Bill and Ted Face the Music (2020) Review

Time: 91 Minutes
Age Rating:  Violence & coarse language
Cast:
Keanu Reeves as Theodore “Ted” Logan
Alex Winter as William S. “Bill” Preston, Esq.
Kristen Schaal as Kelly
Samara Weaving as Theadora “Thea” Preston
Brigette Lundy-Paine as Wilhelmina “Billie” Logan
William Sadler as the Grim Reaper
Anthony Carrigan as Dennis Caleb McCoy
Erinn Hayes as Princess Elizabeth Logan
Jayma Mays as Princess Joanna Preston
Hal Landon Jr. as Captain Jonathan Logan
Beck Bennett as Officer Deacon Logan
Kid Cudi as himself
Amy Stoch as Missy
Holland Taylor as The Great Leader
Jillian Bell as Dr. Taylor Wood
Director: Dean Parisot

The ruler of the future tells best friends Bill (Alex Winter) and Ted (Keanu Reeves) they must compose a new song to save life as we know it. But instead of writing it, they decide to travel through time to steal it from their older selves. Meanwhile, their young daughters devise their own musical scheme to help their fathers bring harmony to the universe.

I watched the first two Bill and Ted movies (and rewatched in the case of Excellent Adventure) recently, they were quite enjoyable if flawed movies from the 80s and 90s. With the third instalment released in 2020, I was wondering about how it would be. With an almost 30 year gap since the previous movie, I had no idea how it would turn out, especially as those movies felt like they were very much of their time. Bill & Ted Face of the Music actually turned out to be pretty good, and better than I was expecting.

There is a worry about reboots (even though it’s the third instalment here), especially with franchises where the last movies came out a long time ago. You’d expect that it would just retread familiar territory and be a cash grab ultimately. However it captures the charm of Bill & Ted, while providing enough stuff to make it fresh and unique on it’s own right instead of just rehashing the first two movies. It not only delivers on the original’s heart and spirit, it also pushes the story further, more than I expected it. It keeps the DNA of the original two movies intact but have an incredibly heartfelt story to go with it. Like with the past movies, they are at the right length at 90 minutes, is very fast paced, and it just really works well. It’s also got quite a lot of good humour that works quite well.

Alex Winter and Keanu Reeves reprise their iconic roles of Bill & Ted, and even after nearly 30 years later, they still have the charisma and chemistry which made the characters so great in the first place. They aren’t the only main characters in this movie, there’s also Samara Weaving and Bridgette Lundy-Paine who play Bill & Ted’s daughters. Their dynamic was also great and they embody that same spirit of their fathers, and it’s great when they are all together onscreen. William Sadler return as Death from Bogus Journey, once again he stole every scene he was in. The rest of the cast are good too, Anthony Carrigan was also a standout among the supporting cast.

Bill & Ted Face the Music is directed by Dean Parisot, the direction is serviceable and is good enough for the movie to work. The visual effects in the first two movies weren’t that good, and that’s mostly because of it being the 80s and 90s so they can still be enjoyable in a cheesy sort of way. While the effects here are a little better, they are a bit average, and the colour palette overall is rather drab and boring at times. The composed music is also rather standard blockbuster music, which pales in contrast to the previous soundtracks.

Bill & Ted Face the Music was quite enjoyable for me, capturing the charm and fun of the first two movies while feeling updated for today in all the right ways. If you didn’t like any of the other Bill & Ted movies, it’s not worth checking out. However as someone who does like the movies, I was pleasantly surprised by it, it really was a fitting conclusion to this trilogy. If you haven’t watched any of the Bill & Ted movies, I at least recommend giving Excellent Adventure a viewing, it’s a classic for a reason.

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