Death on the Nile (2022) Review

Time: 127 Minutes
Age Rating: Violence
Cast:
Tom Bateman as Bouc
Annette Bening as Euphemia
Kenneth Branagh as Hercule Poirot
Russell Brand as Linus Windlesham
Ali Fazal as Andrew Katchadourian
Dawn French as Mrs. Bowers
Gal Gadot as Linnet Ridgeway-Doyle
Armie Hammer as Simon Doyle
Rose Leslie as Louise Bourget
Emma Mackey as Jacqueline “Jackie” de Bellefort
Sophie Okonedo as Salome Otterbourne
Jennifer Saunders as Marie Van Schuyler
Letitia Wright as Rosalie Otterbourne
Director: Kenneth Branagh

Belgian sleuth Hercule Poirot’s Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.

I will admit myself as someone who liked Kenneth Branagh’s take on Murder on the Orient Express, even if it had its issues. So I was on board for Branagh’s next adaptation of a Hercule Poirot story with Death on the Nile. I didn’t really know what to expect going in, I just knew of the cast and premise. However it just kept being delayed for a number of years, and I began to lose interest. It finally released and again it opened to mixed reactions and again I enjoyed it, even with its issues.

Death on the Nile isn’t a great detective mystery film, but its pretty good for what it was. For me, the clearest issue was that the death at the centre of the mystery doesn’t happen till the halfway point, whereas in Murder on the Orient Express it happened by the end of the first act. While Death on the Nile gives us a considerable amount of time with the characters before the murder happens especially in contrast to the last movie, it’s a bit too much. There’s a long boat ride before it reaches that one death, and I couldn’t help but feel rather bored. When that death does finally happen, that’s where Death on the Nile really picks up as our lead detective tries to unravel the mystery. I was locked in and interested to see the twists and turns. However, I will say that the climax did feel a bit rushed. Also as someone who hadn’t read the book, with the way its presented in the movie, the twist was very easy to predict. One thing you’ll probably notice when watching the movie is that it might be taking itself a little too seriously. The previous movie also took itself seriously but there was lot more fun to be had with it. Here, it’s pretty dark from beginning to end and I’m not sure it always works, even if there’s little bits of humour. Even the ending was a bit of a downer. There are certainly some strange choices but I kind of admire them in a way. For example, there is an actual origin story for Poirot’s moustache in the prologue that’s played deadly seriously and honestly that could be a litmus test for whether the movie works for you or not. Also, like Orient Express (2017), there’s definitely a lot of cheesy, campy and over the top elements but I enjoyed those, if anything I wished it leaned into those elements more here.

On the whole the cast is pretty good, even if they aren’t as strong as the cast from Murder on the Orient Express. Kenneth Branagh reprises his role as detective Hercule Poirot to perfection, and has great chemistry with the whole cast. Again, he plays the character in a humorous and entertaining way but we also get to see more of his dramatic side here, and Branagh plays it well. The cast of murder suspects are fairly generic here, but the acting was pretty good for the most part. Tom Bateman’s Bouc is the only cast member from the last movie to return outside of Branagh, and he gets even more to do more here. A lot of the cast members were good, with the highlights being Annette Bening, Emma Mackey and Sophie Okonedo. Gal Gadot and Armie Hammer were the worst performers, but they weren’t enough to take me out of the movie entirely.

I liked Kenneth Branagh’s direction of the previous Poirot movie and the same is true with Nile. The cinematography is dazzling and impressive, every shot is colourful and pristine, especially with the scenes on the Nile and on real location. However the CGI is very noticeable and distracting at times, and there is a lot of CGI. Patrick Doyle also returns to do the score and it is good, matching the vibe and setting of the movie quite well.

As someone who liked Kenneth Branagh’s Murder on the Orient Express, I enjoyed his Death on the Nile almost as much. It has a decent cast with an intriguing murder mystery, and a very flashy style that I enjoyed, even if you wouldn’t put it among the best films in its genre. Overall it’s a solid if slightly unremarkable bit of detective fiction. However, I will say that the hour long build up to the central murder really let the movie down quite a bit, but I still enjoyed it for what it was. If you liked Branagh’s last Poirot movie, then I recommend giving his adaptation of Death on the Nile a look.

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The Report (2019) Review

Time: 119 minutes
Age Rating: Violence, cruelty & offensive language
Cast:
Adam Driver as Daniel Jones
Annette Bening as Dianne Feinstein
Jon Hamm as Denis McDonough
Jennifer Morrison as Caroline Krass
Tim Blake Nelson as Raymond Nathan
Ted Levine as John Brennan
Michael C. Hall as Thomas Eastman
Maura Tierney as Bernadette
Director: Scott Z. Burns

FBI agent Daniel Jones (Adam Driver) performs an exhaustive investigation into the CIA’s use of torture on suspected terrorists. In the aftermath of the 9/11 attacks, the CIA adopted new interrogation techniques.

