Nanjiani, Brian Tyree Henry, Salma Hayek, Barry Keoghan, Gemma Chan and Kit Harington. The director is Chloe Zhao, and while I haven’t seen her previous movie The Rider, I’ve heard a lot of great things about it. Most MCU movies are decent at least, and I’m sure that the Eternals will be good too, but I also think it has the opportunity to be one of the most unique entries in the series.
Eternals is scheduled to be released on November 6, 2020.
I’ve never watched a movie based on a Jane Austen novel, and I hadn’t even known about this book until this movie was announced. However actually looking at the trailer and the people, for some reason I’m just really interested to see it when it comes out.
Jane Austen’s beloved comedy about finding your equal and earning your happy ending, is reimagined in this. Handsome, clever, and rich, Emma Woodhouse (Anya Taylor-Joy) is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love has been there all along.
The reason why I started being interested in this movie was Anya Taylor-Joy’s involvement, she’s one of my favourite recent actresses. She also particularly seems perfect for this role, from how little I know about it. There’s also the addition of the likes of Bill Nighy, Mia Goth, Miranda Hart, Callum Turner and Gemma Whelan in supporting roles. I don’t really know what to expect from the movie, I’m not familiar with the story at all. However based off the trailer, I think it’ll be pretty good at least.
Emma is scheduled to be released on February 14, 2020.
22. Green Knight
I’ve liked the movies I’ve seen from director David Lowery, with Ain’t Them Bodies Saints, Pete’s Dragon and especially A Ghost Story. So I’m open to seeing any new movies from him, and indeed Green Knight at least seems like it could be quite good.
A fantasy re-telling of the medieval story of Sir Gawain (Dev Patel) and the Green Knight.
David Lowery is a very talented director as shown in his previous movies, so he’s definitely got a good handle of it. It also has a pretty good cast, with Dev Patel, Barry Keoghan, Ralph Ineson, Alicia Vikander, Kate Dickie, and Sean Harris involved. The story is apparently based of Sir Gawain and the Green Knight, which is apparently a classic tale, but I’m not familiar with that. I’m just interested in the movie because of the talent involved. I’m really not sure at this stage what kind of fantasy movie Lowery is intending Green Knight to be, but I’m looking forward to it nonetheless.
Green Knight has no release date at this time.
21. The Woman in the Window
I was looking forward to The Woman in the Window last year, it was certainly meant to come out in 2019. There’s a lot of talent involved, from the director, to the cast, especially Amy Adams. However some of my anticipation was decreased a little, with my biggest concern being the fact that the movie was pushed back an entire year.
An agoraphobic woman (Amy Adams) living alone in New York begins spying on her new neighbors, only to witness a disturbing act of violence.
I’m aware that Joe Wright isn’t always consistent as a director. Pan is by far his worst movie and was really messy (even though I don’t dislike it), and Darkest Hour was a pretty by the numbers biopic. But he’s still a good director, he made Atonement after all. The cast is also good, with Gary Oldman, Anthony Mackie, Wyatt Russell, Brian Tyree Henry, Jennifer Jason Leigh and Julianne Moore making up the supporting cast. However it’s Amy Adams in the lead role that has me most excited, she seems to have much to work with in this role, and could very well end up being one of her best performances. Now as I said, the movie was pushed back from 2019 to 2020. This is because Disney (who now owns Fox of course, who originally produced the movie) ‘retoooled’ the movie due to negative test audience response towards the third act. That doesn’t bold well, as either this is a knee jerk reaction to a single reaction and as a result drastically changing the movie, or the movie actually has some significant problems to begin with. This is why the movie isn’t as high up on this list as I would’ve like it to be, I’m not 100% certain that it’ll be good just yet, even though the trailer looks good. However, I’m still very much interested in seeing the movie.
The Woman in the Window is scheduled to be released on May 15, 2020.
