Memory (2022) Review

Time: 104 Minutes
Cast:
Liam Neeson as Alex Lewis
Guy Pearce as Vincent Serra
Monica Bellucci as Davana Sealman
Harold Torres as Hugo Marquez
Taj Atwal as Linda Amistead
Ray Fearon as Gerald Nussbaum
Director: Martin Campbell

When Alex, an expert assassin, refuses to complete a job for a dangerous criminal organization, he becomes a target. FBI agents and Mexican intelligence are brought in to investigate the trail of bodies, leading them closer to Alex. With the crime syndicate and FBI in hot pursuit, Alex has the skills to stay ahead, except for one thing: he is struggling with severe memory loss, affecting his every move. Alex must question his every action and whom he can ultimately trust.

While I generally like Liam Neeson’s action movies, they are very samey and repetitive and there’s only a few I’d call really good. I heard some mixed things about his latest film Memory, but I was willing to check it out, especially with Martin Campbell directing it. Having seen it, I wouldn’t call it good but overall, I liked it.

Memory is a very generic revenge crime thriller. Essentially its two separate movies in one, following Liam Neeson’s hitman getting revenge, and Guy Pearce and his FBI team investigating a child trafficking ring and tracking down Neeson. The story is average and isn’t that interesting, but it is watchable and it is easy to understand what’s going on. The mystery wasn’t that intriguing, it pretty much tells you (almost spoonfeeds you) exactly what’s going on. It doesn’t help that it is predictable, and you can tell what’s going to happen. There are some interesting aspects which had potential. The title of the film is Memory because Liam Neeson’s character is suffering from memory loss. It does dedicate some scenes to that, and they could’ve done something with it. However, it almost just feels placed in there so he can struggle in convenient moments.

Liam Neeson has done many of these types of movies before, but he’s generally good in all of them and at least seems committed to the roles, Memory is no exception. This is darker than some of his other characters, leaning into being more an antihero. He does well at appearing convincingly intimidating but still manages to convey vulnerability in some scenes. Guy Pearce is also in a major role and is really good, giving some sincerity to his FBI agent character. Both Neeson and Pearce are probably the reason that I enjoyed the movie despite its major faults. The rest of the cast including Taj Atwal and Ray Stevenson plays their parts well too. The only exception is Monica Bellucci as the closest thing to a main villain in the movie. She’s given so little screentime, doesn’t do much, isn’t interesting, and even the performance is very bored and phoned in.

Martin Campbell directs this, and unfortunately this is not one of his greater action films like Casino Royale or The Mask of Zorro. Nonetheless it is still competently made. The visuals aren’t that interesting, but are serviceable nonetheless. The action isn’t as frequent as you would like it to be, when it’s on screen it is pretty good, if standard and mostly consisting of typical fighting and gun battles.

Memory was a better movie than I was expecting given its reception, but it’s not like I don’t understand it. It’s another disappointing movie from Martin Campbell, who has delivered some great action movies in the past, but whose recent work has been fairly underwhelming. Even when you compare it to his weaker movies, this is probably one of his worst yet. Ironically, Memory is a very forgettable movie that’s mostly let down by its script. That being said, the direction is competent, the action is enjoyable, and the performances are mostly solid, particularly with Liam Neeson and Guy Pearce’s committed work. If you generally like Neeson’s other action movies, you’ll probably find stuff to enjoy here.

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Without Remorse (2021) Review

Time: 109 Minutes
Cast:
Michael B. Jordan as John Kelly
Jamie Bell as Robert Ritter
Jodie Turner-Smith as Lieutenant Commander Karen Greer
Luke Mitchell as Rowdy King
Jack Kesy as Thunder
Brett Gelman as Victor Rykov
Lauren London as Pam Kelly
Colman Domingo as Pastor West
Guy Pearce as Secretary of Defense Thomas Clay
Director: Stefano Sollima

Seeking justice for the murder of his pregnant wife, an elite Navy SEAL (Michael B. Jordan) uncovers a covert plot that threatens to engulf the United States and Russia in an all-out war.

