Tag Archives: Max von Sydow

Never Say Never Again (1983) Review

never-say-never-again-1983

Never Say Never Again

Time: 134 Minutes
Age Rating: 860940[1] 
Cast:
Sean Connery as James Bond
Klaus Maria Brandauer as Maximillian Largo
Max von Sydow as Ernst Stavro Blofeld
Barbara Carrera as Fatima Blush
Kim Basinger as Domino Petachi
Bernie Casey as Felix Leiter
Alec McCowen as “Q” Algy (Algernon)
Edward Fox as “M”
Director: Irvin Kershner

When two Tomahawk cruise missiles get stolen by SPECTRE agent Ernst Blofeld and his fellow terrorists, special agent James Bond is called to retrieve them before it detonates.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1]

After rewatching through all the official James Bond movies, there was another movie I wanted to get around to… that being Never Say Never Again. It was intriguing for many reasons, not only was it a Bond movie I hadn’t seen, not only was an unofficial James Bond movie, but it was also essentially a remake of Thunderball. Making it strange was that it also starred Sean Connery, who not only retired as Bond 12 years prior, but had already starred in Thunderball. This meant that in 1983, both Sean Connery and Roger Moore (for Octopussy) would both be playing James Bond. So I was curious about the movie despite its mixed reception. I wouldn’t call it a good movie but I still found a lot of enjoyment in it.

Never-Say-Never-Again-1983-featured

The plot is very similar to the original Thunderball story, nuclear warheads are stolen from US Navy by SPECTRE and use them to threaten the world with detonation. The story really isn’t the film’s strongest suit, it definitely overstays its welcome. Knowing the general plot of Thunderball beforehand does take away from NSNA’s viewing experience as it mostly goes through similar beats. The story is pretty forgettable, not that engaging and is rather uneven. I am one of the few people who didn’t like Thunderball all that much really, so the fact that Never Say Never Again is just a worse version of that film wasn’t a deal breaker for me. It is definitely more clunky and messy, but it’s not that much worse, and I had more fun with it at the very least. There are also some decent moments and aspects to the movie. The first thing that comes to mind in the movie is how old Sean Connery is and instead of trying to hide it, the movie works with it and makes Bond’s age to be a plot point. It actually acknowledges that 007 is old, which is interesting considering that Moore was three years older, yet Connery was the only actor to play an older Bond. Tonally, Never Say Never Again is a bit weird. It seems to be a merging between camp era Connery (You Only Live Twice and Diamonds Are Forever) with early Moore era (Live and Let Die and The Man with the Golden Gun). The tone is very off kilter at times, and this can contribute to the story losing focus as well as negating some of the more serious moments. However I was largely viewing the movie as a comedy, so this wasn’t too much of a problem for me. A lot of my increased enjoyment is due to the over-the-top silliness and humour (intentional or otherwise). Speaking of the humour, the movie can be quite fun. This really is the closest thing to a full on Bond comedy, and I thought it worked as that. It’s the self-awareness that made it work for me; as I mentioned earlier, it acknowledges Bond’s age. But there’s even some moments which go beyond camp and are fully self aware. Instead of a tense card game between Bond and main villain Largo, they’re competing in a dangerous Spacer Invaders computer game. Then there’s even a fight scene in the first act where Bond throws a glass of his own urine in someone’s face, you won’t see that in another Bond movie. For what it’s worth, I found Never Say Never Again to be more consistently entertaining.

78043

Sean Connery returns to play James Bond, after a 12-year absence. I will say that a lot of the humorous tone of this version probably would’ve been better handled had it been someone like Roger Moore playing him. Nonetheless, he is surprisingly sharp and his charisma is back on display, he slips back into his role with ease. He looks more invested into this compared to his last appearance in Diamonds are Forever (which read like a paycheck performance), and Never Say Never Again is ultimately a better sendoff for him. There is a self-awareness to the whole movie and Connery has that same energy too; he embraces this much older Bond with ease. Overall, I enjoyed seeing him as Bond again one more time. Being already familiar with the characters in the first Thunderball, it was interesting to see the similarities and differences with the versions. I quite liked Bernie Casey as Felix, and Rowan Atkinson is in this too as a surprise comic relief character. Max von Sydow also appears in one scene as the best Ernst Stravo Blofeld we never got to see. The Bond girls aren’t really much to ride home about. Kim Basinger is a very good actress, but her character Domino is bland like she was in the original movie. Barbara Carrera plays Fatima Blush, a very different version of Fiona Volpe from Thunderball, who is in a similar position as the henchwoman for main villain Largo. Fatima is an incredibly over the top character with a very hammy performance. Very sadistic and maniacal, she seems more like Xenia Onatopp from Goldeneye than Fiona Volpe, and I wouldn’t be surprised if Fatima was an inspiration for that character. However, the standout performance of the movie is that of the main villain. Klaus Maria Brandauer plays Maximilian Largo (who was called Emilio Largo in the Thunderball movie). Brandauer is distinctly different from Adolfo Celi from the original Thunderball. He’s not nearly as recognisable with his appearance, but he’s better in just about every way. Instead of a coldly menacing man with an eye patch, this Largo is a young, smiling and unhinged megalomaniac. He goes from being calm and charming in one scene to flying into rage in another. By the end of the movie, he goes into wacky 80s villain territory and is a delight to watch. At the same time, there is this human element to him, with him being insecure and jealous. He’s genuinely interesting to watch, and almost feels more like a Craig era Bond villain more than a Connery era one. One of the highlights of the movie for sure.