I heard about The Report for a little while, it was about an important topic about the report of the CIA’s use of torture, and had a lot of talented people involved with the likes of Adam Driver, Annette Bening and Jon Hamm. It’s turned out to be quite good and overall well made, if a slightly too procedural.

The Report is a straight forward movie. When it comes to movies based on true events like this, there’s a certain kind of genre where it just seems to give cliff notes of information that could’ve been taken from Wikipedia. The Report is sort of that but out of those types of movies, it does this the best. It keeps you engaged to learn everything that’s happening, at least that’s what it did for me. There’s a lot of information being tossed at you, but even if you don’t remember everything perfectly, there’s enough there that you can grasp what’s going on. As you can probably tell already, it’s not an easy watch by any means, given the subject matter. Even outside the flashback scenes which features some torture, it can be maddening and frustrating hearing about all of what happened, and it’s meant to have you feeling that way. I’m not quite sure that The Report will hold up outside of the first viewing, still well made and all that, but after knowing everything it has to say, there’s not much point watching it again. I guess one problem with this movie is that while you’d expect the movie to not go into too much depth with many of the supporting players, you’d expect something with the lead character, that being Daniel Jones played by Adam Driver. It’s verbally expressed early on that Jones isn’t close with anyone, and you can really tell that he’s really committed to this case, but that’s all we learn from him. Not necessarily a bad thing mind you, they can sort of get away with that given the nature of the protagonist, and it’s not necessarily something that’s bothering you if you’re engaged with the rest of the movie.

The Report has got a great cast who perform very well in their respective roles. Adam Driver continues to prove himself one of the best actors working today. As I said, the movie doesn’t really go into him as a person, but Driver’s acting overcomes that, and once again gives a very strong lead performance. The supporting cast with the likes of Annette Bening, Jon Hamm, Tim Blake Nelson, Ted Levine, Michael C. Hall, Corey Stoll and more all provide good performances too.

I haven’t seen a film from director Scott Z. Burns (he made his last movie over a decade ago, which I haven’t seen), he’s mainly a writer for movies like Side Effects and The Bourne Ultimatum. He’s pretty good as a director, even if he doesn’t really have much of a distinct style. The cinematography is rather basic and not necessarily attractive or stylish, but I guess that fitted the tone and subject matter of the movie quite well.

I wouldn’t say that The Report is a great movie, but it is an important movie for sure. It’s tightly written and directed and features some really good performances from its talented cast. Yes, it’s a ‘cliff notes’ movie, but it’s a very well made cliff notes movie. It gives you a generally good idea of what happened in an interesting and engaging 2 hour long movie. Definitely check it out when you can.

Captain Marvel (2019) Review

Time: 124 Minutes
Age Rating: Violence
Cast:
Brie Larson as Carol Danvers/Captain Marvel
Samuel L. Jackson as Nick Fury
Ben Mendelsohn as Talos/Keller
Djimon Hounsou as Korath
Lee Pace as Ronan the Accuser
Lashana Lynch as Maria Rambeau
Gemma Chan as Minn-Erva
Annette Bening as the Supreme Intelligence/Dr. Wendy Lawson
Clark Gregg as Phil Coulson
Jude Law as Yon-Rogg
Director: Anna Boden and Ryan Fleck

Captain Marvel (Brie Larson) is an extraterrestrial Kree warrior who finds herself caught in the middle of an intergalactic battle between her people and the Skrulls. Living on Earth in 1995, she keeps having recurring memories of another life as U.S. Air Force pilot Carol Danvers. With help from Nick Fury (Samuel L. Jackson), Captain Marvel tries to uncover the secrets of her past while harnessing her special superpowers to end the war with the evil Skrulls.

There’s a lot of hype that was going into Captain Marvel, and there was a lot of potential. On top of it featuring familiar MCU characters like Nick Fury and Phil Coulson a couple decades earlier and featuring the additions of great acting talent with the likes of Brie Larson, Ben Mendelsohn and Jude Law, it is covering a key character in the upcoming Avengers: Endgame. While a lot of the MCU movies follow familiar beats (especially in the trailers), I’m usually hyped for them nonetheless. However when it came to the Captain Marvel trailers, I just felt considerably underwhelmed, which had me a little nervous because usually the marketing for these movies are decent at least, and was starting to wonder whether maybe this movie would be one of the lower tier movies in the MCU. I’m happy to say that the trailers did not do the movie justice. While not groundbreaking, Captain Marvel was quite a lot of fun and was a lot better than what I thought the movie would be.

