Tag Archives: Jon Hamm

Top Gun: Maverick (2022) Review

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Top Gun Maverick

Time: 131 Minutes
Age Rating: 860940[1] Violence & offensive language
Cast:
Tom Cruise as Captain Pete “Maverick” Mitchell
Miles Teller as Lieutenant Bradley “Rooster” Bradshaw
Jennifer Connelly as Penelope “Penny” Benjamin
Jon Hamm as Vice Admiral Beau “Cyclone” Simpson
Glen Powell as Lieutenant Jake “Hangman” Seresin
Lewis Pullman as Lieutenant Robert “Bob” Floyd
Ed Harris as Rear Admiral Chester “Hammer” Cain
Val Kilmer as four-star Admiral Tom “Iceman” Kazansky
Monica Barbaro as Lieutenant Natasha “Phoenix” Trace
Director: Joseph Kosinski

After more than 30 years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.

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Top Gun: Maverick was a movie I was a little curious about; a sequel to the original over 3 decades in the making. There certainly was a talented crew involved, Tom Cruise of course returns, Joseph Kosinski (Oblivion, Tron: Legacy) is directing, and it has a cast that includes Miles Teller, Jon Hamm and more. However, I wasn’t admittedly super hyped for it. I liked the original Top Gun but to me it was just pretty good, a lot of 80s cheese and some good action sequences, not much beyond that. Yet the new film seemed to be receiving overwhelmingly positive praise, akin to the level of praise that Mission Impossible: Fallout had. So I checked it out, and I can confirm that Maverick is more than deserving of all the acclaim.

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While I expected great things from the cast and the direction, the most surprising aspect is that of the story, which was actually really good. It improves in every single way over the first movie. Even when certain story beats are similar to the first movie, it’s executed much better here. It loses the 80s cheese of the original and instead instils the movie with a real sense of gravitas. It also helps that it actually feels like the story has a structure rather instead of feeling like a compilation of highlight scenes strung together. There are real drama here with a lot more emotion and heart, and the characters are given more depth and are fleshed out. The emotional core of the movie involves Maverick and Rooster (Tom Cruise and Miles Teller), and it pays off wonderfully by the end. It’s also a fun movie to watch, with a lot of entertaining scenes and comedy throughout.  You also feel the stakes a lot more here. In contrast to the first movie where the pilots are just training before suddenly needing to complete a mission in the last act, the training in Maverick is for a near impossible task, giving the aerial training sequences a lot more weight. So, by the time it reaches the third act, we really feel the stakes and tension. Some could say that the movie drags in the second act, and I can see that even though there was never a dull moment for me. However all the build up towards the final act is completely worth it, as it ends with one of the most exciting climaxes in recent memory. As for how it works as a sequel, Maverick does the original justice. It really is a mix of old and new, honouring the original while moving forward to do its own thing. It actually felt like there was a genuine reason for this sequel to be made, especially considering that the first movie was made all the way back in 1986. Most of the fan service moments are handled well and don’t get too distracting, and makes sure it doesn’t spend too much time dwelling on the past. Top Gun: Maverick is very much a legacy sequel, not only by being a sequel to an original classic from decades back, but also being itself an examination of legacy, specifically for Maverick/Tom Cruise. It is a surprisingly introspective movie. As for whether you need to know the original film in order to watch the sequel, it does certainly help know about the characters and story from the first, Even then, Maverick does touch upon the main points well enough that you’ll be able to pick up what happened in the past even if you hadn’t watched the first movie.

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The cast are all great in their parts. Tom Cruise reprises his role of Maverick. Cruise is really sells his role incredibly well, while he was fun enough in the first movie, here he delivers potentially one of his best performances. He brings such an emotional weight to his scenes. Jennifer Connelly plays Maverick’s love interest in a romantic subplot and while it its perhaps unneeded and shoved not the movie, I thought it was believable and well-handled enough with enough subtlety, especially when compared to the romantic subplot in the original movie. Val Kilmer is the only other returning cast member from the original film aside from Cruise, reprising his role as Iceman. Without giving too much away, his role in this sequel is a small, yet memorable part of the film, and is effectively emotional and hard hitting. The rest of the cast including Glen Powell, Lewis Pullman, Monica Barbaro, Jon Hamm and more all play their parts well. However the standout in the cast aside from Cruise is Miles Teller who plays Rooster, Goose’s son. This is probably Teller’s best performance since Whiplash, he is great here. The relationship between Maverick and Rooster are the emotional centre of this movie and that is handled fantastically, helped by the believable chemistry between the two actors.

