Top Gun: Maverick (2022) Review

Time: 131 Minutes
Age Rating: Violence & offensive language
Cast:
Tom Cruise as Captain Pete “Maverick” Mitchell
Miles Teller as Lieutenant Bradley “Rooster” Bradshaw
Jennifer Connelly as Penelope “Penny” Benjamin
Jon Hamm as Vice Admiral Beau “Cyclone” Simpson
Glen Powell as Lieutenant Jake “Hangman” Seresin
Lewis Pullman as Lieutenant Robert “Bob” Floyd
Ed Harris as Rear Admiral Chester “Hammer” Cain
Val Kilmer as four-star Admiral Tom “Iceman” Kazansky
Monica Barbaro as Lieutenant Natasha “Phoenix” Trace
Director: Joseph Kosinski

After more than 30 years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.

Top Gun: Maverick was a movie I was a little curious about; a sequel to the original over 3 decades in the making. There certainly was a talented crew involved, Tom Cruise of course returns, Joseph Kosinski (Oblivion, Tron: Legacy) is directing, and it has a cast that includes Miles Teller, Jon Hamm and more. However, I wasn’t admittedly super hyped for it. I liked the original Top Gun but to me it was just pretty good, a lot of 80s cheese and some good action sequences, not much beyond that. Yet the new film seemed to be receiving overwhelmingly positive praise, akin to the level of praise that Mission Impossible: Fallout had. So I checked it out, and I can confirm that Maverick is more than deserving of all the acclaim.

While I expected great things from the cast and the direction, the most surprising aspect is that of the story, which was actually really good. It improves in every single way over the first movie. Even when certain story beats are similar to the first movie, it’s executed much better here. It loses the 80s cheese of the original and instead instils the movie with a real sense of gravitas. It also helps that it actually feels like the story has a structure rather instead of feeling like a compilation of highlight scenes strung together. There are real drama here with a lot more emotion and heart, and the characters are given more depth and are fleshed out. The emotional core of the movie involves Maverick and Rooster (Tom Cruise and Miles Teller), and it pays off wonderfully by the end. It’s also a fun movie to watch, with a lot of entertaining scenes and comedy throughout.  You also feel the stakes a lot more here. In contrast to the first movie where the pilots are just training before suddenly needing to complete a mission in the last act, the training in Maverick is for a near impossible task, giving the aerial training sequences a lot more weight. So, by the time it reaches the third act, we really feel the stakes and tension. Some could say that the movie drags in the second act, and I can see that even though there was never a dull moment for me. However all the build up towards the final act is completely worth it, as it ends with one of the most exciting climaxes in recent memory. As for how it works as a sequel, Maverick does the original justice. It really is a mix of old and new, honouring the original while moving forward to do its own thing. It actually felt like there was a genuine reason for this sequel to be made, especially considering that the first movie was made all the way back in 1986. Most of the fan service moments are handled well and don’t get too distracting, and makes sure it doesn’t spend too much time dwelling on the past. Top Gun: Maverick is very much a legacy sequel, not only by being a sequel to an original classic from decades back, but also being itself an examination of legacy, specifically for Maverick/Tom Cruise. It is a surprisingly introspective movie. As for whether you need to know the original film in order to watch the sequel, it does certainly help know about the characters and story from the first, Even then, Maverick does touch upon the main points well enough that you’ll be able to pick up what happened in the past even if you hadn’t watched the first movie.

The cast are all great in their parts. Tom Cruise reprises his role of Maverick. Cruise is really sells his role incredibly well, while he was fun enough in the first movie, here he delivers potentially one of his best performances. He brings such an emotional weight to his scenes. Jennifer Connelly plays Maverick’s love interest in a romantic subplot and while it its perhaps unneeded and shoved not the movie, I thought it was believable and well-handled enough with enough subtlety, especially when compared to the romantic subplot in the original movie. Val Kilmer is the only other returning cast member from the original film aside from Cruise, reprising his role as Iceman. Without giving too much away, his role in this sequel is a small, yet memorable part of the film, and is effectively emotional and hard hitting. The rest of the cast including Glen Powell, Lewis Pullman, Monica Barbaro, Jon Hamm and more all play their parts well. However the standout in the cast aside from Cruise is Miles Teller who plays Rooster, Goose’s son. This is probably Teller’s best performance since Whiplash, he is great here. The relationship between Maverick and Rooster are the emotional centre of this movie and that is handled fantastically, helped by the believable chemistry between the two actors.

