Tag Archives: George Miller

Three Thousand Years of Longing (2022) Review

idris

Three Thousand Years of Longing

Time: 108 Minutes
Age Rating: 860940[1] Violence, offensive language, sex scenes & nudity
Cast:
Idris Elba as the Djinn
Tilda Swinton as Alithea Binnie
Director: George Miller

A lonely and bitter British woman discovers an ancient bottle while on a trip to Istanbul and unleashes a djinn who offers her three wishes. Filled with apathy, she is unable to come up with one until his stories spark in her a desire to be loved.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] Black-Star-Photographic-Agency[1]

Three Thousand Years of Longing was one of my most anticipated movies of 2022. While it already had Tilda Swinton and Idris Elba in the lead roles, the main reason I was excited is that it’s the newest film from George Miller, who last directed the incredible Mad Max: Fury Road 7 years ago. I wasn’t quite sure what to expect from his upcoming movie. The premise seemed a bit vague and simple, and the trailer didn’t really convey much except for its strong visuals. Still, I was curious enough to check it out, and I’m glad I watched it.

FayKb5YWAAIzPCg

First of all, Three Thousand Years of Longing is nothing like the trailer. It showed the basic premise and there are certainly some crazy visuals, but that’s not the nature of the movie. Its not a bombastic spectacle, and its certainly not as chaotic and fast paced as it appeared in the trailers, nor is it as thrilling compared to Miller’s last movie. In fact, it is more of a subdued, endearing and existential fairy-tale love story for adults. The plot and storytelling is more straightforward than you might think it would be. For the most part, this movie surrounds a conversation between Idris Elba’s djinn genie and Tilda Swinton, as he offers her 3 wishes and recounts stories from his past. It is a sincere thought provoking character study about stories (and the importance of them), and a meditation on life, love, and desire. The movie has a lot of narration, and while it can be hit or miss in movies, it fits here given that characters are actually telling stories here. Its very dialogue heavy as you would expect, and I found the conversations between Elba and Swinton to be compelling. In the opening 10 minutes, I wasn’t really sure about what was happening with the story or what direction it is going in. However, it picks up the moment that Idris Elba comes out of the bottle. The third act is a bit out of place from the rest of the movie, it stumbles a little and the pacing is weird. While I was satisfied with the movie, I couldn’t help but feel like it could’ve been longer. Perhaps it was originally longer and was cut down for the theatrical cut, an hour and 50 minutes does feel a little short. Part of that is that it feels a little rushed towards the end, even though I enjoyed it.

THREE THOUSAND YEARS OF LONGING

As for acting, it really comes down to the lead performances from Idris Elba and Tilda Swinton, both of them are great. They are genuine in their parts, and I like the relationship that they form. I will say however that I wished we got to learn more about Swinton’s character. At some points she talks about her life, but not a great amount, and it particularly pales when compared to all the stories that Elba tells of his very long life.

three-thousand-years-of-longing-TTYOL_00010_RC_rgb-1200x675-1

George Miller directs, and once again his work is incredible, very stylish and creative. He already showed this in Mad Max: Fury Road, but he really is a master of visual storytelling. There are some spectacular sequences, and it was great to experience this in the cinema. The camerawork and cinematography are sweeping and amazing, and the visuals are stunning. There is also so much care put into the set decoration and designs. There is a lot of CGI in this, and sometimes is looks great. At other times however, it looks a bit weird, almost like it’s unfinished. The score from Tom Holkenborg is amazing, and some of his very best work.

three-thousand-years-of-longing-movie

Three Thousand Years of Longing is definitely rough in parts, some of the CGI is a bit dodgy, and parts towards the second half do feel a bit awkward, and it could’ve afforded to have been a little longer. It is also definitely not for everyone, as can be seen with the disappointing box office. It wasn’t helped by the poor marketing, but then again, its not an easy movie to sell to audiences. It’s a shame because it’s the kind of film that we don’t get a lot of nowadays; director driven, sincere, and not afraid to be creative, weird or different. With Three Thousand Years of Longing, George Miller has created a $60 million arthouse movie. The story is genuine and compelling, Idris Elba and Tilda Swinton are great, its visually beautiful, and Miller’s direction and craft are on full display here. I know its not for everyone, but I do think its worth checking out. One of the most surprising movies of 2022.