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Joseph Kosinski directed this, his work here is phenomenal and probably his best yet. I highly recommend watching it on the big screen, it truly is an experience and it just wouldn’t be the same if you watched it on a smaller screen. Kosinski gives the movie so much energy throughout. The visuals are truly amazing, and the cinematography is stunning, particularly when it comes to the scenes filmed in the air. The movie is worth watching for the intense aerial sequences alone, they’re all fantastic. You actually feel right there with the actors in the air. What makes these scenes work so well is that these flight sequences are all practical, with the actors even having to do actual training to learn how to fly. None of it looks fake at all and the cinematography, editing, sound and everything else all come together to make for scenes that are absolutely exhilarating to watch. The soundtrack is also great, of course the original movie utilised plenty of iconic 80s songs, and some of those songs make appearances here (including Danger Zone). However, it doesn’t overuse or over-rely on them and also allowed for more uses of the composed score from Harold Faltermeyer, Lady Gaga, and Hans Zimmer. The score itself was great, taking tunes from the score of the previous movie and revamping it. They particularly complement the action sequences and make them feel even more thrilling.

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Top Gun: Maverick is so many things. It surpasses the first movie in every aspect, its one of the best legacy sequels, and its up there with Mad Max: Fury Road and Mission Impossible: Fallout as some of the best action films of recent years. The story and characters are given enough depth and heart, the cast are great in their parts (especially Cruise and Teller), and the excellent direction and phenomenal action sequences are incredible to watch. Even if you’re not a fan of the original movie or haven’t even watched it, I highly recommend watching it on the big screen, it is truly an exhilarating experience. One of the best films of 2022 thus far.

No Sudden Move (2021) Review

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No Sudden Move

Time: 115 Minutes
Cast:
Don Cheadle as Curt Goynes
Benicio del Toro as Ronald Russo
David Harbour as Matt Wertz
Jon Hamm as Detective Joe Finney
Amy Seimetz as Mary Wertz
Brendan Fraser as Doug Jones
Kieran Culkin as Charley
Noah Jupe as Matthew Wertz Jr.
Craig Grant as Jimmy
Julia Fox as Vanessa Capelli
Frankie Shaw as Paula Cole
Ray Liotta as Frank Capelli
Bill Duke as Aldrick Watkins
Director: Steven Soderbergh

In 1954 Detroit, small-time criminals are hired to steal a document. When their heist goes horribly wrong, their search for who hired them — and for what purpose – sends them wending through all echelons of the race-torn, rapidly changing city.

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I was interested in No Sudden Move for the talent involved alone. This is Steven Sodebergh’s latest movie, I like the movies from him that I’ve seen, and this would be another crime movie from him.  Not only that but it has a fully stacked cast including Don Cheadle and Benicio Del Toro, so I definitely wanted to check out. I was expecting an entertaining watch, and it turned out even better than I was expecting.

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No Sudden Move has a tightly written and solid script, making for a really good crime thriller. It is tense, smart, intriguing and filled with twists and turns, which you would expect from a Steven Soderbergh movie. Not only that but it also manages to balance the humour and playfulness with the engaging intensity and grittiness of the story and setting, and I was enthralled the entire way through. The dialogue is particularly strong, it is witty which you would expect from a Soderbergh movie, but its also very reminiscent of a classic noir film in the way everything is written. There’s even some social commentary on display, mainly towards corporate greed, classism and particularly with a lot of cynicism towards automobile industry corruption. That really only comes out strongly towards the end of the movie, but even without it, No Sudden Move works as a twisty crime thriller. It’s not exactly tightly paced but it moves well over its 2 hour runtime.

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There is a large ensemble cast and everyone brought their A-game to their performances. Don Cheadle and Benicio Del Toro are in the lead roles, and they are great in their parts. David Harbour gives one of his best performances in his supporting role, and Brendan Fraser makes a strong impression in his screentime. Other supporting actors like Kieran Culkin, Jon Hamm, Ray Liotta and more all work in their parts. There’s even a surprise major actor who appears in a key role near the end, who actually works very well for his part.

