Tag Archives: Pierce Brosnan

Pierce Brosnan’s James Bond Movies Ranked

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After the release No Time to Die, I decided to watch through the James Bond movies in reverse Bond actor order. I also decided to rank each actor’s Bond films, excluding Timothy Dalton and George Lazenby of course given that they made 2 movies max.

Pierce Brosnan was the James Bond actor right before Daniel Craig, and had a 4 movie run as Bond in GoldenEye, Tomorrow Never Dies, The World is Not Enough, and Die Another Day. In some ways, Brosnan’s run as James Bond is a little disappointing. He was a perfect fit for the role, he has the charisma and smoothness, he can deliver the one liners, he is believable in the action, and he is convincing as a cold blooded assassin. However, the movies were a little mixed and some of the movies underserved Bond and Brosnan’s performances. It certainly didn’t help that Brosnan’s run was at an unfortunate point where the Bond series needed to reinvent itself.

With that being said, I do find stuff to enjoy in all of them, and even though the non-GoldenEye films don’t have the best of reputations from most people, generally I enjoy them all.

4. Die Another Day

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Unsurprisingly, Die Another Day makes it at the bottom of the list. It’s definitely known as one of the worst Bond movies, and for good reason. The plot is absurd and goes to new ridiculous heights, even by Bond standards. Essentially the premise of DAD is about Bond going up against Graves, who’s really a Korean colonel who changed himself into a white British billionaire, from using his diamond encrusted satellite which shoots out a solar laser beam. That sounds like it has a lot of potential to be cheesy fun from beginning to end. However the most disappointing part is how dull the movie feels on the whole. It does have some cheesy one liners and dumb moments like the previous films, but there’s something that’s so lazy and low effort in this. The acting is also mostly not the best, mostly ranging from disappointing (Halle Berry) to bad (Toby Stephens). Even Pierce Brosnan suffers from it, he does have his moments but he’s not got the best material to work with, especially when compared to the previous three movies. So much of the direction is poor, with 2000s editing with an overuse of slow-motion and bad CGI which haven’t aged well. Throughout the film is just full of bad decisions.

With that being said, I won’t lie and say I dislike the movie. As bad as Die Another Day is, there’s still some enjoyment to be had with it. The opening is good with a much darker tone  and a good idea, even if the rest of the film doesn’t take advantage of it. Most of the acting isn’t that good but there’s a few performers that work, Judi Dench is once again great as M, John Cleese makes a decent Q in his 1-2 film appearances, and Rosamund Pike and Rick Yune made for decent supporting villains. As messily directed as many of the action sequences are, you can’t deny that they are memorable and entertaining in a way. The battle over ice with cars with weapons, the hand to hand fight dodging lasers spinning around, the sword fight at the duelling club, the action in the other worst Bond films aren’t this memorable. The silliness can be entertaining, even if it’s at the film’s expense. The poor decisions, the goofiness of the villain and plot can have some enjoyment in it. Again though, I get the issues. It is entertaining in parts but not on the whole. It is disappointing that this is essentially the film that stopped Brosnan from reaching his ideal Bond film.

My review of Die Another Day

3. The World is Not Enough

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The World is Not Enough is definitely not the worst of the 4 Pierce Brosnan movies, but it is the most frustrating. It really had a lot of potential to be one of the best Bond films, let alone Brosnan’s best. Despite all that, by the end it just ends up being a formulaic action flick, with a MacGuffin in the form of a nuclear weapon. It’s also quite forgettable compared to the other movies, from the plot, to some of the characters, to the action. Despite its attempts at a darker story for this version of James Bond, the movie feels over the top and silly, and as a result it felt very tonally inconsistent. The particularly bad one liners, the aspect of the villain being strong and impervious to pain because of a bullet lodged into his brain, they all feel very out of place within the story. And yes, Denise Richards plays the least convincing nuclear physicist as Christmas Jones but she’s not the reason why the movie underwhelms.

