Tag Archives: Clémence Poésy

Tenet (2020) Review



Time: 150 minutes
Age Rating: 860940[1] Violence & offensive language
John David Washington as the Protagonist
Robert Pattinson as Neil
Elizabeth Debicki as Kat
Dimple Kapadia as Priya
Clémence Poésy as Laura
Aaron Taylor-Johnson as Ives
Michael Caine as Sir Michael Crosby
Kenneth Branagh as Andrei Sator
Director: Christopher Nolan

A secret agent (John David Washington) embarks on a dangerous, time-bending mission to prevent the start of World War III.

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Tenet was one of my most anticipated films of 2020. It had a cast with the likes of John David Washington, Robert Pattinson, Elizabeth Debicki and Kenneth Branagh, the trailers looked incredible, but most of all, it was Christopher Nolan’s next film. Nolan is one of my favourite directors, an incredibly creative and visionary filmmaker, all of his movies are good, and almost all of them are at least great. However there was another layer of anticipation, with this being the first movie to be released in cinemas since March ever since the pandemic started, this was actually the first time I’ve watch a movie in theatres since February. Tenet was the movie meant to bring people back to the theatre. It lived up to all the hype and was quite an incredible experience, it’s for sure one of my favourite films from Christopher Nolan, and that’s saying a lot.


For those worrying about spoilers, don’t worry, I won’t give anything critical away. At most I’ll refer to what was only in the trailers, which already do a good job at keeping a lot of the plot hidden. Tenet is probably Christopher Nolan’s most complex movie, and that is saying a lot. There’s a line from Clemence Poesy’s character to John David Washington’s character, “Don’t try to understand it, feel it”, and that idea is pretty much key to watching this movie. If you get too caught up with what you don’t understand, you won’t enjoy much of the rest of the movie, and will probably have a harder time getting what’s going on. The script by Christopher Nolan is fantastic, there’s a lot happening and really keeps you engaged from beginning to end, never letting go of your attention.


At its core, Tenet is a spy and espionage movie that happens to have a science fiction element, kind of like how Inception is a heist movie. Time has played a big part in many of Nolan’s movies, with the events in Memento being played backwards, Dunkirk taking place at different time settings and over different frames of time, and even Inception and Interstellar had time playing a big role in their plots. However time is the central theme and focus of Tenet. It’s not a spoiler to say that this movie is not about time travel but rather time inversion, and for the most part I actually got on board with that concept. At first it’s a bit hard to understand it, especially earlier on where you only get a little bit of time inversion in the plot. However as the plot progresses and more is shown and revealed, you begin to understand it more, and I thought it was well handled, especially when it came to the use of exposition. There’s a specific moment layer on where there’s a lot of time inversion and I have to say I was confused as to what was going on, but again I just went with it. It’s definitely a movie that’ll probably improve on repeat viewings. I will admit that I did need to look up some ‘Tenet explained’ articles to get a grasp of some of the things that I missed as I understand more of what’s happening. However I actually understood much more of the movie than I thought I would. One criticism I have for the movie from this first viewing is that it was hard to even hear what was happening, which I’ll get into later on, but those if anything were the things that made it occasionally hard to follow what was going on. Tenet is definitely not one of Nolan’s character driven movie, despite a big cast you only learn about a few of the characters. That wasn’t a dealbreaker for me though, I was still along with the ride. Looking back at it on a whole, the more I think about the movie, the more I love it.


There’s a great cast all around, and all of them perform really well. John David Washington plays the protagonist of the movie, who’s only referred to as ‘The Protagonist’, and he’s really great. Despite not much being known about his character, he brings such an on screen presence on his part and he carries much of the movie. Robert Pattinson was also good as an agent who works with The Protagonist, and Pattinson was particularly great alongside Washington, their on screen dynamic was very entertaining to watch. Elizabeth Debicki also gives a great performance as probably the most layered character of the movie, she’s the emotional core of the story. Kenneth Branagh plays the villain of the movie, it’s a scene chewing yet menacing performance, that really works for the movie. The rest of the supporting cast with the likes of Dimple Kapadia, Aaron Taylor-Johnson, Himesh Patel, Michael Caine, and Clemence Poesy all play their parts well too.