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There is some very solid filmmaking from Steven Soderbergh here. This is easily one of his best shot films with its eye catching cinematography, and the lenses give it the 50s noir aesthetic with the right amount of grain, setting the period correctly. It is a very stylish movie that’s really nice to look at. The score from David Holmes is nice too, adding a lot to the mood and feeling of the movie, especially with the era it is set in.

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No Sudden Move is a consistently entertaining, smart and stylish crime thriller, well written and directed, and with some great performances from the amazing cast. One of Steven Soderbergh’s best films, especially in recent years.

Sucker Punch (2011) Review

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Sucker Punch

Time:
109 Minutes (Theatrical)
138 Minutes (Extended)
Age Rating: 860940[1] contains violence
Cast:
Emily Browning as Babydoll
Abbie Cornish as Sweet Pea
Jena Malone as Rocket
Vanessa Hudgens as Blondie
Jamie Chung as Amber
Carla Gugino as Vera Gorski/Madame Vera Gorski
Oscar Isaac as Blue Jones
Jon Hamm as The Doctor/The High Roller
Scott Glenn as The Wise Man/The General/The Bus Driver
Director: Zack Snyder

Locked away, a young woman named Babydoll (Emily Browning) retreats to a fantasy world where she is free to go wherever her mind takes her. Determined to fight for real freedom, she finds four women – Rocket (Jena Malone), Blondie (Vanessa Hudgens), Amber (Jamie Chung) and Sweet Pea (Abbie Cornish) — to join together to escape the terrible fate that awaits them. With a virtual arsenal at their disposal, the allies battle everything from samurais to serpents, while trying to decide what price they will pay for survival.

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Sucker Punch released 10 years ago remains a very polarising movie. Zack Snyder is a very divisive director, to this day it remains the strangest movie that he’s created. Having seen the extended cut of the movie, I can say that I am in the group of people who likes this movie, even though I can somewhat understand some of the mixed responses.

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This is the only movie (until Army of the Dead) from Zack Snyder that isn’t based off an original source material. Before I go into the different versions about the movie, I’ll talk about the movie as I saw it. Some of the part of why the movie didn’t get so well received was expectations. From the marketing, trailers and posters, Sucker Punch looked to be like a videogame influenced Charlie’s Angels with a group of young women with weapons taking on giant robots and dragons. Now these action sections are actually all imaginations taking place in the mind of the lead character. With that said, I do think that you still might be able to enjoy it as an action fantasy movie. I can’t go too deep into the movie without spoiling anything so I’ll try to be as vague as possible about the plot. The action scenes are entertaining, though you are aware the whole time that what’s happening on screen during these moments are just in the head of the main character played by Emily Browning. While these scenes are fun, there’s not much to explain the setups of those scenes, and I wasn’t able to pick them up even on a second viewing (unless I’m missing something). It could very well be that it’s just an excuse to have large action sequences and even if that’s the case, I wouldn’t want those moments removed.

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Zack Snyder has described Sucker Punch as Alice in Wonderland with machine guns, and that’s a very fitting description of the movie. It’s quite an ambitious movie, especially because the narrative is far from straightforward and doesn’t spoon feed you what’s happening. There are already plenty of deep dives into what this movie is. Essentially, Sucker Punch is intended as a female empowerment film, a commentary and examination of trauma, misogyny and abuse, and the story is essentially about escaping. Even if you don’t like the movie, I do think Snyder deserves a lot of credit for really trying something risky and trying to say something. That’s not to say that the script doesn’t have its issues. The characterisation isn’t great and most of the characters are underdeveloped and underwritten. The narrative isn’t always coherent, but I wouldn’t trade that out for one that was 100% clear cut. The version of Sucker Punch I watched was the extended cut. I will say that although I haven’t seen the theatrical version, from what I could gather from looking online, the cut down version on paper looked a bit messy. When Zack Snyder makes a movie, every single time there have been more than one version, it’s been shown that it is best releasing the version that was filmed instead of cutting it down. For Sucker Punch, the extended cut actually fully realises the message and intent by the end, and with such a bizarre story it needed to be told fully. On top of that, instead of it being PG-13, it is now R, which means you never feel any restrictions. With that all being said, it has been confirmed by Zack Snyder himself that there has been no official release of a director’s cut, hence why it’s called an extended cut instead. Nonetheless, this is the version of the movie to watch.