With all that being said, I still think that The World is Not Enough is decent on the whole. Aside from some one-liners and bad attempts at humour (and yes, Christmas Jones), there aren’t many outright bad things about the film. The plot had me intrigued for at least the first half, I liked some of the ideas they had, and I was always entertained in some way. Sophia Macreau as Elektra King was also not only the most interesting character in this movie, but also one of the most interesting characters of the 4 Brosnan movies. While the movie doesn’t utilise the character the best, it’s a good performance and character which definitely elevated the film. While most of the action scenes aren’t as memorable compared to the other 3 movies, they are still generally well filmed and were entertaining. Also I think that this is probably Pierce Brosnan’s best performance as James Bond, if only because he’s given the most emotional material to work with here. I would not call The World is Not Enough one of the best Bond films by any means, but it’s not one of the worst either, there’s still some good stuff here.

My review of The World is Not Enough

2. GoldenEye

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The most controversial opinion in this list is that I don’t consider GoldenEye to be Pierce Brosnan’s best Bond film, nor do I consider it one of the all-time best Bond films. For a while I hadn’t been able to pinpoint why but I think I figured it out with my most recent viewing. The plot is simple enough, but I don’t find it to be that great or interesting really, which might be the biggest problem for me. Outside of the action scenes, I don’t find myself very invested with what’s happening with the story or characters. Even GoldenEye seems to suffer from tonal inconsistency, a problem that most of Brosnan’s movies seem to suffer from (more on that later). For context, it was in the awkward phase of moving Bond from the Cold War of the 80s into the 90s. The film tries to have some of the grittiness of the Timothy Dalton Bond films but isn’t grounded enough to do that, and it also tries to be on the more over the top silly side (leaning towards Roger Moore Bond) at points but is too serious to achieve that. Not that it isn’t possible to find a happy medium between the two, but the end result in this film feels a little messy.

With all that being said, I do understand a lot of the praise that GoldenEye receives. The biggest strength for me was the direction by Martin Campbell, specifically with the action. From the opening sequence in the 80s, the tank battle, to the third act climax, the action is filmed and put together really well. That’s something that GoldenEye has over the other Brosnan Bond films, all the action is great. The actors are also quite good in their parts, Sean Bean and Famke Janssen make for memorable villains, Judi Dench made her first appearance as M here, and although Pierce Brosnan would have better performances as James Bond, he is solid here. While I don’t consider GoldenEye to be amongst the best Bond films, it is good overall.

My review of GoldenEye

1. Tomorrow Never Dies

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Tomorrow Never Dies is often regarded as the second best of Pierce Brosnan’s Bond movies, but it’s my favourite of his. I do understand the criticisms for sure. It is very goofy and over the top at times, and it does lose itself in its overblown climax. They also could’ve done much more with its unique central concept with the media, they don’t execute it in the best way. Parts of the direction do feel a little lacklustre, especially after Martin Campbell’s direction of GoldenEye.

With all that being said, I couldn’t help but thoroughly enjoy this movie from beginning to end, despite its faults. One of the biggest praises I have is the tone, rather how consistent it is. Instead of wavering between silly and gritty like GoldenEye, Tomorrow Never Dies leans in with the 90s action cheese and makes for a thoroughly entertaining film. The aforementioned plot concept involving the media is also quite unique, and while the film doesn’t make use of this idea fully, it still makes for a memorable film. Pierce Brosnan had a better showing as Bond compared to GoldenEye, Michelle Yeoh was a scene stealer and overshadows Brosnan at points, and Jonathan Pryce is scene chewingly enjoyable as the villain. The action is overblown but thoroughly entertaining. While there are certainly better movies in the franchise, Tomorrow Never Dies is one of the most entertaining Bond movies for me.

My review of Tomorrow Never Dies

What do you think of Pierce Brosnan’s James Bond? What did you think of his movies?

Die Another Day (2002) Review

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Die Another Day

Time: 133 minutes
Age Rating: 860940[1]
Cast:
Pierce Brosnan as James Bond
Halle Berry as Jinx Johnson
Toby Stephens as Gustav Graves
Rosamund Pike as Miranda Frost
Rick Yune as Tang Ling Zao
Judi Dench as M
John Cleese as Q
Michael Madsen as Damian Falco
Director: Lee Tamahori

James Bond (Pierce Brosnan) is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.

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I reached the end of my rewatches of Pierce Brosnan’s Bond movies with Die Another Day. It is widely known regarded one of the worst Bond movies, if not the worst. However I remember watching it a lot when I was younger, so I was curious whether my opinion would change sharply, or if I’d be more lenient on it. In a way, both happened. I definitely don’t hate it like a lot of people do, I do find parts of it I enjoy, even when most of it is ludicrously silly. However, it’s not a very good movie, it has a ton of issues and easily ranks as one of the worst Bond films.