20. The New Mutants
This is the third and hopefully last time I put this movie on a most anticipated film of a year list. With plenty of delays, changes and the like abound, there’s definitely reason to be concerned about this movie. I really can’t comment on how the movie is now at this stage. Even if the movie ends up being a little messy, I can’t deny that I’m still very interested in seeing it.
Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.
The cast is pretty great, with Anya Taylor-Joy, Maisie Williams, and Charlie Heaton being part of it. Allegedly, the movie was not filmed to be horror despite director Josh Boone wanting that, and after the positive reaction to the horror movie trailer, they decided to get closer to his vision. I’m not going to commit to believing a behind the scenes story just yet but the things that I’ve heard have me just a little concerned. However I’m still hoping that the end product will be something that is fairly decent at least.
The New Mutants is scheduled to be released on April 3, 2020 (unless it gets pushed back yet again).
19. Death on the Nile
Kenneth Branagh’s Murder on the Orient Express was pretty good, it was nothing great and could’ve been better, but it was somewhat fun, it’s well directed, and the ensemble cast mostly delivered. Although I didn’t know much about them, I was aware that there were more Hercule Poirot stories that could be told, and I was interested in seeing a sequel based off them. We are finally getting that with Death on the Nile, which I’m expecting to be at the very least just as good as the first movie.
Detective Hercule Poirot (Kenneth Branagh) investigates the murder of a young heiress aboard a cruise ship on the Nile River.
Death on the Nile will be in a very different environment compared to Murder on the Orient Express, and I can tell that Branagh will do a great job with it, like how he did with the previous movie. The main issues of that movie for me was some of the pacing and parts of the writing and plot, and I hope the sequel has noticeably improved upon those issues. Along with Kenneth Branagh returning as Hercule Poirot (having done a good job in the previous movie), we have a great new ensemble cast with Annette Bening, Russell Brand, Gal Gadot, Armie Hammer, Rose Leslie and Letitia Wright involved. I’m a sucker for whodunits, and it seems like Death on the Nile will be a solid movie at the very least.
Death on the Nile is scheduled to be released on October 9, 2020.
18. Halloween Kills
I liked 2018’s Halloween, it was a good follow up to the original movie. I also thought it was a good conclusion for the series and characters. Unfortunately, they decided that this movie would be the first in a trilogy, with Halloween Kills and Halloween Ends acting as the second and third movies. Even though they should’ve stopped the series at this point, I can’t deny that I’m at least somewhat interested in seeing what they have in store for the next instalments.
The saga of Michael Myers (Nick Castle) and Laurie Strode (Jamie Lee Curtis) continues in the next thrilling chapter of the Halloween series.
David Gordon Green did a really good job at directing the last movie, it wasn’t that scary to me, but it was handled so well on the whole, so I’m glad that he’s returning for this movie. Additionally you have the main cast from the previous movie returning, with Jamie Lee Curtis, Judy Greer, Andi Matichak and Nick Castle reprising their roles. Despite my disappointment that the last movie didn’t conclude the whole series after all, there is one thing I’m confident about, and that’s the fact that they actually planned out 2 movies, with the last literally being titled Halloween Ends. This means they actually have a plan for the story arc, it’s much more contained, and aren’t going to just release more sequels (until they inevitably reboot yet again in the future). While I can certainly see how things could go wrong, but I have enough confidence in the people involved to deliver another solid movie.
Halloween Kills is scheduled to be released on October 16, 2020.
17. Deep Water
I’m always interested in a good thriller, and based off the premise and the people involved, Deep Water looks like it could be that.
A well-to-do husband (Ben Affleck) who allows his wife (Ana de Armas) to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
I’ve only seen Jacob’s Ladder from director Adrian Lyne, but I recognise some of the other movies that he’s worked on, such as Fatal Attraction and Unfaithful. Looking at the premise and some of the details of the book it’s based on, I can see this being right up his alley. Additionally with the duo of Ana de Armas and Ben Affleck, Deep Water certainly has a lot of promise.
Deep Water is scheduled to be released on November 13, 2020.
