Spiral: From the Book of Saw (2021) Review

Time: 93 Minutes
Age Rating: Torture & sadistic violence
Cast:
Chris Rock as Det. Ezekiel “Zeke” Banks
Max Minghella as Det. William “Will” Schenk 
Marisol Nichols as Capt. Angie Garza
Samuel L. Jackson as Marcus Banks
Director: Darren Lynn Bousman

Working in the shadow of his father (Samuel L. Jackson), Detective Ezekiel “Zeke” Banks (Chris Rock) and his rookie partner (Max Minghella) take charge of an investigation into grisly murders that are eerily reminiscent of the city’s gruesome past. Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.

Spiral: From the Book of Saw was one of my most anticipated movies of 2021. Having only seen the first three Saw movies last year when it was originally set to release, I was only mildly interested in it. However, I got even more excited for it when I watched the rest of the movies in the series. For all of their faults (and there’s a lot), the movies were quite enjoyable, even considering the lower moments of the series. With this new entry being based off an idea from Chris Rock and having a different approach, it looked like what the franchise needed. Despite some flaws, Spiral is quite a good horror movie and a well needed revival of the franchise.

First of all, getting the obvious out of the way. Spiral may be a Saw movie, but you don’t have to have watched the Saw movies (even the first movie) to enjoy this one. I do think that it is worth knowing what Saw is about at the very least, regarding Jigsaw’s games, the traps, etc. It takes place in the same world, and there are references to John Kramer and his impact is present in much of this movie, but that’s as far as it goes. If you’re a Saw fan, don’t expect to see any past Saw characters or anything, you’ll just be disappointed. Spiral does have some differences from many of the Saw movies. First of all, the plot goes back to basics and doesn’t get convoluted like the sequels did. There’s a serial killer targeting corrupt cops, and much of the movie is Chris Rock as a detective investigating with his partner. It is the first Saw movie to not have an ongoing game running throughout the movie, even the first Saw which had a good amount of the movie being flashbacks while the main story focusing on the game in the bathroom. In some ways it takes more from Se7en than Saw (ironically the latter took a lot of inspiration from the former). There is definitely more humour in the mix especially in the first act, particularly within the dialogue. It actually does work quite well all things considered, and it does give it a distinct tone from the other movies. Another way that this movie is different in the series was the social commentary and themes. Saw VI made itself stand out with its take on health insurance, and no other Saw film had been that clear about being about something until Spiral, which this time takes on corrupt cops. It was refreshing to see, and I really liked the angle. However, don’t expect a deep dive or analysis about the subject matter, if anything I wish they went deeper into that and spent more time with it.

Something Spiral does have in common with the first Saw was the use of traps, with traps being the most (in)famous aspect of the movies. Now there isn’t a huge number of traps in Spiral, instead focusing more on the actual investigation. With that said, the traps are definitely prominent in this movie. Unlike some of the sequels, the traps in Spiral are purposeful, and they actually have a meaning behind them. Overall, I was invested with the story and interested to see where things would go, even if I do feel like it could’ve been a little more. However, there are some story and writing faults. The dialogue can either be a bit sloppy, or very expositional and forced. It does fall on some familiar tropes, both for Saw and cop/crime thrillers, it even has the classic trope of the older cop who gets a younger partner. As said earlier, this could’ve done a little more with its take on corrupt cops, the runtime is 90 minutes, so it could’ve spent more time with that. Some parts of the plot are predictable, and you can figure some twists out, especially if you are familiar with previous Saw movies and twists. All I’ll say is that with regards to the killer, I was more interested in the why than the who, and I kind of wish more time was spent with that. As for how it serves as a soft reboot, I’m interested in where the series could go from here, especially with where the film ends on.

The acting is pretty good generally. Chris Rock leads this movie as lead character Zeke Banks, and he’s yet another case of an comedic actor taking on more dramatic work. Despite some moments of overacting, he actually does a pretty good job and is believable enough. Yes he acts like how you’d expect Chris Rock to act as a cop, but he does make for one of the more energetic and standout Saw protagonists thus far. Max Minghella plays Zeke’s partner, and the two actors are great and have a strong dynamic on screen. Samuel L. Jackson is also in this movie as Zeke’s father, who was once a police chief. He’s not in the movie as much as you’d think he would, but he does play a vital role, and he acts his part well.

This film is directed by Darren Lynn Bousman, who previous directed Saw II, III and IV. It is interesting that one of the main people who shaped what the Saw series would become would be the one to return to helm the entry which would revive the series with a distinctly different take. His work in this movie is quite good, it’s probably the most polished Saw movie on a technical level. The look of the movie is great. The original 7 Saw movies had this grungy 2000s look to it. Jigsaw in 2017 did give it a new and modern look, however it almost looked a bit too separated from the previous movies. Spiral has a happy medium of the two, looking modern and also looking grimy and gritty. The use of colour is also pretty great and makes it stand out from the rest of the series in a good way. The editing is also balanced well. It is fast paced especially during the trap scenes, as per usual for the Saw movies. However it doesn’t get obnoxious. I would be lying if I said that the traps in this movie would rank among the best or most memorable of the entire series. However they are good, creative, and fit the tone and overall story incredibly well. They are definitely on the more realistic side (more Saw 1 than Jigsaw or Saw 3D) and are more grounded. It’s also no slouch when it comes to the gore, with some truly gruesome moments, and the use of practical effects is great. Charlie Clouser, who composes the scores of every Saw film, returns to compose the score of Spiral. The score is good, and sets itself apart from the other movies, and yes, some familiar sounding themes from the series do make a comeback.