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The strangest part of Die Another Day is that it starts off pretty good, at least the first 20 minutes or so. James Bond is on a mission in North Korea, and the opening set piece is entertaining (if darkly lit), and even goes to some dark places. Bond is captured, tortured and interrogated before being released. The opening was new ground for Bond and the tone seemed like it was where Brosnan wanted to take Bond for the longest time. Even with some weird inclusions such as a CGI bullet flying towards the screen in the opening Gunbarrel sequence and the Madonna opening song, it had a good start. You really notice a change from the point where Bond escapes from the hospital by faking a cardiac arrest by lowering his heart rate by will. This dark tone and opportunities from the start of the movie aren’t capitalised on at all, any potential given by the start of the movie fizzles out quickly. MI6 and M initially don’t trust Bond after he’s released, believing him to have given up vital information during the torture. However that doesn’t last for long and soon enough he’s back on a mission with them. The opening being that dark is very strange considering that on the whole it is one of the silliest Bond movies. The plot is straight out of a Roger Moore Bond movie, especially with the inclusion of a solar laser beam being shot out by a diamond encrusted satellite. There’s even a plot point where the main villain played by Toby Stephens (a British white guy) turned out to be a Korean guy who used gene therapy (ironically this isn’t even the most racist moment in Bond’s film history). Being silly isn’t going to bother me, many of the Moore movies are absurd and people mostly gave those a pass. Die Another Day would make for an enjoyable campy Bond movie if they were aiming for that. Unfortunately it is not self aware, in fact it takes itself pretty seriously, which makes things tonally strange. Also despite the very silly things that happens, on the whole it feels strangely dull with not a whole lot of energy. The attempts at humour are bad but somehow also feel low effort, and the plot is rather predictable. So while there are individual moments that are goofy, its not the kind that keeps you endlessly entertained throughout the entire runtime.

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The acting is a bit of a mixed bag. Pierce Brosnan has been gradually been improving as James Bond with every subsequent film but his work here is rather disappointing, feeling a little lazy and on autopilot. The opening with the torture in North Korea certainly provided an opportunity for a much darker journey for the character but unfortunately the film didn’t take advantage of that. However I wouldn’t call it a bad performance, Brosnan is still charming and fun to watch, and effortlessly delivers the (mostly cheesy and bad) one-liners written for him. Halle Berry plays the main Bond girl named Jinx. Berry was disappointingly underutilised and forgettable, delivering a rather boring performance and having basically no chemistry with Brosnan. Toby Stephens plays the villain, and the character is rather silly given that his name is Gustav Graves. The character is rather boring, however Stephens seems to be acting so hard to be the villain that he’s kind of entertaining. He is just sneering throughout the last half of the movie as he tries to be menacing, and as that he’s kind of fun to watch. Still, he’s a strong contender for the worst Bond villain. Rosamund Pike is in this movie in an early role for her. While there are issues with the writing of her character, she leaves a strong enough impression (more than Berry or the main villain), and is overall one of the film’s stronger performers. Rick Yune also made for a decent henchman, working better than the main villain too. John Cleese is the new Q after his introduction in The World is Not Enough. He’s decent enough but a bit underutilised, definitely not as memorable or effective as Desmond Llewyn or Ben Whishaw. Michael Madsen is very out of place in this movie as the head of the NSA, and it feels like he should be in a completely different movie, he’s not believable at all in his part.