Never-Say-Never-Again-1983-13

Interestingly, Never Say Never Again is directed by Irvin Kershner, his work here isn’t great but is decent enough. It definitely misses certain classic James Bond trademarks like the Gunbarrel sequence in the opening due to copyright, which is understandable. However even beyond that, on a technical level it isn’t on the same level as the previous Bond movies. The visuals really aren’t anything special, it certainly looks subpar compared to pretty much every movie in the official series. It sounds nothing like a Bond movie, from the soundtrack to the sound effects. The title theme song and the score from Michel Legrand just feel really out of place here. However, the action was quite entertaining and solid. It is a balance between the action of the 60s Bond movies and the action from the 80s. The underwater sequences aren’t that good but there are mercifully less of them compared to Thunderball. Not to mention, those scenes have actual speed and dynamism and so are fun to watch instead of feeling sluggish and dull.

Never-Say-Never-Again-1983-4

I would not call this one of the best James Bond movies by any means, in fact it would probably place in the bottom third. I can understand why a lot of people don’t like it; its very messy from the writing to the direction. I do think a lot of my enjoyment was with the mindset and headspace I had going into it. I treated this as a Bond comedy, and it was enjoyable as that. I certainly wouldn’t recommend watching this before Thunderball, but NSNA was interesting to watch, especially when it came to seeing the differences between the versions. However, even outside of that, there are a lot of aspects I enjoyed. Some of the supporting cast are good, including a superior version of Largo. The action is entertaining, the offbeat tone made it entertaining, and Sean Connery was fun to watch as James Bond, with the film giving him a better sendoff compared to the official one 12 years earlier. Again, Never Say Never Again is not a good movie, but I enjoyed it for what it was.

Advertisement

Minority Report (2002) Review

Predpol-minority-report

Minority Report

Time: 145 Minutes
Age Rating: 860940[1] Violence, offensive language and sex scenes
Cast:
Tom Cruise as Chief John Anderton
Max von Sydow as Director Lamar Burgess
Colin Farrell as Danny Witwer
Samantha Morton as Agatha Lively
Director: Steven Spielberg

It is the near future, a future where murders have become so common, that a system had to be established. This system is called “Precrime”, where 3 physics can predict murders before they happen, allowing police to stop the murders. This system is in production in Washington D.C. where police officer John Anderton (Tom Cruise) has stopped numerous murders in his career. One day, he found out that he is the next person to commit a murder. Now, he is running away from a system he helped become successful, and trying to find out why he was set up to commit murder.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1]

I watched Minority Report for the first time a long time ago and I remembered liking it, but I only remembered a few things about the plot. So I rewatched it and it’s much better than I remember it being, a very smartly made sci-fi movie that is gripping from beginning to end.

Minority-Report-2

Minority Report is a unique sci-fi film that’s very complex, creative and thought-provoking. The story is captivating and the characters are well developed and fleshed out, with a smartly written script that’s so well put together. I loved the world-building and the concept of being able to see and prevent crimes before they occur. In fact, the whole futuristic setting I thought was established and set up very well. It was clearly in the future, yet actually felt like a believable setting. At the same time, the film doesn’t wallow in explaining how everything works in the future. Despite the long runtime, it does get onto the main plot reasonably quick. There are plenty of twists throughout and the story is engaging for every minute. It also does have some interesting themes and moral questions, as you would expect from a movie about seeing possible futures and changing the way things play out. Those elevate the movie from just being a pretty thrilling sci-fi movie. It is also pretty fun and has some entertaining moments, even if the story is quite bleak throughout, Spielberg really does balance the tones quite well. The ending does feel a little too neat and optimistic especially considering the rest of the story. Though it does feel like an ending that you could expect from Spielberg at this point, and I thought it was a decent enough conclusion.

minority_report_2002_52-h_2016

The cast are all great and give everything to their performances. Tom Cruise was great in the lead role of John Anderton, the police officer who goes on the run after finding out that he’s the next person predicted to commit a murder. He does very well with the stunts (yes he runs a lot) but he’s also he’s far more emotional in this role than you would expect. It’s a great performance and possibly one of his best. The supporting cast also do their parts well, including Colin Farrell, Samantha Morton, Peter Stormare and Max von Sydow.