I heard about Without Remorse somewhat recently, the main thing I knew was that it was based off a Tom Clancy book. I wasn’t expecting a huge amount from it, especially with the reactions to it. With that said, I like Michael B. Jordan (who’s in the lead role), and the director and writer of Sicario: Day of the Soldado, Stefano Sollima and Taylor Sheridan, were involved. I expected an okay action flick and that’s pretty much what I got.

The writing is the key issues with the movie really, despite Taylor Sheridan being one of the writers, it’s pretty underwhelming. If you’ve seen a movie based off the works of Tom Clancy, Without Remorse should feel very familiar. I never read the book so I can’t comment on the similarities or differences between the book and the movie. However I can say that the movie felt like straightforward 80s and 90s CIA espionage thrillers (especially those based off Tom Clancy’s books). The plot all in all is pretty generic, the story is fine but underdeveloped. The script itself has a lot of cliches, illogical situations and forced one liners that don’t really fit in here. There aren’t any interesting backstories, and the motives of the characters aren’t that compelling. It’s like a 90s action thriller with the notable fact that the mood throughout much of the plot of Without Remorse is sombre, so it’s not quite as entertaining as it could’ve been. Without Remorse is a revenge story for the main character, beyond that though, there isn’t much to the story as a whole. It has its twists, but nothing was compelling or surprising. The reveals are predictable especially one obvious reveal in the third act. It really is just a simple, predictable espionage thriller, but that might be enough for you. It is tightly paced enough, and while the runtime doesn’t give enough development to the plot (though even with its hour and 50 minutes it could’ve done more), it does make it a fairly easy if forgettable watch. Something to note is that in the mid credits there’s a scene which sets up a follow up for a sequel, with it continuing to follow the books of Tom Clancy presumably.

There’s a pretty good cast involved overall. Michael B. Jordan is in the lead role and while I wouldn’t argue that it’s one of his best performances, he’s good as a soldier seeking revenge. He elevates much of the writing with his performance and is particularly great with the physicality in the action scenes. Without him I feel like the movie would’ve been much worse. A supporting cast which includes Jodie Turner Smith, Jamie Bell and Guy Pearce also work pretty well overall.

Stefano Sollima is the director, and I was impressed with his work on Sicario 2. Here his work on Without Remorse is relatively decent and does the job. On a technical level it is solid, but it really shined most in the action sequences. There are some good action set pieces that are well shot and paced, and the chorography felt brutal. I wouldn’t say that they really make the movie, as entertaining as they are, they could’ve been a little more creative. But for what its worth, the action is among the better parts of the film.

Without Remorse was pretty much what I expected it to be. It’s a pretty simple espionage action movie with a generic and familiar plot. However, what does make up for it are a pretty good cast including a strong lead performance in Michael B. Jordan, and some entertaining action scenes. It really does seem like they are working towards a sequel, and if it happens, I just hope that it is better than this movie was.

The King’s Speech (2010) Review

Time: 119 Minutes
Age Rating: contains offensive language
Cast:
Colin Firth as King George VI
Geoffrey Rush as Lionel Logue
Helena Bonham Carter as Queen Elizabeth
Guy Pearce as King Edward VIII
Timothy Spall as Winston Churchill
Derek Jacobi as Cosmo Gordon Lang
Jennifer Ehle as Myrtle Logue
Michael Gambon as King George V
Director: Tom Hooper

King George VI (Colin Firth) tries to overcome his stammering problem with the help of speech therapist Lionel Logue (Geoffrey Rush) and makes himself worthy enough to lead his country through World War II.

Despite being an Oscar winning film, The King’s Speech has been given quite the bad rap, ironically it’s because of that. It earned many of the Oscars, including Best Picture, over so many other movies like The Social Network, Inception and Black Swan. Many weren’t happy that this was the movie that won over those films. While I understand many of these reactions, The King’s Speech on its own is pretty good.