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Lee Tamahori is the director of Die Another Day, and in the nicest possible terms, his work is a bit mixed. It’s one of the three Bond movies released in the 2000s, but DAD is the only one which really feels dated and very much in the 2000s. Specifically, the style uses a lot of slow motion and shots being sped up, especially in the action scenes. It’s like it was trying to imitate John Woo’s style from Mission Impossible 2, but even that movie seemed to have some level of energy, while Die Another Day has none. There’s also an overreliance on CGI and green screen, more so than most of the past Bond movies, and the CGI just looks clunky today. The gadgets in the Bond films have never been what you’d call realistic at the best of times, but this film takes it to a new level. The biggest example that everyone points to is an invisible car, and while that is firmly a step into the sci-fi territory, given the other stuff that also happens in the movie I would not call it the most silly part of the movie. The action scenes are ridiculous, there is a chase scene between two cars on ice, and most infamously there’s a scene where Bond windsurfs, making use of horrible green screen and an obvious stunt double. However there’s still fun to be had with some of the action. There’s a fight scene that makes use of multiple laser beams spinning all over the place and its just so absurd and hilarious for it. There’s also a fight scene between Bond and the main villain in their first encounter in a duelling club where they fight with swords, that was entertaining too. The production design is solid, the ice palace in the middle of Iceland particularly makes for a memorable setting for a Bond film, and not necessarily in a bad way. I don’t usually mention Bond songs in reviews but Madonna’s song for Die Another Day is so atrocious I don’t know how it ended up being used. The title sequence actually advances the story showing Bond’s torture, but it feels very out of place that Madonna’s song is played during this. Speaking of Madonna, she has a cameo in this, and somehow is even more out of place than Michael Madsen was, which is rather impressive. There are also some weird song choices, like how they literally needledrop “London Calling” by The Clash as James Bond is travelling to London. However I will give great praise to David Arnold’s score, which is really the only consistently good/great part of the movie.

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While I’d say that Die Another Day is definitely one of the worst Bond movies, I don’t dislike it that much, at the very least not as much as other people. It is certainly memorable, even if it’s for the wrong reasons. However it’s just as well that after DAD they rebooted the franchise, and that if anything is the film’s greatest contribution, as it would result in the Daniel Craig Bond era. The most disappointing thing about this movie is that you could swap out the Bond name and it would’ve fitted alongside other generic action flicks around that time. There are certainly some fun moments but the movie on the whole is surprisingly dull. As bad as it is, if you watched the first three Pierce Brosnan Bond films you might as well watch this one too, even just for completion.

The World is Not Enough (1999) Review

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The World is Not Enough

Time: 128 Minutes
Age Rating: 860940[1] Low level violence
Cast:
Pierce Brosnan as James Bond
Sophie Marceau as Elektra King
Robert Carlyle as Victor “Renard” Zokas
Denise Richards as Dr. Christmas Jones
Robbie Coltrane as Valentin Zukovsky
Desmond Llewelyn as Q
Judi Dench as M
Director: Michael Apted

James Bond (Pierce Brosnan) is entrusted with the responsibility of protecting the daughter of an oil tycoon. While on his mission, he learns about an even more dangerous plot.

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Continuing my rewatches of the James Bond movies, I now move onto The World is Not Enough, one of the latter Pierce Brosnan films. Despite it being one of the more recent Bond films, I only remember some aspects like the characters and certain moments. I did notice that a lot of people didn’t really like it, so I was curious as to how I’d feel about it. As it turns out, I am now one of the people who does like it, however its probably the most frustrating Brosnan Bond film. It comes so close to greatness but it really misses out on that.

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The World is Not Enough starts off pretty good with a solid (if strangely overlong) opening. It did have me in the first half despite some stumbles, with an intriguing plot and characters. I’d say its nearly great, with lots of potential and especially with the character of Elektra King (Sophie Marceau). It also looked like an emotional journey for Bond, so I was liking where it was going. However, it eventually loses momentum. By the time it gets to the second half, I started to lose track about what was happening with the plot. Even after the movie ended, I found it to be quickly forgettable. This movie is still packed with some pretty good stuff with some twists and turns of its own, and I appreciate some of the directions they went in. However it does feel like a story with wasted potential, and resolves its plotlines and characters in unsatisfying or generic ways. It even feels a little formulaic, ultimately the big MacGuffin of this film is another nuclear weapon. Despite attempts at grounding itself and attempting to go for a darker story, the film still feels over the top silly, and as a result it does feel very tonally inconsistent. This is the movie where one of the villains has a bullet lodged in his brain and as a result he is impervious to pain. It also did feel like there were an increase of jokes and innuendos over even Tomorrow Never Dies and GoldenEye, they don’t really hit at all and feel more distracting than in those movies.

