White Noise (2022) Review

Time: 136 Minutes
Age Rating: Adult themes
Cast:
Adam Driver as Prof. Jack Gladney
Greta Gerwig as Babette Gladney
Don Cheadle as Prof. Murray Siskind
Raffey Cassidy as Denise Gladney
Director: Noah Baumbach

College professor Jack Gladney and his family’s comfortable suburban life is upended when a nearby chemical leak causes “The Airborne Toxic Event,” releasing a noxious black cloud over the region that forces the Gladney family to evacuate.

I had been hearing about White Noise, Noah Baumbach’s next movie which would star Adam Driver and Greta Gerwig. From brief glances, it looked a little weird and I didn’t pay attention to it much. However, it seemed to be having some split reactions from audiences and I was curious enough to check it out for myself. It surprised me and I’m glad I decided to watch it.

White Noise is based on a novel of the same name from Don DeLillo, and I read some comments from people who read it saying that it was near impossible to do an film adaptation for it. I’m not familiar with the book so I can’t comment on that, but clearly Baumbach had a specific angle with how to adapt it, especially with how off kilter it is. It is definitely an ambitious film and takes a lot of risks. White Noise is one of those movies where you’ll figure out if you like it within the first 10 minutes, it is firmly in the “not for everyone” camp. It is a difficult movie to explain; it starts out with an initial plot focussing on a family’s lives being disrupted by an airborne toxic event, but that’s just the start, and the plot isn’t really consistent. As I started the movie, I found it to be very messy, absurd and strange; it was perplexing and I had no idea where it was going. However, there was something intriguing, unpredictable and exciting about it that had me curious enough to see where it would go, and I got more into it than I was expecting. I’m not quite sure I understood everything that it was going for, but I got the main points of the story, and I’m sure things will be clarified upon rewatch. It begins as a pure satire before evolving into being more character focused. The first thing you’ll probably notice about White Noise is the dialogue, which will probably make or break the movie for some people. The dialogue is strange, overwritten and overintellectual, that paired with the line deliveries makes it feel unnatural. It’ll particularly throw you off if you’re familiar with Noah Baumbach’s other movies, which had otherwise very naturalistic dialogue. However, it is intentionally written and delivered this way, and eventually I got used to it. There really is a mix of tones throughout, jumping between different genres over the 2 hours and 15 minutes runtime. As a dark comedy it is very off kilter and dry, and I found it quite funny. It also gets dark at points, mainly towards the end of the movie, to the point where it leans towards thriller in the third act. This might also throw people off since it is so different from the previous two acts, but it worked for me. There are plenty of themes at play, including existentialism, mortality, modern anxieties and especially fear of death. Some ideas aren’t as expanded on or fleshed out as they could’ve been, but not doubt they are conveyed better in the book.

The film benefits from a strong cast who deliver in their roles. Adam Driver plays the main character; it’s a difficult role to pull off, but he is fantastic here, particularly nailing the dry humour. I think this is up there as one of his best performances. Greta Gerwig is great too, especially in the latter portions of the movie. The actors who play Driver’s children including Raffey Cassidy are also on point. The rest of the cast are good, Don Cheadle is also excellent in a supporting role and is a scene stealer.

One of the more surprising aspects was Noah Baumbach’s direction. From the movies I’ve seen of his, his directing is good, but usually just works to serve the performances and writing. With White Noise however, there is a very distinct style that really added to the film. Noah is working with a bigger budget, and you can feel that throughout. Baumbach does very well at getting the right feelings through visuals alone. There’s a lot in that which feels off kilter, everything is too colourful including the production design, and much looks artificial and unnatural (deliberately so). The cinematography is great, visually stunning and remarkable at points. There are some very stellar and wonderfully filmed sequences, a standout being during the credits. Finally, the score from Danny Elfman is great and really adds a lot to the atmosphere.

White Noise is a darkly humorous, absurdist, satirical, and wonderfully weird dramedy, with fantastic performances especially from Adam Driver, Greta Gerwig and Don Cheadle. It’s definitely one of the more unexpected and surprising movies from 2022. I admit that there’s a lot that I didn’t understand and much of my liking of it comes from its boldness and uniqueness. Still, the end result just seemed to work for me. It is both awesome and funny that Netflix actually decided to finance such a strange and polarising film, however it is definitely not for everyone. Still, it worked for me, and I am really looking forward to rewatching it.

