Tag Archives: Karl Glusman

Watcher (2022) Review

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Watcher

Time: 91 Minutes
Cast:
Maika Monroe as Julia
Karl Glusman as Francis
Burn Gorman as Daniel Weber
Director: Chloe Okuno

As a serial killer stalks the city, a young actress who just moved to town with her boyfriend notices a mysterious stranger watching her from across the street.

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I knew only a little about Watcher, just that it was a thriller about Maika Monroe being stalked by someone. While the movie doesn’t have many surprises, it nonetheless works very well at what it sets out to do.

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Watcher is a psychological and paranoid thriller which takes its time as a slow burn. It leans more into subtle and nuanced storytelling and is powerfully effective as it slowly builds its suspense. The tension unfolds slows and there is a real sense of dread and paranoia. Storywise its pretty standard, straightforward and simple, and it doesn’t really surprise at any point. However I was nonetheless riveted and interested to see how it would play out. The added element of the protagonist being in a different country with a language barrier does add a lot to it; it helped to make the lead character played by Maika Monroe feel more isolated even before she finds someone stalking her. In terms of any actual criticisms outside of its familiarity, I thought that the ending was a little abrupt.

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One of Watcher’s biggest strengths is Maika Monroe as the lead character who is being followed. She effectively conveys the isolation, struggle and helplessness of her situation in a very believable performance. She is great and one of the highlights of the film. The rest of the actors are fine but nothing special and there’s not much to say about them. The exception is Burn Gorman who plays the stalker (or titular Watcher). We see glimpses of him before seeing his face and even after the film shows his face, it’s a while before we hear his voice. Without saying or doing much, Gorman is great at conveying this unsettling aura about him.

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Chloe Okuno directed Watcher very well, this is a very impressive debut for her. The cinematography is slick and well done, and I particularly like how it captures the stranger, initially obscuring him and putting you in the protagonist’s position. That combined with the quieter moments, and the unsettling sound design and the eerie score from Nathan Halpern help to make you feel unnerved.

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Watcher is a great paranoia and psychological thriller. Despite its familiar setup, its directed strongly and is led by an excellent and convincing performance from Maika Monroe, making it worth checking out.

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The Neon Demon (2016) Review

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Time: 118 minutes
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1] Violence, Horror, Sexual Material and Necrophilia
Cast:
Elle Fanning as Jesse
Karl Glusman as Dean
Jena Malone as Ruby
Bella Heathcote as Gigi
Abbey Lee as Sarah
Desmond Harrington as Jack McCarther
Christina Hendricks as Roberta Hoffman
Keanu Reeves as Hank
Director: Nicolas Winding Refn

Jesse (Elle Fanning) moves to Los Angeles just after her 16th birthday to launch a career as a model. The head of her agency tells the innocent teen that she has the qualities to become a top star. Jesse soon faces the wrath of ruthless vixens who despise her fresh-faced beauty. On top of that, she must contend with a seedy motel manager and a creepy photographer. As Jesse starts to take the fashion world by storm, her personality changes in ways that could help her against her cutthroat rivals.

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The Neon Demon was one of my most anticipated films of 2016, this is the second film from Nicolas Winding Refn I’ve seen, after Drive. Drive was an absolutely fantastic film, I loved it, so naturally I was excited to see his upcoming film. After seeing this film, I have to say, I absolutely loved The Neon Demon. Visually stunning, excellently performed, everything here was great. Understandably, not everyone will like this movie, due to it not having a straightforward story and some of its weirdness will alienate some. I’m just glad I’m one of the people who loved it.28fc5711b37fcb526c803cf78b40972f[1]

There are a few things that you have to know before going in. This film is slowly paced quite a bit, part of that is due to the fact that The Neon Demon is also very artistic, with many visual sequences showing symbolism and metaphors. This really isn’t surprising as Refn is known for being more of a visual director. Although this film sort of has a plot, it doesn’t have a very straightforward story, there are many different ways to interpret this movie. This may turn off and come across as pretentious for some viewers, but I personally loved the story that Refn told. The last act is completely nuts, having a complete change in tone, turning into straight up horror. While that change was a little jarring, I loved the last act, even though at times it could get ridiculously over the top at times. I’ve also heard from many that this is Refn’s most disturbing movie yet, I’ve not seen Only God Forgives or many of his other films aside from Drive but I wouldn’t be surprised if this is the case. I won’t say what happens in this movie to avoid spoilers (as I found many of them out before watching the movie), but let’s just say I can understand why this movie turned a lot of people off…

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The performances from everyone was excellent. Elle Fanning was really good in the role of the main character, she goes through a form of transformation in the film, and along with the visuals of the film from Refn, she conveys that expertly. All the supporting cast did great jobs as well. Jena Malone was a standout for me, there are certain stand out scenes that she’s involved with which (I won’t spoil) I have to say are very daring, she’s fantastic. Bella Heathcote and Abbey Lee were really great as two of models who become jealous of Elle’s character. Keanu Reeves also plays a small part in the movie as the seedy hotel manager, he’s only in a few scenes but he still manages to leave an impression, it was a very different character for him to play.

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This film quite possibly has the best cinematography all year, which really isn’t surprising as it’s directed by Nicolas Winding Refn. I can’t really comment on whether its Refn’s best looking film yet (as I haven’t seen any of his films aside from Drive) but it looks so gorgeous. The use of colour also makes the film absolutely beautiful, visually this film is perfect. Also the soundtrack by Cliff Martinez is absolutely europhoric, memorable, it really added a lot of the movie.

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This movie really isn’t for everyone however, whether that be the lurid content, the slow pacing or the visual storytelling. If you want a more straightforward plot, this isn’t your film. For me though, The Neon Demon is one of my favourite films of the year. This film is a reminder that I really need to see more of Nicolas Winding Refn’s films, with this film and Drive, he’s already becoming one of my favourite directors.