16. The King’s Man
I’m a big fan of Kingsman: The Secret Service, it was something fresh and entertaining. I even liked The Golden Circle, even though it has its issues and wasn’t as good as I hoped it was. Now director Matthew Vaughn isn’t going straight into the third movie in that series, but instead directing a prequel about how the Kingsman came to be, and that’s actually something I’m willing to see.
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man (Ralph Fiennes) and his protégé (Harris Dickinson) must race against time to stop them.
After some mixed reactions to The Golden Circle (even from those who liked the first movie), the idea of making a prequel was probably the best next move for the series. It’s definitely embracing the time period and seems different from the first two movies, yet you can clearly tell that it’s a Kingsman movie and directed by Matthew Vaughn. The cast is large and great, with Ralph Fiennes, Gemma Arteton, Rhys Ifans, Matthew Goode, Tom Hollander, Daniel Bruhl, Djimon Hounsou, Charles Dance, Aaron Taylor-Johnson, and Stanley Tucci involved. I am actually more confident in this movie than The Golden Circle, and I’d be surprised if it didn’t end up being fun at the very least.
The King’s Man is scheduled to be released on September 18, 2020.
15. I’m Thinking of Ending Things
I may not know a whole lot about I’m Thinking of Ending Things, but with Charlie Kaufman writing and directing, along with a great cast involved, I’m definitely interested in how it’ll turn out.
A man (Jesse Plemons) takes his girlfriend (Jessie Buckley) to meet with his parents, but they find themselves going in a terrifying detour.
I will admit that I’m not too familiar with Charlie Kaufman’s work. I’ve seen a couple of the movies that he wrote, which was Adaptation and Eternal Sunshine of the Spotless Mind, but that was it. Nor have I seen some of his directed movies like Synecdoche, New York. However his involvement definitely has my interest. The cast is quite talented with the likes of Jesse Plemons, Toni Collette and David Thewlis. As for the story, I know its based off a book I haven’t read, and looking at brief parts of the plot, it seems like a very twisty plot, and I’m looking forward to seeing what Kaufman does with it both in directing and writing.
I’m Thinking of Ending Things is to be released by Netflix, with no date set as of this time.
14. The Last Thing He Wanted
I heard of this movie more recently, mostly because of the talent involved. While I don’t know too much about the movie’s plot, with the cast and director, as well as the little bits I know about the story, it looks quite interesting.
A veteran D.C. journalist (Anne Hathaway) loses the thread of her own narrative when a guilt-propelled errand for her father (Willem Dafoe) thrusts her from byline to unwitting subject in the very story she’s trying to break. Adapted from Joan Didion’s namesake novel.
Although I haven’t seen Mudbound yet, I heard it was good and director Dees Rees’s next film will be this one. As for The Last Thing He Wanted, you have a great cast, with the likes of Anne Hathaway, Willem Dafoe, Ben Affleck, Toby Jones and Rosie Perez. This movie is based off a book of the same name, and from the brief glances I had at the plot of the novel, it actually sounds like it could be something great.
The Last Thing He Wanted is to be released on Netflix, with no date set as of this time.
13. The Gentlemen
Guy Ritchie’s return to crime movies is of course something I’ve been anticipating for quite some time. Add an excellent cast on top of it, and it seems to be a comeback for Ritchie, at least based off the trailers.
The film follows American expat Mickey Pearson (Matthew McConaughey) who has created a highly profitable marijuana empire in London. When word gets out that he is looking to cash out his business, it triggers plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him.
There’s a great cast involved, with Matthew McConaughey, Charlie Hunnam, Henry Golding, Michelle Dockery, Eddie Marsan, Colin Farrell, and Hugh Grant. However of course the reason I’m so excited is that it’s Guy Ritchie’s return to crime movies in a while. Lock, Stock, and Two Smoking Barrels, Snatch and RocknRolla are among his best movies, he excels at this genre. His most recent movies have been disappointing, so this might be just what he needs. There is one thing I’m a little worried about, and that’s the release date. There’s a reason why I’m uploading this review so early on, the movie comes out for me on the first day of the year. January is where a lot of bad or average new releases are dumped, and for The Gentlemen to be released that month, I’m a little worried about it. Nonetheless, I get that feeling that I’ll like some parts of it at least.