Advertisement

House of Gucci (2021) Review

Time: 129 Minutes
Age Rating: Violence, offensive language & sex scenes
Cast:
Lady Gaga as Patrizia Reggiani
Adam Driver as Maurizio Gucci
Jared Leto as Paolo Gucci
Jeremy Irons as Rodolfo Gucci
Salma Hayek as Giuseppina “Pina” Auriemma
Al Pacino as Aldo Gucci
Jack Huston as Domenico De Sole
Director: Ridley Scott

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge — and ultimately murder.

House of Gucci was one of my most anticipated films of 2021. It would be one of two Ridley Scott films coming that year (this and The Last Duel), it would have a large and talented cast with the likes of Lady Gaga, Adam Driver, and Al Pacino, and it would be about the Gucci family, which was something I didn’t know much about. It certainly had the potential to be one of Scott’s best, and while I wouldn’t go so far to call it that, I do think it’s quite good.

The story was intriguing, I didn’t know where it would go outside of some key moments. Essentially its about a rich family at war with itself, and it was interesting seeing the scale and progression of everything. Something you will have to know early on is that the movie is definitely campy and silly, its over the top and occasionally leans into soap opera and melodrama. This joyful campiness might not work for everyone, but I thought that it made the movie more fun to watch. I do feel like it couldn’t seem to fully decide whether it was going to be a serious drama or a campy comedy, and it mostly jumps between the two throughout. I think that the movie would’ve been better served by leaning more into the camp elements (like many of the performances do, mainly Gaga’s and Leto’s). It is a very long movie at 2 hours and 40 minutes and honestly I think it would’ve been better if it was longer, I am hoping for an extended/director’s cut from Ridley Scott in the future (since he’s known for them). The pacing is definitely steady and slow, there is a lot to cover (literal decades) and it builds up gradually over time. Sometimes the focus on particular elements was a little messy. It feels like it skips over some very important moments that would’ve helped to make the story make more sense. I did need to look up online about the real story so that I could get some context and understand some things. It also felt surprisingly very abrupt at the end, especially with how slow the film takes its time. It definitely would’ve benefitted by the third act being at least 20 minutes longer.

One of the things most known about House of Gucci are the big names involved, and they are all good in their parts. Lady Gaga is great in the lead part of Patrizia Reggiani, she really gets into her role and shows a wide range of emotions throughout the whole film. She gets plenty of opportunities to chew the scenery and shines in all her scenes. Adam Driver is reliably good and relatively restrained, Al Pacino is great, Jeremy Irons is in less scenes than many of the other actors, but he’s really good in his scenes. The most divisive performance is probably going to be that of Jared Leto. He is sporting a lot of prosthetics to make himself unrecognisable, and has a very over the top Italian accent. He is very much the comic relief of the film, and in a way his ridiculous performance really works for the campy nature of film. The scenes between him and Pacino were particularly great. Other actors like Jack Huston and Salma Hayek also bring it to their respective parts.

The direction by Ridley Scott is reliably great, and he provides the style that this film needs. It’s fantastically shot, and the production design and costumes are incredible as to be expected. The score from Harry Gregson-Williams and the soundtrack choices were great.

The reaction to House of Gucci has certainly shown the movie as being divisive amongst a lot of people. It does have its issues, it could’ve been longer to flesh out some elements, and the movie would’ve benefitted from leaning further into the campier elements. On the whole though, I was engaged with the story, Ridley’s direction was solid, and the performances were great. So I think it is at least worth checking out.

The Last Duel (2021) Review

Time:  153 minutes
Age Rating: Graphic violence, sex scenes, offensive language, rape & cruelty
Cast:
Matt Damon as Sir Jean de Carrouges
Adam Driver as Jacques Le Gris
Jodie Comer as Marguerite de Carrouges
Ben Affleck as Count Pierre d’Alençon
Director: Ridley Scott

Jean de Carrouges (Matt Damon) is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris (Adam Driver) is a squire whose intelligence and eloquence makes him one of the most admired nobles in court. When Le Gris viciously assaults Carrouges’ wife (Jodie Comer), she steps forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.

The Last Duel was a movie I was looking forward to. It’s a medieval drama directed by Ridley Scott, and Ben Affleck and Matt Damon would be involved with writing the script (their first writing collaboration since Good Will Hunting) along with being some of the main actors alongside Adam Driver and Jodie Comer. The only issue going in was the premise of the movie, and it seemed like it could be completely mishandled, especially with the topic of rape being front and centre. It was a lot better than I was expecting, and I’d even consider The Last Duel to be one of my favourite movies of the year.

