Boogie Nights (1997) Review

Time:  155 Minutes
Age Rating: Violence, offensive language and sex scenes
Cast:
Mark Wahlberg as Eddie Adams/”Dirk Diggler”
Julianne Moore as Maggie/”Amber Waves”
Burt Reynolds as Jack Horner
Don Cheadle as Buck Swope
John C. Reilly as Reed Rothchild
William H. Macy as “Little” Bill Thompson
Heather Graham as Brandy/”Rollergirl”
Nicole Ari Parker as Becky Barnett
Philip Seymour Hoffman as Scotty J.
Director: Paul Thomas Anderson

In the San Fernando Valley in 1977, teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner (Burt Reynolds), who transforms him into adult-film sensation Dirk Diggler. Brought into a supportive circle of friends, including fellow actors Amber Waves (Julianne Moore), Rollergirl (Heather Graham) and Reed Rothchild (John C. Reilly), Dirk fulfills all his ambitions, but a toxic combination of drugs and egotism threatens to take him back down.

I remembered going into Boogie Nights for the first time only knowing it as “that one movie about 70s porn” and being quite surprised at how great it actually turned out to be. Having watched it a second time, I can very much say that it is one of director Paul Thomas Anderson’s best movies.

First of all, the script from PTA is fantastic. The story is set against the backdrop of the low-rent machinery of the adult film industry, and it was quite interesting to watch. Boogie Nights is known as that one movie about porn, and while porn that plays a notable part in the plot and the characters are involved with it, it’s not essentially at the core what the film is about. Essentially it is a story about fame, its highlights but also the downsides of fame, and how it doesn’t last. The story starts off in the 70s, in which you see the more extravagant and outlandish side of the business. However halfway through, it moves to the 80s, and there’s a distinct tonal shift. Everyone’s depressed and drugged up, and it’s a much darker look at life. The characters are trying to make normal livings for themselves, but their pasts are lingering over them and makes things difficult for them. The transition from the light hearted high on life and fast paced comedy to the emotional, serious and dark drama is done greatly, and doesn’t feel tonally inconsistent, you can tell it is still very much the same movie. Something that benefits this movie is the memorable and well-developed characters, who really shine. It’s also a very entertaining movie, there’s some good humour throughout much of it, there’s a lot of quotable dialogue, and it’s quite fun to watch. Despite the very long length of 2 hours and 30 minutes long, the script is very tight and not a single scene is wasted.

This movie contains a strong ensemble cast, and each of them deliver masterful performances. First of all, Mark Wahlberg gives a career best performance as the lead character of Eddie Adams/Dirk Diggler. Wahlberg did great at portraying the up and coming star in this movie, over the top when he needed to be, and also grounded in the more serious moments. The supporting cast are fantastic too, with the standouts being Julianne Moore, Burt Reynolds, John C. Reilly, Don Cheadle and Phillip Seymour Hoffman. Even some of the actors who are only in a few scenes make an impression, Alfred Molina for example is very memorable in his scene later in the movie. All the actors had great and believable chemistry together, with Wahlberg and Reynolds really sticking out for me.

Paul Thomas Anderson already showed himself a confident director with his debut film Hard Eight, and his work here is even stronger, it is astonishing on a technical level. The cinematography is amazing, the camera movement is quick and feels alive in this movie, especially during its numerous long tracking shots. Every scene is shot to perfection, feeling so electric it was hard to not be engaged. That paired with the exceptional editing really made it quite an experience to watch. The 70s and 80s were captured perfectly in this film from the environments and costumes to the music. Speaking of which, the soundtrack was phenomenal and the songs were utilised very well in the scenes.

Boogie Nights is an incredibly well made movie on just about every level. The story was engaging and entertaining, the characters were memorable and well acted, and the direction was phenomenal. If you haven’t seen it already, it’s definitely worth checking out.