The Gentlemen is scheduled to be released on January 1, 2020.
While biopics can be very typical and usually end up being just a display of some good acting at best (at worst its failed Oscar bait), the upcoming film about Marilyn Monroe sounds like it’ll be very interesting. The talent involved is difficult to ignore, and the story and movie on the whole seems like it’ll be anything but conventional.
A fictionalized take on the life of Marilyn Monroe (Ana de Armas).
Andrew Dominick is quite a talented filmmaker, Killing Them Softly I remember having a lot of good things to it, but of course he’s known for The Assassination of Jesse James by the Coward Robert Ford, which was masterful. For him to take on this story, I’m definitely intrigued. Ana de Armas has been a rising star these past years, with the likes of War Dogs, Blade Runner 2049 and more recently Knives Out. Now she’s in the lead role as Marilyn Monroe, and just from the set pictures, she at least looks the part, and I have no doubt that she’ll also bring it on the acting side too. You also have Adrien Brody, and Bobby Cannavale in supporting roles. Now a great director and cast are all fine and good, but it still could just end up a typical biopic. However, the source material its based off is quite unique. Blonde is based off the historical novel of the same name, and according to the author, it’s a work of fiction that shouldn’t be regarded as a direct biography of Monroe’s life. I haven’t read the book myself, but it does sound like there’s potential there for an interesting movie. Also, according to Dominik (who wrote the script in addition to directing) “the script contains little dialogue and he has described the film as being an avalanche of images and events”. I’m all for unconventional biopics, and Blonde could end up being a complete surprise.
Blonde has no release date set at this time.
11. Those Who Wish Me Dead
Taylor Sheridan showed himself to be a good writer, and then director with Wind River, so I’m generally interested in what he has next. His next film certainly sounds like it could be another solid film from Sheridan, and there’s a lot of talented people involved.
A female-driven neo-Western set against a wildfire in the Montana wilderness. A teenage murder witness finds himself pursued by twin assassins in the Montana wilderness with a survival expert (Angelina Jolie) tasked with protecting him — and a forest fire threatening to consume them all.
Again, Taylor Sheridan is a big reason why I’m so interested in this movie. This is not the only neo-Western that Sheridan has written with Hell or High Water and Wind River, the latter of which he directed. He’s great at this and so I’m pretty confident that the writing and directing side will be top notch. On top of that it has a talented cast with Angelina Jolie, Nicholas Hoult, Tyler Perry, Jon Bernthal, and Aiden Gillen. My excitement is all just based off the talent involved, and I hope it all pays off well.
Those Who Wish Me Dead is (allegedly) set for release on October 23, 2020.
10. The Trial of the Chicago 7
Aaron Sorkin is a fantastic writer, with his scripts for The Social Network and Steve Jobs being excellent. His directorial debut was pretty solid with Molly’s Game, but he still had some room to grow on the directing side of things, although the script was good as expected. Sorkin’s next film would be taking on a real life event, and everything about the movie and the premise sounds like it’ll be something great.
Based on the story of the Chicago Seven, a group of seven defendants charged by the federal government with conspiracy, inciting to riot, and other charges related to anti-Vietnam and countercultural protests that took place in Chicago, Illinois, on the occasion of the 1968 Democratic National Convention.
First and foremost, you of course have Sorkin at the helm. While his directing is decent, of course what’s most exciting is his writing. This is actually a script that he wrote back in 2007, and now it finally gets to be turned into a movie. I’m looking forward to seeing what he does with this real life event. There’s also an all star cast, with the likes of Sacha Baron Cohen, Eddie Redmayne, Joseph Gordon-Levitt, Frank Langella, Mark Rylance, Yahya Abdul-Mateen II, Michael Keaton, and William Hurt involved. Everything about The Trial of the Chicago 7 sounds excellent, and will no doubt be a massive stand out film in 2020.
