Ant-Man and the Wasp: Quantumania (2022) Review

Time: 124 minutes
Age Rating: Violence
Cast:
Paul Rudd as Scott Lang/Ant-Man
Evangeline Lilly as Hope van Dyne/Wasp
Jonathan Majors as Kang the Conqueror
Kathryn Newton as Cassie Lang
David Dastmalchian as Veb
Katy O’Brian as Jentorra
William Jackson Harper as Quaz
Bill Murray as Lord Krylar
Michelle Pfeiffer as Janet van Dyne
Corey Stoll as Darren Cross/M.O.D.O.K.
Michael Douglas as Hank Pym
Director: Peyton Reed

Ant-Man and the Wasp find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that pushes them beyond the limits of what they thought was possible.

The Ant-Man movies aren’t among the best movies in the MCU by any means, but they were fun, charming, and worked as pallet cleansers following major Avengers movies. I rewatched the two movies for the first time since I saw them in cinemas, and I appreciate them a lot more now, especially compared to much of the MCU nowadays. So with that in mind, making the third Ant-Man movie the introduction of the MCU’s next major villain (named Kang) was certainly a strange decision. I had doubts that it would work, but I thought that it would end up working itself out. Turns out I was a bit too optimistic.

The first 5 minutes of Quantumania resembles the Ant-Man films with a light and comedic tone. From the moment the main characters are transported into the Quantum Realm however, everything falls apart. Gone is the familiar charm and humour, as it moves from familiar locations into a sci-fi setting. It even lacks some of the supporting characters and cast from the previous two movies, including Michael Pena, Judy Greer and Bobby Cannavale, which is a little disappointing. A lot of what made Ant-Man appealing was his operation in a normal sized world, whether he shrunk down or grew larger. Setting the movie in an already microscopic world removes the uniqueness of those abilities. Not only that, but instead of focussing on relatively smaller stakes, the film is at an Avengers level scale with higher consequences. If Quantumania is meant to be a trilogy ender, then it’s a terrible note to end on. So as that, it’s very disappointing. However, even on its own, it is a very generic sci-fi movie. The familiar plot involves a revolution against a dictator (Kang) and it’s just so hard to care about anything that’s going on. There is barely any development to any of the characters, and not much for Ant-Man or The Wasp to actually do. Honestly, they could’ve swapped Ant-Man out for any Avengers character, and it would’ve worked the same. Much of the movie feels dull and on autopilot. I tolerated the first two acts because of the mystery it was building, but I would struggle to get through it a second time since it’s a whole lot of nothing. Most of it consists of people moving from place to place with a lot of exposition dumped about the Quantum Realm or Kang, and then occasionally something somewhat exciting happens. The third act did have a somewhat entertaining climax, at least in contrast to the aimless first two acts. Even the Quantum Realm is a very dull and standard sci-fi setting. Much of it plays like a bad Star Wars knock off. The creatures and ships are weird, but in a half-hearted way, as if the visuals and the writing were generated by an AI. It has some humour, but it’s less like the comedy in the Ant-Man films and is more of the obligatory Marvel humour in most of their movies nowadays, which misses more than it hits. For what its worth though, it doesn’t drop to the level of the humour in Thor: Love and Thunder. Quantumania is essentially a 2 hour trailer for what’s to come with the Kang era. The “setup for the next movie” criticism can apply to many of the past MCU movies, Iron Man 2 being an example. The difference is that you can still find an actual story and movie in that, and you feel that things are at least moving. Quantumania however feels hollow, not much of consequence happens, and not much of significance happens with these characters. And while it aims to get audiences interested in what’s to come, I don’t think it really succeeded.