To keep it simple and straightforward, I’ll treat this movie outside of the fact that it won Best Picture, or mention The Social Network, Inception or Black Swan for the duration of this review, which is something that reviews of this movie nowadays can’t stop doing. The King’s Speech is a historical biopic, and the summary of the movie looked pretty boring at first, but thankfully it has a pretty good script. Now part the story is more than likely fictionalised and isn’t completely true, but that’s pretty typical of movies like this, and I don’t think that the inaccuracies would be particularly egregious. This movie is more focussed on George’s speech impediment and him trying to work through it with his speech therapist, rather than the royal family and his role in it, and that is actually to its own benefit. It does have its particularly ‘Oscar moments’, mainly towards the last act, but didn’t take away too much from the rest of the movie. The story plays out pretty much exactly how you’d expect it to, but it had enough going on and enough energy to keep me reasonably interested for the duration of the runtime.

The acting in this movie is amongst the best part of the movie, if not the main reason to see it. Colin Firth is really great as King George VI, and it’s not just a baity or showy performance like it could’ve been. Firth’s stutter could’ve easily been a gimmick or have been a caricature of people with stammers, but he and the film pulls it off perfectly, and he makes it feel genuine. As good as the rest of the cast and movie is, it wouldn’t work nearly as well without Colin Firth’s outstanding performance at the centre of it. Geoffrey Rush is also good as the speech therapist that George sees to help with his stutter. Firth and Rush are great together on screen, and their interactions are ultimately the driving force of the movie. Other supporting actors like Helena Bonham Carter and Guy Pearce also play their roles as well.

Tom Hooper directed this reasonably well, and on a technical level is pretty solid. It’s well shot, the score by Alexandre Desplat is pretty good, and the production and costume designs reflect the time period and location appropriately. However it’s very clear that this wasn’t going to be the highlight of the movie, and so I didn’t pay it that much attention.

I wouldn’t say that The King’s Speech is great, but it is a pretty good movie for what it is. It is definitely better than how it sounds at first, but not enough to make it that memorable. However it’s a solid enough movie, with some great acting, particularly a career best performance from Colin Firth. I do think that it is worth watching, just make sure to not going into it seeing it as a Best Picture winner or anything like that.

Bloodshot (2020) Review

Time: 109 Minutes
Age Rating: Violence & offensive language
Cast:
Vin Diesel as Ray Garrison/Bloodshot
Sam Heughan as Jimmy Dalton
Eiza González as KT
Toby Kebbell as Martin Axe
Guy Pearce as Dr. Emil Harting
Director: Dave Wilson

After he and his wife are murdered, marine Ray Garrison (Vin Diesel) is resurrected by a team of scientists. Enhanced with nanotechnology, he becomes a superhuman, biotech killing machine – Bloodshot. As Ray first trains with fellow super-soldiers, he cannot recall anything from his former life. But when his memories flood back and he remembers the man that killed both him and his wife, he breaks out of the facility to get revenge, only to discover that there’s more to the conspiracy than he thought.

I heard about Bloodshot a while ago, I knew it as being based of a comic book from Valiant Comics and it was starring Vin Diesel in the lead role. I didn’t really know what to expect really, I didn’t know of the comics, and while I enjoy a lot of Vin Diesel movies, they are often just above average action flicks and not much more than that. The trailer certainly made it look like another Vin Diesel action movie, but I went in cautiously optimistic and hoping for something fun. Unfortunately, the experience was rather mixed, fun in points but otherwise rather average.

For the record, the trailer does reveal a big aspect of the plot, and to put it bluntly you can figure out the rest of the plot from that. So if you haven’t watched the trailer and are intending to watch Bloodshot, don’t watch it before going in. Not that I wouldn’t have figured out something like that during the early parts, but knowing it going in made many of the early scenes kind of a chore to sit through. Fortunately it does pick up after the first act, but even then the plot remains pretty standard. It’s a revenge thriller mixed with a conspiracy sci-fi movie, and almost everything in this movie is quite predictable. Not to mention the characters have multiple exposition scenes where they spell out the plot clearly for the audience, even though it’s obvious what’s going on. If they removed the scenes it wouldn’t have affected the movie too much. A lot of the tension and suspense is ruined by the fact that Vin Diesel’s character is essentially unstoppable and regenerates any damages he receives. I know near immortal characters as protagonists like him are hard to balance in blockbusters, but Bloodshot didn’t seem to figure out how to handle him. The writing is pretty poor, and really limits the movie to generic action territory. The biggest disappointment was that Bloodshot was either too campy or not campy enough. This plot has been recycled from numerous other blockbusters, but there were some opportunities to take it further and explore certain areas, but it’s trapped as a generic sci-fi action flick. On the other hand, while it has its over the top and cheesy moments, it still has a semi-serious feel, so it doesn’t even reach that level of entertainment on a guilty pleasure sense.