The writing from Nicole Holofcener, Matt Damon, and Ben Affleck is great. First of all, the plot structure of the script is worth mentioning. This movie has been compared to Rashomon for good reason, we see much of the events of the plot from three different perspectives. The first segment follows Jean (Matt Damon), and for me this was the weakest segment. In all fairness it did have a lot working against it. It felt awkward as it’s the first perspective we see, it is setting up and establishing a lot of characters and the setting, it’s a bit slow, and it’s not as interesting as the other sections. I do feel that it would probably improve on rewatches, but then again, most people who watch this movie won’t be particularly inclined to watch it again. It’s when you get onto the second segment following Jacques (Adam Driver) where it really picks up, as it adds more layers to the events and overall story. It’s at that point that you realise that some of the events in that segment differ from Jean’s perspective, some subtle, some major, whether it be the performances or the dialogue, and it’s cleverly done. The second and third segments also sometimes repeat scenes but its usually to show the differences, and as a result they are much better paced and more interesting. However what makes the movie work is the third segment, following the perspective of Marguerite (Jodie Comer). That’s the section where everything comes together. First of all, I like how they establish that Comer’s perspective isn’t just her perspective, but also the absolute truth of what happened. It’s by far the most emotional and impactful segment of the film. Everything becomes clear, it displays the pride and the ego of the two duellists, and shows everything that Marguerite had to go through., The Last Duel is about rape, sexual assault and misogyny, and that by itself makes it a hard movie to watch (and you do see a rape scene in the second and third perspectives), but for what it’s worth, I thought that these tough subject matters was handled carefully. Despite building towards it the whole film, the titular duel is not portrayed as a glorious battle, in the context it is shown as two men really battling over their pride and egos. This movie is long at 2 hours and 30 minutes, and I thought that it earns its long runtime and uses it very well.

The acting is great, and everyone does well at playing their parts. First and foremost, this is Jodie Comer’s movie. It might not feel that way at first in the first two segments. However when it gets to her segment, she is incredible and delivers a really powerful performance. Matt Damon and Adam Driver play the two duellists. Out of the main 4 actors, Damon is probably the weakest and most out of place in the film, but I still think he was good (questionable accent aside). Adam Driver is great as always and was very convincing in his part. A scene stealer is surprisingly a blonde Ben Affleck in a supporting role as a count. He’s really funny and memorable and injects a lot of humour into this movie in his screentime.

Ridley Scott directs this film really well but that’s to be expected, it’s certainly strong on a technical level. The cinematography is beautiful and fitting for the tone of the movie. I was particularly impressed with the editing, mainly with how they portrayed the repeated events from different perspectives. The production design and costumes are effective and authentic, placing you right in the time period. There are battle scenes outside of the whole final duel which they are excellently brutal and grimy, probably the most graphic battle scenes that Scott has ever done. However its clear that most of these are only there long enough to establish that the battles happen, with most of them lasting 1-2 minutes. When it does come to the final battle, it is truly tense, brutal and fantastically done. From the choreography to the camerawork, it ends the film on a really high note. The music from Harry Gregson-Williams is also solid, really fitting the movie.

An amazing, dark, brutal and uncomfortable medieval drama, The Last Duel was way better than I thought it would be. The script is great with an effective narrative structure, it is directed incredibly well, and features some outstanding performances, especially from Jodie Comer. It is definitely not an easy movie to watch by any means, and isn’t one of Scott’s most rewatchable movies. However, it is great and along with it being one of 2021’s best, I think I consider it to be one of Ridley Scott’s all-time best films. It’s unfortunate that it seems to be bombing at the box office, I do really think it is worth checking out if you haven’t already.

Star Wars Episode 7: The Force Awakens (2015) Retrospective Review

Time: 135 Minutes
Age Rating: Science Fiction Themes and Violence
Cast:
Harrison Ford as Han Solo
Mark Hamill as Luke Skywalker
Carrie Fisher as General Leia Organa
Adam Driver as Kylo Ren
Daisy Ridley as Rey
John Boyega as Finn
Oscar Isaac as Poe Dameron
Lupita Nyong’o as Maz Kanata
Andy Serkis as Supreme Leader Snoke
Domhnall Gleeson as General Hux
Anthony Daniels as C-3PO
Peter Mayhew as Chewbacca
Max von Sydow as Lor San Tekka
Director: J.J. Abrams

A scavenger (Daisy Ridley) and a renegade stormtrooper (John Boyega) enlist the help of legendary smugglers/freedom fighters Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) to transport a droid carrying information regarding the whereabouts of long lost Jedi Master Luke Skywalker (Mark Hamill) to General Leia Organa (Carrie Fisher) of the Resistance before it falls into the hands of Kylo Ren (Adam Driver) and the First Order.