Minority Report - 2002

Steven Spielberg directed Minority Report and he’s reliable as always. Spielberg is no stranger to the sci-fi genre and uses some of the skills from those past movies to great effect here. I really loved the portrayal of the future. It’s high tech and futuristic as to be expected, yet very grimy and gritty at the same time. The technology was also futuristic yet believable, the portrayal of precrime was also really great and well thought out. Even the personalised advertisements in the background really added a unique aspect to it, yet remaining believable to this world. The cinematography really gives the movie a unique look and neo-norish ambience to it with the use of desaturated colours, high contrasts and lighting, and the production design is great too. The visual effects are generally top notch as to be expected. While there’s a good amount of it here, they’re used to enhance the experience by a great deal while never overshadowing the actual story. The action is great and full of energy, very well choreographed and intense. The editing relentlessly paces the whole narrative and John Williams’ score fits the movie well. In terms of technical flaws, there are some outdated visual effects, though this is the early 2000s so that’s to be expected. Also the glossy cinematography can get a little grating at times, and the movie looks a lot better whenever that look isn’t used.

000043009-2000

Minority Report is a great movie that’s directed excellently, with some commendable performances, and is well written, going way deeper than most sci-fi films at the time. Even looking past its deeper layers, it’s still a gripping, wildly entertaining and thoroughly satisfying experience, and likely one of my favourite films from Steven Spielberg. If you haven’t seen it already, I do think that it is worth watching.

Star Wars Episode 7: The Force Awakens (2015) Retrospective Review

Star Wars Episode 7 The Force Awakens

Time: 135 Minutes
Age Rating: 860940[1] Science Fiction Themes and Violence
Cast:
Harrison Ford as Han Solo
Mark Hamill as Luke Skywalker
Carrie Fisher as General Leia Organa
Adam Driver as Kylo Ren
Daisy Ridley as Rey
John Boyega as Finn
Oscar Isaac as Poe Dameron
Lupita Nyong’o as Maz Kanata
Andy Serkis as Supreme Leader Snoke
Domhnall Gleeson as General Hux
Anthony Daniels as C-3PO
Peter Mayhew as Chewbacca
Max von Sydow as Lor San Tekka
Director: J.J. Abrams

A scavenger (Daisy Ridley) and a renegade stormtrooper (John Boyega) enlist the help of legendary smugglers/freedom fighters Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) to transport a droid carrying information regarding the whereabouts of long lost Jedi Master Luke Skywalker (Mark Hamill) to General Leia Organa (Carrie Fisher) of the Resistance before it falls into the hands of Kylo Ren (Adam Driver) and the First Order.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1]

Star Wars Episode 7: The Force Awakens was one of the most anticipated films of all time. After Disney bought the rights to Star Wars, they started on making a new trilogy, and people were looking forward to seeing new movies. While there’s certainly a lot of divisiveness about the sequel trilogy now, I think most people generally liked The Force Awakens, and I’m still one of those people. As a ‘soft reboot’, this is the best this movie could’ve possibly been, and it succeeded very well as that.

To get this out of the way, yes, The Force Awakens is very derivative of A New Hope, and most of its plot points are very similar, but it does enough to differentiate itself from that first movie. Not to mention it was a good way of introducing the current state to new audiences. I will admit that some parts copy just a little too much, like I could’ve done with something else other than a killer star base that’s just bigger than the Death Stars. From beginning to end, J.J. Abrams gives the movie a fast pace, but it also work for the story, it doesn’t go so fast that it skips past important details or anything. Plotwise, I think the only thing I had a problem with was the option to blow up an entire planetary system of the New Republic. Doing this pretty much ensured that there was basically no system or anything, and it was a wasted opportunity for world building. That’s my only big problem with the plot or anything I think. I guess not all the answers to things were given in this movie, but that basically passed it on to other instalments to provide them there.