Paul Rudd once again plays Scott Lang/Ant-Man and as always, he’s effortlessly charming and delivers in his scenes, whether it be with the comedy or the drama. As I said earlier though, it feels like there’s not much for his character to do. Despite being a third of the title, ironically The Wasp (Evangeline Lilly) doesn’t play that significant of a part, and doesn’t leave any impression on the movie. Kathryn Newton plays Scott Lang’s now grown-up daughter Cassie, and I don’t think she was very good. That being said, the writing given to her was terrible. The dynamic between Cassie and Scott looked like it was going to be a major part of the movie, but this arc is sorely underdeveloped that you could practically miss it. It doesn’t help that Newton and Rudd have virtually no chemistry. Michael Douglas and Michelle Pfeiffer reprise their roles as Hank Pym and Janet van Dyne, and they are mostly just fine. Pfeiffer at the very least had a much bigger role in this movie compared to the last, and does handle her part well. Douglas however seems like he doesn’t want to be in these movies anymore. Bill Murray is in the movie for a bit, but he leaves so little of an impression that they really could’ve hired anyone for the role.

So much of the movie is hyping up the main villain and next major antagonist of the MCU, Kang. To be fair, actor Jonathan Majors is doing some heavy lifting and makes the character better than it was written. The movie picks up somewhat whenever he’s on screen. It’s just as well that they got an actor on his calibre considering that Kang’s first appearance (outside of the Loki show) wasn’t the greatest. Quantumania’s idea of building up Kang comes from people talking about all the things he’s done, despite himself not actually doing anything significant in the movie. Contrast this with Thanos; multiple films had characters talking about the things he’s done and how dangerous he is, and then when he finally served as a central villain of a film, he killed significant MCU characters and erased half of the universe. I can assure you that nothing of the sort happens in this movie with Kang. It really doesn’t help that they keep him hidden for much of the movie, with characters referring to him as “him” or “the conqueror”. While I get that they wanted to build suspense, his character ended up being really underdeveloped and with unclear and generic motives. Any depth that was given to the character was provided by Majors. As for how they convey how dangerous Kang is, any possible threatening factor he has is nullified by the fact that his first opponent in the movies is Ant-Man, and he isn’t able to instantly kill him without a second thought. Honestly, he made a much bigger impression in the Loki Season 1 finale. There’s another villain worth mentioning, Kang’s henchman in the form of MODOK, who’s pretty much a guy with a giant head and a small body. He’s a ridiculous character in the comics and so a ridiculous character here, and they really lean into the silliness and comedy. The writing isn’t really that funny, so it’s just as well that actor Corey Stoll performs it in such a way that it is funny. For what it’s worth, the movie does actually pick up a little whenever he’s on screen.

Peyton Reed returns to direct the third Ant-Man movie. While I liked his work in the previous two films, his work in Quantumania is severely disappointing. His direction worked for the smaller stakes and identifiable setting, but it didn’t work so well for a sci-fi epic. The action is fine but very generic and basic. Quantumania very likely tops Thor: Love and Thunder as the worst looking MCU movie. The visuals are beyond terrible, so much of it looks fake, and there are multiple points where it straight up looks like Sharkboy and Lavagirl (which came out nearly a couple decades ago). I lost track of the number of times actors would be standing in front of blatantly obvious greenscreen, with nothing in the scene looking real. Even Ant-Man’s ability to shrink and grow isn’t that special this time around. As I said, making Ant-Man grow large to the size of a building or shrink down to the size of an ant worked in his previous appearances, because there’s identifiable scale. When it happens in the Quantum Realm, it just doesn’t have the same effect. The creatures and alien designs are certainly strange, but almost ripped from aliens in other sci-fi movies. And if that’s not enough, there’s also the look of MODOK, which is quickly one of the biggest jokes from those who have seen the movie. I get that he’s supposed to look weird like he does in the comics. However, instead of coming across as creepy or gross, in Quantumania he just looks like a guy who just can’t get enough of a wide angle lens snapchat filter, or a villain in a rejected straight to dvd sequel to Sharkboy and Lavagirl. However, I’m not going to harp on MODOK’s design too much despite how hilarious of a misfire it is, because it did provide some unintentional entertainment.