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This might be Pierce Brosnan’s best performance as Bond given this is the most emotional that his version of the character has gotten. There are tons of emotional moments for Brosnan to act out. I also feel like this is the closest that Brosnan’s Bond has come to being fully realised as a character, which is a shame because his character still has issues in this film. In this movie he keeps delivering goofy one liners, and I feel like Brosnan wasn’t able to go all the way with his portrayal. Sophie Marceau as Elektra King was the most interesting character in the movie. I won’t get into her character for those who don’t know about her part in the story, but she was quite good and shared an interesting dynamic with Brosnan’s Bond. I just wished that they went further with her character and was utilised a lot better. Judi Dench gets to have a lot more screentime as M compared to the past two Brosnan Bond films, I liked that she actually plays a notable part in the plot. Robert Carlyle plays a Bond villain role quite well however I did wish there was more to him. He is said to be dangerous and while he has something of a presence, he doesn’t really feel like a threat. So he’s not that memorable overall. Denise Richards has been widely criticized for her performance in The World is Not Enough, so I didn’t want to rag on her even more since a lot of people had already been down on her acting. Unfortunately, I have to say that the criticism is understandable. She really seems out of place in this movie, and although it would be too far to say she brings the movie down (the movie has enough problems without her), she is very distracting whenever she’s on screen. Her role is to be a nuclear physicist, deliver exposition dumps, and to have something of a romance with Bond, and she isn’t convincing at any of those. On top of that, her character’s name is Christmas Jones, and of course that’s only so that Bond can deliver a really bad one-liner at the end of the film. This performance and character is one of the only unambiguously bad things in this movie, but isn’t the source of all of its problems.

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The World is Not Enough is directed by Michael Apted and his work is mostly good here. There are some fun set pieces, though they seem to oscillate between being genuinely good to absolutely ludicrous. Also they aren’t really as memorable as the other Brosnan Bond action. It doesn’t help that Bond never really feels like he’s in danger, Tomorrow Never Dies had this issue too. David Arnold returns as composer from Tomorrow Never Dies and again does a good job here.

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I find myself in the minority of people who actually quite enjoyed The World is Not Enough but there are definitely some issues holding it back. It does feel very conflicted, it tries to have the more darker and emotional aspects, but it also tries to have the one liners and jokes that are out of place. It’s probably the most disappointing of Brosnan’s run as Bond because there are some great ideas that had potential to make for one of the best Bond films ever. What we are left with however is a decent enough yet forgettable action flick with a mix of great and terrible aspects. With all that being said, if you’ve watched some of the other Bond movies, I do think it is worth a look. It still has some very good parts to it.

Tomorrow Never Dies (1997) Review

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Tomorrow Never Dies

Time: 138 Minutes
Age Rating: 860940[1] Low level violence
Cast:
Pierce Brosnan as James Bond
Jonathan Pryce as Elliot Carver
Michelle Yeoh as Colonel Wai Lin
Teri Hatcher as Paris Carver
Joe Don Baker as Jack Wade
Judi Dench as M
Director: Roger Spottiswoode

James Bond (Pierce Brosnan), an undercover agent, sets out to prevent a media baron, Elliot Carver (Jonathan Pryce), from waging a war between China and the United Kingdom after he is summoned by the Secret Intelligence Service.

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Of the pre-Craig James Bond movies, I remember watching Tomorrow Never Dies the most when I was younger. So during my rewatches of the Bond films, I was interested to see if it would hold up today. I know that Pierce Brosnan’s Bond movies not titled GoldenEye get a bad wrap, but I had a good feeling about this one, and I actually enjoyed TND quite a lot despite its faults.

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A big benefit to Tomorrow Never Dies is that for me, its entertaining consistently throughout, from its thrilling opening pre-title sequence to the climax. It’s all helped by swift pacing and an overall fun story. I actually found the plot more engaging than GoldenEye’s. It amps up the cheesiness for sure, it does play like a 90s action flick, but it stayed mostly consistent. It does have a campy and ridiculous script, but I enjoyed it for that. I also liked the main concept of the film and found it interesting, with the focus being the media. Despite the silly script, some of the ideas presented about the media are still relevant today, especially with the concept of fake news. In some ways, Tomorrow Never Dies has aged pretty well despite being firmly in the 90s. I do feel like they could’ve done more with this concept however. In some ways the weakest part is the third act, I still had fun with it but it’s a little overstuffed. It’s also where Tomorrow Never Dies reaches pure 90s action, and its for better and for worse.