Star Wars Episode 7: The Force Awakens was one of the most anticipated films of all time. After Disney bought the rights to Star Wars, they started on making a new trilogy, and people were looking forward to seeing new movies. While there’s certainly a lot of divisiveness about the sequel trilogy now, I think most people generally liked The Force Awakens, and I’m still one of those people. As a ‘soft reboot’, this is the best this movie could’ve possibly been, and it succeeded very well as that.

To get this out of the way, yes, The Force Awakens is very derivative of A New Hope, and most of its plot points are very similar, but it does enough to differentiate itself from that first movie. Not to mention it was a good way of introducing the current state to new audiences. I will admit that some parts copy just a little too much, like I could’ve done with something else other than a killer star base that’s just bigger than the Death Stars. From beginning to end, J.J. Abrams gives the movie a fast pace, but it also work for the story, it doesn’t go so fast that it skips past important details or anything. Plotwise, I think the only thing I had a problem with was the option to blow up an entire planetary system of the New Republic. Doing this pretty much ensured that there was basically no system or anything, and it was a wasted opportunity for world building. That’s my only big problem with the plot or anything I think. I guess not all the answers to things were given in this movie, but that basically passed it on to other instalments to provide them there.

The newer cast are quite good. Daisy Ridley acts really well as Rey, there’s a lot of mystery surrounding her character and you don’t learn a lot about her, and so it required someone like Ridley to play the role in a way to make her work on screen. I really do feel like John Boyega’s Finn didn’t get to do as much as he could’ve (especially with the setup with him as a stormtrooper, which we hadn’t gotten with other main Star Wars characters beforehand), but Boyega does what he can and is pretty good. Oscar Isaac’s Poe Dameron doesn’t get a whole lot of screentime, generally because his character was meant to die early on, but was kept alive since they liked Isaac. That was a great decision, because Oscar plays him really well, even in his short screentime you really like him easily, and that’s all because of his performance. The standout actor and character across the sequel trilogy is Adam Driver as Kylo Ren/Ben Solo. I’m not the type of person to put characters up against each other, but at the very least, he in this movie is a lot better than Darth Vader in A New Hope, since the two get compared a lot. Kylo is more than just a copy of Vader. He’s conflicted, he’s all over the place, and at least in this movie is trying so much to be like his grandfather. Even just looking at him in this movie, Kylo is one of the best characters in the Star War series. The other main antagonists were General Hux, Captain Phasma, and Supreme Leader SNoke. Domhnall Gleeson plays the role of Hux pretty well, and in this movie it does take him seriously (until he was used as the butt of many jokes). Gleeson doesn’t get many moments to shine in the trilogy, but he does have a big speech before Starkiller base fires a weapon, and he owned that scene pretty well. Gwendoline Christie as Phasma is pretty much the Boba Fett of the sequel trilogy, she looks cool but doesn’t really do anything. I know that her not doing much doesn’t really matter, but I would’ve liked her to have had a little more screentime and things to do. As for Snoke, you only get to see him for a couple scenes, but Andy Serkis added quite a lot to him through his motion captured performance. I really wished that Lupita Nyong’o got to do more as Maz Kanata, she play it fine enough I guess, but she mostly just gives out information. I have no idea why Max von Sydow was in this movie, he was pretty much just a cameo. The main cast from the previous movies returns, with the most notable being that of Harrison Ford and Carrie Fisher, who both play their roles of Han and Leia very well once again.

J.J. Abrams directed this very well, effectively fast paced. Everything from the production design, practical effects, digital effects, everything on a technical level is great, fantastic on a visual level. The action is also quite entertaining and put together nicely, from the ship battles, gunfights, and to the final battle between Kylo and Rey, which I still think is one of the best lightsabers duels in the series. The exception of these action scenes is of course is the Rathtars scene. At this point I accepted that it exists, but compared to the rest of the movie I didn’t really love it. John Williams scores this movie quite well, but I do think that the sequel trilogy’s scores aren’t nearly as great or memorable as the other two trilogies. The most memorable themes were that of Kylo Ren, Rey, and the Resistance, nonetheless the score on a whole worked well for the movie.