The newer cast are quite good. Daisy Ridley acts really well as Rey, there’s a lot of mystery surrounding her character and you don’t learn a lot about her, and so it required someone like Ridley to play the role in a way to make her work on screen. I really do feel like John Boyega’s Finn didn’t get to do as much as he could’ve (especially with the setup with him as a stormtrooper, which we hadn’t gotten with other main Star Wars characters beforehand), but Boyega does what he can and is pretty good. Oscar Isaac’s Poe Dameron doesn’t get a whole lot of screentime, generally because his character was meant to die early on, but was kept alive since they liked Isaac. That was a great decision, because Oscar plays him really well, even in his short screentime you really like him easily, and that’s all because of his performance. The standout actor and character across the sequel trilogy is Adam Driver as Kylo Ren/Ben Solo. I’m not the type of person to put characters up against each other, but at the very least, he in this movie is a lot better than Darth Vader in A New Hope, since the two get compared a lot. Kylo is more than just a copy of Vader. He’s conflicted, he’s all over the place, and at least in this movie is trying so much to be like his grandfather. Even just looking at him in this movie, Kylo is one of the best characters in the Star War series. The other main antagonists were General Hux, Captain Phasma, and Supreme Leader SNoke. Domhnall Gleeson plays the role of Hux pretty well, and in this movie it does take him seriously (until he was used as the butt of many jokes). Gleeson doesn’t get many moments to shine in the trilogy, but he does have a big speech before Starkiller base fires a weapon, and he owned that scene pretty well. Gwendoline Christie as Phasma is pretty much the Boba Fett of the sequel trilogy, she looks cool but doesn’t really do anything. I know that her not doing much doesn’t really matter, but I would’ve liked her to have had a little more screentime and things to do. As for Snoke, you only get to see him for a couple scenes, but Andy Serkis added quite a lot to him through his motion captured performance. I really wished that Lupita Nyong’o got to do more as Maz Kanata, she play it fine enough I guess, but she mostly just gives out information. I have no idea why Max von Sydow was in this movie, he was pretty much just a cameo. The main cast from the previous movies returns, with the most notable being that of Harrison Ford and Carrie Fisher, who both play their roles of Han and Leia very well once again.

J.J. Abrams directed this very well, effectively fast paced. Everything from the production design, practical effects, digital effects, everything on a technical level is great, fantastic on a visual level. The action is also quite entertaining and put together nicely, from the ship battles, gunfights, and to the final battle between Kylo and Rey, which I still think is one of the best lightsabers duels in the series. The exception of these action scenes is of course is the Rathtars scene. At this point I accepted that it exists, but compared to the rest of the movie I didn’t really love it. John Williams scores this movie quite well, but I do think that the sequel trilogy’s scores aren’t nearly as great or memorable as the other two trilogies. The most memorable themes were that of Kylo Ren, Rey, and the Resistance, nonetheless the score on a whole worked well for the movie.

Star Wars Episode 5: The Force Awakens was a great way of bringing back Star Wars to today’s audiences. It’s very well directed, the cast are good, and quite well paced. It set up things for future instalments to potentially pursue, and was a good way to get people on board with Star Wars again. It was at the very least a good starting point for this new trilogy.

Dune (1984) Review

dune-1984[1]

Dune (1984)

Time: 136 Minutes
Age Rating: 120px-OFLCN_-_PG.svg[1]
Cast:
Francesca Annis as Lady Jessica
Leonardo Cimino as the Baron’s Doctor
Brad Dourif as Piter De Vries
José Ferrer as Padishah Emperor Shaddam IV
Linda Hunt as the Shadout Mapes
Freddie Jones as Thufir Hawat
Richard Jordan as Duncan Idaho
Kyle MacLachlan as Paul Atreides
Virginia Madsen as Princess Irulan
Silvana Mangano as Reverend Mother Ramallo
Everett McGill as Stilgar
Kenneth McMillan as Baron Vladimir Harkonnen
Jack Nance as Nefud
Siân Phillips as Reverend Mother Gaius Helen Mohiam
Jürgen Prochnow as Duke Leto Atreides
Paul Smith as The Beast Rabban
Patrick Stewart as Gurney Halleck
Sting as Feyd Rautha
Dean Stockwell as Doctor Wellington Yueh
Max von Sydow as Doctor Kynes
Alicia Roanne Witt as Alia
Sean Young as Chani
Director: David Lynch

In the year 10191, a spice called melange is the most valuable substance known in the universe, and its only source is the desert planet Arrakis. A royal decree awards Arrakis to Duke Leto Atreides (Jürgen Prochnow) and ousts his bitter enemies, the Harkonnens. However, when the Harkonnens violently seize back their fiefdom, it is up to Paul (Kyle MacLachlan), Leto’s son, to lead the Fremen, the natives of Arrakis, in a battle for control of the planet and its spice. Based on Frank Herbert’s epic novel.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1]

I’ve heard about Dune for some time, especially that it was David Lynch directing a movie based on the influential novel, and had been meaning to watch it at some point. With Denis Villeneuve’s version coming however, I was felt that the time was right to watch Lynch’s version. Dune certainly was an ambitious book to adapt for the big screen. Unfortunately, it didn’t seem to work out all that well, even Lynch himself didn’t have a good time making the movie, mostly due to the studio interference that went on during the movie. Still, I liked what I saw.