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The cast all play their roles very well. The main cast played by Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung were quite good, especially Emily Browning as the lead character. Other actors like Carla Gugino, Oscar Isaac, Jon Hamm and Scott Glenn are also good. Even if some of the characters were underwritten, the performances made up for them.

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Zack Snyder’s direction is great, from beginning to end you can definitely tell that this is one of his movies. In fact you could say that this is the most Zack Snyder movie that Zack Snyder has ever made. Some have criticised this movie with the tired criticism of ‘it’s style over substance’, to which I’d counter with ‘style is substance’. Snyder excels at visual storytelling, and the biggest example of that in the movie is the incredible opening sequence, which tells so much within the 5 minutes without any dialogue being spoken. Larry Fong’s cinematography is fantastic, there are some very stunning visuals from beginning to end. There are many stand out action sequences, including a war sequence, a fight against giant samurai, and the like. Even if you don’t like much of the story, I think you would still be able to get a lot out of the action, even if some of them do feel video game-esque (especially with the CGI) and don’t really have any tension. The soundtrack is very well picked for this movie and works excellently for it.

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Sucker Punch is a pretty polarising movie. The performances were really good, I loved Zack Snyder’s direction, and I like what Snyder was really going for with the plot. If you do choose to check it out, I recommend checking out the extended cut. Not all of the movie works, and there’s definitely some messiness to it, but a lot of it does work.

The Report (2019) Review

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The Report

Time: 119 minutes
Age Rating: 2773-o[1] Violence, cruelty & offensive language
Cast:
Adam Driver as Daniel Jones
Annette Bening as Dianne Feinstein
Jon Hamm as Denis McDonough
Jennifer Morrison as Caroline Krass
Tim Blake Nelson as Raymond Nathan
Ted Levine as John Brennan
Michael C. Hall as Thomas Eastman
Maura Tierney as Bernadette
Director: Scott Z. Burns

FBI agent Daniel Jones (Adam Driver) performs an exhaustive investigation into the CIA’s use of torture on suspected terrorists. In the aftermath of the 9/11 attacks, the CIA adopted new interrogation techniques.

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I heard about The Report for a little while, it was about an important topic about the report of the CIA’s use of torture, and had a lot of talented people involved with the likes of Adam Driver, Annette Bening and Jon Hamm. It’s turned out to be quite good and overall well made, if a slightly too procedural.

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The Report is a straight forward movie. When it comes to movies based on true events like this, there’s a certain kind of genre where it just seems to give cliff notes of information that could’ve been taken from Wikipedia. The Report is sort of that but out of those types of movies, it does this the best. It keeps you engaged to learn everything that’s happening, at least that’s what it did for me. There’s a lot of information being tossed at you, but even if you don’t remember everything perfectly, there’s enough there that you can grasp what’s going on. As you can probably tell already, it’s not an easy watch by any means, given the subject matter. Even outside the flashback scenes which features some torture, it can be maddening and frustrating hearing about all of what happened, and it’s meant to have you feeling that way. I’m not quite sure that The Report will hold up outside of the first viewing, still well made and all that, but after knowing everything it has to say, there’s not much point watching it again. I guess one problem with this movie is that while you’d expect the movie to not go into too much depth with many of the supporting players, you’d expect something with the lead character, that being Daniel Jones played by Adam Driver. It’s verbally expressed early on that Jones isn’t close with anyone, and you can really tell that he’s really committed to this case, but that’s all we learn from him. Not necessarily a bad thing mind you, they can sort of get away with that given the nature of the protagonist, and it’s not necessarily something that’s bothering you if you’re engaged with the rest of the movie.

