Tag Archives: Jennifer Jason Leigh

Possessor (2020) Review

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Possessor

Time: 104 Minutes
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1] Graphic violence, explicit sex scenes & content thay may disturb
Cast:
Andrea Riseborough as Tasya Vos
Christopher Abbott as Colin Tate
Rossif Sutherland as Michael Vos
Tuppence Middleton as Ava Parse
Sean Bean as John Parse
Jennifer Jason Leigh as Girder
Director: Brandon Cronenberg

Tasya Vos (Andrea Riseborough), an elite, corporate assassin, takes control of other people’s bodies using brain-implant technology to execute high-profile targets.

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All I knew about Possessor (also known as Possessor: Uncut) going in was that it was a horror movie directed by David Cronenberg’s son Brandon, and that it was meant to be quite good. It was quite an experience, and I was not prepared for what I was about to watch to say the least. At this point I’d say that it is one of my favourite movies of the year thus far.

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Possessor is a pretty creative movie, packed with so many ideas. What makes it particularly unsettling is that everything from the setting to the characters and the premise with corporations hiring people to possess people to assassinate targets felt dystopian. The futuristic setting is so bleak, especially when it comes to surveillance, the information age and psychic warfare, with the use of advanced technology. So that adds another level of being disturbing, and this is even before considering the brutality and shocking images you see in the movie. It really does make sense that Cronenberg’s son directed it given the body horror and sci-fi with big ideas. Cronenberg doesn’t hold your hand throughout the movie, you have to put the pieces together yourself of what’s happening. It is an hour and 40 minutes long and generally I was intrigued with what was happening. For example, even though Andrea Riseborough’s task is to kill someone essentially, she has to learn how to mimic the person she’s possessing and try to set things up in a particular way. It also shows the mental strain and effect it has on her from doing all these jobs. It is worth going into the movie not knowing too much. Possessor is very unapologetic and ambitious, and with that comes risks and sometimes some parts don’t always work out. The movie is very deliberately paced, which is good and definitely better than feeling too rushed. However, a couple scenes are a bit too slow and drawn out.

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The cast were all great in their parts. Andrea Riseborough plays the assassin who overtakes bodies to kill targets, while I haven’t seen most of her work, this has to be the best performance I’ve seen from her yet. Christopher Abbott plays the person who is taken over by Riseborough to perform her job, and he was equally great. The supporting cast with the likes of Rossif Sutherland, Tuppence Middleton, Sean Bean and Jennifer Jason Leigh all play their parts very well too.

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Brandon Cronenberg directs Possessor, and his work here is outstanding. This is his second film, and his first is Antiviral which came 8 years ago, and I really want to check that movie if Possessor is anything to go by. It is a visually and aesthetically stunning movie, with a great colour pallet. The strangely hypnotic, surreal and nightmarish transition sequences are outstanding too. The violence is unbelievably brutal, even to the point where I got squeamish at times. I watched the Uncut version of the movie, and it was absolutely brutal NC-17 level stuff. It’s an assault on the senses from the very first scene onwards and gives you a hint for the type of movie that you’re in for. There is one scene in particular which stands out as being really gruesome. The practical gore effects are outstanding. The synth score from Jim Williams is filled with dread and fits the rest of the film perfectly.

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Possessor is a thematic, disturbing and gory body horror movie that has a lot going on with it. The cast are great, it’s very intriguing, and Brandon Cronenberg’s direction is fantastic. It’s definitely not for everyone, the gore at the very least will turn some people off. Otherwise if you think you can handle it and are interested by it, I highly recommend checking it out. I’m interested in seeing what Cronenberg makes next, hopefully we won’t have to wait another 8 years to see it.