Spiral: From the Book of Saw is really good. It has a fresh take on the series, it’s solid on a directing and acting level, and I was interested throughout. It’s not the best movie in the series, there’s at least a few Saw movies I would consider to be better (including the original film). However it is one of the better movies in the series for sure. As for whether you’ll like it or not, long story short, if you watched some of the Saw movies and you didn’t like them any of it, this won’t change your mind. If you are a Saw fan, I don’t know for sure how you’ll feel about it (definitely depends on what you’re expecting/hoping for), but it is definitely worth watching. If you haven’t seen the Saw movies but are familiar with the concept and want to watch Spiral right now, you can jump right into it without a problem. As a fan of the Saw series, I’m pleased with the movie and I’m looking forward to seeing where the series goes from here.

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The Social Network (2010) Review

Time: 109 Minutes
Age Rating: Offensive language
Cast:
Jesse Eisenberg as Mark Zuckerberg
Andrew Garfield as Eduardo Saverin
Justin Timberlake as Sean Parker
Armie Hammer as Cameron and Tyler Winklevoss
Max Minghella as Divya Narendra
Brenda Song as Christy Lee
Rashida Jones as Marylin Delpy
Rooney Mara as Erica Albright
Director: David Fincher

In 2003, Harvard undergrad and computer genius Mark Zuckerberg (Jesse Eisenberg) begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, he is one of the youngest billionaires ever, but Zuckerberg finds that his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend (Andrew Garfield). Based on the book “The Accidental Billionaires.”

A story about Facebook could easily be done poorly. It doesn’t sound very interesting on paper and even if it could be pulled off decently enough, it doesn’t seem like it could be anything better than just good. And yet The Social Network is more than just a decent movie, it is truly great and better than anyone would expect it to be. David Fincher, Aaron Sorkin and the talented cast and crew made the story of Facebook riveting and fantastic, it’s even better upon a second viewing and I suspect it will only get better with further watches.

Aaron Sorkin’s screenplay is excellent and one of the stand out best parts of the film, and that’s saying a lot. The dialogue is so well written, very sharp, memorable, riveting and fits perfectly for the moments, Sorkin is known for his exceptional dialogue and his work on Social Network is no exception. It is fantastic from the beginning, the opening scene between Mark Zuckerberg (Jesse Eisenberg) and Erica Albright (Rooney Mara) is brilliant and helps establish so many things about Mark and it sets him off on his path for the rest of the movie. It’s interesting watching all the events progress, and how things in Mark Zuckerberg’s life would lead him to make actions to take Facebook further. You wouldn’t think that a movie about Facebook would be so interesting and entertaining to watch but it really is, you are genuinely on board with everything that’s happening. It’s like we are right there watching history happen right alongside these characters. What Mark started was something small and grew into something that not even Mark was expecting. Really fantastic writing by Sorkin.

The cast all around were great in their roles. I’m fully aware that some people don’t really like Jesse Eisenberg’s acting style but he was perfect in the role of Mark Zuckerberg. The portrayal of Zuckerberg is great, it doesn’t try to make you like him, just to show what he is like. Andrew Garfield is also really great as Mark’s friend and business partner Eduardo Saverin and his performance was really overlooked, especially by the awards. A big part of the movie is their friendship and they have great chemistry together. Armie Hammer plays two people as the Winklevosses (Cameron and Tyler Winklevoss) and really does give one of his best performances here, being really convincing as two twins. Even Justin Timberlake was really good as Sean Parker, really fitting the role well. Rooney Mara is only in a couple scenes but she does well to leave an impression as Mark’s ex-girlfriend, especially in the first scene of the film. Really everyone was great.

Saying that David Fincher’s direction is great would be redundant, it’s just so stylish and well put together. You wouldn’t think that a movie about Facebook would even need to look that great. On paper, The Social Network just sounded like it needed a good script and an okay direction but Fincher’s handle really adds a lot to the movie. I don’t know where Fincher used all the visual effects in this movie, but he generally uses these in his movies to make things look better like the environment or background. One effect that you can tell was used was the effects for making two Armie Hammers, and I say this because Armie Hammer doesn’t have a twin or a clone (that we know of yet at least). Even though it’s a film from 2010, these effects still really hold up well today and look effortless. The score by Trent Reznor and Atticus Ross was excellent, and with it’s dark ambience really elevated this movie even further.

The Social Network is truly fantastic and yet another one of David Fincher’s all time best films, and that means quite a lot when it comes to him. The talented cast all give tremendous performances, Aaron Sorkin’s writing is top notch, and Fincher with his work here has made one of his best crafted films. It gets better every single time I watch it. As for all these talks about a possible Social Network sequel, as long as Fincher and Sorkin are returning for it, I’d be more than on board for it.