The Trial of the Chicago 7 is scheduled to be released on September 25, 2020.
9. Army of the Dead
I know not everyone is a fan of him, but I like Zack Snyder, and I really like his movies. After his absolute hectic experience with Justice League (with the final product not even being his movie at all), it’ll be nice seeing him work on a non comic book movie. Zombie movies don’t excite me immensely, but the prospect of Snyder directing another zombie movie (and with even more experience since 2004), has me greatly excited.
Following a zombie outbreak in Las Vegas, a group of mercenaries takes the ultimate gamble, venturing into the quarantine zone to pull off the greatest heist ever attempted.
People (rather unfairly I might add) heavily dunk on Zack Snyder and his movies, usually over his adaptations of source material or characters. This time it’s not based off anything, no it’s not a sequel to Snyder’s own Dawn of the Dead remake. So it doesn’t have all the in built criticisms that would come with him adapting something. Snyder’s Dawn of the Dead really stood out among modern zombie movies, and I’m looking forward to seeing what he’ll bring to this movie. I’m not expecting it to be groundbreaking, but I get the feeling that it’ll be something fun.
Army of the Dead will be released on Netflix (presumably in 2020).
8. The Devil All the Time
Not a lot of people know about this movie, I really only know about it because of particular actors who signed up for it. Based off that and the premise though, I so hope that this works out because it sounds outstanding.
Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell (Bill Skarsgård) , tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte (Haley Bennett), from an agonizing death by cancer no matter how much sacrificial blood he pours on his “prayer log.” There’s Carl (Jason Clarke) and Sandy Henderson (Riley Keough), a husband-and-wife team of serial killers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy (Harry Melling) and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell (Tom Holland), Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.
The cast was a big reason why I’m so interested. Tom Holland, Bill Skarsgard, Sebastian Stan, Robert Pattinson, Riley Keough, Jason Clarke, Mia Wasikowska, Eliza Scanlen and Haley Bennett, this is actually one of the most stacked casts of the year and that’s saying a lot. It’s based off a well praised book, and the premise sounds like it could be something special. Nothing has been released about this movie, no pictures, no trailer, and I’m not familiar with the director’s work, but from the cast and the premise, it’s something that I’ll be keeping my eye on in the lead up to its release.
The Devil All the Time is set to be released by Netflix in 2020.
7. Birds of Prey
I wasn’t really sure what to expect from Birds of Prey, especially given that it has Harley Quinn as a large part of it. However the things that I’ve seen and heard of it sound like it could be something special in the comic book movie genre at least.
A twisted tale told by Harley Quinn (Margot Robbie) herself, when Gotham’s most nefariously narcissistic villain, Roman Sionis (Ewan McGregor), and his zealous right-hand, Zsasz, put a target on a young girl named Cass (Ella Jay Basco), the city is turned upside down looking for her. Harley, Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell) and Renee Montoya’s (Rosie Perez) paths collide, and the unlikely foursome have no choice but to team up to take Roman down.
Margot Robbie has already shown herself to be a star as Harley Quinn in Suicide Squad, and this time she’s front and centre as the star, despite Quinn not being part of the Birds of Prey really. The cast that surround her are also great. You have Mary Elizabeth Winstead as Huntress, Jurnee Smollett-Bell as Black Canary, and Rosie Perez as Renee Montoya, making up the cast of the Birds of Prey, and I can’t wait for them and Harley to interact. You also have Ewan McGregor as Black Mask, a DC villain I’ve been waiting to see on the big screen for some time, and the new take on him based off the glimpses I’ve seen of him interests me greatly. From the glimpses we get of the movie, Birds of Prey seemed to have embraced the insanity of it all, and that also goes for the R rating. We know that it’s going to be a hard R movie, and that just interests me even more. I’ve not seen anything from director Cathy Yun, but it looks very well directed and perfect for the film they are going for (it also on a visual level just looks fantastic). I’m still not really sure what to expect from Birds of Prey, but it has the potential to be one of the standout blockbusters from 2020.
