Tag Archives: Élodie Yung

The Hitman’s Bodyguard (2017) Review

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The Hitman's Bodyguard

Time: 118 Minutes
Age Rating: 860949[1] Violence & offensive language
Cast:
Ryan Reynolds as Michael Bryce
Samuel L. Jackson as Darius Kincaid
Gary Oldman as Vladislav Dukhovich
Salma Hayek as Sonia Kincaid
Élodie Yung as Amelia Roussel
Joaquim de Almeida as Jean Foucher
Kirsty Mitchell as Rebecca Harr
Richard E. Grant as Mr. Seifert
Director: Patrick Hughes

Michael Bryce (Ryan Reynolds), a protection agent, is tasked with protecting Darius Kincaid (Samuel L. Jackson), one of the world’s most famous assassins. The two must then set aside their differences to tackle several dangerous events.

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I heard about The Hitman’s Bodyguard when it came out, an action comedy with the pairing of Ryan Reynolds and Samuel L. Jackson in the lead roles. I didn’t watch it when it came out, it looked fun enough despite the mixed reviews, but it wasn’t something I was actively pursuing to watch. However with it getting a sequel this year, I decided I should probably get around to it. The Hitman’s Bodyguard was about what I expected it to be, it’s not that good and it’s a little generic but I had fun with it.

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The plot doesn’t really have much to it. I didn’t care much about what was happening, but it was simple enough and not overly convoluted. It’s also not particularly original, two people who have a lot of differences between them are stuck with each other but put their differences aside by the end. It’s very similar to the plots of other buddy action comedies. It’s very familiar, by the numbers and predictable but it’s still quite enjoyable. The movie does exceed when it’s the two characters getting in shenanigans, more so than its actual generic plot. The writing can be funny. Not all of it worked and for the most part I didn’t find it to be laugh out hilarious or anything, but the comedy was alright. One unexpected issue was that tonally, The Hitman’s Bodyguard is a bit inconsistent. It has the goofiness as expected but also has its fair share of tonal shifts into dark moments and plays some scenes a hair too seriously. I’m not saying the mix of the two can’t work, but they certainly don’t pull it off in this movie. It probably would’ve been better leaning into the silliness. Finally, the movie does run on for too long. It’s around 2 hours long and you do feel that length, and the inconsistent pacing doesn’t help matters.

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The main draw of the film is Ryan Reynolds and Samuel L. Jackson in the lead roles, it’s what most people who watch the movie are here for, and thankfully they deliver. The movie plays into the personalities that each lead has cultivated over their careers, and it certainly felt like each of them were playing themselves. The two of them are funny, have good chemistry and play off each other well. However I do feel like the writing wasn’t quite all there to utilise them the best and it could’ve been a bit better. The rest of the supporting cast are fine but they all feel wasted in a way. In fact, when it’s not focusing on the two leads, the majority of the characters are just sitting down and waiting for stuff to happen. Gary Oldman plays a generic dictator villain, and all he does is just sit down looking menacing and giving out orders to kill Samuel L. Jackson’s character. Salma Hayek is a standout in her scenes as Samuel L. Jackson’s character’s wife, but generally she spends much of the movie just in a prison cell and doesn’t do anything really. Elodie Yung is a disgruntled former lover of Reynolds’s character and doesn’t do a massive amount in the plot outside of waiting for Ryan Reynolds to show up at the final location with Samuel L. Jackson.

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Patrick Hughes is the director of The Hitman’s Bodyguard, and initially I was sceptical going in since his last movie was The Expendables 3, which I found to be quite lacklustre. I will say however that the action here is definitely better than the action in Expendables 3, if only because it doesn’t feel forcibly toned down to get a PG-13 rating. The fight scenes are pretty decent and overall, the action is fun and entertainingly dumb, if nothing unique or special. However, some aspects take away from them. It has a little too many cuts and edits, the visual effects aren’t that great, and the scenes weren’t shot the best. I previously mentioned about the tonal inconsistencies and that especially is the case when it comes to the action scenes, specifically the violence. The violence at times can be surprisingly graphic and bloody and even lingers on gruesome images, but there’s also some very silly and comedic action scenes. Again, gore aside, I think the issue is that some of those scenes are played a little too seriously that they feel out of place even if they are going for dark comedy.