Vin Diesel acts like Vin Diesel in the lead role, just like you’d expect him too. He’s serviceable but doesn’t take the material to the next level that this movie really needed, and honestly most actors probably would’ve been better had they been cast instead of him. He does try to display emotions in the scenes that he needs to, but to put it generously, he’s not good. In fact most of his attempts were more hilarious than anything. Most of the rest of the cast does fine, including Eiza Gonzalez, Sam Heughan and Guy Pearce. However most of the side characters are written pretty unevenly, with motivations all over the place. Some side characters were particularly written and performed way too over the top. Toby Kebbell despite being a talented actor, once again doesn’t get much to do in another average blockbuster (outside of maybe his first scene).

This is the first film from Dave Wilson, and it’s not directed the best. Sure it’s made competently enough, but it lacks any sort of style. The action is a mixed bag, on the one hand it is over the top, but it only really provided mild entertainment at best. With the slow motion and panning shots, it felt like they were wanting action on the level done by the likes of Michael Bay or Zack Snyder, but unfortunately it was nowhere near that level, and felt rather weak. There’s a little too much editing going on during the action, not to the point where you can’t see what’s happening, but to the point where it was distracting. It didn’t need to be R rated and I’m not sure that it would’ve made it necessarily better, but going all out with the violence would’ve it a little more entertaining than the end product turned out to be. Visual effects are hit or miss, mostly miss as it’s so reliant on the CGI. The level of visual effects at points made it look like a movie from the early 2000s. There’s an action scene in an elevator, where it has a falling CGI body meant to represent Vin Diesel, and it just looked really dumb.

Bloodshot feels like one of those goofy action movies from the early 2000s, and in this case it’s not really for the better. While it has its moments of entertainment, at best it is a disposable flick that is really only worth checking out if you’re very curious about it and have 2 hours to spare. The direction is okay at best, the writing is terrible, and while most of the acting is fine, Vin Diesel really doesn’t do enough to elevate the material. If it was all in on the silliness it would’ve been more enjoyable, but it also could’ve been better, there was a lot of potential even with the rather generic plot. In all honesty, it really feels like a Vin Diesel vehicle, and the fact that Vin Diesel produced the movie doesn’t make things better. It was made with the intention to start off a series, but even without the recent pandemic, Bloodshot just doesn’t have enough here to make people interested beyond the first movie.

Memento (2000) Review

Time: 113 Minutes
Age Rating:
Cast:
Guy Pearce as Leonard Shelby
Carrie-Anne Moss as Natalie
Joe Pantoliano as John Edward “Teddy” Gammell
Director: Christopher Nolan

Leonard (Guy Pearce) is tracking down the man who raped and murdered his wife. The difficulty, however, of locating his wife’s killer is compounded by the fact that he suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he’s going, or why.

Memento is the movie that launched Christopher Nolan into the spotlight as a talent to pay attention to, even 5 years before his Batman reboot with Batman Begins. I already really liked it when I first saw it some years ago, it’s a psychological mystery thriller so effectively made on pretty much every level, truly something incredible to watch. On a more recent viewing though, I loved it even more. 20 years later, Memento remains an extraordinary piece of filmmaking.