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The Report has got a great cast who perform very well in their respective roles. Adam Driver continues to prove himself one of the best actors working today. As I said, the movie doesn’t really go into him as a person, but Driver’s acting overcomes that, and once again gives a very strong lead performance. The supporting cast with the likes of Annette Bening, Jon Hamm, Tim Blake Nelson, Ted Levine, Michael C. Hall, Corey Stoll and more all provide good performances too.

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I haven’t seen a film from director Scott Z. Burns (he made his last movie over a decade ago, which I haven’t seen), he’s mainly a writer for movies like Side Effects and The Bourne Ultimatum. He’s pretty good as a director, even if he doesn’t really have much of a distinct style. The cinematography is rather basic and not necessarily attractive or stylish, but I guess that fitted the tone and subject matter of the movie quite well.

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I wouldn’t say that The Report is a great movie, but it is an important movie for sure. It’s tightly written and directed and features some really good performances from its talented cast. Yes, it’s a ‘cliff notes’ movie, but it’s a very well made cliff notes movie. It gives you a generally good idea of what happened in an interesting and engaging 2 hour long movie. Definitely check it out when you can.

Bad Times at the El Royale (2018) Review

Time: 141 Minutes
Age Rating: 860949[1] Violence & offensive language
Cast:
Jeff Bridges as Daniel Flynn
Cynthia Erivo as Darlene Sweet
Dakota Johnson as Emily Summerspring
Jon Hamm as Seymour ‘Laramie’ Sullivan
Cailee Spaeny as Rose Summerspring
Lewis Pullman as Miles Miller
Chris Hemsworth as Billy Lee
Nick Offerman as Felix O’Kelly
Director: Drew Goddard

The El Royale is run-down hotel that sits on the border between California and Nevada. It soon becomes a seedy battleground when seven strangers — a cleric (Jeff Bridges), a soul singer (Cynthia Erivo), a traveling salesman (Jon Hamm), two sisters (Dakota Johnson, Cailee Spaeny), the manager and the mysterious Billy Lee (Chris Hemsworth) — converge on a fateful night for one last shot at redemption before everything goes wrong.

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I had been hearing about Bad Times at the El Royale for a while. I heard of the cast, with Jeff Bridges, Dakota Johnson, Jon Hamm and Chris Hemsworth among others. However, what really got my interested was when I heard that Drew Goddard was writing and directing this. Goddard on top of writing Cloverfield and The Martian, also directed and co-wrote The Cabin in the Woods. I was interested to see how this movie would be with this cast and director. I actually ended up liking Bad Times at the El Royale a lot more than I thought I would. With its killer cast, twisty story and writing, I really dug it and I was on board with it from start to finish.

Like with The Cabin in the Woods, Bad Times at the El Royale is better experienced when you know as little as possible. The movie for a lot of it is split up into different sections, for example a title card saying ‘Room 1’ would come up and then it would focus on that character in that room and their backstory. Because of this structure, this will lead to some find the movie to drag and I can see why some people would feel that way. It’s just what comes from having this kind of structure, personally it didn’t bother me at all, the pacing was fine enough for me. Every character has their own story and the movie finds some way of tying it all together. There are some questions that aren’t entirely answered, some of them are purposely left ambiguous, but I feel like there are some other answers that I would’ve liked to have seen. I will say that it does get better more you think about it, as there are some connections in the movie that I didn’t pick up until the following day. Bad Times at the El Royale is a long movie at 2 hours and 20 minutes long but as I said I never felt bored throughout its running time.

As previously mentioned, this movie has a great cast and all of them bring their A game to their roles. We have Jeff Bridges, Cynthia Erivo, Lewis Pulman, Jon Hamm, Dakota Johnson, Chris Hemsworth, Cailee Spaeny and even a little bit of Nick Offerman, all great. With almost all of them we get to see things about their characters (although I would’ve liked to have seen a little more of Jon Hamm). Jeff Bridges gives a pretty great performance as a priest who doesn’t seem like much of a priest. Bad Times is Cynthia Erivo’s big screen debut and she’s a Tony Winning actress and singer, she’s really great here. She’s probably the most trustworthy and likable character out of the main cast and she does really well here. I can’t wait to see her in this year’s Widows. Lewis Pullman is also quite good, as someone who pretty much runs everything in the hotel. He doesn’t seem like much at first but he really ends up being a real surprise. You don’t see a massive amount of Chris Hemsworth till like the last act but he steals the show when he’s on screen, its quite a different role for him, with him being a cult leader and he absolutely pulls it off.