Ant-Man and the Wasp: Quantumania is yet another low point for the MCU. A product that is lacklustre, dull and generic with terrible visuals, and was mostly a slog to get through.  It sacrificed the fun and charm of the previous Ant-Man movies for a bad sci-fi flick to set up future films in the MCU, and it didn’t even succeed at that. There are some enjoyable moments, some of the action is entertaining enough, and the performances from Paul Rudd, Jonathan Majors and to a degree Corey Stoll elevated the experience somewhat. Overall though, it’s at least in the top 2 worst movies from the MCU alongside Thor: Love and Thunder. That being said, despite being a worse movie, at least Love and Thunder wasn’t trying to be “The Beginning of a New Dynasty” as Ant-Man 3 so boldly claimed it would be. While I liked most of its movies, Phase 4 was a meandering mess for the MCU, and Quantumania was meant to kick off Phase 5 with a bang. Alas, it looks to be even worse.

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Black Rain (1989) Review

Time: 125 Minutes
Age Rating:
Cast:
Michael Douglas as Nick Conklin
Andy García as Charlie Vincent
Ken Takakura as Masahiro Matsumoto
Kate Capshaw as Joyce
Yūsaku Matsuda as Koji Sato
Director: Ridley Scott

Nick (Michael Douglas) and his partner, Charlie (Andy Garcia), are New York City policemen who must track down Sato (Yusaku Matsuda), a Japanese gangster, who gives them the slip while being transported to Osaka for his murder trial.

I came across Black Rain at some point, I initially heard that it was a decent crime thriller starring Michael Douglas. Then I found out that Ridley Scott directed it so that got me interested in checking it out. I was actually pleasantly surprised by Black Rain, it is actually one of Ridley Scott’s more underrated movies, and it’s one worth checking out.

The plot of Black Rain is nothing too special despite some interesting turns here and there. Basically the main two characters must escort the dangerous Yakuza gangster to Osaka, Japan, they are dragged into the Japanese underworld where things are done much differently. Don’t go in expecting a whole lot other than that really. The dialogue is occasionally cliched for this genre, and the plot occasionally relies too much on the expected tropes of the genre. This is as 80s cheese as it could be, it can get silly and over the top at times. However Scott’s take on the “tough cop” action movies that were more than prominent throughout the 80s was a step above other cop thrillers in that period. It is probably worth knowing going in that Black Rain more of a straight thriller than a pure action flick, so don’t expect a massive amount of action. It is also paced on the slower side, and the movie is a tad too long. However it is a well structured movie with a great atmosphere, and that atmosphere goes a long way towards getting you invested.

There are some strong performances throughout. First of all there is Michael Douglas as the lead character of Nick Conklin, and this is the closest that Michael Douglas has been to leading an action movie. He plays a NYPD officer who plays by his own rules and the character is in many ways unlikeable and corrupt. However it works because the movie doesn’t try to make him more likable, Douglas adds a level of charm to the character (while not overdoing it), and he brings an intensity to the role. Andy Garcia is also good as his partner Charlie, offsetting Nick’s chaotic nature by being comparatively soft spoken and the voice of reason, and the two of them are quite believable as partners. Ken Takakura is also great as a sympathetic Japanese policeman who joins with the two to track down the Yakuza gangster. He has a great screen presence, and he shines from the moment he first appears till the end of the movie. The relationship between Douglas and Takakura is the heart of the movie and it was quite interesting see these two very different characters try to work towards the same goal. Yusaku Matsuda plays a yakuza boss, the scene chewing villain of the movie, and he is also great in every scene he is in.

Ridley Scott directs this, and his work here as a director is one of the main reasons why this movie works as well as it does. Strangely enough, it is so stylised that you might actually mistake this as a film from Tony Scott instead of one from Ridley. There’s an art to the cheesy 80s action flick, and Ridley seems to know it quite well. It is visually stunning, the cinematography from Jan De Bont is amazing. It particularly shines when it takes place at night. Ridley shoots much of the movie in the same way he did Blade Runner with the heavy focus on streets with fog and neon lights, and contains some of the dark cityscapes and industrial looks that film has as well. Black Rain isn’t loaded with non stop action, again it is more of a crime thriller than an action thriller. The few action sequences aren’t absolutely bonkers, but they are well executed, and you feel the thrills and suspense. Its use of slow motion is corny at times, but this actually works in the movie’s favour. The sound design is great, and the electronic and orchestral score by Hans Zimmer is top notch, really adding to the movie.