Much of Memento is very difficult to talk about, if I talked in too much depth about the plot it would be so easy to spoil, and for this movie particularly I want to keep spoilers to a minimum. I can talk about some things though, first of all with the structure. This movie is told over two timelines, one taking place at the end of the story working backwards and the other at the beginning moving forwards. On a first viewing, it’s very likely that this’ll be a confusing watch for some, for me though I was very intrigued throughout, even if I wasn’t entirely sure what was happening until it all came together at the end. It’s actually incredible that they made this structure actually work for the story, and not make it feel like a gimmick, it really fits in with the lead character’s condition. I also get the feeling that it doesn’t hold up as well when watching the movie with the scenes in chronological order, and this storytelling method actually works excellently. When you watch the movie on a second viewing however, it’s a whole difference experience as you know generally what it’s leading to. It’s been a while since I first saw it, but I had a vague idea about the story, and that made me see every scene completely differently. I can imagine that my opinion of this film will only improve the more I rewatch it.

Guy Pearce gives probably one of his best performances of his career in the lead role of Leonard, who has this memory condition. It’s a very complex and layered character that Pearce plays excellently. Carrie Anne Moss and Joe Pantoliano are the main supporting actors and they do well, playing prominent characters in the plot that you’re not sure whether you or Leonardo should trust or not.

Memento is Christopher Nolan’s second film, and the difference on a technical level between this film and his directorial debut with Following is vast. Even from this one movie you can clearly tell that he’s a master at his craft. It’s not one of the expansive blockbusters that he’s been making since the late 2000s, but that’s not the type of story Memento is going for, and his work here is outstanding. It’s very well shot by Wall Pfister, the black and white for the older storyline worked effectively too, especially for distinguishing itself from the other storyline.

Memento is a fantastic neo-noir mystery thriller, well acted, and excellently written and directed by Christopher Nolan. It only improves from repeat viewings, and still holds up as an incredibly impressive film. If you haven’t seen it, it’s a film to see as soon as possible without knowing too much going in, and if you’ve only seen it once, definitely see it again at some point. As it is, it might be one of Nolan’s best movies, and that’s saying a lot considering how great most of his films are.

Lawless (2012) Review

Time: 116 Minutes
Age Rating: contains violence
Cast:
Shia LaBeouf as Jack Bondurant
Tom Hardy as Forrest Bondurant
Jessica Chastain as Maggie Beauford
Gary Oldman as Floyd Banner
Jason Clarke as Howard Bondurant
Guy Pearce as Special Deputy Charley Rakes
Mia Wasikowska as Bertha Minnix
Dane DeHaan as Cricket Pate
Director: John Hillcoat

In 1931, the Bondurant brothers of Franklin County, Va., run a multipurpose backwoods establishment that hides their true business, bootlegging. Middle brother Forrest (Tom Hardy) is the brain of the operation; older Howard (Jason Clarke) is the brawn, and younger Jack (Shia LaBeouf), the lookout. Though the local police have taken bribes and left the brothers alone, a violent war erupts when a sadistic lawman (Guy Pearce) from Chicago arrives and tries to shut down the Bondurants’ operation.

I remember watching Lawless a long time ago, and although I didn’t remember it being particularly great, I remember thinking it was at least pretty good. Since I was watching/re-watching other Tom Hardy movies, I thought I’d give this one another go, and my opinion of it is around the same. There’s not much that’s particularly wrong with the movie, in fact there’s a lot of good things about it, from the direction to the cast. I’m just not quite sure that I can call it great, but I still think that it is pretty good.

Lawless isn’t a fast paced thriller by any means, it’s a slow burn gritty drama, and I personally liked it for that. There are certainly signs of greatness, it’s just that there’s just something missing from it. The story is actually rather straightforward and wasn’t anything special for a crime drama. I think it felt just a little too conventional, accessible and neatly packaged. They could’ve done a little more with the story and gone too some more interesting places, Lawless doesn’t really do anything that we haven’t seen done many times before and done better. With that being said, for what it was I was quite entertained for its 2 hour runtime, but it could’ve been a little better.

