Don’t Look Up (2021) Review

Time: 138 Minutes
Age Rating: Sex scenes, offensive language, nudity & drug use
Cast:
Leonardo DiCaprio as Dr. Randall Mindy
Jennifer Lawrence as Kate Dibiasky
Rob Morgan as Dr. Teddy Oglethorpe
Cate Blanchett as Brie Evantee
Meryl Streep as Janie Orlean
Jonah Hill as Jason Orlean
Mark Rylance as Peter Isherwell
Tyler Perry as Jack Bremmer
Ron Perlman as Colonel Benedict Drask
Ariana Grande as Riley Bina
Scott Mescudi as DJ Chello
Himesh Patel as Phillip Kaj
Melanie Lynskey as June Mindy
Director: Adam McKay

Two low-level astronomers must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth.

I remember Don’t Look Up at one point being one of my most anticipated films of 2021. It has a massive cast including Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Meryl Streep, Timothee Chalamet and more. I also liked Adam McKay’s more recent dramatic work with The Big Short and Vice, and I was interested in him doing a full on satire with his latest film. However as it approached its release date, I had my doubts. The trailers weren’t the best and the reactions coming out of it weren’t exactly confidence inspiring. Still I gave it a chance and overall I’m prepared to say that I like it, though I completely understand why some people dislike it.

I do like the premise of the movie, with the lead characters trying to warn the world about a coming disaster while the world doesn’t listen, definitely works for a satire. It is a comedy, and while I wouldn’t say it failed, most of the humour didn’t work. There are funny jokes throughout but not as many as you’d hope for. I was generally entertained throughout, even if it was never that great in the first two acts, just a mildly funny comedy with very mixed satire (more on that later). The movie is around 2 hours and 20 minutes long, and it really didn’t need to be that long. I wouldn’t say that I was bored during the movie, but it all felt very drawn out and not a lot happens or is said to really justify that length, and the comedy and satire isn’t good enough to fully sustain things all the way through. I feel like on rewatch I’d find it harder to get through. Strangely enough, it gets into much more dramatic territory in the third act, and its surprisingly quite effective, and its far better than what came earlier. Looking back at the rest of the movie, it actually works much better as a terrifying and depressing end of the world downer (with darkly comedic elements) than a smart political and social satire. Another issue is that the tone is all over the place. McKay’s last two movies jumped between drama and comedy as well, but it feels messier in Don’t Look Up. Until the third act, it just can’t seem to decide whether it’s trying to be an apocalyptic drama and a mostly straight-faced satire, or a full on spoof. I think it needed to either be more straight faced about it or lean much further into absurdity.

While I enjoy the movie, the actual satire is one of the weaker elements unfortunately. One of the biggest criticisms I’ve seen of Don’t Look Up is that its very obvious and not subtle at all, much like McKay’s last two movies. And I’ll always stay true to my belief that its not inherently bad if a film is more obvious than subtle. Sometimes it is refreshing for a movie to be more direct about things. The problem is that a lot of the satire just feels a bit too obvious, in the sense that its too easy. For example, many of the characters are caricatures meant to represent types or groups of people, but they feel very overdone and a little lazy, the upbeat news anchors, the president and politicians who doesn’t know what they’re doing, dumb celebrities, etc., and McKay doesn’t do anything with them beyond the obvious. There’s nothing particularly daring or insightful said in this film, and the caricatures and not-subtle messaging makes the film hard to be engaging. I will say that some of the ways that people respond in the movie is like how people would respond in real life. However for every one of those moments, there’s moments where the satirising of aspects of today’s society isn’t quite right. An example is when Jennifer Lawrence’s character becomes a meme of sorts, but the memes that are very displayed are outdated top-text and bottom-text meme formats from the 2000s. It doesn’t break the movie or anything but moments like these go towards the film not fully succeeding at being a satire of today. While I wouldn’t say that the movie talks down to people and is condescending (although I can see why people would see it that way), there is a general sense of self-importance, and the feeling that they are more insightful and smarter than they really are. Part of that is the fact that the comet in the film is intended as a metaphor for climate change, and the movie is apparently meant to urge people to take it seriously. If we look at the movie from this perspective, Don’t Look Up really only spreads awareness that climate change exists and does and says nothing beyond that, at most its only preaching to the choir. Also when you really think about it, the comet doesn’t really make for a particularly good metaphor for climate change, especially in the context of the film (without spoiling anything). I wouldn’t normally look this deep into a movie like this, but McKay and his co-writer really seem to believe that they are saying something important about climate change, so I thought it was worth mentioning.

