Tag Archives: Noah Baumbach

White Noise (2022) Review

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White Noise

Time: 136 Minutes
Age Rating: 860940[1] Adult themes
Cast:
Adam Driver as Prof. Jack Gladney
Greta Gerwig as Babette Gladney
Don Cheadle as Prof. Murray Siskind
Raffey Cassidy as Denise Gladney
Director: Noah Baumbach

College professor Jack Gladney and his family’s comfortable suburban life is upended when a nearby chemical leak causes “The Airborne Toxic Event,” releasing a noxious black cloud over the region that forces the Gladney family to evacuate.

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I had been hearing about White Noise, Noah Baumbach’s next movie which would star Adam Driver and Greta Gerwig. From brief glances, it looked a little weird and I didn’t pay attention to it much. However, it seemed to be having some split reactions from audiences and I was curious enough to check it out for myself. It surprised me and I’m glad I decided to watch it.

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White Noise is based on a novel of the same name from Don DeLillo, and I read some comments from people who read it saying that it was near impossible to do an film adaptation for it. I’m not familiar with the book so I can’t comment on that, but clearly Baumbach had a specific angle with how to adapt it, especially with how off kilter it is. It is definitely an ambitious film and takes a lot of risks. White Noise is one of those movies where you’ll figure out if you like it within the first 10 minutes, it is firmly in the “not for everyone” camp. It is a difficult movie to explain; it starts out with an initial plot focussing on a family’s lives being disrupted by an airborne toxic event, but that’s just the start, and the plot isn’t really consistent. As I started the movie, I found it to be very messy, absurd and strange; it was perplexing and I had no idea where it was going. However, there was something intriguing, unpredictable and exciting about it that had me curious enough to see where it would go, and I got more into it than I was expecting. I’m not quite sure I understood everything that it was going for, but I got the main points of the story, and I’m sure things will be clarified upon rewatch. It begins as a pure satire before evolving into being more character focused. The first thing you’ll probably notice about White Noise is the dialogue, which will probably make or break the movie for some people. The dialogue is strange, overwritten and overintellectual, that paired with the line deliveries makes it feel unnatural. It’ll particularly throw you off if you’re familiar with Noah Baumbach’s other movies, which had otherwise very naturalistic dialogue. However, it is intentionally written and delivered this way, and eventually I got used to it. There really is a mix of tones throughout, jumping between different genres over the 2 hours and 15 minutes runtime. As a dark comedy it is very off kilter and dry, and I found it quite funny. It also gets dark at points, mainly towards the end of the movie, to the point where it leans towards thriller in the third act. This might also throw people off since it is so different from the previous two acts, but it worked for me. There are plenty of themes at play, including existentialism, mortality, modern anxieties and especially fear of death. Some ideas aren’t as expanded on or fleshed out as they could’ve been, but not doubt they are conveyed better in the book.

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The film benefits from a strong cast who deliver in their roles. Adam Driver plays the main character; it’s a difficult role to pull off, but he is fantastic here, particularly nailing the dry humour. I think this is up there as one of his best performances. Greta Gerwig is great too, especially in the latter portions of the movie. The actors who play Driver’s children including Raffey Cassidy are also on point. The rest of the cast are good, Don Cheadle is also excellent in a supporting role and is a scene stealer.

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One of the more surprising aspects was Noah Baumbach’s direction. From the movies I’ve seen of his, his directing is good, but usually just works to serve the performances and writing. With White Noise however, there is a very distinct style that really added to the film. Noah is working with a bigger budget, and you can feel that throughout. Baumbach does very well at getting the right feelings through visuals alone. There’s a lot in that which feels off kilter, everything is too colourful including the production design, and much looks artificial and unnatural (deliberately so). The cinematography is great, visually stunning and remarkable at points. There are some very stellar and wonderfully filmed sequences, a standout being during the credits. Finally, the score from Danny Elfman is great and really adds a lot to the atmosphere.

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White Noise is a darkly humorous, absurdist, satirical, and wonderfully weird dramedy, with fantastic performances especially from Adam Driver, Greta Gerwig and Don Cheadle. It’s definitely one of the more unexpected and surprising movies from 2022. I admit that there’s a lot that I didn’t understand and much of my liking of it comes from its boldness and uniqueness. Still, the end result just seemed to work for me. It is both awesome and funny that Netflix actually decided to finance such a strange and polarising film, however it is definitely not for everyone. Still, it worked for me, and I am really looking forward to rewatching it.