Star Wars Episode 5: The Force Awakens was a great way of bringing back Star Wars to today’s audiences. It’s very well directed, the cast are good, and quite well paced. It set up things for future instalments to potentially pursue, and was a good way to get people on board with Star Wars again. It was at the very least a good starting point for this new trilogy.

The Report (2019) Review

Time: 119 minutes
Age Rating: Violence, cruelty & offensive language
Cast:
Adam Driver as Daniel Jones
Annette Bening as Dianne Feinstein
Jon Hamm as Denis McDonough
Jennifer Morrison as Caroline Krass
Tim Blake Nelson as Raymond Nathan
Ted Levine as John Brennan
Michael C. Hall as Thomas Eastman
Maura Tierney as Bernadette
Director: Scott Z. Burns

FBI agent Daniel Jones (Adam Driver) performs an exhaustive investigation into the CIA’s use of torture on suspected terrorists. In the aftermath of the 9/11 attacks, the CIA adopted new interrogation techniques.

I heard about The Report for a little while, it was about an important topic about the report of the CIA’s use of torture, and had a lot of talented people involved with the likes of Adam Driver, Annette Bening and Jon Hamm. It’s turned out to be quite good and overall well made, if a slightly too procedural.

The Report is a straight forward movie. When it comes to movies based on true events like this, there’s a certain kind of genre where it just seems to give cliff notes of information that could’ve been taken from Wikipedia. The Report is sort of that but out of those types of movies, it does this the best. It keeps you engaged to learn everything that’s happening, at least that’s what it did for me. There’s a lot of information being tossed at you, but even if you don’t remember everything perfectly, there’s enough there that you can grasp what’s going on. As you can probably tell already, it’s not an easy watch by any means, given the subject matter. Even outside the flashback scenes which features some torture, it can be maddening and frustrating hearing about all of what happened, and it’s meant to have you feeling that way. I’m not quite sure that The Report will hold up outside of the first viewing, still well made and all that, but after knowing everything it has to say, there’s not much point watching it again. I guess one problem with this movie is that while you’d expect the movie to not go into too much depth with many of the supporting players, you’d expect something with the lead character, that being Daniel Jones played by Adam Driver. It’s verbally expressed early on that Jones isn’t close with anyone, and you can really tell that he’s really committed to this case, but that’s all we learn from him. Not necessarily a bad thing mind you, they can sort of get away with that given the nature of the protagonist, and it’s not necessarily something that’s bothering you if you’re engaged with the rest of the movie.

The Report has got a great cast who perform very well in their respective roles. Adam Driver continues to prove himself one of the best actors working today. As I said, the movie doesn’t really go into him as a person, but Driver’s acting overcomes that, and once again gives a very strong lead performance. The supporting cast with the likes of Annette Bening, Jon Hamm, Tim Blake Nelson, Ted Levine, Michael C. Hall, Corey Stoll and more all provide good performances too.

I haven’t seen a film from director Scott Z. Burns (he made his last movie over a decade ago, which I haven’t seen), he’s mainly a writer for movies like Side Effects and The Bourne Ultimatum. He’s pretty good as a director, even if he doesn’t really have much of a distinct style. The cinematography is rather basic and not necessarily attractive or stylish, but I guess that fitted the tone and subject matter of the movie quite well.

I wouldn’t say that The Report is a great movie, but it is an important movie for sure. It’s tightly written and directed and features some really good performances from its talented cast. Yes, it’s a ‘cliff notes’ movie, but it’s a very well made cliff notes movie. It gives you a generally good idea of what happened in an interesting and engaging 2 hour long movie. Definitely check it out when you can.

Star Wars Episode 9: The Rise of Skywalker (2019) Review

Time: 141 Minutes
Age Rating: Violence
Cast:
Carrie Fisher as Leia Organa
Mark Hamill as Luke Skywalker
Adam Driver as Ben Solo/Kylo Ren
Daisy Ridley as Rey
John Boyega as Finn
Oscar Isaac as Poe Dameron
Anthony Daniels as C-3PO
Naomi Ackie as Jannah
Domhnall Gleeson as General Hux
Richard E. Grant as Allegiant General Pryde
Lupita Nyong’o as Maz Kanata
Keri Russell as Zorii Bliss
Joonas Suotamo as Chewbacca
Kelly Marie Tran as Rose Tico
Ian McDiarmid as Palpatine/Darth Sidious
Billy Dee Williams as Lando Calrissian
Director: J.J. Abrams

The surviving Resistance faces the First Order once more as Rey (Daisy Ridley), Finn (John Boyega) and Poe Dameron’s (Oscar Isaac) journey continues. With the power and knowledge of generations behind them, the final battle commences.