The Hateful Eight (2015) Review

Time: 168 Minutes
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1] Graphic violence, sexual violence & offensive language
Cast:
Samuel L. Jackson as Major Marquis Warren
Kurt Russell as John Ruth
Jennifer Jason Leigh as Daisy Domergue
Walton Goggins as Chris Mannix
Demián Bichir as Señor Bob
Tim Roth as Oswaldo Mobray
Michael Madsen as Joe Gage
Bruce Dern as General Sandford “Sandy” Smithers
James Parks as O.B. Jackson
Director: Quentin Tarantino

While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John “The Hangman” Ruth (Kurt Russell) and his fugitive prisoner (Jennifer Jason Leigh) encounter another bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Hoping to find shelter from a blizzard, the group travels to a stagecoach stopover located on a mountain pass. Greeted there by four strangers, the eight travelers soon learn that they may not make it to their destination after all.

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I had been meaning to rewatch The Hateful Eight for a while. I remember looking forward to The Hateful Eight ever since its announcement, mostly because of Quentin Tarantino’s involvement. We nearly didn’t get this movie when the script leaked and Tarantino initially wanted to not do it, but I’m glad he changed his mind because The Hateful Eight ended up being really great. Having rewatched it (the recently released extended version), I now consider it to be one of his all time best movies. The acting from its large and talented cast is fantastic and Tarantino’s script is great, it had me riveted from start to finish.

Quentin Tarantino is generally great when it comes to writing, and his script here is among his best work. This movie like his many of his others are dialogue driven, and unsurprisingly the dialogue is fantastic, no one writes dialogue like him. The theatrical cut is very long at 168 minutes and people need to know that going in. Also it’s not like an explosive action movie, it’s a suspenseful mystery film and moves at quite a slower pace. Once all the main characters are in the same place in the same house, it builds up the suspense as we spend time with the characters and have to try to figure out if they are trustworthy or not. It definitely improves on a repeat viewing, because you know exactly what is going on. People only really start dying around the halfway point, from then on it becomes very tense. So if you are a little bored during it, the second half should pick up for you. None of these characters are particularly good people, in fact in terms of lineups of Tarantino characters in each of his movies they are easily the most despicable group, but they are entertaining and interesting enough that you’re still willing to watch them for just under 3 hours. This movie was surprisingly darkly hilarious as well, it really had me entertained throughout. As for people who have seen the movie already and are wondering about the extended cut, Netflix broke it up into 4 50 minute segments, making the movie about 3 and a half hours long. I looked up at some parts of it, and the parts that did add in were written pretty good. Otherwise for the most part I didn’t notice too many differences, and you’re not necessarily missing out anything major. So if you’re watching the movie for the first time, it might be better to go with the theatrical cut.

This cast is large and talented with Samuel L. Jackson, Kurt Russell, Walton Goggins, Jennifer Jason Leigh, Demian Bichir, Tim Roth, Michael Madsen, Bruce Dern and James Parks and they were all fantastic, there were a few highlights though. This is one of Samuel L. Jackson’s all time best performances, he just absolutely nails this role. This was actually the first movie I have seen Walton Goggins in, and if I was forced to pick a highlight performance among plenty of other great performances in this movie, it would be his. Another showstealer was Jennifer Jason Leigh, who is amazing here as the prisoner being taken by Kurt Russell’s bounty hunter. I do feel like the writing didn’t give the character quite as much to do in the movie as she could’ve, but JJL really brought it to the performance. Channing Tatum also makes an appearance that’s a little more than a cameo, and I will say that he is great in his screentime, very different role for him.

Tarantino once again directs this film really well. One of the first things you’ll notice about this movie is Robert Richardson’s cinematography, it’s a stunning looking movie. It really felt like we were back in the 19th Century and it really places you in this snowy environment, we don’t really get that with Westerns. The Hateful Eight is a much smaller movie compared to Django Unchained, there are very little action or scenes with violence. It’s very much a suspense and mystery film, almost like a longer and Western version of Reservoir Dogs. There aren’t a whole lot of people being killed like in Kill Bill or Django Unchained but when people die, it is unsurprisingly violent in pure Tarantino style. However this time it’s much more brutal than you’d expect it to be, which fits the tone of the movie. The soundtrack from Ennio Morricone was masterful, he actually used some unused music from The Thing as part of it. It fits absolutely perfectly for this movie.