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The Aviator (2004) Review

Time: 170 Minutes
Age Rating: contains adult themes
Cast:
Leonardo DiCaprio as Howard Hughes
Cate Blanchett as Katharine Hepburn
John C. Reilly as Noah Dietrich
Kate Beckinsale as Ava Gardner
Alec Baldwin as Juan Trippe
Alan Alda as Senator Owen Brewster
Ian Holm as Professor Fitz
Danny Huston as Jack Frye
Gwen Stefani as Jean Harlow
Jude Law as Errol Flynn
Willem Dafoe as Roland Sweet
Adam Scott as Johnny Meyer
Director: Martin Scorsese

Billionaire and aviation tycoon Howard Hughes (Leonardo DiCaprio) is a successful public figure: a director of big-budget Hollywood movies such as “Hell’s Angels (1930)”, a passionate lover of Hollywood’s leading ladies Katharine Hepburn (Cate Blanchett) and Ava Gardner (Kate Beckinsale), and an aviation pioneer who helps build TWA into a major airline. But in private, Hughes remains tormented, suffering from paralyzing phobias and depression. The higher he rises, the farther he has to fall.

I remember when I saw The Aviator for the first time, I watched it because Martin Scorsese directed it and Leonardo DiCaprio was in it. I thought DiCaprio was great and the movie was pretty good, but didn’t remember much from the film, except that it was really long. I knew that I’d appreciate it a lot more when I got to around to watching it again and that’s certainly what happened. I was interested in it a lot more this time, and I think it’s a really great film.

The Aviator is very long at 2 hours and 50 minutes, yet it’s much faster paced than I remember it being. After while you began to notice some parts where it dragged but if you were invested in it as much as I was, this shouldn’t be too much of a problem. A successful biopic makes you learn about the real life subject, both what they did and what kind of person they are, while also making you interested to learn about them through further research. The Aviator succeeds at this at flying colours, showing a large portion of Howard Hughes’s life. Part of why Scorsese did so well with this biopic was that he treated it like it was a character study, like some of his past films. Over time we get to learn more about Hughes and his life, as we see him at different stages of his life, at highs and lows.

There is a large and talented cast, and they’re all great here. Leonardo DiCaprio’s performance as Howard Hughes has to be among his all time best work. DiCaprio portrays many sides of Hughes, the filmmaker, the entrepreneur, the aviator, the businessman, as well as his eccentrics and OCD. This entire movie surrounds him, and the work that he’s done here is nothing short of excellent. Cate Blanchett is another standout as real life actress Katharine Hepburn. Although I’ve never seen Hepburn in a movie, Blanchett seemed to have captured the mannerisms, voice and overall character of her perfectly. Kate Beckinsale, John C. Reilly, Alec Baldwin, Alan Alda and Ian Holm make up a strong supporting cast and give memorable performances as well. Even some brief performers like Jude Law, Willem Dafoe and Adam Scott play their parts well.

Martin Scorsese’s direction of The Aviator is excellent as expected. Robert Richardson’s cinematography is outstanding, and the editing by Thelma Schoonmaker here also ranks among one of her best works in a Scorsese movie. While indeed the scenes involving planes and all that are filmed and edited very well, it also works in other regards, such as when Howard Hughes has some breakdowns and issues with his OCD. There are some parts where the CGI really hasn’t held up all that well in the plane scenes (this movie is from 2004 after all), but thankfully these moments don’t last for too long, and don’t take away too much from the overall movie. There aren’t a ton of plane scenes, but the ones in this movie are very well filmed. The score by Howard Shore is also quite solid.

Although it’s recently being regarded as one of Martin Scorsese’s lesser films, The Aviator is great and is worth seeing at least once. On a technical level it’s fantastic, Scorsese directs it incredibly well, and its shot and edited to near perfection. On the whole, it’s also an interesting biopic about a fascinating man, that’s well paced despite its very long runtime. It’s worth seeing even just for Leonardo DiCaprio’s performance here.

Gangs of New York (2002) Review

Time: 167 Minutes
Age Rating:
Cast:
Leonardo DiCaprio as Amsterdam Vallon
Daniel Day-Lewis as William “Bill the Butcher” Cutting
Cameron Diaz as Jenny Everdeane
Jim Broadbent as William “Boss” Tweed
John C. Reilly as Happy Jack Mulraney
Henry Thomas as Johnny Sirocco
Liam Neeson as “Priest” Vallon
Brendan Gleeson as Walter “Monk” McGinn
Director: Martin Scorsese

When his father is killed in New York City, Amsterdam Vallon (Leonardo DiCaprio) returns in 1863 to hunt down his father’s killer, the ruthless Bill ‘The Butcher’ Cutting (Daniel Day-Lewis). It’s not easy for Amsterdam as gangs roam a corrupt New York City, with Bill Cutting ruling over everyone.