Birds of Prey is scheduled to be released on February 7, 2020.
6. Wonder Woman 1984
Wonder Woman was quite the hit when it came out back in 2017, and a sequel had been anticipated for quite some time. I’ll admit that not knowing what the movie will be like, my anticipation for it has been slowly decreasing over time. The trailer however brought back my absolute excitement for this movie.
Wonder Woman (Gal Gadot) squares off against the Cheetah (Kristen Wiig), a villainess who possesses superhuman strength and agility.
The time period jumped from World War 1 all the way to the 80s, and from the trailers it looks like it’s completely embracing that time period. Before watching the trailer I wasn’t really sure what the tone of this movie would be, and thankfully the trailer did seem to give some hints towards it. Whether it’ll be going in a darker or lighter direction compared to the first movie, I have 100% faith in director Patty Jenkins, she knows what she’s doing with the character. There’s also glimpses at some exciting sequences (such as Diana in a gold plated suit with wings, and her literally riding the lightning using the lasso), yet seems to hide enough to keep you intrigued and excited for more. Gal Gadot shines as Wonder Woman, and so I’ll know she’ll bring it once again in this movie. Chris Pine is also returning as Steve Trevor, he was fantastic in the first movie, and it’ll be interesting to see how Trevor comes back in this movie. Additionally you have Kristen Wiig as Cheetah and Pedro Pascal as Maxwell Lord as the villains of the movie, both very talented actors and important characters, and I’m looking forward to see what parts they plan in the movie. From everything I’ve seen and heard, Wonder Woman 1984 will be yet another hit.
Wonder Woman 1984 is scheduled to be released on June 5, 2020.
5. No Time to Die
Normally a James Bond movie wouldn’t be this high on my most anticipated films list, but there’s something about this one. This is the final film with Daniel Craig in the role of James Bond (who is by far my favourite version of the character), so it’s quite a big movie. Add on top of that the talent involved, and it seems like it could be something special.
James Bond (Daniel Craig) has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter (Jeffrey Wright) from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain (Rami Malek) armed with dangerous new technology.
There is a lot of talent involved with this movie. Along with Daniel Craig, you have returning Bond actors with Lea Seydoux, Ben Whishaw, Ralph Fiennes, Naomie Harris, Jeffrey Wright, Rory Kinnear and even Christoph Waltz reprising their roles from the past movies. The new cast are also good, with Lashana Lynch, Ana de Armas, Billy Magnussen and Rami Malek, the latter of whom will be playing the main villain. However that’s not all that excites me, the director of this is Cary Fukunaga, I have seen his work on Maniac. While I haven’t seen his work on True Detective Season 1, Beasts of No Nation or Jane Eyre, I’m aware that he’s a very talented filmmaker. For him to take on a James Bond film, I can imagine how incredible it’ll be. The trailer itself certainly indicates that the movie has a lot of promise. I remember having some issues with Spectre, mainly for the mix of old and new Bond. However it seems like No Time to Die has the right level, having the right amount of Bondisms, as well as having a dark, character driven and genuinely great story. From the talent involved to the looks that we had of the movie, it looks great and I can’t wait to see how it turns out.
No Time to Die is scheduled to be released on 2 April 2020.
4. Last Night in Soho
I generally like Edgar Wright, I love his Cornetto trilogy and I liked Scott Pilgrim and Baby Driver a fair bit. However there’s something about the brief descriptions about Last Night in Soho which has me particularly excited for it. From the talent involved and the premise, it looks like it could be something truly special.
A young girl (Thomasin McKenzie), passionate in fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer (Anya Taylor-Joy). But 1960s London is not what it seems, and time seems to fall apart with shady consequences.