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The Hitman’s Bodyguard was pretty much what I expected, a very flawed action comedy with some mildly entertaining action and the highlights being Ryan Reynolds and Samuel L. Jackson. Much of the plot is very generic and underwhelming, and even for a standard buddy action movie could’ve had more to it (or at least been a little more fun). However, the chemistry of the leads completely carry the movie. I’m just hoping that The Hitman’s Wife’s Bodyguard is better than the first movie.

Gods of Egypt (2016) Review

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Gods of Egypt

Time: 126 Minutes
Age Rating: 860940[1] Violence
Cast:
Nikolaj Coster-Waldau as Horus
Brenton Thwaites as Bek
Gerard Butler as Set
Chadwick Boseman as Thoth
Élodie Yung as Hathor
Courtney Eaton as Zaya
Rufus Sewell as Urshu
Geoffrey Rush as Ra
Director: Alex Proyas

The survival of mankind hangs in the balance when Set (Gerard Butler), the merciless god of darkness, usurps Egypt’s throne and plunges the prosperous empire into chaos and conflict. Hoping to save the world and rescue his true love, a defiant mortal named Bek (Brenton Thwaites) forms an unlikely alliance with the powerful god Horus (Nikolaj Coster-Waldau). Their battle against Set and his henchmen takes them into the afterlife and across the heavens for an epic confrontation.

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Since its release, Gods of Egypt has been panned, absolutely everyone has been trashing it and calling it one of the worst films of 2016. So naturally I was curious and wanted to check it out. While others despised the movie, I personally enjoyed it, but for all the wrong reasons. It really will surprise you how bad it this movie gets, from terrible green screen and CGI, to an uninteresting and familiar story. This film doesn’t work at all. Aside from the unintentionally hilarious aspects and two of the performances, Gods of Egypt pretty much fails on every level. I almost recommend seeing it.

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The story itself isn’t really interesting at all. We’ve all seen this story and types of characters many times over, there’s nothing to really comment on. I’m finding it difficult to remember much about the plot itself. The only reason this film works in a bad way is the way they try to execute this movie. They make the film so over the top, it’s kind of a glorious trainwreck to watch. The dialogue is really bad, awkward and clunky, the romance in the movie you don’t buy at all and there is also some humour which seems really off (which is funny but not because it’s done well, it’s funny because it was so horribly and awkwardly done). Pretty much almost nothing about this film works at all.

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Hands down the best part of the movie is Gerald Butler and Nikolaj Coster-Waldau. Gerald chews up the scenery as the villain and looks like he’s enjoying every second he’s on screen. Nikolaj at times looks like he’s genuinely trying to give a good performance, despite the bad material he’s given. Everyone else is forgettable, granted they didn’t have a whole lot to work with. Even some of the really good actors like Chadwick Boseman and Geoffrey Rush don’t really come away with anything. I think it is worth noting that there aren’t any Egyptian actors in this film, Gods of Egypt didn’t have any Egyptians. Not really a flaw with the performances, just thought it was worth pointing out.

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The green screen and action scenes were done absolutely horribly. Think of how out of place the green screen was in the Star Wars prequels. Only it’s 5 times worse. You can clearly see where the green/blue screen is around the actors, its kind of embarrassing. Same with the CGI, nothing feels natural. And as for the action scenes, there is so much slow mo and camera rotations used, it’s crazy. It tries to make it look epic but it ends up looking ridiculous, over the top and amateur. It’s weird because the director of Gods of Egypt made The Crow, which didn’t use a lot of CGI but still I don’t see how he could’ve made both films.

Undated Film Still Handout from Gods of Egypt. See PA Feature FILM Reviews. Picture credit should read: PA Photo/Entertainment One. WARNING: This picture must only be used to accompany PA Feature FILM Reviews.

I didn’t give it my lowest score as I enjoyed this movie as a so-bad-it’s-good movie and Gerald Butler and Nikolaj Coster-Waldau were actually good in the movie. But it’s still so far the worst movie I’ve seen this year, with the awful CGI, greenscreen and action scenes, the mostly mediocre performances and a cliché story. Gods of Egypt really is the Jupiter Ascending of 2016. However, if you like so bad it’s good movies, you should definitely check this out when you can. This film is definitely one to remember, for all the wrong reasons.