The Hateful Eight is yet another fantastic film from Quentin Tarantino that has gotten a bit of a mixed response from some people, but it really worked for me. From the fantastic writing, the great performances and direction, everything about this movie I really loced. This Hateful Eight definitely does hold up on repeat viewings, in fact it gets better upon rewatches. Both this and Inglourious Basterds are now my favourite movies from Tarantino, and I’m looking forward to seeing if Once Upon a Time in Hollywood manages to be at that level.

Annihilation (2018) Review

Time: 115 Minutes
Cast:
Natalie Portman as Lena
Jennifer Jason Leigh as Dr. Ventress
Gina Rodriguez as Anya Thorensen
Tessa Thompson as Josie Radek
Tuva Novotny as Cass Sheppard
Oscar Isaac as Kane
Director: Alex Garland

A biologist’s husband (Oscar Isaac) disappears. She puts her name forward for an expedition into an environmental disaster zone, but does not find what she’s expecting. The expedition team is made up of the biologist (Natalie Portman), a psychologist (Jennifer Jason Leigh), a physicist (Tessa Thompson), a anthropologist (Tuva Novotny), and a paramedic (Gina Rodriguez).

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Annihilation was one of my most anticipated films of 2018. Not only does it have a great cast with talented people like Natalie Portman, Jennifer Jason Leigh, and Oscar Isaac involved, but it was directed by Alex Garland, who created Ex Machina, and as it was most recently revealed, the underrated and cult classic Dredd. Unfortunately, as Annihilation only had theatrical releases in America, I had to wait a couple weeks for it to release on Netflix. However it finally released recently and I got to check it out. Without revealing too much, it really did live up to the hype.

I would recommend not knowing too much about the movie before going in honestly, which is why I won’t go into too much depth in terms of plot. Aside from seeing the trailers months before, I didn’t know too much about the movie in regards to the plot and so I was pleasantly surprised by the endless amount of weird and bizarre things that happened and the themes that it contained. This movie is 2 hours long and this length actually worked well enough, it wasn’t overlong and at the same time I was really satisfied with what I saw. It really intrigued me from start to finish, it really builds up the intrigue as the movie continued. The strange things that happen in the second act only interested me even more, adding in some scenes of genuine horror, making the whole experience even more tense than it already is. I guess there are some moments when the movie drags a little bit but these moments don’t last too long. The third act is where the movie goes into some interesting directions and becomes a little ‘weird’. It’s also the point that Annihilation may lose some people because of how bizarre, or ambiguous it becomes. I was able to grasp some sort of an idea of what the last act meant but I know that a lot of people will be utterly confused by it. I get the feeling that Annihilation will require multiple viewings to understand it and will ultimately benefit hugely from this. Even though I was partially unsure about what the ending is fully meaning, I will say that this ambiguous yet excellent aspect made Annihilation even better and I’m glad Garland wasn’t afraid of going in this direction despite the risks of being polarising. I do though somewhat understand why there is a divisive response to the movie.

The cast is all great here. Natalie Portman has a very subdued, yet emotional performance, a lot of the movie seems to be riding on her (but at the same time it doesn’t feel like she is carrying the movie), and she was great. It’s one of her best performances yet, which is saying a lot to be honest. The supporting cast is also great. The rest of the team sent into the Shimmer along with Portman includes Jennifer Jason-Leigh, Gina Rodriguez, Tessa Thompson and Tuva Novotny, they were all great as well. Jennifer Jason Leigh and Gina Rodriguez particularly get some moments to really shine. Oscar Isaac also does some good work in his scenes, especially with Natalie Portman.

Alex Garland is an great director, and his direction of this movie is really fantastic. The one thing that is undeniable is that Annihilation is visually stunning and beautiful, the cinematography is incredible and the visual design is very unique. The third act is especially visually amazing, with very trippy imagery and visuals. Despite the second trailer, Annihilation isn’t a full on action/horror sci-fi film, however I will say that Garland handled the horror aspects excellently. I’m not usually the time of person to be affected by horror in movies, but there were at least a couple of scenes here that genuinely got under my skin and were unsettling (and I’m not hinting at any of them, I’ll just wait for you to discover them for yourselves). The score by Ben Salisbury and Geoff Barrow only added to the movie, very weird and strange, giving the film and even more bizarre vibe.