First of all you have a great cast involved. I’m always interested in anything Anya Taylor-Joy is in, her involvement in a movie is enough to get me thoroughly interested in it (in fact this is the third time a movie of hers is on this list). You also have Thomasin McKenzie, who is becoming a rising star with recently Leave No Trace and Jojo Rabbit. The supporting cast including Matt Smith, Terrence Stamp and Diana Riggs are also good. Edgar Wright has proven to be a very talented filmmaker. Last Night in Soho is something new from him, a psychological horror, and it’s said to be inspired by other British horror films like Don’t Look Now and Repulsion. That excites and intrigues me immensely, and I can’t wait to see it.
Last Night in Soho is scheduled to be released on 25 September 2020.
It’s been 6 years since David Fincher made a film with 2014’s Gone Girl. While I get that he was involved with Mindhunter, I really wanted to see another movie by him, and it seems that with 2020 we’ll finally be getting that. I’m unsure about the premise that he went with, but the talent involved with this movie is undeniable.
Follows screenwriter Herman J. Mankiewicz’s (Gary Oldman) Tumultuous development of Orson Welles’ iconic 1941 Citizen Kane.
Admittedly, the plot doesn’t sound very interesting. I haven’t seen Citizen Kane, but even if I had I’m pretty sure I wouldn’t be that much more interested in it even if I did. It sounds like a standard biopic about the making of a movie, and I’m not sure what you could do with that to make it special. However you have to remember that Fincher made a movie about Facebook one of his all time best films. While I’m not sure what he’d be able to do with this material, I’m sure it’ll be great. You also have a solid cast in the movie, with Gary Oldman as Citizen Kane screenwriter Herman J. Mankiewicz (Mank), and the likes of Amanda Seyfried, Lily Collins, Charles Dance and more in the supporting cast. I’m not really sure how the movie will turn out on the whole, but I’m sure it’ll be something excellent.
Mank hasn’t been given a release date yet but it’s assumed it’ll be released in 2020.
I’m always going to be incredibly excited for anything that Christopher Nolan puts out, and Tenet is no exception. Despite the details being kept vague, from the cast, the small things we know about the movie, and Nolan himself, I am excited.
A secret agent (John David Washington) is apparently brought back to life to prevent World War III.
Christopher Nolan’s films are ambitious and large scale, and also rather secretive leading up to its release. I’m not exactly sure what the movie is about, the trailer didn’t give away a lot, but I’m very intrigued. You’ve also got a large and great cast, with the likes of John David Washington, Robert Pattinson, Elizabeth Debicki, Aaron Taylor-Johnson, Clemence Posey, Michael Caine and Kenneth Branagh. However the trailer establishes Washington as the clear cut protagonist, and more than happy to see that, he’s shown with BlacKKKlansman that he’s an immensely talented actor. I have no doubt that Tenet will be one of the most best films of the year.
Tenet is scheduled to be released on July 17, 2020.
I’m not familiar with the source material, nor have I seen David Lynch’s own attempt at adapting the source material. But from the vague details I know about it, combined with the fact that Denis Villeneuve is directing it, I couldn’t be more excited for it.
A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides (Timothée Hal Chalamet), a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity’s greatest potential-only those who can conquer their fear will survive.
You’ve got a truly excellent cast involved, with the likes of Timothee Chalamet, Rebecca Ferguson, Dave Bautista, Stellen Skarsgard, Charlotte Rampling, Oscar Isaac, Zendaya, Javier Bardem, Josh Brolin, Jason Momoa, David Dastmalchian and more involved. And let’s not forget that Villeneuve is directing this, he’s one of the best filmmakers working today. Let’s not forget he took on the daunting task of directing a sequel to Blade Runner, one of the most iconic sci-fi movies of all time. Now he is taking on adapting a highly significant and influential sci-fi novel. This movie will cover roughly the first half of the Dune story, which is good as this means that the story gets to be spread across two movies, but will be a problem if this movie doesn’t do well enough to get a follow up. I do sincerely fear that this movie won’t do well with audiences, as most people don’t even know what Dune is. But that’s just a concern about the success of the movie. The prospect of a Denis Villeneuve directed Dune just sounds overwhelmingly amazing, and I can’t wait to see what he has in store for us.
Dune is scheduled to be released on December 18, 2020.