Christopher Nolan directs this magnificently as to be expected. Hoyte van Hoytema’s cinematography is nothing short of fantastic, it’s such a large scale movie. Nolan’s filming of action has been generally criticised (especially in the Dark Knight trilogy). I still liked them, but I can kind of see why, especially when it comes to the stunts. However, I’d say that this is by far the best action that he’s filmed (possibly even more so than Inception). The most impressive aspect of the film on a purely technical and visual level was the time inversion, with everything going in reverse, and it is much more than just reversing the film. Like every other movie he has made, his movies are filmed practically, which made so many of the sequences even more impressive. One of such moments as teased in the trailers was when a real plane was crashed, and while that certainly is a big moment, there’s far more to come which I won’t reveal. There’s so many moments that I just wondered how Nolan pulled off. The time inversion was especially impressive, and the cinematography mixed with the practical effects and stunts come together to form some unforgettable moments. This is the first time since The Dark Knight that Hans Zimmer doesn’t score a Christopher Nolan movie, instead it is Ludwig Goransson composing, and he does a fantastic job. It’s extraordinary and fits perfectly with the movie. This brings me to the sound mixing, it is a very loud movie and it can be a bit overwhelming, but it only bothers me in one particular way. As previously mentioned, I don’t have an issue with the amount of exposition in the film, it’s just that the music and a lot of the other sounds can drown out a lot of the dialogue during these moments and because of that you are sometimes left in the dark about what’s going on (and sometimes it’s simple plot points). Let’s just say that if you watched it with subtitles, you would probably understand a lot more about what is going on.


With Tenet, Christopher Nolan has made another fresh, engaging, complex and spectacle of a film. The cast are great, I loved the plot and ideas presented, and the filmmaking is just on a whole other level. I can only see this improving upon further viewings. It’s an overwhelming and fantastic experience that is best seen in the cinema. At the same time, it’s only worth seeing this in cinemas if you feel safe and comfortable doing so right now in this moment, so if that is the case and the movie is in your area, I highly recommend seeing it.


In Bruges (2008)


In Bruges

Time: 107 Minutes
Age Rating: 860949[1] Violence, offensive language and drug use
Colin Farrell as Ray
Brendan Gleeson as Ken
Ralph Fiennes as Harry
Clémence Poésy as Chloe
Director: Martin McDonagh

Two Irish hit-men; Ray (Colin Farrell) and Ken (Brendan Gleeson) are sent by the Londoner mobster Harry Waters (Ralph Fiennes) to the medieval Belgium city of Bruges in Christmas to await further instructions after an awry job in a London church. While Ken enjoys the historic city, Ray feels completely bored and misses his home. Ray’s disposition changes when he meets Chloë (Clémence Poésy), a young woman who sells drugs on the local set of a movie. Meanwhile Harry, who has a stringent code of principles, gives Ken special orders.

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An incredibly underrated dark comedy, In Bruges is one of the most memorable movies I’ve ever seen. With countless quotable lines, superb writing, brilliant acting and everything else that makes a good movie, it deserves more attention.

In Bruges

One of the main highlights of this movie is the writing, the writing is absolutely brilliant. This movie is a dark comedy and bounces between drama and comedy but what I’m impressed with is how the tone can change without feeling abrupt or forced. For example there is a moment where there is quite a funny scene but it suddenly changes to a serious tone and really grabs the audience’s attention. The tone somehow changes better than you might think it would. There are many lines of dialogue which are very quotable and that right there is a sign of good writing. There are only a few characters the film mainly focuses on but they are very fleshed out and all of them go through changes. One of the things that you have to know going in is that if you look at the poster and the trailer, you are starting to have an idea of what the movie is like. Whatever you are thinking of is not what the film is like at all; the trailer actually makes it look like a Guy Ritchie movie. Know that this is a dark comedy. Also know that the pace is slow, this isn’t a very plot driven movie and mostly follows Ray and Ken, before the second half when the plot starts picking up speed.

In Bruges

All the actors do a very good job. Colin Farrell gives the best performance of his career here. He has such good comedic timing (as did the rest of the actors) but his character also has some deep personal problems he is struggling with. Brendan Gleeson is also great here, providing the moral centre of the story and plays the straight man to Colin Farrell’s character. Ralph Fiennes was fantastic. This isn’t a spoil alert but you only really see Fiennes in the second half of the movie but in the second half, he really puts his talents to good use. The entire cast has many priceless moments, even some of the other cast, especially Jordan Prentice. He plays a dwarf who’s in town to act in a movie filming there. His ramblings in one scene, about a coming race war, are worth the price of admission alone. As I mentioned previously, all of the characters go through changes and all of the actors show this excellently.

In Bruges

Because the film is set 98% in Bruges, the scenery looks beautiful. The cinematography makes good use of this, taking opportunities to show a fantastic location amongst the humour and eventual violence. Also honourable is Carter Burwell’s score which really is well composed.

In Bruges

Overall, In Bruges is an underrated movie which should be noticed more than it has been. Outstanding performances as well as having one of the best written scripts make the movie absolutely fantastic. See it and experience one of the best dark comedies I have ever seen.