I don’t know whether I would consider Annihilation to be better than Ex Machina or not, it’s too early for me to decide that. But for now, I’ll just say that on its own, Annihilation is a fantastic sci fi film and will probably end up being one of the best movies of 2018. Don’t let the fact that it’s being released on Netflix sway you, it really is worth watching. However keep in mind, the movie isn’t really for everyone, I would recommend giving it a watch though, just as long as you sort of know what you’re in for (but not too much).

Good Time (2017) Review

Time: 101 Minutes
Age Rating: 860949[1] Violence, offensive language, drug use & sex scenes
Cast
Robert Pattinson as Constantine “Connie” Nikas
Jennifer Jason Leigh as Corey
Ben Safdie as Nick Nikas
Barkhad Abdi as Dash
Buddy Duress as Ray
Director: Ben Safdie and Josh Safdie

After a botched bank robbery lands his younger brother in prison, Constantine “Connie” Nikas (Robert Pattinson) embarks on a twisted odyssey through the city’s underworld in an increasingly desperate—and dangerous—attempt to get his brother Nick (Benny Safdie) out of jail. Over the course of one adrenalized night, Connie finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, knowing their lives hang in the balance.

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I had been hearing some pretty good things about Good Time for a while, it received a 6 minute standing ovation at the 2017 Cannes Film Festival. Much of the praise was focused towards the direction and Robert Pattinson’s performance. So I was definitely excited for what I was going to watch. I’m happy to say that Good Time definitely lived up to all the hype and praise and deserves a lot more attention than it’s been getting.

Good Time is a very straightforward movie, Robert Pattinson has to save his brother in one night and from start to finish it delivers. However, the way they did it was so fantastic. First of all, it feels very realistic and gritty, from the story to the dialogue and characters. The movie despite its title isn’t really a “good time” (it is however a good time in the sense that it is a good movie), it is quite dark and there aren’t many bright spots, even the main character isn’t really likable at all and does some very questionable things. I have to give the Safdie Brothers credit for sticking with this approach because it made the movie better. This movie is 1 hour 40 minutes long and honestly that was the perfect length, the film takes place just over a night and it really benefited from that. The film keeps you riveted from start to finish and there is a constant sense of urgency and tension. I won’t say much about the plot, honestly it’s better going in not knowing a lot about the plot.

Just like Kristen Stewart, Robert Pattinson has shown how great of an actor he is post Twilight and should be taken seriously. Putting the general perception of him aside, Pattinson is fantastic here. His character doesn’t have many redeeming qualities, he is very manipulative towards pretty much everyone he encounters and goes to some low levels throughout the movie. The only thing keeping us kind of rooting for him is his connection with his brother. Robert Pattinson is absolutely transformative, not once do you think that this is the guy from Twilight, you just see the character, which is one of the highest compliments that one can give to a performance. Pattinson deserves a lot of praise for his performance here and I hope we get to see more of his talents in future films. Ben Safdie (who’s also one of the directors of the film) plays Pattinson’s mentally challenged brother and although he doesn’t have a massive amount of screentime he was great. Other supporting actor performances from actors like Jennifer Jason Leigh and Barkhad Abdi are good for the short screentime that they have and they all contribute and add to the movie. However aside from all that, it is really Robert Pattinson who gets to shine the most.

This is the fourth film that The Safdie Brothers directed together and the first film I’ve seen of theirs and I can say that they are definitely very talented after seeing Good Time. The night-time scenes in particular are so well filmed, a stand out aspect being the use of colour, they were so well utilised. There is particularly also a sequence which takes place in an amusement park which was directed very well. The film has a constant sense of urgency and the way it was directed and edited really added to that. Throughout the movie there is a lot of close up shots of people’s faces (maybe a little too much) which I guess is done to make things feel claustrophobic, it may be annoying for some people but I was fine with it. The music was also excellent, the use of synth really did add to the film and is used so well, often adding to the sense of urgency.