2016 Oscar Predictions

When you look at it in the grand scheme of things, movie awards really don’t matter. There are plenty of movies that should win but don’t, some of them don’t even get nominated, and there are some movies that don’t really deserve to win, but win anyway. So no matter what happens during the awards ceremony, it doesn’t really matter. But still, it’s fun to predict what movies will win and at the same time state what you think should win. Since everyone else is doing it, I decided to give my predictions for the 2016 Academy Awards. I have watched most of the films in the major categories but occasionally there’s a movie like The Hateful Eight which I can’t or just haven’t seen, so just keep that in mind.

* – Haven’t seen yet

BEST PICTURE

revenant-stills-14[1]

The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room*
Spotlight

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Carol

=============================

Best Director

2015-5-Feature-Mad-Max-George-Miller-set-WB[1]

Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room*
Tom McCarthy – Spotlight

Will Win – Alejandro G. Iñárritu – The Revenant
Should Win – George Miller – Mad Max: Fury Road
Should’ve Been Nominated – Todd Haynes – Carol

=============================

BEST ACTOR IN A LEADING ROLE

basepic[1]

Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Will Win – Leonardo DiCaprio, The Revenant
Should Win – Leonardo DiCaprio, The Revenant

=============================

BEST ACTRESS IN A LEADING ROLE

118695185[1]

Cate Blanchett, Carol
Brie Larson, Room*
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years*
Saoirse Ronan, Brooklyn

Will Win – Brie Larson, Room
Should Win – Cate Blanchett, Carol
Should’ve Been Nominated – Rooney Mara, Carol (instead of being nominated for supporting)

=============================

BEST ACTOR IN A SUPPORTING ROLE

creed-sylvester-stallone-michael-b-jordan-2-rcm0x1920u[1]

Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Will Win – Sylvester Stallone, Creed
Should Win – Sylvester Stallone, Creed
Should’ve Been Nominated – Benicio Del Toro, Sicario

=============================

ACTRESS IN A SUPPORTING ROLE

carol20[1]

Jennifer Jason Leigh, The Hateful Eight*
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Will Win – Alicia Vikander, The Danish Girl
Should Win – Rooney Mara, Carol

=============================

BEST ADAPTED SCREENPLAY

Left to right: Steve Carell plays Mark Baum and Ryan Gosling plays Jared Vennett in The Big Short from Paramount Pictures and Regency Enterprises

The Big Short
Brooklyn
Carol
The Martian
Room*

Will Win – The Big Short
Should Win – The Big Short
Should’ve Been Nominated – Steve Jobs

=============================

BEST ORIGINAL SCREENPLAY

spotlight-segredos-revelados-cena-5[1]

Bridge of Spies
Ex Machina*
Inside Out
Spotlight
Straight Outta Compton*

Will Win – Spotlight
Should Win – Spotlight
Should’ve Been Nominated – The Hateful Eight*

=============================

ANIMATED FEATURE FILM

inside-out[1]

Anomalisa*
Boy and the World*
Inside Out
Shaun the Sheep Movie*
When Marnie Was There*

Will Win – Inside Out
Should Win – Inside Out

=============================

BEST ORIGINAL SCORE

Bridge of Spies – Thomas Newman
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Sicario – Johann Johannsson
Star Wars: The Force Awakens – John Williams

Will Win – The Hateful Eight
Should Win – The Hateful Eight
Should’ve Been Nominated – Mad Max: Fury Road – Junkie XL

=============================

BEST SOUND EDITING

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST SOUND MIXING

Bridge of Spies
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST PRODUCTION DESIGN

Mad-Max-header-1[1]

Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

=============================

BEST CINEMATOGRAPHY

the-revenant-trailer-leo[1]

Carol
The Hateful Eight*
Mad Max: Fury Road
The Revenant
Sicario

Will Win – The Revenant
Should Win – The Revenant
Should’ve Been Nominated – Star Wars: The Force Awakens

=============================

BEST MAKEUP AND HAIRSTYLING

1d70912235606023999af78016a92ccc_large[1]

Mad Max: Fury Road
The 100-Year-Old Man Who Climbed Out the Window and Disappeared*
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST COSTUME DESIGN

tom-hardy-charlize-theron-mad-max-fury-road[1]

Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

BEST FILM EDITING

img_2391[1]

The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road
Should’ve Been Nominated – Star Wars: The Force Awakens

=============================

BEST VISUAL EFFECTS

530493[1]

Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win – Mad Max: Fury Road
Should Win – Mad Max: Fury Road

=============================

So what are your thoughts, what do you think will win, what do you think should win and what do you think should’ve been nominated? Comment below and let me know your predictions for 2016.