Joseph Kosinski directed this, his work here is phenomenal and probably his best yet. I highly recommend watching it on the big screen, it truly is an experience and it just wouldn’t be the same if you watched it on a smaller screen. Kosinski gives the movie so much energy throughout. The visuals are truly amazing, and the cinematography is stunning, particularly when it comes to the scenes filmed in the air. The movie is worth watching for the intense aerial sequences alone, they’re all fantastic. You actually feel right there with the actors in the air. What makes these scenes work so well is that these flight sequences are all practical, with the actors even having to do actual training to learn how to fly. None of it looks fake at all and the cinematography, editing, sound and everything else all come together to make for scenes that are absolutely exhilarating to watch. The soundtrack is also great, of course the original movie utilised plenty of iconic 80s songs, and some of those songs make appearances here (including Danger Zone). However, it doesn’t overuse or over-rely on them and also allowed for more uses of the composed score from Harold Faltermeyer, Lady Gaga, and Hans Zimmer. The score itself was great, taking tunes from the score of the previous movie and revamping it. They particularly complement the action sequences and make them feel even more thrilling.

Top Gun: Maverick is so many things. It surpasses the first movie in every aspect, its one of the best legacy sequels, and its up there with Mad Max: Fury Road and Mission Impossible: Fallout as some of the best action films of recent years. The story and characters are given enough depth and heart, the cast are great in their parts (especially Cruise and Teller), and the excellent direction and phenomenal action sequences are incredible to watch. Even if you’re not a fan of the original movie or haven’t even watched it, I highly recommend watching it on the big screen, it is truly an exhilarating experience. One of the best films of 2022 thus far.

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The Lost Daughter (2021) Review

Time: 121 Minutes
Age Rating: Sex scenes, offensive language & content that may disturb
Cast:
Olivia Colman as Leda Caruso
Jessie Buckley as Young Leda Caruso
Dakota Johnson as Nina
Peter Sarsgaard as Professor Hardy
Ed Harris as Lyle
Director: Maggie Gyllenhaal

A college professor (Olivia Colman) confronts her unsettling past after meeting a woman (Dakota Johnson) and her young daughter while on vacation in Italy. Her obsession with the woman and her daughter prompts memories of her early motherhood.

The Lost Daughter is the third of the three movie tickets I secured as part of the NZIFF, and it’s one of my most anticipated movies of 2021. This would be Maggie Gyllenhaal’s directorial debut and would consist of a great cast including Olivia Colman, Dakota Johnson, Jessie Buckley, and Ed Harris. I went in only really knowing the main premise, seeing a trailer, and hearing that some people had split reactions to it. I’m glad to say that I’m one of the people who really liked The Lost Daughter.

The Lost Daughter is a bit of an unconventional movie, at least with its narrative. Essentially it follows Olivia Colman on a holiday in Greece, she meets a woman with a difficult child (played by Dakota Johnson) and that brings up her own motherhood with her two young girls portrayed in flashbacks (with the younger Colman played by Jessie Buckley). The film then jumps between past and present, revealing the regrets and reflections that Colman has. The plot definitely unravels in an unusual way but very much moves to its own rhythm and pace. It could’ve been a mess of a structure, but Maggie Gyllenhaal pulls it off, I was invested enough in the story and character to want to see and learn more. The Lost Daughter is essentially an unflinching character study following a woman thinking back on her life, and it’s also a look at motherhood which touches on the struggles of parenthood and the toll it takes on the parent. Additionally, it delves into themes like femininity and motherhood, and the feelings and regrets that come from being a mother. It’s not an easy movie to watch, I know that many viewers will struggle to stay following this protagonist with some of the things she does, and it’s a hard topic to cover (and one that a lot of people don’t like to think about). However Gyllenhaal pulls it off by remaining empathetic, not judging its characters, and handles its challenging views on motherhood with a lot of nuance. Its very honest, meditative and human as certain truths are revealed about different characters. In terms of issues with the film, the constant flashbacks can take away from the depth of character work in the present sections, and they are jarring in the first act. Also at the end, some things weren’t as tied up as greatly as I would’ve like, there was particularly one conclusion towards the end which felt a little bit of a let down.