The cast all around great and are among the best parts of Lawless, although some of the characters could’ve used some more development. This is mainly Shia LaBeouf’s movie, and he’s quite good in his role as the younger brother who isn’t quite as experienced as his older brothers. Tom Hardy is great in everything he’s in, and his performance in Lawless as the leader of the Bondurant brothers is no exception. He doesn’t say a lot (you just hear him grunting most of the time), but he has a lot of screen presence nonetheless, and was effective whenever he’s on screen. This is also probably one of the best performances I’ve seen from Jason Clarke as the oldest of the brothers. Jessica Chastain and Mia Wasikowska provide some good performances, elevating their rather underdeveloped and uninteresting roles with their acting. Gary Oldman is indeed in this movie as a notable gangster, but really they could’ve gotten any actor in the role, he’s only in a few scenes. Don’t get me wrong, Oldman owns every scene he has in the movie, but he takes up such a small portion of the film and wasn’t that central to the plot that it kind of felt like overkill having an actor of his calibre for the role. One of the performances that stood out the most from this movie was that of Guy Pearce as the villain of the film. He’s effectively creepy, slimy and unnerving in this role as a Special Deputy Marshall brought in to go after bootleggers, and especially the main characters of the story. There’s not a whole lot to the character, but Pearce from his appearance to his performance makes Charley Rakes an easy character to hate. It’s quite an over the top and almost cartoonish character and performance but it kind of works for this movie.

Lawless was really well directed by John Hillcoat. It’s a great looking movie, and Hillcoat certainly got the period setting right at least on a technical level, with the locations, the costumes and production design. Also, when it comes to the violence (even though there isn’t a massive amount of it), it’s brutal and hard hitting.

Lawless unfortunately doesn’t quite reach the levels of greatness that it’s clearly aspiring to reach, but it’s a solid movie nonetheless. It was directed exceptionally well, and has a relatively decent story that at least kept me entertained for the runtime. Top that off with a great cast, and Lawless is a movie that’s worth a watch if you like those actors or even just decent crime dramas.

Prometheus (2012) Review

Time: 124 Minutes
Age Rating: Violence, offensive language and horror
Cast:
Noomi Rapace as Elizabeth Shaw
Michael Fassbender as David
Charlize Theron as Meredith Vickers
Idris Elba as Janek
Guy Pearce as Peter Weyland
Logan Marshall-Green as Charlie Holloway
Sean Harris as Fifield
Rafe Spall as Millburn
Director: Ridley Scott

The discovery of a clue to mankind’s origins on Earth leads a team of explorers to the darkest parts of the universe. Two brilliant young scientists lead the expedition. Shaw (Noomi Rapace) hopes that they will meet a race of benevolent, godlike beings who will in some way verify her religious beliefs, while Holloway (Logan Marshall-Green) is out to debunk any spiritual notions. However, neither the scientists nor their shipmates are prepared for the unimaginable terrors that await them.

Prometheus is one of the most unfairly disliked movies of the 2010s. The highly anticipated Alien prequel (with director Ridley Scott returning) was met with some very mixed opinions. Some loved it, others were immensely disappointed with what they got. While there are some writing issues and it would’ve benefited from being longer, most of the film is actually great. It’s has a very intriguing and suspenseful story, and does tie into Alien quite well, despite leaving some unanswered questions. Prometheus is very underrated, and it will hopefully be better looked upon in the future.

False expectations likely played a large part in this movie being unfairly judged. This is not a direct prequel to Alien, you won’t see the Xenomorphs attacking people or anything like in the classic Alien movies, you really need to know all this going in, or you’re just setting yourself up for disappointment (like plenty of people already had). It has a lot more depth and is also its own thing, with religious themes that it explores and more. You also need to know that it doesn’t answer all the questions that this film asks. It’s possible that Scott wanted to expand his prequel story over multiple movies, which is why many things aren’t addressed. But I did find this movie very engaging and suspenseful. I was interested throughout, I wasn’t ever bored. It added new levels of history to the Alienverse and learning more and more about it was absolutely investing. That’s not to say that this movie doesn’t have any issues. Prometheus infamously have many cases of characters just making some really dumb decisions, two in particular (one involves people running away from a large falling object and the other involving a newly discovered alien life). The characters aren’t really that interesting (they really weren’t the high point of the movie), the best characters were Noomi Rapace’s Shaw and Michael Fassbender’s David. The biggest problem however is the length of the movie, 2 hours and 4 minutes. It really feels like this movie should’ve been longer than it actually ended up being. I did see some deleted scenes of the movie and some of them did really work for the movie. I’m not suggesting that this movie was unfairly cut down or had editing issues, I just feel like it should’ve been longer, so that this movie would be able to go even deeper.