I’m aware that it took a while for this review to come out, I’ve just been a little busy and I felt like I needed to watch this movie twice to be able to collect my thoughts on it before I could write it. Star Wars Episode 9: The Rise of Skywalker was one of my most anticipated films of 2019. Not only was it a Star Wars movie and the finale of this sequel trilogy, it would also essentially conclude the whole Skywalker saga. I really didn’t know what to expect, it was quite a big task that they ahead of them. I’m also not going to lie, some of the initial reactions had me a little worried. Despite some problems I had with it (which I have with every Star Wars movie aside from one), I actually thoroughly liked The Rise of Skywalker as it was.

There’s only so much that I can talk about, I will do my best to keep this review spoiler free as possible. The first act was a little rough. It jumped from place to place, it was jarring, and it just overloaded you with information. Thankfully it does pick up over time. Not that the issues aren’t still there, but it definitely helped watching it again when you know what’s happened in the plot. By the time it reaches the second half, the movie really picks up. The Rise of Skywalker is more plot focussed than character focussed, and the pacing is fast, constantly moving the plot forward in just about every scene. It’s not necessarily a good thing though, as the movie doesn’t really allow for some moments to breathe. In that, this movie really needed to be longer. You’d think that since Disney had Avengers Endgame earlier this year wrapping up a huge storyline in 3 hours, that for a giant conclusion of 3 whole trilogies would be given much more than 2 hours and 20 minutes. Even if those scenes wouldn’t add a lot in terms of plot, it allows time to reflect on what’s happened and not make everything feel so tightly packed. On another note however, it seems that a lot of scenes or aspects have been cut from the movie. For example some details are shown in the visual dictionary of the movie that don’t make it into the final on screen product, and I don’t necessarily mean cut subplots (although that’s also possible), but things that could literally add maybe 5 minutes at most to the runtime, yet add a lot to the movie. For all the reveals that this movie is constantly throwing out, there’s still critical things that aren’t explained, one is a critical part involving Palpatine that I honestly can’t believe didn’t make it into the released movie (if they ever came up with an answer at all). Reveals and answers aside, some of how they are handled them are also a problem at times. It literally felt like some of the characters were just telling the audience what the answers are as quickly as possible, almost like it was in a rush and it wanted to get it out quickly, it felt a little lazy at times honestly.

There have been talks about how The Rise of Skywalker ‘retcons’ parts of The Last Jedi. While I can’t comment on how J.J. Abrams felt about The Last Jedi, I wouldn’t say that it quite does that, although it no doubt would’ve been taken in a very different direction if Rian Johnson made the movie. There’s just a couple of aspects that Abrams seemed to have backpedalled on. One was the unnecessary part with Kylo Ren repairing his mask after he destroyed it early in the last movie. It’s not bad or anything but doesn’t really make a whole lot of sense and really doesn’t add too much to the movie (even if it is a cool looking mask), especially how he keeps taking his mask off anyway. The other is something that I know a lot of people are very split on. The problem about talking about this part is that there’s so much I want to say about this one aspect but I can’t even hint at it too much or I’ll begin to spoil it. What I can say is that I’m mixed about this decision, it ultimately takes things in a less interesting direction for me personally. However, I guess it could’ve been way worse, and looking at that decision separate from the previous movie, I guess I like the idea, and I was able to accept it and follow along with where they took it. On the whole though, I liked most of the plot and the directions they took (key word being most), and there are some great callbacks to the other Star Wars movies. A lot of people throw around the word ‘fanservice’ but for a conclusion of a 9 movie long series, you should be expecting that. I liked most of the ‘fanservice’, and it’s not as obnoxious as say some of what they had in Rogue One or Solo. There are also some great moments and parts to the movie, which I won’t spoil of course. I’m not going to be a conspiracy nut about this movie (yet) but I get the feeling that part of my issues of this movie were things that were caused by problems behind the scenes. For those who don’t know, Colin Trevorrow was attached to direct and co-write but then was fired (or left the movie) over ‘creative differences’, and that’s when J.J. Abrams was brought in to direct and co-write alongside Chris Terrio. However, they kept the same date even though they were already in pre-production when Trevorrow stopped being involved. Now maybe the same choices would’ve been made, but I get the feeling that had they pushed the movie back even a little, parts of the movie would’ve been handled a little better.