Black Rain is not one of Ridley Scott’s best movies, but it is one of his most underrated. The plot isn’t anything special, but it is elevated by the strong cast who give good performances here, and of course Scott’s stylish direction. So if you like 80s crime thrillers, you’ll definitely be on board with this movie.

Ant Man and the Wasp (2018) Review

Time: 118 Minutes
Age Rating: Contains violence & coarse language
Cast:
Paul Rudd as Scott Lang/Ant-Man
Evangeline Lilly as Hope van Dyne/Wasp
Michael Peña as Luis
Walton Goggins as Sonny Burch
Bobby Cannavale as Jim Paxton
Judy Greer as Maggie
Tip “T.I.” Harris as Dave
David Dastmalchian as Kurt
Hannah John-Kamen as Ava Starr/Ghost
Abby Ryder Fortson as Cassie
Randall Park as Jimmy Woo
Michelle Pfeiffer as Janet van Dyne
Laurence Fishburne as Bill Foster
Michael Douglas as Hank Pym
Director: Peyton Reed

Scott Lang (Paul Rudd) is grappling with the consequences of his choices as both a superhero and a father. Approached by Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas), Lang must once again don the Ant-Man suit and fight alongside the Wasp. The urgent mission soon leads to secret revelations from the past as the dynamic duo finds itself in an epic battle against a powerful new enemy.

I was somewhat interested in Ant Man and the Wasp. I have to admit I wasn’t super hyped for the movie. Don’t get me wrong, I actually liked the first Ant Man, it was a simple but effective enough comic book movie that was quite entertaining. However with it being released after the juggernaut and emotional chapter that was Infinity War, Ant Man and the Wasp just felt a little off to release months after. Also I had a feeling that the sequel would just be more of the same, fun but nothing really that new. Nonetheless I was interested. Ant Man and the Wasp surprisingly worked very well for what it is, which is a fun and entertaining comedy.

Something that is quite apparent is that this movie is very focussed on being funny and entertaining. It’s like Marvel wanted a lighter movie following Infinity War, that could possibly affect your thoughts on Ant Man and the Wasp, for better or for worse. A problem which could happen with some MCU films is that while the comedy works, often times it would interrupt some more dramatic or emotional scenes. However with Ant Man and the Wasp, there aren’t a ton of emotional scenes, the most is related to Scott Lang and his daughter and Hope van Dyne and Hank Pym with Pym’s wife (played by Michelle Pfeiffer). So there really weren’t many emotional scenes to ruin with comedy. This movie might as well be called a straight up comedy and while I would’ve preferred some more emotional depth to the movie, it does well at what it sets out to do. A criticism of the movie is that it doesn’t have great consequences or stakes, like with the first movie the stake here are very small and personal and I’m completely fine with that. Even so, you don’t ever feel a sense of urgency, you felt it slightly more in the first movie but here you always just know that everything is going to be alright. It’s also rather predictable, with very rare surprises. Really the biggest spoiler of the movie is the credit scenes, you can’t really spoil most of the movie. It’s a rather straightforward superhero movie that doesn’t really do anything particularly surprising, it’s goal was for it to be fun and hilarious and it achieved that. The movie is about 2 hours long and from start to finish I was quite entertained. There are a couple credits scenes, the first is about something that everyone will want to watch following Infinity War, the second is okay but not necessary to watch.