MV5BNGM5M2U4MDUtMWI3Ny00OWI0LWI0N2YtMzQ0MzBkNGM2OTdiXkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_SX1777_CR0,0,1777,740_AL_[1]

I haven’t read Frank Herbert’s Dune, so I can’t comment on how well it was adapted to the big screen. A lot of adaptations of books can suffer from not being able to cover everything in its story and having to condense it down quite a bit, but that especially feels the case with this movie. It certainly feels like there’s a lot missing from the movie, even at 2 hours and 15 minutes. The last half of the story particularly feels quite rushed. One of the biggest mistakes was the use of narration, it’s used not only to explain a lot of the background and worldbuilding but it’s mainly used to reveal their inner thoughts. It was already quite a bit much with Kyle MacLachlan, but there’s narration from multiple characters about their feelings and it quickly becomes annoying. The exposition dumps were also pretty bad, the film literally opens with a floating head narrator shoving so much information onto you, and it is just a mess. Additionally, I wasn’t particularly interested in the characters or the story, I was just following what was going on.

dune-1200-1200-675-675-crop-000000[1]

Dune has got a large cast, including Kyle MacLachlan, Patrick Stewart, Brad Dourif, Max von Sydow. Sean Young and Sting. Generally I remember the cast being alright, but they are constrained by the characters being not particularly well written or interesting. However, they do what they can.

dune-1984-08-g[1]

David Lynch is a great director and we know this from many of his other movies like Mulholland Drive, Blue Velvet and The Elephant Man. With that said, while I haven’t seen all of his movies, when most people say that Dune is easily his weakest movie, I believe that. At the same time, I think it has got a lot of things going for it, and I even liked some of the choices that Lynch made. The production designs and costumes definitely go all out on the craziness. I haven’t read the book so I’m not sure if the designs are supposed to resemble how they look in Lynch’s movie, but looking at it all as its own thing, I liked it in a campy and over the top sci-fi way. The visual effects however don’t hold up well. Some are a little dated, other parts look so absurdly dated that I can’t imagine that it looked particularly good even for the 80s.

tumblr_beef0245332e9e9f571f82547698c5a7_8e182058_1280[1]

David Lynch’s Dune is a bit of a mixed bag to say the least. Some of the direction didn’t work so well, and while the ideas are there, they weren’t executed the best. I think mainly that Dune just wasn’t ready to be made into a movie that early on, and at 2 hour and 15 minutes long it wasn’t quite enough. However, I don’t regret watching it, and I even enjoyed it for what it was. I will say that what benefited my experience of this movie was knowing that Villeneuve’s version would be coming and imagining how many of these concepts would be delivered by him (I even started imagining some of the characters in Lynch’s Dune played by the actors cast in Denis’s version). 1984 Dune doesn’t succeed all that well, but I think it’s worth a watch at the very least.

Shutter Island (2010) Review

Time: 138 Minutes
Age Rating: 860949[1] Violence, offensive language & content that may disturb
Cast:
Leonardo DiCaprio as Teddy Daniels
Mark Ruffalo as Chuck Aule
Ben Kingsley as Dr. John Cawley
Max von Sydow as Dr. Jeremiah Naehring
Michelle Williams as Dolores Chanal
Emily Mortimer as Rachel Solando 1
Patricia Clarkson as Rachel Solando 2
Jackie Earle Haley as George Noyce
Director: Martin Scorsese

Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), two US marshals, are sent to an asylum on a remote island in order to investigate the disappearance of a patient, where Teddy uncovers a shocking truth about the place.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1]

Shutter Island was great when I saw it some years ago, and I’ve been meaning to give it a second viewing for some time. The acting was really good, it was greatly directed, and it was an effectively suspenseful thriller with some effective twists. I can confirm that Shutter Island works an even better level after the first viewing.

There are plenty of movies with some twists and reveals, and then people say that apparently you’ll see the movie completely differently on a second viewing. Shutter Island is one of the strongest examples of a movie that really holds up to that. There is so much in this movie that I can’t reveal, so I’m basically forced to keep some things vague. It’s a movie that has a number of effective twists and captivates you from start to finish. You really are following along with the main character and trying to figure out the mystery of what’s going on. The only problem that I had with the movie was how they handled a certain reveal in the last act. They spend a lot of time outright explaining it right after saying what really happened, and it sort of dragged on for a little too long, killing much of the shock and tension that was originally generated. I liked what direction the plot in and especially the ending, but that portion was a little messy.