The cast generally do a good job in their roles. Daisy Ridley is once again great as Rey, and she’s got quite a lot to do in this movie in particular, and I liked her arc. Even if you’re not satisfied with where they take her character, Ridley more than sells it with her performance. One thing that The Rise of Skywalker does better than the other two was it gave John Boyega and Oscar Isaac a little more to do (though unlike The Last Jedi they didn’t really get arcs of sort, again this is a plot driven movie). Unlike the past two movies, you actually get the trio of Rey, Finn and Poe together, and that was great to watch. Anthony Daniels’s C-3PO is generally a side character in all these 9 Star Wars movies and hasn’t really stood out in them, but for whatever reason he got to do slightly more in the plot of this movie, and even had some standout moments and lines. Adam Driver is once again fantastic as Kylo Ren, and I’m pretty confident in saying that this would be his best performance as the character. Both the performance and the character are great, and truly one of the highlights of this whole sequel trilogy. There was a concern about how they would handle Carrie Fisher’s role of Leia, after Fisher’s death a few years ago. They actually used footage from The Force Awakens to place her in the movie. Some of the ways they used her in some scenes felt a little awkward and you are constantly wondering what the original context of her scenes are, but you can tell that they definitely did the best that they could in a difficult situation, and they pulled it off well enough.

Some of the returning cast unfortunately don’t really get a lot to do in the movie. It was great seeing Billy Dee Williams return as Lando Calrissian, though I would’ve liked to have seen him in the movie a lot more. Domhnall Gleeson as General Hux and Lupita Nyong’o as Maz Kanata also return, but both of them don’t really get much to do. Kelly Marie Tran as Rose Tico was a prominent supporting character in The Last Jedi, however her role is significantly reduced in this movie, and you feel it more with her than the characters I just mentioned before. It does feel very weird to just reduce her to a background character who really doesn’t get to do much of anything. She could easily be written into being a present supporting character in the movie in at least the first act, but for some reason they deliberately seemed to have given her the bare minimum to do. I’m just hoping it’s not because her character received a lot of ‘backlash’ (to put it mildly) in the last movie. The new cast do well enough. Naomi Ackie and Keri Russell play some supporting roles in the movie and are quite good, however I wish that they could’ve been more in the movie, and I felt like it was possible for them to be involved with the plot than what we got. Richard E. Grant is good as a general in The First Order, and one of the secondary antagonists of the movie. He’s nothing that we haven’t seen before in Star Wars, but Grant does well with what he’s given. I can’t talk too much about Ian McDiarmid as The Emperor for spoilers stake, but I can say that he played the role appropriately. With that said, I had some issues about the Emperor with regard to his involvement with the plot. Let’s just say that he suddenly has a larger part to play in the movie than you’d think based off the teases of him in the trailers, and I have mixed feelings about it. I guess I accepted it, but it could’ve been so much more interesting and inventive than what they ultimately went with. Not to mention it introduces him very quickly and a bunch of information is thrown at us about him that we just have to accept. It probably wouldn’t be so jarring if we knew that he was alive in any of the other two movies.

J.J. Abrams once again directed this very well, delivering on a visually stunning movie. There are so many sequences that are just stunning to watch, with the action being fast paced and rather entertaining. The locations and set pieces are also great, there are some very memorable sequences that stand out amongst the Star Wars movies as a whole. The score by John Williams for the Sequel Trilogy haven’t really lived up to the other Star Wars trilogies (outside of Rey’s Theme, Kylo Ren’s theme, and the Resistance theme) but it’s still pretty good, and that’s the case with this movie as well.

I can’t determine whether or not you’ll like this movie. I can tell that some people who hated The Last Jedi will like The Rise of Skywalker more, and some who love The Last Jedi will dislike The Rise of Skywalker, or at least be bothered by many parts of it. As for myself though, I liked it. I’d say that it’s my least favourite of the sequel trilogy and it has some things that hold it back from being better (I really hope there will be an extended cut released in the future). However, I think there’s a lot of great in here too. The cast are good, it’s directed quite well and visually stunning to watch, and I liked a lot of the ideas that were present, and most of how they ended things. If you are somewhat invested in this storyline, just watch it for yourself whenever you get the chance.