Paul Rudd is once again great as Scott Lang/Ant Man, he’s just so likable and funny, and a real underdog character. It’s very easy to root for him, Rudd’s casting was perfect. It’s been a few years since I’ve watched the first Ant Man for the first time, but I remember him being a little less goofy in the original movie. While he’s not completely stupid or anything, they do put him in more goofy scenarios or make him do some somewhat goofy things, it’s like they were doing that to try to make Evangeline Lilly’s character of The Wasp stand out more in comparison, which wasn’t necessary as she would’ve done that perfectly fine on her own. Lilly as the Wasp is one of the standouts of the movie, she gets to do a lot here and the movie definitely utilises her well. I didn’t buy the sorta romance between her and Scott in the first movie and the same is here. It’s not constantly done again and again to the point of annoyance but it can be distracting at times and doesn’t really work. Michael Douglas is once again great as Hank Pym, perfect casting, here he gets to do even more than in the original movie. Michael Pena like in the first movie is very funny and has some great scenes. Other actors like Laurence Fishburne do their part. The villains often have a chance of being one of the weaker parts in MCU movies (or comic book movies in general), however with Black Panther and Infinity War earlier this year providing great comic book villains in Killmonger and Thanos, the MCU seemed to be making some progress in regards to them. The main villain in Ant Man and the Wasp is Hannah John-Kamen as the character of Ghost, who has unique phasing abilities which can lead to some entertaining action scenes. Also she does have a different backstory and credit from other MCU villains, you can really understand why she does the things she does here. For once the whole “this comic book movie villain isn’t really a villain” description actually applies, it could be argued that Ghost is more just an antagonist than a villain. It seems that all the main MCU villains this year have in common is that they all have strong and defined motivations. Ghost unfortunately isn’t a top tier level villain in the MCU but she’s a reasonably strong second tier villain. The biggest problem is that aside from her powers, the backstory, motivation and the performance, there isn’t enough of her as a character. She has just about enough screentime but it would’ve been a little better if they showed a little more to the character. With that said, the character was actually done well, with her arc being treated well, consistent throughout and not just being a throwaway villain. Also Hannah does do a great job in her role. She fared much better than Walton Goggins, who served to be as a leader of generic disposable henchmen. Goggins really is wasted here as a generic villain. He and his henchmen seem to only be in this movie because the movie needed a large amount of villainous characters that the main characters can fight because the main villain herself didn’t have any. Honestly if they were somehow connected to Ghost, maybe they could’ve worked in some way.

Peyton Reed turns from the first movie to direct Ant Man and the Wasp. The thing that really stood out about the first Ant Man was the unique action scenes that included resizing (mostly shrinking). The sequel really leaned into that more and they got very creative with the action scenes. Other visual aspects such as Ghost’s phasing ability are done pretty well. The visuals can look pretty stunning at times, especially when it comes to the Quantum Realm, which plays a part in this movie. On a side note, like in the first movie there is a flashback scene which utilises de-aging technology and once again it works effectively.

Ant Man and the Wasp is not anywhere near the top tier of Marvel but it is quite entertaining. The cast do well in their roles, it’s visually stunning with some entertaining action scenes and the movie is so fun. It does have its fair share of issues but it achieves what it sets out to do for the most part. If you really liked the first Ant Man, I’m pretty sure that you’ll have a good time with Ant Man and the Wasp.

The Game (1997) Review

Time: 129 Minutes
Age Rating: Violence and Offensive Language
Cast:
Michael Douglas as Nicholas Van Orton
Sean Penn as Conrad Van Orton
James Rebhorn as Jim Feingold
Deborah Kara Unger as Christine
Director: David Fincher

Nicholas Van Orton (Michael Douglas) is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad (Sean Penn), who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.

David Fincher has always been one of my favourite directors, with how he portrays his stories masterfully and with his great visual style. Fincher again doesn’t disappoint with The Game, one of his earlier films. It is a great mystery movie with twists and turns which really does pay off. As usual he brings his A-game here and delivers in making a captivating thriller. Although the way the film concluded needed some work, The Game for the most part works well and is intriguing from start to finish.

The Game is a thriller which takes its time before the thrills start happening. Although it may take a little while, it is really worth the wait. Because the film starts out quite calmly, it’s really entertaining to see the tension eventually build from there as time goes on. It takes many twists and turns and I was entertained all the way through. There is a developing sense of dread and everything has a sort of nightmarish tone. The whole time as Michael Douglas is thrown into many crazy situations, you wonder what is going on behind the scenes. The film’s plot works up until the end, which has really divided a lot of people. Admittedly, the ending did have some problems, it was a little farfetched and when certain details are brought to light, you’ll notice that there are some conveniences to it. Despite some of the flaws however, I actually thought that it was a pretty good ending, even if I had to suspend my disbelief with some of the aspects.