Leonardo DiCaprio gives one of his best performances as lead character Teddy Daniels. It’s extremely difficult to talk about why his performance is so great without giving much away, it’s effectively emotional and he fits into the role perfectly. The supporting cast is also good, with Mark Ruffalo, Ben Kingsley, Max von Sydow, Michelle Williams, Emily Mortimer, Patricia Clarkson, Jackie Earle Haley, Ted Levine adding quite a bit to the movie. For the sake of not revealing too much, I won’t talk too much about them either.

Martin Scorsese directs Shutter Island excellently, creating a dark and unsettling atmosphere. He also does well at giving the feeling like you’re right in a noire movie. Robert Richardson’s cinematography is stunning, gorgeously dark and gloomy, it really places you on this gothic island that just doesn’t seem right. Speaking of which, the production design is very effective and detailed. There are some dreamlike and hallucination scenes that are among the best I’ve seen in a movie. Shutter Island is the closest thing to a horror movie that Scorsese directed, and makes you uncertain about a lot of the things you see. The music choices are also great, and using Max Richter’s On the Nature of Daylight is never going to stop hitting me right in the feels.

Shutter Island is a fantastic movie that for whatever reason often gets placed among ‘lesser Scorsese’ films, I consider it at least in his top 10 for the time being. The story and premise might be a little typical of many other thrillers, but Martin Scorsese really gives something special to this one, the plot is gripping and suspenseful, and the acting is great, particularly from Leonardo DiCaprio. A second viewing only elevates the movie further, knowing what’s really going on the whole time. Definitely worth seeing if you haven’t watched it already. And if you have seen it once, check it out again, it’s a completely different experience.

Judge Dredd (1995) Review

Time: 96 Minutes
Age Rating: 860940[1] Violence and Offensive Language
Cast:
Sylvester Stallone as Judge Dredd
Armand Assante as Rico Dredd
Rob Schneider as Fergee
Diane Lane as Judge Hershey
Jürgen Prochnow as Judge Griffin
Max von Sydow as Chief Justice Fargo
Director: Danny Cannon

In a dystopic future, where urban areas have grown into Mega-Cities that cover entire coastal regions, the justice system has evolved to a single person invested with the power of police, judge, jury and executioner: the Judge. Among the Judges of Mega-City One, Judge Joseph Dredd (Sylvester Stallone) is one of the best, and a particular favorite of the Head of the Council, Chief Justice Fargo (Max von Sydow). But there are evil forces at work in the Justice Department: block riots and the escape of Rico (Armand Assante), a homicidal maniac, are only steps in a plan that ultimately lead to the sentencing of Dredd for a murder he did not commit. And Dredd must discover the secrets of his own past and survive to stop the evildoers.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1]

Before the underrated 2012 film there was an attempt at making a Judge Dredd movie in the 1990s. The end product wasn’t very good. It is however an incredibly entertaining movie, it was cheesy from the over the top acting, to the cliché dialogue, it’s an enjoyable movie for how silly it is. But I really wouldn’t call it a Judge Dredd movie.

Judge Dredd feels like a typical sci-fi, dystopian action movie from the 1990s. The first 10 minutes felt somewhat like a Judge Dredd film but any of those elements is gone after that point. The Sci-Fi world that we are introduced to has been made a million times over, so it just feels rather generic and not very unique. On top of that, for a lot of the movie we aren’t even exploring that world, we are just going from random location to random location, and these locations aren’t really intersting. So to recap, the sci-fi world isn’t that unique and we are stuck in locations that are even less interesting. As for the plot, I’m not a Judge Dredd fan really but I don’t think this plot was right for Dredd. Dredd being falsely accused of murder and going from one place to another to further the plot really doesn’t feel like a story for him, it’s more of a plot for another Stallone character. This movie is also very goofy. The dialogue is very cheesy and over the top. Seriously, count how many times Stallone is talking about ‘The Law’, often in an over the top way, or asks people “How do you plead?” before responding to their replies with “I knew you’d say that”. In that sense it is very fun to watch, because of how silly it is. I was entertained throughout, there wasn’t a dull moment when viewing this as a silly Stallone flick (except for when Rob Schneider was on screen).