If you are a fan of the MCU, then you don’t even need to look at my review, go out and see it right now. The first act is a little rough, it’s not bad and the pace is reasonably fast, but it didn’t really have much of my interest. It only sort of picks up as the second act starts, when Captain Marvel arrives on Earth and especially when she starts interacting with Nick Fury. At the halfway point however when certain reveals happen, that’s when the movie considerably improved and I knew that this movie was actually quite good. It’s because of this aspect that manages to separate itself from other MCU origin stories (even though there are some similarities that can be seen). To the movie’s credit, it kept the plot considerably tight. While most of the MCU movie recently have been having runtimes as long as 130 minutes in length, Captain Marvel kept it shorter at 2 hours. While it didn’t have me riveted early in the movie, it felt like every scene here had an actual purpose and moved the plot along. As the movie is in the 90s, there a lot of references to things in the 90s. Most of it was enjoyable but it does occasionally slip into relying on it too much. Another thing I’ve noticed was that this movie tries so hard to link things to the Avengers (in ways that I won’t spoil), many of them are really on the nose but I guess I’ve become used to that after watching 21 of them now. There is one connection which I already know a lot of people don’t like, and while it’s a bit funny, it probably went a little too far and was just silly, and not in a good way. Final note about the story is that it unfortunately feels like a bit of a filler movie. After Infinity War, there needed to be a movie establishing who Carol Danvers is. While they have done that, they really didn’t go further than that. Most of that is to do with the character of Captain Marvel herself, which I’ll get to in a bit. Last thing to say, there was applause at my screening for the opening Marvel credits, and for very good reason. Also be sure to stick around for the mid and post credits scenes.

One of the complaints of the Captain Marvel trailers was that Brie Larson was coming across as being a little bland, and I’ll admit that I could see what they’re talking about. Much like the movie, the trailers really didn’t do her justice because she’s really good here. However, she is a little held back by the writing. Larson performs what she is given and she definitely does well here, very likable and believable enough in the role. However she wasn’t as interesting as I hoped she would be. She was a pretty easy lead to follow and it established her character in a basic way, but it didn’t do more than that, I wasn’t as invested in the story as much as I wanted to be. This is all on the writing however. It works fine enough for her and this movie and isn’t bad by any means. I just have a feeling she’ll be like Thor and Doctor Strange, who were pretty good in their debut appearances in the first solo movies but in later film appearances grew and became much more interesting and better characters. Samuel L. Jackson plays a much younger Nick Fury and actually gets to be one of the main players of the movie, which is nice to see considering that in most of his appearances in the MCU he’s been a supporting role. He’s definitely a very different Fury to what we’ve seen in the past movies but that works for Jackson. The playoff between him and Brie Larson was really entertaining to watch and was among the strongest parts of the movie (no surprise considering how the strongest part of the director’s previous movie Mississippi Grind was the chemistry between the leads Ben Mendelsohn and Ryan Reynolds, they really do well at character interactions). The scenestealer of the whole movie however was Ben Mendelsohn as the lead Skrull. Mendelsohn is no stranger to villainous characters but this is one of his most standout performances and does a lot here (see for yourself why that’s the case). On a side note I thought the handling of the Skrulls was really great (no spoilers). Other supporting members like Lashana Lynch and Anette Benning play their parts. Jude Law was also good here, however I feel like due to his reasonably important role in the movie we should’ve gotten a little more depth from his character. Clark Gregg as Phil Coulson and Lee Pace as Ronan the Accuser were nice to see once again but they really feel just like connectors to the other movies instead of actually having a reason to be in the movie. I mean I guess it made sense showing Coulson given that they are already covering young Nick Fury, but Ronan in this movie could’ve been replaced by any throwaway character, or even just not included in the overall plot.

The only movie I’ve seen from directors Anna Boden and Ryan Fleck was Mississippi Grind, and their work here was mostly good. The action scenes were a bit of a mixed bag, it’s mostly to do for the editing. The editing for the movie in general was good but it was very hit or miss when it comes to the fight scenes. The biggest example is the advertised train battle scene, and yes the editing is as bad as it looked in that one released clip. I don’t remember the editing in the later action scenes being as bad but I don’t remember them much outside of Captain Marvel unleashing her powers (which are done quite well to be fair). The visuals effects on the whole are quite good and the highlights really were Captain Marvel’s powers shown on screen later in the movie. The most impressive visual effects however was the de-aging effects on Samuel L. Jackson, which I’m going to be quite honest, is so far the best de-aging effects I’ve seen in a movie. Sure, we had Blade Runner 2049 and the Ant Man movies, but those were for like two scenes max, and Nick Fury is present for the whole movie. Very impressive work here. While most of the movie takes place on Earth, I do like the little bit we see of the other locations. The makeup and costumes were also great, from Captain Marvel’s outfit to the makeup of the Skrulls (which do actually work a lot better in the film than how they appeared in the images).

Captain Marvel isn’t one of the best MCU movies but it’s still pretty good. It’s a little rocky to start with and it suffers from feeling like a filler movie, like it’s just there to establish the character for Endgame. Despite some of my issues however, I can’t deny that I had an absolute blast watching this, the performances (particularly from Larson, Jackson and Mendelsohn) were really good, and it does some interesting things with the story that I didn’t see coming. Definitely looking forward to seeing Captain Marvel in Endgame and beyond.