Gangs of New York was a movie I was curious about re-watching. I remember seeing it many years ago for the first time and liking it, but I didn’t remember a lot about the movie. Whenever I hear about this movie, people seem to either regard it as one of Martin Scorsese’s best movies, or one of his worst. In a lot of my recent reviews where I revisit Scorsese’s filmography, I often talk about how I like the movie more on a second viewing. Gangs of New York is sadly the exception. It’s not a bad movie by any means, I’d even say that it’s rather decent and has a lot going for it, but there are just so many problems that hold it back from being as good as it should’ve and could’ve been.

Gangs of New York is quite ambitious, the idea of the plot and the setting are interesting. The script is written by Jay Cocks, Kenneth Lonergan and Steven Zaillian, and while they are great writers, the writing present in the movie weren’t all that great. There’s a lot of thought put into the gangs and how things are organised in the city, if the movie was focussed a lot more on that it could’ve been even better. However the movie is bogged down with some subplots, mostly focussed on characters that aren’t made to be particularly interesting for the most part. The thing is that you really see potential at points. There are some legitimacy great scenes here, and you can really see what Gangs of New York could’ve been all the way through. The second half still has problems, but it felt a little less messy than the first half, and it focuses up a little more. I think I should probably address the elephant in the room, that being Harvey Weinstein, and all of his interference of the film. Now its not known specifically what changes he made but what we do know is that at an hour was cut out because of him. Some of the weird decisions however I can sort of see him mandating, perhaps in an attempt to be more award friendly (and perhaps that worked, with the movie receiving 10 Oscar nominations, but it still led to a worse movie). If I didn’t know an entire hour was cut out, I’d say that this movie is too long at 2 hours 40 minutes. Most of Scorsese’s longer movies are well paced but this is not one of those cases. With that said, it might’ve actually been better with a longer runtime if it meant a much more complete movie. It really feels like it’s lacking something, it’s a movie that tries so hard to tackle so many themes and to be so many things, but ultimately ends up not being much. On top of that, much of Gangs of New York feels a little too Hollywood, and is a little too grand and operatic for its own good.

If you’re going to watch Gangs of New York for one reason only, it should be for Daniel Day-Lewis as Bill “The Butcher” Cutting, who is outstanding here. This is among his best performances, and knowing Day-Lewis, that’s saying a lot. Any time he was on screen, he made the scenes instantly better. Some people have talked about how Day-Lewis’s performance made everyone else look like they are bad at acting. While I wouldn’t entirely agree, he is working on a totally different level compared to everywhere else in this movie. Gangs of New York marks the first collaboration between Leonardo DiCaprio, and as we all know it’s not their last. Though it’s nowhere near his best work, he still gives a solid performance with what is given. However he, like a lot of actors in this movie, have accents that are all over the place, in fact Daniel Day-Lewis and the actual Irish actors are the only people in the cast who don’t have accents that slip up. Still, DiCaprio plays the role reasonably well. Cameron Diaz on the other hand… she doesn’t fair so well. She didn’t fit into the movie well, and I hate to say it but she was rather miscast. In all fairness she wasn’t necessarily terrible, but she did not work in her role. It doesn’t help that the movie focusses so much on a romance between DiCaprio and Diaz, and that just didn’t work at all. Maybe it could’ve worked, but the two actors don’t share any chemistry, and you don’t even see why the two characters would be together. It’s a distraction more than anything. Some of the supporting cast are good, some roles like that played by John C. Reilly could’ve been played by anyone. Jim Broadbent, Brendan Gleeson are among the supporting actors who fare better.

