The Gray Man (2022) Review

Time: 129 Minutes
Age Rating: Violence, offensive language & cruelty
Cast:
Ryan Gosling as “Sierra Six”
Chris Evans as Lloyd Hansen
Ana de Armas as Dani Miranda
Jessica Henwick as Suzanne Brewer
Regé-Jean Page as Denny Carmichael
Wagner Moura as Laszlo Sosa
Julia Butters as Claire Fitzroy
Dhanush as “Lone Wolf”
Alfre Woodard as Margaret Cahill
Billy Bob Thornton as Donald Fitzroy
Director: Anthony Russo, Joe Russo

When the CIA’s top asset — his identity known to no one — uncovers agency secrets, he triggers a global hunt by assassins set loose by his ex-colleague.

I knew of The Gray Man as it was coming up to its release date, one of the newest movies from the Russo Brothers post Avengers: Endgame. It’s an action spy film with a massive cast including Ryan Gosling, Chris Evans and Ana de Armas. The movie looked like standard Netflix fare, but I went into it open minded; I found it passable.

The writing is a mixed bag to say the least. The Gray Man has a generic spy plot and as such it falls into many annoying cliches of the genre. I guess it is fine, but at a certain point the story stops mattering, as there’s a lot more importance placed on the set pieces. You kind of forget what the initial plot setup was by the third act. It is also hard to care about what’s going on despite the script’s best attempts. The characters aren’t that interesting, the only one who is remotely developed is Ryan Gosling’s protagonist. It makes an effort to make the character played by Julia Butters the heart and soul of the film, mainly with Gosling’s connection with her, but it feels lifeless and obligatory. The humour for the most part didn’t work, with some very dry jokes. The pacing is generally okay, but there is a section which has an extended flashback and while I get the reason for that section, it really halts the plot while it conveys the information. I get the feeling that the movie would’ve worked more if it came out in the 90s. As it is released today, its missing the charm that a movie like that might have. Not helping matters is the ending not feeling fully resolved, and its very clear that they were already intending to make sequels to this.

There is a massively talented cast here and while they are generally decent, none of them are doing great work. Ryan Gosling was the standout as the titular Gray Man. It’s certainly nowhere close to being one of Gosling’s best work by any means. However, he was pretty good with what he was given, it certainly helps that he’s the only character with any form of backstory or development. He was also quite convincing during the action scenes. Chris Evans plays a psychopathic ex-spy sent after Gosling in a rare villain role; it’s the type of role that John Travolta would’ve played in the 90s like Broken Arrow or Face/Off. It seems that Evans is a little miscast, even though he has played darker more villainous characters in other movies and done well at them. I think the problem is that the character is written quite generic, despite the movie deliberately showing how crazy he is. For this character to work, it would’ve required an actor who could deliver a certain kind of crazy to elevate it, unfortunately Evans is not that. For what its worth, at least it looks like he’s having fun and hams it up. It’s just a shame that despite the movie building up the concept of the two facing off, the two actors don’t share that much screentime. The supporting cast are fairly underutilised including Ana de Armas, Jessica Henwick, Rege Jean-Page, Alfre Woodard, Billy Bob Thornton and Julia Butters, but they are okay in their roles.

The Russo Brothers have delivered better in their previous movies, their work here is just fine. For a 200 million dollar budget movie, it could’ve been so much more. The movie is generally shot okay, but it can also look a bit bland visually. The action set pieces are nice and chaotic, however the cuts really take away from it. There are lots of drone shots, its fine but probably not as good as in other movies. It especially doesn’t help that earlier in the year, Michael Bay’s Ambulance utilised drone footage in a more exciting way. The Gray Man uses it an attempt to be flashy but ultimately it was pointless.

The Gray Man is a fairly entertaining yet forgettable spy movie, which is only memorable for the actors in it. As far as Netflix action movies go, it is on the better end but considering some of their other films, that isn’t saying a lot. Its okay. but you wouldn’t be missing much if you didn’t watch it, a shame considering the talent working in the movie.

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Once Upon a Time in Hollywood (2019) Review

Time: 161 Minutes
Age Rating: Graphic violence, drug use, offensive language & sexual material
Cast:
Leonardo DiCaprio as Rick Dalton
Brad Pitt as Cliff Booth
Margot Robbie as Sharon Tate
Emile Hirsch as Jay Sebring
Margaret Qualley as “Pussycat”
Timothy Olyphant as James Stacy
Julia Butters as Trudi Fraser
Austin Butler as Charles “Tex” Watson
Dakota Fanning as Lynette “Squeaky” Fromme
Bruce Dern as George Spahn
Mike Moh as Bruce Lee
Luke Perry as Wayne Maunder
Damian Lewis as Steve McQueen
Al Pacino as Marvin Schwarz
Director: David Leitch

Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

Once Upon a Time in Hollywood is one of the most anticipated movies of 2019. First of all, it is the next movie from writer and director Quentin Tarantino, and also features one of the best casts of the year, with the likes of Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino and more involved. I was curious about much of this movie, from the cast, to it being Tarantino’s first movie about Hollywood, considering his absolute love for film. Then there was the whole aspect of it apparently surrounding Sharon Tate’s murder (with this movie initially being branded as a Manson murder movie, which it very much isn’t). Tarantino delivers on yet another fantastic movie, and one of the best of the year.