Mad Max: Fury Road (2015) Review

Mad-Max-header-1[1]

Mad Max Fury Road

Time: 120 Minutes
Age Rating: 860949[1] Violence and content that may disturb
Cast:
Tom Hardy as Max Rockatansky
Charlize Theron as Imperator Furiosa
Nicholas Hoult as Nux
Hugh Keays-Byrne as Immortan Joe
Rosie Huntington-Whiteley as The Splendid Angharad
Riley Keough as Capable
Zoë Kravitz as Toast the Knowing
Abbey Lee as The Dag
Courtney Eaton as Cheedo the Fragile
Director: George Miller

In the stark desert wasteland populated by a broken humanity driven with survival and the unending ravage for gasoline, a loner named Max (Tom Hardy) finds himself unwantedly caught in the middle of a chase while aiding the heroine Furiosa (Charlize Theron), and her female companions, she struggles to return to her homeland and escape the clutches of a ruthless dessert gang leader, Immortan Joe (Hugh Keays-Byrne). With the harsh desert sands in front of them and marauders behind, only the maddest will prevail the storm.

full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1] full_star[1]

The Mad Max franchise has started having a huge following ever since its debut in the late 70s. After the last instalment (Beyond Thunderdome), it’s been 3 decades since director George Miller has created an entry in the franchise. I think all of us knew at least in the back of our minds that it would be good but not to this level of perfection. This is one of the best action movies I’ve seen in years. There are some people who are saying this is the best action movie of the decade, now that I’ve seen it, I can understand why. George Miller has created an action movie for the ages, that action movies nowadays should take cues from.

img_2391[1]

You don’t really need to see the other Mad Max movies before watching this one. It might bring some things from Max’s past (involving his family) but that’s it. Some people say that this film doesn’t have any story but that’s not true. There definitely is story, it’s just done more visually and doesn’t require too much dialogue to show it. Now the first thing you need to know going in is that this film is insane, in many ways. Everyone in this movie is mad, even Max (hence the title) but a lot of what happens in this movie is crazy, for example there is a truck which has people playing drums and a guy who plays a guitar and fire bursts out the neck. At that point, you’ll probably be able to decide if this is a movie that you’d like to watch. This is a pure action movie and a great one at that.

tom-hardy-charlize-theron-mad-max-fury-road[1]

Tom Hardy was pretty good as Max and he is believable in his role. He doesn’t try to imitate Mel Gibson’s portrayal and really does well to make this character his own. Despite this movie being a Mad Max movie, Furiosa is as much of a main character as Max is. Charlize Theron is great as a main character and I’m looking forward to seeing more of her in the movies to come. Other actors like Nicholas Hoult were also great and did add a lot to this film. The acting overall was pretty good and like most of the story, the actors don’t need much dialogue to carry out their great performances.

1d70912235606023999af78016a92ccc_large[1]

These are some of the best action scenes I’ve seen in many years. The stunts are masterfully done, and it’s hard to imagine how George Miller and his team managed to make that happen. Most of the effects are practical and when there is CGI, it blends seamlessly into what was happening like Furiosa’s missing arm or a dust tornado. The soundtrack was also great and fitted the moments perfectly, as well as putting the film on an even bigger and grander scale.

530493[1]

I was worried that this film would be 2015’s Edge of Tomorrow or Dredd, a movie that people would say is good but wouldn’t get enough attention. Fortunately it was announced recently that there will be a sequel, Mad Max: The Wasteland. If more action movies are like Fury Road, I think the future of action movies is looking a lot brighter. If you love action films, go as soon as possible to a theatre near you and see this movie, this is the action movie you’ve been waiting for. The rest of 2015 definitely has a tough act to follow and this is so far my favourite film of the year.