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I remember feeling a bit mixed on Pierce Brosnan as James Bond in GoldenEye, I thought he was very charismatic and good in the action scenes, but I never really connected with him beyond that, and he felt like he was missing something. I actually do like Brosnan more in this movie however, he does feel more comfortable in the role here. Bond unfortunately at this point in the Brosnan movies still doesn’t feel like a fully realised character. However compared to GoldenEye I think he’s getting closer to it, and it does help that he has something of an emotional drive in this film. Michelle Yeoh was also a great addition as Mai Lin, a Chinese spy and the main Bond girl of Tomorrow Never Dies. Her character isn’t given a lot of depth, but Yeoh does a lot here. She’s very capable and does a lot of action, overshadowing Brosnan many times. There’s also the media mogul Elliot Carver played by Jonathan Pryce, the main villain of the film. I know not everyone really likes him, but I really enjoyed this character. He’s certainly one of the most memorable and unique Bond villains, and one of the most realistic at least in concept. It’s like if Rupert Murdoch was a Bond villain. It certainly helps the Pryce looks like he’s having an absolute blast playing this, he’s gleefully enjoyable and over the top, and it just wouldn’t have worked this well without him.

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Roger Spottiswoode directs Tomorrow Never Dies, and on the whole I thought his work was good. It’s sleek, stylish and it has some entertaining action. The cinematography from Robert Elswitt was solid, it’s a very well shot movie. The action sequences are well crafted and shot, it’s easy to tell what’s going on and its consistently fun to watch. Most of the action is something you’d see in a typical 90s action movie but as that it works. The action in the climax could’ve been toned down a little and been less by the numbers but even that was enjoyable. I really enjoyed the gadgets, especially with an action scene involving a BMW with remote control capabilities. I don’t think the action doesn’t reach some of the heights of GoldenEye but is nonetheless impressive. Instead of the divisive synth score from GoldenEye, there is a more traditional score from David Arnold, which I think fits the film very well.

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Tomorrow Never Dies is one of the more underrated Bond movies. The action is entertaining, I liked the cast in their roles, and the story works is enjoyable. I do have issues with it but on a pure entertainment level it does the job. I can see why I watched this movie a lot when I was younger. I know it is definitely a minority opinion, but it is my favourite movie from Brosnan as Bond. GoldenEye had higher highs especially with the action, but I felt mixed on the moments between the action scenes, especially with the plot. However, I was consistently entertained by Tomorrow Never Dies, and as far as the Bond films go, it’s on the better half for me.

Mamma Mia! Here We Go Again (2018) Review

Time: 114 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Contains sexual references
Cast:
Amanda Seyfried as Sophie Sheridan
Meryl Streep as Donna Sheridan
Lily James as Young Donna
Dominic Cooper as Sky
Christine Baranski as Tanya Chesham-Leigh
Jessica Keenan Wynn as Young Tanya
Julie Walters as Rosie Mulligan
Alexa Davies as Young Rosie
Pierce Brosnan as Sam Carmichael
Jeremy Irvine as Young Sam
Colin Firth as Harry Bright
Hugh Skinner as Young Harry
Stellan Skarsgård as Bill Anderson
Josh Dylan as Young Bill
Cher as Ruby Sheridan
Andy García as Fernando Cienfuegos
Director: Ol Parker

In 1979 young Donna (Lily James), Tanya (Jessica Keenan Wynn) and Rosie (Alexa Davies) graduate from Oxford University — leaving Donna free to embark on a series of adventures throughout Europe. On her journeys, she makes the acquaintances of Harry (Hugh Skinner), Bill (Josh Dylan) and Sam (Jeremy Irvine) — the latter whom she falls in love with, but he’s also the man who breaks her heart. In the present day, Donna’s pregnant daughter, Sophie (Amanda Seyfried), dreams of renovating a taverna while reuniting with her mother’s old friends and boyfriends on the Greek island of Kalokairi.

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I watched the original Mamma Mia about a week ago and although I was entertained by it, I wasn’t a particularly huge fan of it, I didn’t really consider it to be a good movie but I had fun with it. Honestly I didn’t know what to expect from Mamma Mia: Here We Go Again, the pre-sequel to the first movie 10 years in the making. So I just expected a dumb and over the top with a bunch of great ABBA songs. However, it actually surprised me quite a lot. Basically all the issues I had with the first movie were fixed here, with a stronger story, better use of songs and some surprising emotion. And like the first movie it is really campy and entertaining.