The acting is phenomenal and one of the best parts of the film. First of all is the lead character Leda, who is a complex character that is full of contradictions. She is selfish and unlikable at times, a very difficult character to play. However both actresses do a superb job at portraying her. The present day Leda is played by Olivia Colman, she is a quiet presence. D plays her with a lot of nuance and in a way that makes you understand her. One of her best performances, and that’s saying a lot considering a lot of her recent work. Jessie Buckley plays the younger Leda, and she was a perfect casting choice as a younger Colman. She’s more showy than Colman’s comparatively subtle performance, but she effectively portrayed her desire for an escape out of her motherly life and really plays up her humanity. Another fantastic performance from Buckley. Both Colman and Buckley are believable as the same person, while avoiding feeling like they’re trying to imitate each other. The two performances are full of empathy and fleshed out versions of the same character. Dakota Johnson is used sparingly in this film but this is very likely one of the best performances I’ve seen from her. She’s able to tell a lot without saying much, even just with her facial expressions, body language and subtle glances. Ed Harris, Peter Sarsgaard, Paul Mescal and Oliver Jackson-Cohen are comparatively short on screentime but all do well to make their presences felt and are good in their parts.

As I said earlier, this is Maggie Gyllenhaal’s first film as a director and she’s done a great job here. It does feel like a debut movie with some aspects with the camerawork and editing, but it’s a strong debut nonetheless. The eerie atmosphere helped the movie to dive deeper into Leda’s headspace throughout. The cinematography is also great, with making use of the locations in Greece in the present day, but are particularly effective with the close ups of the characters.

The Lost Daughter is not an easy movie to watch and isn’t for everyone. However I thought it was great. A slowly paced yet engaging and compelling character drama, we’ll directed by Maggie Gyllenhaal, and with phenomenal performances, especially from Olivia Colman, Jessie Buckley and Dakota Johnson. The movie will be on Netflix in December, and I think it’s worth checking out at the very least.

The Truman Show (1998) Review

Time: 103 Minutes
Age Rating: Low level offensive language
Cast:
Jim Carrey as Truman Burbank
Laura Linney as Hannah Gill
Ed Harris as Christof
Natascha McElhone as Sylvia
Holland Taylor as Alanis Montclair
Director: Peter Weir

An insurance salesman (Jim Carrey) is oblivious of the fact that his entire life is a TV show and his family members are mere actors. As he starts noticing things and uncovers the truth, he decides to escape.

The Truman Show is known as a classic and for very good reason. I remembered watching it a while ago just hearing about its concept and knowing that Jim Carrey was in the lead role, and I liked it. More recently on a rewatch though, I loved it even more. It’s a smart, funny and entertaining satire, and strong on the writing, directing and acting fronts.

The Truman Show already has a great concept of a man who doesn’t know that his entire life is actually a TV show and everyone in his life are actors. The idea is executed brilliantly too, managing to be both entertaining and deep, with a perfect blend and balance of both comedy and drama. It is paces itself excellently over its hour and 40 minute runtime, and unravels and de-constructs Truman’s world in a meticulous and gradual way, even though you know pretty early on what’s really happening. The screenplay is original, enjoyable and is surprisingly thought provoking, offering some clever insights on the human experience and raising questions. It’s a deep and thought provoking film that is still light hearted at times. It’s a perfect mix of so many themes, obviously the likes of reality television, media and the public’s obsession with celebrities are here, but even topics including meaning of life, the reality of choice and existentialism can be seen here. In many ways, The Truman Show was ahead of its time, the topics it touches upon still resonate strongly in today’s society and it seems more relevant than ever. As someone who had a second viewing on this movie, I can confirm that it is even better on repeat viewings as I got more from the deeper meanings and themes beyond its plot.