One of Don’t Look Up’s biggest selling points is its absurdly large cast, which is no doubt why so many people wanted to check it out in the first place. While I wouldn’t say that any of these actors are even close to giving career best performances in this movie, most of them are pretty good in their parts. Leonardo DiCaprio and Jennifer Lawrence play astronomers who discover the comet heading for Earth and try to warn people about it. This is the third of DiCaprio’s more comedic performances after The Wolf of Wall Street and Once Upon a Time in Hollywood, he has shown himself to be surprisingly great at comedy. He’s also really good here at portraying his stressed and panic stricken character, and he especially has a great and notable rage sequence in the second half of the movie. Lawrence is also great and entertaining, she’s especially good in the scenes of comedy. DiCaprio, Lawrence and Rob Morgan (who is also great) are the best performances in the movie because they were the only performances and characters that actually felt somewhat grounded and felt like actual characters, in contrast to every other actor. When Meryl Streep showed up as the president, at first I thought she was phoning her performance, but I actually think she’s pretty good. I soon came to realise that most major actors in the cast play an over the top and obvious caricature, and so they all feel underutilised to a degree. With that said I think most of them actually work in their parts. The highlights for me were Jonah Hill, Timothee Chalamet, and Cate Blanchett, Ron Perlman is also a scene stealer in his 5 minutes. So while it is disappointing that this stacked cast weren’t really utilised to their fullest potential, at least most of them gave decent performances. Notice that I said ‘most’ instead of ‘all’, the sole exception is Mark Rylance, I have no idea what he was doing in this movie. Rylance plays a tech billionaire, and I definitely get the point of his character. He’s a riff on Elon Musk, Mark Zuckerberg, Jeff Bezos and every other rich tech CEO right now, and it makes sense for that kind of character to be in this movie. However, his performance is so weird and strange from his line deliveries and the way he decides to play the role, and not in a good way. I think the best way I can describe it as he’s trying to play Joe Biden playing Elon Musk. I know that everyone is an over-the-top caricature in this movie, but Rylance is on a completely different wavelength from the others that he feels completely out of place.

Adam McKay’s directing style in this movie won’t work for everyone. Most notable is the editing, which is very fast, messy, and often cuts to a lot of brief clips and images, similar to what McKay did with The Big Short and Vice. If you hated the editing in Vice, you’ll probably hate the editing in Don’t Look Up too. I will admit that I liked the editing in McKay’s unofficial political trilogy, but while I mostly liked the editing in Don’t Look Up, some of it got on my nerves a little bit at points. However, I will say that it actually does work very well in some moments in the third act and worked to give some parts some emotional punch to them. Editing aside, a lot of the other technical elements are strong. Linus Sandgren’s cinematography is great, for the most part its not really a movie that needs to be particularly well shot, but he does make the most of it when he can. Nicholas Britell is reliably great as the composer, and his score is one of the strongest parts of the film. Its definitely not on the level as his some of his other work like Succession or Vice, but its still great. The budget is absolutely insane at $75 million, and watching the movie, most of the film really didn’t need to have that large of a budget. With that said, the scenes involving large visual effects from comets to rockets were quite good.

Don’t Look Up is already proving to be incredibly divisive amongst people. If you really aren’t a fan of McKay’s style from his past two movies, I think that you’ll find his latest film to be a struggle. I can completely understand why some people are really disliking the movie. I don’t think it really succeeds, particularly as a satire, and even from a comedy standpoint it could’ve been better. Still, it has its moments (both comedic and dramatic), some of the technical elements are strong, and most of the performances from the cast are decent. I recommend checking it out at the very least.

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The Aeronauts (2019) Review

Time: 100 Minutes
Age Rating:
Cast:
Felicity Jones as Amelia
Eddie Redmayne as James Glaisher
Phoebe Fox as Antonia
Himesh Patel as John Trew
Vincent Perez as Pierre Rennes
Director: Tom Harper

In 1862 headstrong scientist James Glaisher (Eddie Redmayne) and wealthy young widow Amelia Wren (Felicity Jones) mount a balloon expedition to fly higher than anyone in history. As their perilous ascent reduces their chances of survival, the unlikely duo soon discover things about themselves — and each other — that help both of them find their place in the world.

I heard about The Aeronauts for a little while, before going into it I knew it was Eddie Redmayne and Felicity Jones returning as an on screen duo 5 years after The Theory of Everything, and that it had something to do with floating in a balloon. There’s a lot here to like, but it’s held back by certain elements, and it could’ve been a lot better.