Sylvester Stallone is trying to play Judge Dredd and the character is barely Judge Dredd. It feels like the whole movie was trying to be a Stallone movie, just him with the name of Judge Dredd. If you want any proof, Stallone barely wears the mask, (and Stallone himself insisted having it on all the time but to no avail). The cheesy dialogue doesn’t help much, as I said Dredd in this movie comes across like a Sylvester Stallone character rather than actually Judge Dredd. Despite all that, he is very entertaining. Armand Assante is the villain and he is incredibly over the top. He’s not that great as a villain but he is entertaining and is super into his role, so I do appreciate it. Supporting actors like Max von Sydow are fine. In terms of bad acting, we’ve got the comedic relief by none other but Rob Schneider. Yes, that Rob Schneider. Honestly while the role was written to be an annoying comic relief, any actors could play that role and be passable in the role. Schneider however turns a mildly annoying role into an insufferable role. He just had no reason to exist, he wasn’t funny, nor did he serve to really help Dredd or the other characters. He was completely useless, and it made me wonder why Dredd kept bringing him along with him.

The action is typical over the top 80s/90s sci-fi action. It doesn’t feel particularly gritty (something that the new movie thankfully changed), it is entertaining however. I might even say that for the most part the action is done well. There is a space bike chase with some obvious green screen, then again this is typical for this type of movie in the 90s. The costumes are over the top and honestly kind of cheap. Even when Stallone is in the helmet, he just looks silly, and it’s not Sylvester Stallone, it’s the helmet surprisingly.

Judge Dredd is not a very good movie, it’s silly, it’s cheesy and its completely over the top. However it is endlessly entertaining for those same reasons, intentional or not. It’s a guilty pleasure for me, however it isn’t the movie that Judge Dredd deserves. If you want an entertaining and silly Stallone flick, you’ll like this movie. But if you would prefer a proper Judge Dredd movie I highly recommend the 2012 film with Karl Urban.

The Exorcist (1973) Review

506791219_1280x720[1]

The Exorcist

Time: 122 Minutes
Age Rating: 860949[1] Horror, Violence, Sex Scenes and Offensive Language.
Cast:
Ellen Burstyn as Chris MacNeil
Max von Sydow as Father Lankester Merrin
Jason Miller as Father/Dr. Damien Karras S.J.
Linda Blair as Regan MacNeil
Lee J. Cobb as Lieutenant William F. Kinderman
Jack MacGowran as Burke Dennings
Director: William Friedkin

An actress (Ellen Burstyn) calls upon Jesuit priests to try to end the demonic possession of her 12-year-old daughter (Linda Blair).

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1] Black-Star-Photographic-Agency[1]

I’ll just say this right now, there was never a moment during The Exorcist where I felt scared. To be fair though, there have been only two movies that have scared me (Sinister and The Babadook). I’m just mentioning this at the beginning of the review because despite Exorcist being crowned as the scariest movie of all time, I didn’t feel anything scary at all. With that said, The Exorcist is still worth the praise for the direction and acting. It took this possession story as seriously as possible and makes it seem somewhat possible (mostly), and it definitely has its place in cinematic history. It just seems like I’m one of the rare few people who don’t find The Exorcist to be that scary.

exorcist-blair-armsspread-700x300[1]

When you go into The Exorcist, don’t expect a jumpscare kind of movie, this is more of a tension filled horror movie, at least in terms of the direction it was going in. This movie is quite drawn out, so also be prepared to be waiting for a little while before the actual possession and ‘scares’ start to happen. As I said earlier, the movie just flat out didn’t scare me. I don’t know why, it’s more tension filled horror, which I usually like more (like the Babadook) but I just didn’t really care much about this plot. It’s also not a good sign when this movie does have some laughable moments, particularly with possessed Regan. The pictures of her were honestly scarier than the actual scenes of her. Even though I wasn’t scared during them, I still maintain the scenes with possessed Regan are the best and when it cuts away from them, the movie is still interesting, they just weren’t as interesting as those other scenes.

0000228657[1]

Despite my issues with the movie, I will say the acting does hold up quite well. Actors like Ellen Burstyn, Max von Sydow and Jason Miller performed very well and took their roles very seriously. I think the show stealer however was Linda Blair, who did very well both when she was and wasn’t possessed, however it was obvisouly the latter aspect that impressed me the most. My issues with her character when she was possessed came mostly from the writing, and even in those ‘odd’ moments, Blair played her part magnificently.

fb1f5fbaf42dfcafc450949fda65175dd9fb6075[1]

As I said earlier, this movie didn’t scare me but there’s no denying that the direction of this movie is excellent. The makeup, lighting and overall direction of the movie made the idea of a possessed girl seem somehow plausible. I think the look on possessed Regan was absolutely fantastic, it looked somehow realistic, much more so than most possession movies of today. All the scenes with her were beautifully directed, which is one of the reasons that I liked them more than the scenes without possessed Regan. After seeing this movie, I can at least appreciate and understand why this movie was such a hit, it was ahead of its time.