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Marriage Story (2019) Review

Time: 136 Minutes
Age Rating: 860940[1] Offensive language & sexual references
Cast:
Scarlett Johansson as Nicole Barber
Adam Driver as Charlie Barber
Laura Dern as Nora Fanshaw
Alan Alda as Bert Spitz
Ray Liotta as Jay Marotta
Azhy Robertson as Henry Barber
Julie Hagerty as Sandra
Merritt Wever as Cassie
Director: Noah Baumbach

A stage director (Adam Driver) and his actor wife (Scarlett Johansson) struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

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I have heard of Marriage Story for a while, and there was much anticipation leading up to its release. I liked the few movies I’ve seen from writer/director Noah Baumbach, and the cast included Adam Driver and Scarlett Johansson, so there was a lot of talent involved. However, I didn’t really know what to expect except that it was a movie about divorce and a lot of people were hyping it up. Marriage Story is definitely great and for sure worth seeing when you can.

The script by Noah Baumbach is greatly written, at 2 hours 15 minutes or so, Marriage Story is rather engaging. It’s a slower paced dialogue driven drama, I had an idea it would be that going in, and I liked it for what it is. So much of it feels real, from the dialogue to the story and some of the characters (even if it does throw in a few large monologues too). It doesn’t really side with either of the main characters Charlie (Adam Driver) or Nicole (Scarlett Johansson), it portrays both of them honestly, each with their own flaws. However I will say that it feels more like Charlie’s movie than Nicole’s, so Driver had a little more to work with. Side note but wondering about “whose fault it is” between the two is very counterproductive, and is not really a conversation worth having. I don’t know too much about the divorce process, but the movie at least felt like an accurate depiction of it. It showed glimpses of the process, as well as the effect it has on the two leads as well as their child. I should mention that yes, Marriage Story very much has replaced Kramer vs Kramer as the best movie about divorce. I heard going into this movie that it was emotionally devastating and all that. Excluding whether you can relate to it (whether first hand or second hand experience with relationships/divorce), it’s not really that sort of movie. It is a dramedy, while it can be sad in parts, it’s not a consistently depressing or heavy movie or anything, it’s really bittersweet at worst. There are some lighter parts, and plenty of genuinely humorous moments too. Ultimately it’s a hopeful movie, including the way that it ended (not spoiling anything). Not to mention that as far as divorces go, there have been a lot more unpleasant divorces in both fiction and reality than the one front and centre throughout Marriage Story. None of what I said is a tangent to flex about how I didn’t cry during the movie or anything, I’m just talking about what kind of movie it is. I will say though on that note, I wasn’t that emotionally connected to the story and characters. I was definitely invested in it as a movie but that was sort of it.

There is a great lineup of a cast, and they all do some great work here. Adam Driver and Scarlett Johansson give their best performances of their careers, as well as some of the best performances of the year. They felt incredibly raw and human, and while you don’t see a lot of them being together before the divorce (this is just shown in a brief montage), they have such great chemistry and you can believe that these two people were once in love. I’ve noticed people reposting and praising an argument scene between the two (there are a number of arguments but you’ll know which one I’m referring to), watching a couple minutes of it out of context doesn’t do it justice at all. The way it builds up to it and the context really gives it its impact, and both actors did very good jobs in that scene and the whole movie. The lawyers played by Laura Dern, Alan Alda and Ray Liotta also work well in their respective roles. Azhy Robertson is also good as Henry, the child of Charlie and Nicole, who’s caught in the middle of the divorce.

Noah Baumbach directed the movie well, particularly with the dialogue scenes. An example was a monologue by Scarlett Johansson in her first scene with Laura Dern, it’s uninterrupted and focuses on Johansson, letting the scene play out and allowing her performance to take up the focus. It’s a much more intimate and personal movie, and the direction certainly accompanies that, but it’s also edited very effectively. The score by Randy Newman was also quite good.

Marriage Story is really worth watching as soon as possible, it’s fantastically written, and features some excellent acting from its talented cast (particularly Adam Driver and Scarlett Johansson). Whether you like Noah Baumbach or not, or if you have you seen his movies or not, check it out on Netflix if it’s not in a cinema near you.