The acting from everyone is great but the highlights are really two performances. Jim Carrey plays lead character Truman, and this movie cements how good of an actor he is. Stepping aside from his typecast roles, Carrey surprises with a dense, dramatic and well-balanced performance that is truly heartwarming, he’s quirky and optimistic but still very much human, especially with his reactions to certain revelations in the movie. Ed Harris plays Christof, the show’s creator, and he does well in a nuanced performance. Christof cares about Truman in a way, but at the same time wants to keep the show going, and Harris is great at portraying both sides of him.

Peter Weir directs this movie, and overall he does a great job with it. The production design is nothing short of amazing as the entire city in Truman’s world gives off a feeling of being artificial like a television set, while still having a certain realism to it. It’s also well shot, with the cinematography also makes great use of camera angles by capturing the events from different point of views. The editing keeps the drama flowing smoothly, and music also makes its presence felt from time to time.

Whether you place it in the category of comedy, sci-fi, drama or all of them at once, The Truman Show is a great film. It’s an entertaining and funny, yet heartfelt take on the absurdity of reality television and human nature, and is equally effective as a meditation on the various themes it deals with. If you haven’t already, definitely check out The Truman Show as soon as you can, it’s definitely worth it.

Snowpiercer (2014) Review

Time: 126 Minutes
Age Rating: Violence
Cast:
Chris Evans as Curtis Everett
Song Kang-ho as Namgoong Minsoo
Ed Harris as Wilford
John Hurt as Gilliam
Tilda Swinton as Minister Mason
Jamie Bell as Edgar
Octavia Spencer as Tanya
Ewen Bremner as Andrew
Go Ah-sung as Yona
Director: Bong Joon-ho

Set in 2031, the entire world is frozen except for those abroad the Snowpiercer. For seventeen years, the world’s survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis (Chris Evans), a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway.

Snowpiercer was the first movie from Bong Joon-ho that I saw, which was quite a while ago. Having watched all his other movies, it made me want to go back to this one, and it’s even better on a second viewing. The release of Snowpiercer wasn’t as large as it should’ve been, which is a shame, because had it been given a proper release it would’ve been a massive hit among everyone sooner. It’s a fantastic film that is worth seeing.

Snowpiercer is a very thematic movie about class, and there are a lot of parallels throughout. A lot of it isn’t particularly subtle but this doesn’t bother me at all however, movies being blatant with its themes aren’t inherently bad, and Snowpiercer does go deeper than just leaving it at “rich people bad, poor people good”. At around 2 hours long, the movie held my attention quite well. It’s much more focussed on the story, ideas, characters and themes over the spectacle and visuals (even those are impressive too). At first it’s a straightforward story, a group of people at the back end of the train want to get to the front of the train, and it doesn’t get much more complicated than that. However, there’s more going on, and the latter half of the movie sort of abandons the action movie energy from the first half for something much more intellectual and ambiguous, and I liked that too. Snowpiercer also feels very fresh, creative and original, and you can’t really compare it to any other sci-fi film, even though it’s not an entirely original film as it was based off a graphic novel (which I don’t think was that well known). The ending, as in the very last scene of the movie, was fine enough but I felt like it was missing something.

This had a large cast, and all of them perform greatly, but there were three performances that stood out most. Chris Evans gives probably the best performance of his career in the lead role, as a much darker and conflicted character compared to most of the others that he plays, I’d like to see him more in roles like this. Song Kang-ho is here in his 3rd collaboration with Bong Joon-ho, and as usual delivers a solid performance. Tilda Swinton is the other standout as another transformative and unrecognisable character, and shined in her screentime in a over the top and gloriously hammy performance. The rest of the supporting cast with Go Ah-sung, Jamie Bell, Ewen Bremner, John Hurt, Octavia Spencer and Ed Harris also delivered some solid performances on their parts.

We all know that Bong Joon-ho is a great director but he’s particularly great here, and his transition to movies in English was impressive. Taking away the fact that this movie is mostly in English, this doesn’t feel like an American blockbuster, especially when it comes to the action. It’s brutal, stylised, and was all around great and satisfying. It’s also visually stunning, the visual effects and cinematography were outstanding, and the attention to detail with the production and costume designs were top notch.

Snowpiercer is one of my favourite movies from Bong Joon-ho, and he’s made some fantastic films. His direction was reliably exceptional and was key to making it work as well as it did. Add on top of that the work of the cast and a story and world I was engaged with throughout, and you have an outstanding sci-fi movie. Definitely watch it if you haven’t already.