Easily the weakest part of the movie is the script. It starts off very rough as it rushes towards the scene main characters leaving on the balloon, with no context or setup whatsoever as to what’s happening. Now the context is then provided through flashbacks, however that’s one of the biggest problems of the movie (if not the biggest), it’s so reliant on flashbacks. When we are on the balloon, The Aeronauts excels, but it comes to a halt every time it does a flashback for both of them back on land, and there’s a lot of them. There doesn’t even seem to be much point in having a narrative structure this way, the flashbacks don’t add anything to the movie. There’s even some scenes showing Felicity’s character being conflicted about whether she’ll even go on the trip, but there’s not even much point given we already know what she decides, not to mention she’s not even a real person, so you can’t put these scenes’ inclusions up to historical accuracy. That’s the other thing too, despite this being advertised as based on true events, don’t look too much into it for historical accuracy. While some parts are accurate like the fact that Eddie Redmayne’s character of James Glaisher did go up in a balloon with someone, that someone wasn’t Felicity Jones’s character of Amelia Wren, in fact she never existed in real life. Come to think of it, embracing it as an inspired but deviating take on the real life story would’ve helped the movie immensely. The movie is an hour and 40 minutes long, which is a good enough length for this story, although the flashbacks did seem to make it feel longer. Outside of the flashbacks, the script and characters did feel fairly weak on their own, merely passable enough.

The duo performances of Eddie Redmayne and Felicity Jones are good and work rather well for the movie. Felicity Jones is really the star of the show, one of the highlights of the whole movie. I like Eddie Redmayne, and I liked him here, but if you’re not a fan of his acting, you’re still not going to like him here because he does the similar acting style.

The Aeronauts directed quite well by Tom Harper. I also saw Wild Rose, and while his work on that was decent, he gets to show off a lot more here. The period of 1860s England is really captured well here, the production design, costumes, etc, all of it really fitted the story and setting. The visuals are great too, and of course it’s mainly to do with the scenes up in the balloon. There are some tense and thrilling scenes during those segments too, and they were filmed very effectively. I can only imagine they were something to really watch on the big screen. The score by Steven Price is also quite good and fits with the movie quite well.

The Aeronauts had potential and indeed they deliver on some of that, however the script unfortunately drags down the movie considerably, especially with the use of flashbacks that only hinder the film. With that said it has some good elements to it that might make it worth checking out, from the duo of Felicity Jones and Eddie Redmayne, to the visuals and the direction. The movie is only 100 minutes long, so if you’ve got that much time to spare, The Aeronauts is a decent enough watch.

Yesterday (2019) Review

Time: 116 Minutes
Age Rating: Offensive language
Cast:
Himesh Patel as Jack Malik
Lily James as Ellie Appleton
Kate McKinnon as Debra Hammer
Ed Sheeran as himself
Director: Danny Boyle

Jack Malik (Himesh Patel) is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (Lily James). After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed. Performing songs by the greatest band in history to a world that has never heard them, Jack becomes on overnight sensation with a little help from his agent.

I heard about this movie for a little while, what I knew was that it involved The Beatles and had Lily James. It feels like a strange movie for Boyle to make, yet from the trailers seemed like a simple but fun movie to watch. Having seen it, it’s definitely not one of his better movies, and it doesn’t even have the same energy displayed in the trailer. Yet it is enjoyable for what it is, I had a good time watching it.

Yesterday isn’t really great and has some issues. There isn’t a lot of depth given to the story, though I wasn’t expecting much really. As it turns out, The Beatles aren’t the only thing that disappeared from history. With that said, there is no explanation as to why they disappeared from existence, nor is there any explanation for why the main character is like the only person to remember them. The movie also doesn’t really take advantage of the premise, it’s like you could swap The Beatles with any iconic music group like Queen or The Rolling Stones, and would basically get the same effect, outside of some different references. It’s very clear that the romance is the focus, and in that most of the movie works fine enough, it’s just that it feels very familiar and simple. The movie certainly works a lot better when viewed as a romantic comedy, so definitely go into it expecting that. It’s got a light tone and is perfectly watchable, though at a little under 2 hours feels slightly long.

Most of the cast play their roles very well. Himesh Patel is the lead in this movie, I’ve never seen him in anything else and this appears to be a breakout role for him, he plays the role really well. Lily James shines as always, the two of them share good chemistry, though we don’t really see enough of them together. Ed Sheeran is in the movie as himself for more than just a cameo, he’s actually a noticeable part of the plot. Let’s just say that if you don’t like him then I don’t think you’ll like the amount of screentime that he gets. Kate McKinnon’s character is a very cartoonish agent who’s only interested in money and all that, but McKinnon elevates the role quite a bit and manages to make her work and genuinely entertaining whenever she’s on screen.

Danny Boyle is directing, and you really get the feeling that he’s really limited by the whole romantic comedy genre. It’s about as well directed as it could possibly be and he does his best to add some of his style to the movie. We only get like brief scenes focussing on the music but when it’s there it’s good as expected, it’s The Beatles after all.

This isn’t among Danny Boyle’s best movies, it really doesn’t take advantage of its entertaining premise as much as it could’ve and doesn’t do quite enough to make it stand out among the rest of the genre. However, if you like a light hearted romantic comedy, Yesterday is worth giving a watch. Boyle does the best with what he has, and both Patel and James are likable leads. Just don’t expect much more than that.