top-5-movies-that-will-have-you-wondering-coincidence-or-curse-an-iconic-scene-686469[1]

If you are into horror movies and haven’t seen The Exorcist, you definitely should check it out as soon as possible. The fantastic direction and performances really make the viewing worth it, and the film had a tremendous effect on the horror genre in general. Even if this movie doesn’t hold up well as a horror movie today in my opinion, it should be seen for how well made it is. Just don’t go into it expecting the horror masterpiece that everyone claims it to be, or you might be a little disappointed like I was.

Star Wars Episode 7: The Force Awakens (2015) Review

Star Wars Episode 7 The Force Awakens

Time: 135 Minutes
Age Rating: 860940[1] Science Fiction Themes and Violence
Cast:
Harrison Ford as Han Solo
Mark Hamill as Luke Skywalker
Carrie Fisher as General Leia Organa
Adam Driver as Kylo Ren
Daisy Ridley as Rey
John Boyega as Finn
Oscar Isaac as Poe Dameron
Lupita Nyong’o as Maz Kanata
Andy Serkis as Supreme Leader Snoke
Domhnall Gleeson as General Hux
Anthony Daniels as C-3PO
Peter Mayhew as Chewbacca
Max von Sydow as Lor San Tekka
Director: J.J. Abrams

30 years after the defeat of the Galactic Empire, a new threat rises. The First Order attempts to rule the galaxy and only a ragtag group of Heroes can stop them, along with the help of the Resistance.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1]

Star Wars Episode 7: The Force Awakens is my most anticipated movie of 2015. I loved the original trilogy, liked one of the prequels and after 10 years from the last instalment, here we are with the latest film. The Force Awakens was the movie I was hoping it to be, it was to Star Wars what Creed was to Rocky; creating a great new instalment in the franchise while also being a pretty good movie in itself. This is the Star Wars movie that you’re looking for.

Ford[1]

Some will say that The Force Awakens is very similar to A New Hope (in that many of the plot points are the same), and while that’s true, I’m not really complaining. The writing and story actually feels like Star Wars, it wasn’t like the prequels where it all felt artificial and at times lifeless. There was real human emotion that could be felt with these characters. Also tonally it was balanced out, this film can go pretty dark (not quite Revenge of the Sith dark) but it also has humour from the characters and dialogue, this film actually has the most comedy (that worked) out of all the Star Wars movie. Without spoiling anything I will say that this movie ends with not all the questions answered which I love, it makes me even more excited for the next couple of films.

1445483429902[1]

The film did a good job at integrating the old and new cast. Daisy Ridley and John Boyega are the main leads and they are absolutely excellent in their roles and I think that they are the ones to carry this new trilogy. Oscar Isaac was also really good, we don’t get to see as much of him as I liked but as I will mention later, it might be for the better. Kylo Ren played by Adam Driver was a really great villain and while there may be comparisons to Vader there is a pretty strong difference between him and Darth Vader. Some of the characters like Supreme Leader Snoke aren’t really used that much but that’s probably because of the large amount of characters and story that they have, and they will probably be developed over the next films. Not all of the original cast gets a big amount to do but as I said, that’s something for the next films. Harrison Ford is excellent in this movie as Han Solo, he didn’t just feel like old Harrison Ford, he was older Han Solo. Carrie Fisher also was really good as Leia and both her and Ford shared pretty good chemistry when they were on screen together. As for Mark Hamill as Luke, I’ll just say that he’s in the movie, without spoiling anything.

37453[1]

Unlike the prequels, The Force Awakens uses quite a lot of practical effects. The parts where they have to use CGI is well done and integrated. Think of the special effects of Abrams’ Star Trek mixed with the practical effects of Empire Strikes Back. The action is excellent, whether on ground or air. Without spoiling anything, this movie has one of the best lightsabre fights I’ve seen in a Star Wars movie. John Williams’ soundtrack as usual is magnificent, it’s nothing like we’ve heard before.

x1626IMAX_tea0050_PUB_IMAX_noMB_16int.v07.4-11[1]

The Force Awakens is not a flawless movie but the original trilogy wasn’t either. This movie did what it was supposed to do, to be a new instalment in the franchise while also being a great movie on its own. I’m looking even more forward to all the Star Wars movies coming out, with Rogue One coming out next year. Stay away from spoilers and watch the movie as soon as possible. JJ Abrams has created a fantastic addition to the Star Wars universe and it’s one of the best movie going experiences I’ve had.