If you plan to see Once Upon a Time in Hollywood, you should probably know first that is a long movie at around 2 hours and 40 minutes, and there is an even longer cut coming later. This is definitely Tarantino’s most laid back movie, and this kind of approach to the story won’t work for a lot of people. Some movies that meander don’t really work for me, it would have to have me on board or invested in order for it to even like. However, for whatever reason, Once Upon a Time in Hollywood does work for me. Admittedly, it took me some time to get used to the pacing in the first act, it was rather slow to begin with. The movie is really is just jumping around to the perspectives of the 3 main characters and what they’re doing, with each of the 3 acts focussing on a day in their lives. The movie isn’t plot driven on the whole, not with revenge or anything like that. This is also among the most genuinely heartfelt of Tarantino’s movies, the only other movie of his you could really compare it to is Jackie Brown. It’s ironic that after his bleakest and darkest movie with The Hateful Eight, he then makes his most lighthearted. It’s also very much a comedy for the most part, and that comedy is generally effective throughout. At the same time, it’s darkly effective when it needs to be, such as a tense scene taking place at a ranch with Brad Pitt. I won’t mention much about the third act (it’s really the only part of the movie that you could really spoil), but that’s the point when it really escalates, and if you find yourself a little bored from the rest of the time, you’re going to probably like that act more (provided you don’t take issue with the direction it takes), as it seems to be a lot more focussed in terms of plot. However, I know that some people won’t accept this particular direction, I was more than fine with what they did. I do think that it’s worth mentioning that I think some of the significance of certain scenes won’t hit people who aren’t familiar with the Manson family murders, or Sharon Tate and what happened to her. Now I’m not an expert, but I do generally know the main idea of what happened in real life for a while before going into the movie, and so I got the intended effect. But I just know that people who don’t really know about it at all will be confused at the very least. For those who already know about it and are wondering if her murder was exploited (like many have speculated), the simplest answer I can give is no.

The cast was pretty large and talented, and among the most exciting aspects of the movie. Leonardo DiCaprio and Brad Pitt give some of their best performances here, and their respective characters of Rick Dalton and Cliff Booth are among Tarantino’s best characters. They share some great chemistry together and genuinely feel like best friends. Despite being mainly known as a ‘serious’ actor, DiCaprio with this and The Wolf of Wall Street has really shown that he has a knack for comedy. There’s a certain scene where he just has a complete breakdown after not getting some of his lines right, and it’s among the funniest scenes in the movie. His storyline is really about him being struggling as an actor, as his transition from tv actor to film actor has failed. Brad Pitt also shines as Cliff Booth, which rivalling his best performances (and that’s saying a lot). He has so many hilarious lines and moments, and is really one of the highlights of the movie. Margot Robbie plays Sharon Tate, and there was much speculation surrounding her role in the movie. The main story really follows Dalton and Booth as they have their own storylines, but once in a while it’ll cut to Tate doing things during her day. One could wonder why the movie focusses on her, as none of her scenes seems to be in a storyline like the other two main characters, or does it seem to be amounting to anything. What I can tell is that her inclusion is meant to show audiences who Sharon Tate is through brief scenes, from her picking up a hitchhiker to her entering a screening of a movie that she starred in to hear audiences’ reactions to her performance. Robbie and Tarantino did a good job at making audiences of today remember Tate as someone much more than a tragic murder victim. I would’ve liked to have seen more of her, hopefully that inevitable extended cut will have more scenes with her. I will say though, despite the cast being one of the most anticipated parts of the movie, outside of those 3 previously mentioned actors, most of the others don’t get a ton of screentime. The likes of Margaret Qualley, Al Pacino, Timothy Oliphant, Dakota Fanning and others play their parts well, but don’t expect to see them more than a few scenes. Some appearances of actors like Michael Madsen and Scoot McNairy, as well as portrayals of iconic real life people like Bruce Lee (Mike Moh) and Steve McQueen (Damien Lewis) are basically just cameos. I guess they’re good in their necessary scenes, and maybe didn’t need to have more, but it’s worth knowing going in that they don’t get a massive amount to do like you might think they do.

Quentin Tarantino definitely has a great handle of this movie, as he usually does with his films. He really takes you back to the 60s Hollywood time period, with the costumes, to the production design and sets, and yes, the very well picked music. Longtime Tarantino cinematographer Robert Richardson also contributes heavily to the movie, giving it a stunning look and even successfully conveying a fantasy and relaxed feel to some of the scenes. Sometimes the movie would just follow Booth or Tate just driving, for a minute or so, it may stop the plot for a bit but for some reason it just worked for the overall vibe of the movie. I feel like if you are really into film, there’s going to be a lot of things in the movie that you’re going to enjoy, especially the scenes of filming with Dalton’s segment in the second act.

Once Upon a Time in Hollywood is Quentin Tarantino’s heartfelt love letter to Hollywood, and one of the best movies of the year. The cast is great (DiCaprio, Pitt and Robbie particularly), and Tarantino’s writing and direction are on point. It’s not quite in my top 3 favourites from him, but it’s close, and I’d still say that it’s among his best movies. I know that apparently he wants to make one more movie before he wants to retire as a director, but if he just finished with this movie, it would be very fitting for him.