Something that occurred to me over the course of my viewing was that it seemed that Mamma Mia 2 fixed all my problems with the first movie. First of all, Mamma Mia 2 has more of a story. The first movie felt really like talented actors doing drunk karaoke – ABBA edition. Mamma Mia 2 has much more of a plot, half of it focussing on Amanda Seyfried’s Sophie in present day and the other half on Lily James’s younger Donna in flashbacks. The first movie jammed a whole lot of ABBA songs into moments where they didn’t really need it, and almost felt like padding to extend the movie. With the sequel though, there are enough breathing moments and it didn’t feel like they were just shoving ABBA songs into the movie just for the sake of it and all the song segments seem to work appropriately for the story and movie. Whereas the first movie had some humour which didn’t really land (most of the comedy I found in that movie was unintentional), the sequel is genuinely funny. Last but not least, there are genuinely solid emotional scenes. I wasn’t emotional myself during the movie (most movies don’t really get me to be that way) but the emotional scenes were earned and were well done, and I’m not exaggerating when there were some people in the cinema that I was in that were legit crying in some scenes particularly near the end. The movie like the first is over the top and campy. If you were fine with how absolutely silly the first Mamma Mia was, you’ll have no problem with how silly the sequel can get. Whether it be some of the dialogue, the song transitions and segments, and just some of the goofy things that these characters do, for me it was just really fun to watch. I think I should also mention that you really shouldn’t expect much of Meryl Streep here. The film made a really weird decision considering that she was part of what made the first movie so successful. What I can say that it was a risky move that paid off in the end, the story did actually work well for it.

Most of the original cast returns with Amanda Seyfried, Christine Baranaski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan Skarsgard and Dominmic Cooper. It is a little jarring how much older all of them are now (10 years older to be exact) but they are good. One of the highlights of the original movie was that everyone there looked like they loved being there and are having a good time, thankfully that’s the same with the sequel. The younger cast also do well, whether it be the younger Meryl Streep, Christine Baranski, Julie Walters played by Lily James, Jessica Keenan Wynn and Alexa Davies, or whether it’s the younger Pierce Brosnan, Colin Firth and Stellan Skarsgard played by Jeremy Irvine, Hugh Skinner and Josh Dylan respectively. They all feel like younger versions of the actors/characters. In terms of stands outs however, it’s really Lily James, she is really believable as a young Meryl/Donna and really leaves an impression. The other people in the cast is also pretty good. Cher is in the movie plays Streep’s mother and Seyfried’s grandmother and while she’s good, she really doesn’t end up living up to the hype that the movie was building her up to be, and no I’m not just referring to the trailers or the fact that they got Cher for the part. The problem is that despite the fact that she was built up from the very first scene, when she finally arrives, she doesn’t really do much or leave that much of an impact. It ultimately feels like they could’ve gotten any half decent singer and actress for the part and so in that aspect it felt a little underwhelming after all that build up (or they could’ve cut the character from the movie). With that said, Cher is good in the role. The singing is also generally good. Once again, the women do fare much better than the men, but the men were okay enough for the most part. And yes, Pierce Brosnan does do some singing in this movie but he is actually somewhat okay, then again most of his singing time is spent with dozens of other singers. The one moment when he did some singing on his own actually worked for the scene.

This first Mamma Mia was directed by Phyllida Lloyd, whereas the sequel is directed by Ol Parker, both movies are actually pretty well directed for what they are. Like with the original movie, Mamma Mia 2 takes advantage of its locations, it’s a really good looking movie. The song segments are all entertaining and wonderfully goofy when it needs to be. It’s also always great hearing ABBA songs.

Mamma Mia: Here We Go Again honestly surprised me, it was a little bit better than just being a dumb and goofy movie (though it very much is a dumb and goofy movie). It fixed the issues that I had with the first movie and I was able to enjoy the movie both ironically and unironically. Speaking as someone who was entertained by but wasn’t a massive fan of the first movie, I really think the second movie is a significant improvement. If you love the first movie and haven’t seen this one, you’ll definitely love the sequel, especially in a packed cinema. If you disliked the first movie, I highly doubt that the second movie would change things for you.