There are two highlight performances. One is Noomi Rapace, she’s the lead of the movie, a lot more history and depth have been given to her character compared to many of the other characters, and on top of that Rapace did a great job in her role. The other highlight performance is Michael Fassbender as an android named David, who basically steals the show. He is just so convincing and unsettling, you can’t tell what his intentions are. Definitely one of Fassbender’s more underrated performances. As I said earlier, most of the characters aren’t that interesting, everyone else other than Rapace and Fassbender didn’t leave much of an impression. I guess the only other performance which is really memorable is Idris Elba, but that’s because of his effortless charisma, which elevated his role in the movie. Other actors like Charlize Theron and Logan Marshall-Green were fine but they really didn’t stand out much, mostly due to their boring and uninteresting characterisation.

The direction by Ridley Scott is absolutely fantastic here (unsurprisingly). The visuals are beautiful, the CGI is great and is implemented well in the movie. The designs of all the locations, ships and creatures are so well put together. Also when Ridley Scott directs horror and suspense here, he does it so well. There are many cases of this but the biggest example involves a surgery, if you’ve seen the movie you know exactly what I’m talking about. Directionwise this movie is pretty much perfect.

Prometheus is not a perfect movie. There are some issues in the writing and characterisation, and it would’ve much benefited with a longer running time. But it is definitely worth a watch, and doesn’t deserve all the hate its been receiving. It has a story which is interesting, suspenseful, creepy, and very engaging. And it was nice seeing some of the connections with the first Alien (even if it doesn’t address everything, yet at least) With Alien Covenant coming out very soon, I’m expecting a Prometheus sequel, just with slightly more Xenomorph content than we get here. And I’m completely fine with that.

Iron Man 3 (2013) Review

Time: 130 Minutes
Age Rating: Violence
Cast:
Robert Downey Jr. as Tony Stark/Iron Man
Gwyneth Paltrow as Virginia “Pepper” Potts
Don Cheadle as Col. James “Rhodey” Rhodes/Iron Patriot
Guy Pearce as Aldrich Killian
Rebecca Hall as Maya Hansen
Stephanie Szostak as Brandt
Jon Favreau as Happy Hogan
Ben Kingsley as The Mandarin
Director: Shane Black

Plagued with worry and insomnia since saving New York from destruction, Tony Stark (Robert Downey Jr.), now, is more dependent on the suits that give him his Iron Man persona — so much so that every aspect of his life is affected, including his relationship with Pepper (Gwyneth Paltrow). After a malevolent enemy known as the Mandarin (Ben Kingsley) reduces his personal world to rubble, Tony must rely solely on instinct and ingenuity to avenge his losses and protect the people he loves.

Iron Man 3 was the start of Marvel’s phase 2 and while most people would say that Iron Man 3 is better than Iron Man 2, there were still some criticisms of it. Iron Man 3 was a pretty divisive movie upon its release, I’m one of the people who really liked it. It still has its flaws but I still enjoy it. Iron Man 3 has even better action, good acting, a good plot and it’s entertaining. I think the majority of the criticism was because of a certain aspect of the plot, which while understandable, doesn’t drag down the movie in any way.

Iron Man 3 didn’t really play a big part in the universe, when all things are considered, Iron Man 2 is more relevant than Iron Man 3. However the story is better, instead of multiple plotlines that don’t always move well together it has a pretty controlled story that it follows and all the plotlines are interwoven together much better. Also the writing from Shane Black was good and you definitely tell. This movie is both the darkest and the funniest of the Iron Man movies and it works. Not all the aspects of the movie are great though. There’s a decision that Tony makes early on which is quite possibly the dumbest decision that he’s made, and that’s a lot considering the fact that he created Ultron later on. There is also a plot twist which will annoy some comic book fans that I won’t spoil for those who don’t know. While I can understand why people would be upset with it, it didn’t bother me a lot because it was well done in the context of the story.