Drew Goddard’s direction is very stylish and great, really working for the movie. At the same time it’s not so stylish that it’s self indulgent or distracts from the rest of the movie, its just at the right level. The cinematography, lighting, the set design and the use of music is great, you really feel (for the most part) like you’re with these characters just around this hotel with a late 60s vibe.

I had a lot of fun with Bad Times at the El Royale. It’s an entertaining mystery thriller, with a talented cast delivering great performances and has some really nice surprises throughout. It might not end up being for everyone, it does have a slower pace and I kind of wished it had some more surprises and answers but it really worked well for me.

Baby Driver (2017) Review

Time: 112 Minutes
Age Rating: 2773-o[1] Strong violence and offensive language
Cast:
Ansel Elgort as Baby
Kevin Spacey as Doc
Lily James as Debora
Jon Hamm as Buddy
Eiza González as Darling
Jamie Foxx as Bats
Jon Bernthal as Griff
Director: Edgar Wright

Talented getaway driver Baby (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. After meeting the woman (Lily James) of his dreams, he sees a chance to ditch his shady lifestyle and make a clean break. Coerced into working for a crime boss (Kevin Spacey), Baby must face the music as a doomed heist threatens his life, love and freedom.

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Baby Driver was a movie that I’ve been keeping an eye on for a while. I’ve loved every movie from director Edgar Wright, and with the cast with actors such as Kevin Spacey, Jon Hamm and Jamie Foxx involved, it had a lot of potential. Baby Driver blew me away. Entertaining from start to finish, directed and written perfectly, Baby Driver is one of the best films of 2017. Edgar Wright has made yet another fantastic film.

Now the movie doesn’t have the most original story, they’ve been plenty of crime, heist and car chase movies. However, Baby Driver is a love letter to those movies (and to music as well), and this movie has a lot of fun with it. Edgar Wright’s writing is top notch as always, from the dialogue, to the foreshadowing, humour and the plot overall, everything is written to perfection. Like Wright’s other movies, there are bits that most people won’t necessarily notice on a first viewing, so I can see people loving this movie even more on repeat viewings. I was entertained from start to finish. It is quite a fun movie overall but its also serious enough that you care about what’s going on. If there’s any flaw I can find with the movie its that the romance just sort of comes out of nowhere and starts abruptly. That’s it really, and even then the romance does work overall because of the leads’ chemistry (more on that in a bit). Honestly aside from that aspect, there wasn’t really a low point of the movie.

This movie has a very talented cast, the one actor in the cast that I was unsure about was Ansel Elgort, he’s a decent actor but I hadn’t seen him great in anything … until now. He really impressed me in Baby Driver, he’s likable and he fully embraces his role. Baby Driver really is his movie and he shines in it. I did mention that the romance is rather sudden and its unbelievable how quickly it starts, but what makes it work is the chemistry between Ansel Elgort and Lily James, they work perfectly together, without them the romance (which is one of the main points of the movie) wouldn’t work at all. This movie has a lot of talented supporting actors with Kevin Spacey, Jon Hamm, Eiza Gonzalez, Jamie Foxx and Jon Bernthal and others and they are great. The stand outs to me were Kevin Spacey and Jon Hamm, they really left an impression on me the most.

Edgar Wright’s direction is perfect once again, you can definitely feel his attention to detail and is so incredible to watch. The car chase scenes feel real and not fake at all, the stunts are so great. I’m not sure if any CGI was used, but if it they did I certainly didn’t notice it. The most stand out parts of the movie is how it uses music in the film. This movie has a large and fun soundtrack but what’s even better is how it uses it in the film itself, for example a lot of the time, the film times the sound effects of the scenes with the music perfectly and it is glorious to watch. The first scene of Baby Driver gives you a good idea about how music is used.

Baby Driver is a really entertaining movie with great acting from its talented cast, as well as Edgar Wright’s smart and funny writing and direction. I’m not sure where this ranks among Wright’s other movies but I can say that it’s at the very least fantastic on its own. Baby Driver is one of the best films of the year, and I would absolutely recommend checking it out.