Good Time was one of the most pleasant surprises of 2017. It has a very gritty, realistic and dark story, great direction from the Safdie Brothers and featured an excellent lead performance by Robert Pattinson, which is one of the best performances of the year (and unfortunately didn’t get enough praise). I can’t wait to see more films from the Safdie Brothers, they’ve definitely shown that their talents with this movie. I also feel like it could possibly benefit from rewatches and I can’t wait to revisit it. Good Time is definitely worth a watch and more praise, at least more praise than its been getting.

Morgan (2016) Review

Time: 92 Minutes
Age Rating: 860949[1] Violence and offensive language
Cast:
Kate Mara as Lee Weathers
Anya Taylor-Joy as Morgan
Toby Jones as Dr. Simon Ziegler
Rose Leslie as Dr. Amy Menser
Boyd Holbrook as Skip Vronsky
Michelle Yeoh as Dr. Lui Cheng
Jennifer Jason Leigh as Dr. Kathy Grieff
Paul Giamatti as Dr. Alan Shapiro
Director: Luke Scott

Morgan (Anya Taylor-Joy) is a bioengineered child who began walking and talking after one month of existence, exceeding the wildest expectations of her creators. When Morgan attacks one of her handlers, a corporate troubleshooter (Kate Mara) visits the remote, top-secret facility where she’s kept to assess the risks of keeping her alive. When the girl breaks free and starts running amok, the staff members find themselves in a dangerous lockdown with an unpredictable and violent synthetic human.

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Morgan was a movie that I was curious about, mostly with the cast involved with Kate Mara, Rose Leslie, Toby Jones and many others, it looked like it had a lot of potential. However, as well know, potential doesn’t always guarantee greatness and that was certainly the case here. Morgan really wasn’t all that great, but I don’t think its as bad as some people have made it out to be. It is rather underwhelming however.

This movie didn’t really capture my interest, it moves at a slow pace. It’s also predictable for at least the very least the first two acts, anything you’d expect to happen does happen. We’ve seen so many movies about humanity creating life and that life becoming dangerous, and Morgan doesn’t really bring anything new to the table. This movie had so much opportunities to do something different. It would’ve been nice to see something unique, at least the very least for the third act. Changing up the direction of the climax or going in depth with the questions that the film raises would’ve been better. However the third act here is a typical sci-fi thriller ‘outbreak’ sequence that we’ve seen so many times before. I also found it difficult to care about what was going on, its hard to really care about any of the characters because they weren’t really that fully fleshed out or developed. There is a twist that happens, even though I wasn’t really expecting it, the overall effect was deflated because I wasn’t invested in the characters or story at all.

As I said, the cast involved is great, but most of the actors really don’t get used to their fullest potential. Kate Mara is the lead character and she does a commendable job here, the problem is that her character is just so uninteresting and poorly characterised. Her character really needed to be something more interesting and layered, its unfortunate that the lead character seems to have the least characterisation out of all the main characters. Most of the cast with Toby Jones, Boyd Holbrook and others are good but aren’t utilized to their fullest potential. Paul Giamatti’s inclusion in the film was pretty much pointless, he was fine in his scenes but he was used so little it’s a wonder why they even bothered. There was really two actresses who stood out to me, one was Rose Leslie, who managed to add something to her performance that most of the cast wasn’t able to. And the other was Anya Taylor-Joy as the titular character of Morgan. She manages to convey both a childlike innocence as well as dangerous instability. Those two had a believable relationship because of Taylor-Joy’s and Leslie’s chemistry.

I liked most of the direction from Luke Scott. This film generally has a good look, it is very well shot and it really makes you feel enclosed in this environment and facility. With that said, there are a couple of fight scenes and they are cut and edited so poorly, I mean this is borderline Taken 3 editing.