Robert Downey Jr is great, it’s almost pointless talking about how great he is, he is Iron Man. This movie reminded me of Dark Knight Rises, in that there was much more Tony Stark than Iron Man and I think it really payed off in the end. The supporting actors also did good work. Don Cheadle was even better here than he was in Iron Man 2, Gwyneth Paltrow was also good here. Guy Pearce was great in his role, Ben Kingsley is good in his role, Rebecca Hall is a good actress and does fine in this movie but her character was sort of underdeveloped and so she didn’t have a lot to work with.

The action scenes here are even better than the previous Iron Man movies. Tony Stark’s suits are quite different and now he can control them without even being in them, which leads to lots of entertaining opportunities which the film takes advantage of. While the third acts of the previous films have disappointed, the third act in Iron Man 3 is great and is definitely better than in the previous films.

Iron Man 3 is a pretty good movie but I don’t know if I can call it a great movie. The acting is good, the action is good, the writing is better than the previous film and I was entertained all the way through. Sometimes there are some flaws like some convenient writing and the massive change in the comic books. The only great Iron Man movie that’s been released has been the first one, but in my opinion all of them are good.

L.A. Confidential (1997)

Time: 138 Minutes
Age Rating: Violence
Cast:
Kevin Spacey as Jack Vicennes
Russell Crowe as Bud White
Guy Pearce as Ed Exley
James Cromwell as Dudley Smith
Kim Basinger as Lynn Bracken
Danny DeVito as Sid Hudgens
Director: Curtis Hanson

In 1950’s Los Angeles, someone’s killing imprisoned mob boss Mickey Cohen’s gang. After some shotgun slayings of the patrons at an all-night diner, three very different cops are all after the truth, each in their own style: Ed Exley (Guy Pearce), the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White (Russell Crowe), ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes (Kevin Spacey), always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.

L.A. Confidential is the best representation of 1950s Los Angeles I’ve seen in film. It is also a magnificent movie with a brilliant script, stellar performances, great production designs and countless other things that make a great movie so great. It is truly one of the best movies of the 1990s and one of the greatest films of all time.

The writing of this movie is absolutely perfect, it is always entertaining from start to finish, and every piece of dialogue is constructed flawlessly to suit the characters, along with fitting the era of the 50s as well. The story is very interesting and takes many twists and turns as it progresses. It also successfully shows these three main characters and the ways they go around serving justice. The screenplay rightfully earned the Oscar for best screenplay adapted from a source, the book written by James Ellroy, which I haven’t read yet.

All the actors do the roles very well, especially in portraying the type of characters they play. Guy Pearce, Russell Crowe and Kevin Spacey play the main characters and are absolutely excellent. As I said above, they have different ways of serving justice, as well as having different personalities. This film brought to audiences the attention of Guy Pearce and Russell Crowe; this brought them to huge success and kicked their careers off. Along with those three excellent performances, the film also has some other great performances from actors like Kim Basinger, James Cromwell and Danny Devito. The most surprisingly thing is that apart from Kim Basinger, no one here got any Oscar nominations for acting, but then again, great performances don’t always get Oscar nominations, we’ve seen this happen in the past.

The cinematography is decent but special credit should go to the people making the sets. The setting of Los Angeles in the 1950s is perfectly recreated here. The locations and the music are very convincing of the time period. The soundtrack particularly, which was composed by Jerry Goldsmith was absolutely perfect for the mood and vibe that the film was going for. The editing brought everything together and made the film even more enjoyable to watch.

L.A. Confidential has everything I ask for in a movie, it is engaging, it has actors successfully portraying their characters and it has a brilliant script. There wasn’t really anything that I could think of which I disliked in this film, nor was there any scene that felt out of place. I actually feel that at the Oscars, this film deserved the best picture award, Titanic was a pretty good movie; however I still personally find that L.A. Confidential deserved it more, not that the Oscars necessarily matter. I strongly recommend you check this movie out as soon as you can. It is a fantastic film that ever since watching it for the first time, has made my list of favourite movies of all time.

P.S. A reminder that until December, I will likely not be able to post many reviews due to exams.