Martin Scorsese’s direction is on showcase in many parts of Gangs of New York. The production design and costumes were handled really well, and the cinematography was really good. This is Scorsese’s most ambitious and large scale movie and you can feel it throughout. I talked much about Weinstein’s interference, and I’m pretty sure that extended to the direction. There are some aspects that don’t work, and I’m just going to assume that he had a part to play in these issues. The editing goes from working really well to being rather choppy, and since this is Thelma Schoonmaker working on the movie, I’m just going to assume that some mandated decisions were made. What comes to mind immediately is the opening battle scene, no idea why it was edited like that. Then there’s the forced narration from Leonardo DiCaprio, definitely one of those instances where the narration doesn’t work at all and is generally used for exposition, though there are some moments that worked fine enough. However there is one aspect that makes me convinced some decisions were mandated by Weinstein. The opening scene features a few notable characters played by the likes of Daniel Day-Lewis, John C. Reilly and Brendan Gleeson. After the time jump when it shows the return of these characters from the opening sequence, it briefly cuts a flashback to them in that opening scene to remind the audience, even though anyone paying attention to the early portion would be able to recognise them. It really felt out of place, even though its just a small part of a very long movie, it doesn’t seem like a very Scorsese thing to do, and indicates that not all the decisions were made by him.

Gangs of New York for all its potential doesn’t completely work. There’s still a few movies of Martin Scorsese that I consider worse than this one, but this is definitely his most disappointing. Even putting aside some of the studio interference that no doubt affected quite a lot of the movie, the script has a ton of problems, and the movie operates on such a grandiose level that it doesn’t work as well as it could’ve. However it’s not a movie that I’d dismiss outright. Despite some mandated choices that don’t feel like Scorsese, it’s directed well, there are some scenes that are good, it picks up in the second half, and Daniel Day-Lewis gives an extraordinary performance. So I’d still say that it’s worth watching.

Kong: Skull Island (2017) Review

Time: 118 Minutes
Age Rating: Violence and offensive language

Cast:
Tom Hiddleston as James Conrad
Samuel L. Jackson as Preston Packard
John Goodman as William “Bill” Randa
Brie Larson as Mason Weaver
Toby Kebbell as Jack Chapman
John Ortiz as Victor Nieves
Corey Hawkins as Houston Brooks
Jason Mitchell as Glenn Mills
Shea Whigham as Earl Cole
Thomas Mann as Reg Slivko
Terry Notary as King Kong (motion capture performance)
John C. Reilly as Hank Marlow
Director: Jordan Vogt-Roberts

A diverse team of scientists, soldiers and adventurers unites to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong.

Kong: Skull Island was one of my most anticipated films of 2017. This film is also set in the same universe as Godzilla (a film that I liked) as the MonsterVerse is being created. Plus the cast and the trailers looked good, so I was definitely interested in checking it out. Although there are plenty of problems with this movie, Kong Skull Island is still a fun and solid movie, mostly due to the fantastic direction.

The story isn’t particularly special, above average, it’s serviceable for a Kong movie. The dialogue at times was hit or miss, some of it worked, some of it was cheesy and occasionally bad. Most of the comedy didn’t work, it only worked when it was delivered by John C. Reilly. One thing I will say though is that this movie definitely knows what it is. It knows its an over the top action movie and it delivers in that regard. Kong doesn’t show up a huge amount (like with Godzilla in his most recent film) but it doesn’t cut away from Kong just as he is about to do something awesome. He is in the movie in small enjoyable doses and was used very effectively, he was awesome when he was on screen. As for the last act… so fantastic.

Now this film has a lot of talented actors, including Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, and Toby Kebbell. Unfortunately the film kind of wastes them and they don’t get to do as much as you think they would. However, these actors do try as best as they can, they still were good enough, they just should’ve been given more to work with. The actor who steals the show is John C. Reilly. He is entertaining, and also the only source of comedy which actually works.

What makes this film work effectively despite its flaws is the direction. This film is directed by Jordan Vogt-Roberts. This is his first ‘big’ film and I can say that he is a talented filmmaker, and I can’t wait to see more movies from him. The direction of this film is so great, on a technical level, everything is excellent. Something that was perfect was the cinematography, done by Larry Fong (Batman v Superman, Watchmen, 300). The film looks absolutely beautiful, not one shot felt out of place. The action is intense, the special effects looked great, there wasn’t a fake looking creature or effect. The film also does a good job at making it feel like its set in the 70s. The soundtrack by Henry Jackman also made things a lot more epic. The only criticism I have direction wise is some of the music choices and style felt out of place but that is it.