Run All Night (2015) Review

Time: 114 Minutes
Age Rating: Contains violence, offensive language & drug use
Cast:
Liam Neeson as Jimmy Conlon
Joel Kinnaman as Mike Conlon
Ed Harris as Shawn Maguire
Common as Mr. Price
Vincent D’Onofrio as Detective Harding
Boyd Holbrook as Danny Maguire
Bruce McGill as Pat Mullen
Genesis Rodriguez as Gabriela Conlon
Director: Jaume Collet-Serra

Professional Brooklyn hitman Jimmy Conlon (Liam Neeson) is more commonly known as THE GRAVEDIGGER. Jimmy was a mob hit-man, who was best friends with his boss Sean Maguire (Ed Harris). But when Jimmy’s son, Michael (Joel Kinnaman), is marked for death by the mob, Jimmy must go up against Sean to protect Michael at all costs. Together, he and Michael must avoid corrupt cops, contract killers and the mob to survive the night.

Run All Night was a movie that interested me because of Liam Neeson’s involvement, but having actors like Ed Harris and Jaume Collet-Serra (the director of Unknown and Non Stop both pretty good Liam Neeson movies) did help as well. Out of the three movies that the director and Neeson had worked on (that I’ve seen, I haven’t seen The Commuter yet), this film is probably my favourite. It felt more placed in the real world (in comparison to the director’s previous movies), the action was great, the cast were quite solid in their roles and it really kept my attention all the way through. It’s not a fantastic action movie but it is an entertaining movie that is worth watching if you have the time.

The mostly story takes place all night (as you can probably tell from the title) and it does well in making it really feel like it. The plot is straightforward enough, not complicated but not mindless either. It’s got some little surprises which are some good surprises. It also felt relatively grounded compared to previous collaborations between Neeson and Collet-Serra (especially Non Stop). The pacing was done well, though it really picks up after Neeson’s character kills Harris’s son’s character. The movie does get better as it moves along more. There’s not much to really say about the plot to be honest.

Liam Neeson is really good, granted he could play this role in his sleep. I like the fact that he’s not playing a very moral character like in some of his other action movie roles. He’s a drunk, he’s a criminal and that was very refreshing to see, with it not just being a rehash of Liam Neeson – Action Hero. Ed Harris proved to be a great antagonist, he like a lot of his other villains has real motives and he makes everything believable and not cartoonishly evil. Both Neeson and Harris seem like they have a history, which was important to capture as that comes into play a lot in the movie. Joel Kinnaman was also really good in his role. He shared great chemistry with Neeson, and really seemed to have an estranged relationship. I also really liked Common here, he plays an assassin that Ed Harris hires at a point in the movie. I do feel like he was underused, he was only in a few scenes of the movie but he was good when he was on screen.

I liked that Run All Night decided to go with an R rating, considering the last 2 Neeson and Jaume Collet-Serra collabs have been M/PG-13. The overall direction of Run All Night overall was quite good, the movie has a good look to it. The action scenes are great and quite violent at times, which really worked with the dark and realistic tone that the film was going for, but at the same time isn’t trying too hard to make the movie completely realistic, it still knows what type of movie it is.

Although the film isn’t a must see and isn’t one of the all time best crime thrillers in recent years, I do recommend checking it out. The action is solid, the cast are good in their roles and it does keep your attention and is entertaining from start to finish, it’s not a simple action flick with no substance but it also knows what type of movie it is. If you like a lot of the Neeson flicks, I have a strong feeling that you’ll like it as well.

Mother! (2017) Review

Time: 121 Minutes
Age Rating: Contains violence, horror, cruelty, offensive language & content that may disturb
Cast
Jennifer Lawrence as Mother
Javier Bardem as Him
Ed Harris as Man
Michelle Pfeiffer as Woman
Domhnall Gleeson as Oldest Son
Brian Gleeson as Younger Brother
Director: Darren Aronofsky

A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Mother was gaining my attention with every passing day. It is directed by Darren Aronofsky and stars talented people like Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer, so it definitely had a lot of potential. My interest levels only increased when I heard the response to this movie, that being incredibly divisive and polarising. People either loved it or hated it. As for me when I finally saw it… I kinda loved it. With that said, I can perfectly understand the people who really dislike it. Calling Mother ‘not for everyone’ would be an understatement.

