Alice Doesn’t Live Here Anymore (1974) Review

Time: 112 Minutes
Age Rating:
Cast:
Ellen Burstyn as Alice Hyatt
Alfred Lutter as Tommy Hyatt
Kris Kristofferson as David
Diane Ladd as Florence Jean Castleberry
Jodie Foster as Audrey
Harvey Keitel as Ben
Director: Martin Scorsese

When Alice Hyatt (Ellen Burstyn) is suddenly widowed after years of domesticity, she decides to travel to Monterey, California with her 11-year-old son Tommy (Alfred Lutter) to resume a singing career. In Phoenix, Arizona she gets a job singing at a piano bar and begins a relationship with Ben (Harvey Keitel), who turns out to be married and a spouse abuser. In Tucson, she puts her dream of singing on hold and becomes a waitress. She meets a farmer, David (Kris Kristofferson), and begins to think about a new life of domesticity.

Fresh off the success with Mean Streets, Martin Scorsese would take on a different kind of movie that he’s not typically known for with Alice Doesn’t Live Here Anymore. It’s a genuine family drama that’s well written and directed, with the excellent lead performance from Ellen Burstyn that ties it all together and makes it all work.

The script by Robert Getchell was really great. The plot follows Alice and her son as they go from place to place. The plot meanders for sure, and occasionally it may have the odd section not being that interesting but otherwise I was generally invested throughout. There is plenty of emotion packed into this movie, but it’s delivered in a way that feels gritty and genuinely real. The more humorous moments bar a number of gags surrounding one character also fit in well with the movie. It is a movie where you just watch the main characters live their lives, and most of it held my attention.

Alice Doesn’t Live Here Anymore is really Ellen Burstyn’s movie as the titular character. She is great and although I haven’t seen a ton from her, I think it would have to be one of her best performances. The film gives Alice a ton of depth throughout the plot, and she’s very easy to like and understand over the course of the whole movie, especially given everything she has to handle and deal with. This remains the only female led Scorsese film to date, and given how well this turned out, I’d like to see him do another. Alfred Lutter is Alice’s son Tommy, and I’ll just go ahead and say that he’s one of the most annoying child characters I’ve seen, but I guess he was intentionally annoying. They are convincing as mother and son and share great chemistry together. The rest of the cast play much smaller roles but their strong and memorable and work well in the movie. Diane Ladd plays a waitress who provided a lot of effective comic relief whenever she was on screen. Harvey Keitel also has a small role as a man who Alice becomes interested in at an early point, he’s good as always and especially great and very intense in his last scene. Kris Kristofferson also added a lot to the movie when he came on screen in the latter half of the movie. You even get Jodie Foster in a minor role here before she starred in Scorsese’s Taxi Driver. There are only couple of weak links when it comes to the characters. One is the husband character at the start of the movie, you don’t really like anything about him and then he just dies. I know that Scorsese originally had a longer cut where it fleshed him out more beforehand, but given that the movie is about the mother and son dynamic really, I guess maybe it’s just better how it is. There’s also another waitress character used for comedy in Valerie Curtin’s character, but she’s just used as the butt of so many jokes and it just really didn’t work. She didn’t even really feel like a character and they could’ve done without creating so many unfunny jokes scenarios surrounding her, it distracted more than anything and belonged in a way worse movie than this.

With this movie being a family drama, Martin Scorsese’s direction doesn’t really provide many opportunities to be showy, but it’s still great and fittingly restrained. There were even some shots, camera movements and editing choices at times that you really noticed and helped make the scenes even better. He really captured the story very well.

Alice Doesn’t Live Here Anymore is a solid family drama, with the performances being the highlights, especially from Ellen Burstyn. Now if you were starting off with the aim of watching a bunch of Martin Scorsese movies, I wouldn’t necessarily say to start with this one. However in any circumstance, I do think it’s worth watching, even just on its own. It’s one of his overlooked movies that definitely should be getting a lot more attention.

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Joy (2015) Review

Time: 124 Minutes
Age Rating: Offensive Language
Cast:
Jennifer Lawrence as Joy Mangano
Robert De Niro as Rudy Mangano
Edgar Ramirez as Tony Miranne
Diane Ladd as Mimi
Virginia Madsen as Terri Mangano
Isabella Rossellini as Trudy
Bradley Cooper as Neil Walker
Director: David O. Russell

A story of a family across four generations, centred on the girl who becomes the woman (Jennifer Lawrence) who founds a business dynasty and becomes a matriarch in her own right. Facing betrayal, treachery, the loss of innocence and the scars of love, Joy becomes a true boss of family and enterprise. Allies become adversaries and adversaries become allies, both inside and outside the family, as Joy’s inner life and fierce imagination carry her through the storm she faces.

Joy was a movie which didn’t initially interest me because its premise wasn’t very interesting but its cast and its director made me curious about it. Before watching it, I noticed it hadn’t gotten quite the praise that David O. Russell’s previous films have received and had mixed reviews. After seeing it I can say that while it’s not a bad movie, Joy was a little disappointing. The performances, particularly from Jennifer Lawrence was good, the direction was decent and the writing for the character of Joy is good. But the writing for the overall story wasn’t always strong and the supporting characters were too two dimensional, which really brought the movie down.

The plot for this movie was fine, it wasn’t bad, I just wasn’t invested in what was going on as much as I should’ve. The movie is also a little shaky at the start, it didn’t really know how to start off the movie. Eventually the movie did fix itself over time and it knew what sort of movie it was going for. The writing for the character of Joy is great (which elevated Jennifer Lawrence’s performance), the same can’t be said for the other characters. These supporting characters felt too much like movie characters and never did feel like real people, which is a real shame since David O. Russell is usually great at having interesting characters. A lot of the time, many of the scenes with these supporting characters got annoying as they really were just generic movie characters with no real rhyme or reason for their actions.

Jennifer Lawrence as Joy is definitely the best part of the whole movie and she had the benefit of having the best interesting writing. Joy is the most complex, interesting, entertaining and likable character in the movie, in fact she’s probably the only likable character in this movie. Even though I had issues with the writing of the characters, the supporting actors like Robert De Niro and Bradley Cooper gave good performances with what they have. It’s just a shame that their characters aren’t as well written as they should be.

Even with all its flaws, one thing I can say is that this film is well directed and the technical side of the movie is pretty good. The look was great and the style was also pretty good and worked for the film, which I think is something that David O. Russell is great at, it’s strange that he couldn’t do that with everything else.

Joy isn’t by any means a bad movie. It does have some good performances, most notably from Jennifer Lawrence but the writing was quite flawed, not as interesting as it should be and had very underdeveloped and surprisingly one dimensional supporting characters. It is a little disappointing considering that I loved Silver Linings Playbook and American Hustle, both of them previous David O. Russell, Jennifer Lawrence, Bradley Cooper and Robert De Niro collaborations. I will say that if you’re going to see this movie watch it for Jennifer Lawrence’s performance, because the movie on the whole is quite flawed.