Kong: Skull Island definitely has some flaws with regards to its plot, characters and dialogue, but the overall direction boosts the film immensely, and almost makes me completely forget about all the problems. Overall I liked this movie about the same level as Godzilla, this film does some things better and some things worse. While the movie wasn’t as great as I hoped it would be, it was still quite a fun time. Also, make sure you stay after the credits, because there’s a post credits scene, and it’s well worth waiting to see it.

Guardians of the Galaxy (2014) Review

Time: 121 Minutes
Age Rating: Violence
Cast:
Chris Pratt as Peter Quill/Star-Lord
Zoe Saldana as Gamora
Dave Bautista as Drax the Destroyer
Vin Diesel as Groot
Bradley Cooper as Rocket
Lee Pace as Ronan the Accuser
Michael Rooker as Yondu Udonta
Karen Gillan as Nebula
Djimon Hounsou as Korath
John C. Reilly as Corpsman Rhomann Dey
Glenn Close as Nova Prime Irani Rael
Benicio del Toro as Taneleer Tivan/The Collector
Director: James Gunn

Brash space adventurer Peter Quill (Chris Pratt) finds himself the quarry of relentless bounty hunters after he steals an orb coveted by Ronan (Lee Pace), a powerful villain. To evade Ronan, Quill is forced into an uneasy truce with four disparate misfits: gun-toting Rocket Raccoon (Bradley Cooper), treelike-humanoid Groot (Vin Diesel), enigmatic Gamora (Zoe Saldana), and vengeance-driven Drax the Destroyer (Dave Bautista). But when he discovers the orb’s true power and the cosmic threat it poses, Quill must rally his ragtag group to save the universe.

Guardians of the Galaxy was another risk on Marvel’s part. Not only did it take part in a part of the Marvel universe that most people don’t know, but it also had characters that no one had heard about. Plus it initially looked plain silly, 5 people band together to form a team, one of them is a giant talking tree and another is a talking racoon. This was the movie that convinced me that Marvel can do no wrong. It is riddiculusly fun, has great characters and it’s just pure entertaining.

The plot is very standard, everyone is after an object, and the main characters are trying to keep it from the villain. The story plot isn’t really anything special, the best elements come from the execution. The only flaw in Guardians of the Galaxy aside from the villain is that I wasn’t totally invested in the story, but then again this isn’t that type of superhero movie. The characters are really likable, which really helps us get into them and the film needs that seeing as how this film doesn’t just have 1 or 2 new characters, but 5 new characters. This film knows how ridiculous the ideas are and the best part about it is that it embraces it. This is also the funniest movie in the Marvel Universe. All of the characters have their funny moments and play off each other very well.

All the actors are really good and as I said earlier, they play off each other well. Chris Pratt was fantastic as Star Lord, Zoe Saldana is great (playing another alien), Vin Diesel worked as a tree who can only say three words (I am Groot) and wrestler Dave Bautista makes his big onscreen debut as a guy who takes everything literally (you know what I mean if you’ve watched the movie). Bradley Cooper’s Rocket Racoon could make or break this movie, thankfully it’s the former and he steals every scene he’s in. Lee Pace’s Ronan isn’t very interesting as a villain, which is really the film’s greatest problem. I do think that the actor has more to work with and is decent, much better than Malekith in Thor: The Dark World. It’s really just the writing that let him down. We get a couple of scenes of Josh Brolin as Thanos and while we don’t get a lot of him in it, I’m liking what I’m seeing and I’m looking forward to see him as the main villain in the Avengers Infinity Wars movies.

The action scenes are fantastic. It was much more Star Wars/Star Trek type action than the usual Marvel superhero movie action. Everything is also on such a big scale, there are many locations that the 5 main characters travel to and all of them look great. The soundtrack was also good, it has a lot of classic music which surprisingly worked in with many of the scenes and some of them were even action scenes.

Guardians of the Galaxy is one of the best movies in the Marvel Cinematic Universe and was the movie that proved to me that Marvel can do no wrong. It had likable actors, great action, brilliant writing and it was overall fun. With a sequel coming in 2017, I am very excited to see the Guardians of the Galaxy returning to the big screen.