Michael Douglas is really good, especially when he is in scenes that are intense. He manages to convey all of his characters emotions. A lot of things that happened in the past involving his father comes into play into the movie and he makes it convincing. It’s mainly Michael Douglas’s show but many other actors do quite well in this movie. A lot of the other actors are great in the scenes they in, such as Sean Penn who really does make a strong impression despite only appearing a few times in the film.

David Fincher made this movie look fantastic, as he always does with all his movies. The shots look like they were well prepared and repeatedly filmed until they got it right. Some scenes do stand out, such as an intense scene with Michael Douglas in a taxi cab as well as a scene near in the last act (which I won’t spoil) which was really well done. The soundtrack is also quite effective, sometimes it’s not that noticeable but it really works in suspenseful scenes. The editing ties everything together and is very effective as well.

The Game is a great film with an entertaining and interesting plot, a good visual style and great pacing. Its ending could have been done a little better, but apart from that, there isn’t that much that’s wrong with The Game. It’s one of Fincher’s most underappreciated films and it’s definitely worth checking out.

Ant Man (2015) Review

Time: 117 Minutes
Age Rating: Violence and Offensive Language
Cast:
Paul Rudd as Scott Lang/Ant-Man
Evangeline Lilly as Hope van Dyne
Corey Stoll as Darren Cross
Bobby Cannavale as Paxton
Michael Peña as Luis
Tip “T.I.” Harris as Dave
Anthony Mackie as Sam Wilson/Falcon
Wood Harris as Gale
Judy Greer as Maggie
David Dastmalchian as Kurt
Michael Douglas as Hank Pym
Director: Peyton Reed

Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Dr. Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

Ant Man has been receiving quite a lot of scepticism before its release. Not only was this concept hard to pull off but Edgar Wright’s separation from the project concerned many. Despite this, Ant Man manages to rise above all its potential problems and makes for a great and refreshing addition to the Marvel universe. Ant Man proves once again that Marvel can take a concept that is hard to pull off but actually manage to succeed in delivering.

The first thing you need to know is that Ant Man is not a big movie. Go into Ant Man as if you are seeing a heist movie as opposed to a save the world type of movies like Age of Ultron. It’s actually kind of refreshing, it can get a little tiring being bogged down by the large scope and stakes of some of the big movies. It is also a very funny movie, this might actually be the funniest movie in the Marvel Cinematic Universe (either this or Guardians of the Galaxy). Although Edgar Wright has left the project, you can tell from a lot of the scenes, writing and dialogue his work. I would’ve liked to have seen what Wright had in mind for this film but it is still pretty good. Peyton Reed has directed this movie quite well, despite my doubts of his choice of helming this movie. The last thing to know is that Ant Man has 2 credit scenes, so be sure to stick around for them.

Paul Rudd is great in this film, this is probably the best performance I’ve seen from him so far. He really transitioned into the Marvel Cinematic Universe with ease and I look forward to seeing more of him as Ant Man. Michael Douglas was perfect casting as Hank Pym, it is one of his best performances in a while. Evangeline Lilly was also great as Hank’s daughter, I could really sense a lot of history between her and Michael Douglas. Michael Pena was great and he provided a lot of great comic relief. Villains in the Marvel Cinematic Universe (for the most part) aren’t that good and while Darren Cross, the villain of this film isn’t that fleshed out, its actor’s Corey Stoll’s performance that makes him one of the better antagonists in the Marvel Cinematic Universe.

Like with the script, you can definitely see Edgar Wright’s style here, like with its fast editing. The effects to show Ant Man shrinking look really great and the film really takes advantage of its opportunities to create some really great, entertaining and at times hilarious scenes. This film is actually worth watching in 3D, it really does enhance and make the experience much better and that’s not something I usually say about 3D movies. The climax of this film is very enjoyable and it gets very creative and entertaining.

I said in my anticipated movies of 2015 that if Marvel can pull off Ant Man and make it great, I’ll be pretty much sold on any movie that they make, no matter how ridiculous a premise it may sound. They have done that with Ant Man and have made it much more. Looking at this film (and the end credit scenes) I’m excited for Marvel’s next films. So far it looks like today, Marvel can do no wrong (well at least movies by in the Avengers universe).