First thing I want to get this out of the way, don’t watch the trailer. The trailer makes Mother look like a straight up horror movie, but the actual movie is nothing like the trailer. It’s a little difficult to describe what kind of movie it is. I can’t even pin it down to one genre, I guess perhaps horror but even then it doesn’t go to that level until the third act. I can’t really go into detail about my interpretation about the story because that would be spoiling things, so I’ll just have to be vague when describing it. All I can say is that there is some religious/biblical allergories that Aronofsky put into the movie, and if you don’t pick up any of them, you will be completely lost. The pacing was slow but I never felt bored, I was always intrigued as to what was going on and trying to figure out what this movie is actually all about. However if you aren’t invested in what is going on (or aren’t able to pick up anything that Aronofsky might be going for), this is going to be a very long drag for you. As I previously said, this movie is very allegorical and metaphorical, it’s not a good idea to go in expecting a conventional story. The third act is where it goes into absolute insanity, by this point, you’d probably realise that this isn’t a conventional story. I’m not going to act like I understood everything, a lot of it I did and I thought it was notably done by Aronofksy. There are some hidden meanings and unresolved aspects that I’m still not certain about, especially the ending. I have a feeling that more rewatches will clarify what this movie is about (though to be honest its going to be one of those sparingly done rewatches). Fun fact, Darren Aronofsky wrote this screenplay in 5 days and it kinda shows. This movie does seem more Aronofksy wanting to deliver a message than an normal movie and while its not necessarily a bad thing, but I can see how this can annoy some viewers.

There’s not really much to say in terms of characters as they seem to be more representative of ideas, and I can’t go into my thoughts on that because that would of course be in spoiler territory. But I can say that the acting across the board is great. This is one of Jennifer Lawrence’s best performances, we really see the movie from her perspective and we relate to her because they are having the same reaction as the audience, completely and utterly confused at what’s going on. She has to deal with a lot of things and Lawrence delivered that greatly. Javier Bardem is also great, as usual he’s a significant screen presence and for what I think he represents, we was perfect for it. The supporting cast we don’t see a whole lot of, but they do great to make themselves memorable. Ed Harris is good, showing a vulnerable side to him that we don’t usually see from his performances. Michelle Pfeiffer is also fantastic, stealing the scenes that she’s in. The Gleeson brothers (Domhnall and Brian) also show up briefly and despite their short appearances managed to do so much with their performances.

Darren Aronofsky’s direction was a bit interesting. The camera most of the time follows and focuses on Jennifer Lawrence, whether that be up close on her face or over her shoulder. While I get why this was done as it helps highlight how she feels as the movie progresses, at times it can be a little annoying and overused. It does help convey a feeling of claustrophobia however, which helps with the uncomfortableness factor that Darren Aronofsky was going for. Apparently the soundtrack is done by Jóhann Jóhannsson but it honestly doesn’t sound like there was a soundtrack. The sound design however was done very well. Aronofsky also does well to convey a sense of uneasiness, even in just the first two acts, you know that something is not right but you don’t know what it is. As for the disturbing levels of this movie, most of it actually happens in the last act and while most of it is appropriate for the story, there is one moment, really one shot that felt completely unnecessary. They really didn’t need to show that and it felt like it was used for shock value rather than having any form of meaning, which the film for the most part seemed to do. It doesn’t ruin the movie but it does stand out in a very bad way.

I can’t guarantee that you’ll like Mother, it is an unusual and bizarre movie, unconventional in both story and direction, I can’t recommend it to everyone. I don’t blame you if you downright hate it. If you don’t like unconventional movies, stories which are allegorical, I actually think you shouldn’t watch it, because its unlikely that you’ll like it to be honest. Even if you’re fine with those movies I can’t guarantee that you’ll like it. You’ll just have to see for yourself, if you are willing to take the risk. It seems like you’ll either love it or hate it. For me though, it only gets better the more I think about it. Everything from the performances to the unique story is so great and special. This is to me is one of the best films of the year. This is one thing I can say, this is a movie that people will be talking about for a long, long time.