Morgan is a disappointment considering all the things it had going for it. The movie doesn’t really do anything that you haven’t seen before with this type of plot, its hard to care about anything that’s going on and it really doesn’t live up to any of its potential. The performances (especially from Anya Taylor-Joy and Rose Leslie) and some of the direction is good enough for me to consider this to be a somewhat okay movie. But this movie could’ve and should’ve been so much better than it actually turned out to be.

2016 Oscar Predictions

When you look at it in the grand scheme of things, movie awards really don’t matter. There are plenty of movies that should win but don’t, some of them don’t even get nominated, and there are some movies that don’t really deserve to win, but win anyway. So no matter what happens during the awards ceremony, it doesn’t really matter. But still, it’s fun to predict what movies will win and at the same time state what you think should win. Since everyone else is doing it, I decided to give my predictions for the 2016 Academy Awards. I have watched most of the films in the major categories but occasionally there’s a movie like The Hateful Eight which I can’t or just haven’t seen, so just keep that in mind.

* – Haven’t seen yet

BEST PICTURE

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The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room*
Spotlight

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Carol

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Best Director

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Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room*
Tom McCarthy – Spotlight

Will Win – Alejandro G. Iñárritu – The Revenant
Should Win – George Miller – Mad Max: Fury Road
Should’ve Been Nominated – Todd Haynes – Carol

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BEST ACTOR IN A LEADING ROLE

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Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Will Win – Leonardo DiCaprio, The Revenant
Should Win – Leonardo DiCaprio, The Revenant

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BEST ACTRESS IN A LEADING ROLE

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Cate Blanchett, Carol
Brie Larson, Room*
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years*
Saoirse Ronan, Brooklyn

Will Win – Brie Larson, Room
Should Win – Cate Blanchett, Carol
Should’ve Been Nominated – Rooney Mara, Carol (instead of being nominated for supporting)

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BEST ACTOR IN A SUPPORTING ROLE

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Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Will Win – Sylvester Stallone, Creed
Should Win – Sylvester Stallone, Creed
Should’ve Been Nominated – Benicio Del Toro, Sicario

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ACTRESS IN A SUPPORTING ROLE

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Jennifer Jason Leigh, The Hateful Eight*
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Will Win – Alicia Vikander, The Danish Girl
Should Win – Rooney Mara, Carol

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BEST ADAPTED SCREENPLAY

Left to right: Steve Carell plays Mark Baum and Ryan Gosling plays Jared Vennett in The Big Short from Paramount Pictures and Regency Enterprises

The Big Short
Brooklyn
Carol
The Martian
Room*

Will Win – The Big Short
Should Win – The Big Short
Should’ve Been Nominated – Steve Jobs

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BEST ORIGINAL SCREENPLAY

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Bridge of Spies
Ex Machina*
Inside Out
Spotlight
Straight Outta Compton*

Will Win – Spotlight
Should Win – Spotlight
Should’ve Been Nominated – The Hateful Eight*

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ANIMATED FEATURE FILM

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Anomalisa*
Boy and the World*
Inside Out
Shaun the Sheep Movie*
When Marnie Was There*

Will Win – Inside Out
Should Win – Inside Out

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BEST ORIGINAL SCORE

Bridge of Spies – Thomas Newman
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Sicario – Johann Johannsson
Star Wars: The Force Awakens – John Williams

Will Win – The Hateful Eight
Should Win – The Hateful Eight
Should’ve Been Nominated – Mad Max: Fury Road – Junkie XL

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BEST SOUND EDITING

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST SOUND MIXING

Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST PRODUCTION DESIGN

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Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST CINEMATOGRAPHY

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Carol
The Hateful Eight*
Mad Max: Fury Road
The Revenant
Sicario

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST MAKEUP AND HAIRSTYLING

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Mad Max: Fury Road
The 100-Year-Old Man Who Climbed Out the Window and Disappeared*
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST COSTUME DESIGN

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Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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BEST FILM EDITING

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The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

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BEST VISUAL EFFECTS

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Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

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So what are your thoughts, what do you think will win, what do you think should win and what do you think should’ve been nominated? Comment below and let me know your predictions for 2016.