Mamma Mia! (2008) Review

Time: 109 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1] Contains sexual references
Cast:
Meryl Streep as Donna Sheridan
Amanda Seyfried as Sophie Sheridan
Pierce Brosnan as Sam Carmichael
Colin Firth as Harry Bright
Stellan Skarsgård as Bill Anderson
Dominic Cooper as Sky
Julie Walters as Rosie Mulligan
Christine Baranski as Tanya Chesham-Leigh
Director: Phyllida Lloyd

Donna (Meryl Streep), an independent hotelier in the Greek islands, is preparing for her daughter’s (Amanda Seyfried) wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She secretly invites three men from her mother’s past in hope of meeting her real father and having him escort her down the aisle on her big day.

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Mamma Mia was a movie I heard a lot about every since it’s release in 2008. Although I watched some bits of the movie, I hadn’t ever gotten around to watching it in it’s entirety. With the sequel coming soon, I decided to watch the original movie to see how I felt about it… and I’m not entirely sure how I felt about it. It’s not really that good of a movie, but it’s so campy and over the top that I was entertained by it.

Now I think I should mention I’m not familiar with the musical of the same name (although I’m familiar with a lot of the ABBA songs). There is a plot to Mamma Mia but honestly it feels really quite small, and the only reason it is like an hour and 50 minutes long is because of the songs shoved in. It’s like you get 5 to 10 minutes of the story and then it cuts to another ABBA song. The vast majority of the time, there was no reason for the songs used. Sometimes it has nothing to do with anything, and by removing certain song segments, it wouldn’t feel like any part of the movie was missing. I thought that Moulin Rouge used way too many songs for no reason, but Mamma Mia takes it to a completely different level. It does its fair share of songs that worked in certain moments to be fair, and most of the song segments were entertaining enough. It’s just that when they come out of nowhere they can feel really jarring. Outside of the songs, the reason I was somewhat entertained by the movie was how bizarre it was. A lot of the time I didn’t know what was going on, whether that be the absurdity of some of the singing segments, the sudden song segments that come out of nowhere for no reason, some of the bad singing, some of the insane decisions made by some characters, it felt very strange to me. There was a lot of camp to it as well. I think a lot of the intentional humour didn’t really land with me, and those moments where it did, it’s because of how bizarre the concept was. I think the best way to enjoy Mamma Mia is that if you have an issue with something, try to just go with it. That’s not that strong of a compliment but that’s what I did, and I did have a fun time with it. It doesn’t have a particularly strong plot, characters or anything like that, but it was entertaining, it was an entertaining movie.

This movie has a big cast with Meryl Streep, Amanda Seyfried, Pierce Brosnan, Colin Firth, Stellan Skarsgard, Julie Walters and others. While they aren’t by any means giving performances that would rank among the best in their careers, they all look like they are having the time of their lives. They don’t seem to be taking it too seriously as well, they sort of know what kind of movie they are in. When it comes to singing, the women fare much better than the men. Pierce Brosnan was infamous in this movie for sounding atrocious, and yes, his singing does in fact sound like a wounded dog. To be fair, props to him, Firth and Skarsgard for at least trying to sing, and Brosnan’s singing was one of the highlights of the film (just not in the way he intended), I’m lowkey hoping it makes a return for the second film. Meryl Streep’s singing wasn’t great (her singing would improve in Into the Woods) but it was actually pretty decent here. In fact most of the singing was fine enough, I don’t really have much to comment about them.

A lot of the musical segments are actually pretty well directed, no matter how crazy it gets a lot of the time. It’s also a pretty good looking movie as well, though most of that is because of the location of the movie, which takes place in the Greek Islands. Also I really like ABBA so I enjoyed the musical segments, and most of the singing was okay enough so I could get into it. Direction-wise, it’s a competently made movie.

I’m still not sure what to say about Mamma Mia. It just seems like a bunch of famous actors and actresses got together to do drunk ABBA karaoke. I can’t say that I was bored. It’s so batshit insane and it does have some entertaining moments (whether it is genuine or just how bizarre everything is). Even though its not good, I had some fun with it (and it feels like everyone involved had fun with it), and not in a ‘so bad it’s good way’. So I guess I might be able to call it okay, I think. If you’re going to watch it for the first time, just know that you can’t take any of it seriously. I’m not expecting much from the sequel, I’m not sure why Mamma Mia is even getting a sequel (especially 10 years after the original) but if it’s at least as half as batshit insane as the first movie, it might be entertaining at the very least.