Marriage Story (2019) Review

Time: 136 Minutes
Age Rating: Offensive language & sexual references
Cast:
Scarlett Johansson as Nicole Barber
Adam Driver as Charlie Barber
Laura Dern as Nora Fanshaw
Alan Alda as Bert Spitz
Ray Liotta as Jay Marotta
Azhy Robertson as Henry Barber
Julie Hagerty as Sandra
Merritt Wever as Cassie
Director: Noah Baumbach

A stage director (Adam Driver) and his actor wife (Scarlett Johansson) struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

I have heard of Marriage Story for a while, and there was much anticipation leading up to its release. I liked the few movies I’ve seen from writer/director Noah Baumbach, and the cast included Adam Driver and Scarlett Johansson, so there was a lot of talent involved. However, I didn’t really know what to expect except that it was a movie about divorce and a lot of people were hyping it up. Marriage Story is definitely great and for sure worth seeing when you can.

The script by Noah Baumbach is greatly written, at 2 hours 15 minutes or so, Marriage Story is rather engaging. It’s a slower paced dialogue driven drama, I had an idea it would be that going in, and I liked it for what it is. So much of it feels real, from the dialogue to the story and some of the characters (even if it does throw in a few large monologues too). It doesn’t really side with either of the main characters Charlie (Adam Driver) or Nicole (Scarlett Johansson), it portrays both of them honestly, each with their own flaws. However I will say that it feels more like Charlie’s movie than Nicole’s, so Driver had a little more to work with. Side note but wondering about “whose fault it is” between the two is very counterproductive, and is not really a conversation worth having. I don’t know too much about the divorce process, but the movie at least felt like an accurate depiction of it. It showed glimpses of the process, as well as the effect it has on the two leads as well as their child. I should mention that yes, Marriage Story very much has replaced Kramer vs Kramer as the best movie about divorce. I heard going into this movie that it was emotionally devastating and all that. Excluding whether you can relate to it (whether first hand or second hand experience with relationships/divorce), it’s not really that sort of movie. It is a dramedy, while it can be sad in parts, it’s not a consistently depressing or heavy movie or anything, it’s really bittersweet at worst. There are some lighter parts, and plenty of genuinely humorous moments too. Ultimately it’s a hopeful movie, including the way that it ended (not spoiling anything). Not to mention that as far as divorces go, there have been a lot more unpleasant divorces in both fiction and reality than the one front and centre throughout Marriage Story. None of what I said is a tangent to flex about how I didn’t cry during the movie or anything, I’m just talking about what kind of movie it is. I will say though on that note, I wasn’t that emotionally connected to the story and characters. I was definitely invested in it as a movie but that was sort of it.

There is a great lineup of a cast, and they all do some great work here. Adam Driver and Scarlett Johansson give their best performances of their careers, as well as some of the best performances of the year. They felt incredibly raw and human, and while you don’t see a lot of them being together before the divorce (this is just shown in a brief montage), they have such great chemistry and you can believe that these two people were once in love. I’ve noticed people reposting and praising an argument scene between the two (there are a number of arguments but you’ll know which one I’m referring to), watching a couple minutes of it out of context doesn’t do it justice at all. The way it builds up to it and the context really gives it its impact, and both actors did very good jobs in that scene and the whole movie. The lawyers played by Laura Dern, Alan Alda and Ray Liotta also work well in their respective roles. Azhy Robertson is also good as Henry, the child of Charlie and Nicole, who’s caught in the middle of the divorce.

Noah Baumbach directed the movie well, particularly with the dialogue scenes. An example was a monologue by Scarlett Johansson in her first scene with Laura Dern, it’s uninterrupted and focuses on Johansson, letting the scene play out and allowing her performance to take up the focus. It’s a much more intimate and personal movie, and the direction certainly accompanies that, but it’s also edited very effectively. The score by Randy Newman was also quite good.

Marriage Story is really worth watching as soon as possible, it’s fantastically written, and features some excellent acting from its talented cast (particularly Adam Driver and Scarlett Johansson). Whether you like Noah Baumbach or not, or if you have you seen his movies or not, check it out on Netflix if it’s not in a cinema near you.

The Dead Don’t Die (2019) Review

Time: 103 Minutes
Cast:
Bill Murray as Chief Cliff Robertson
Adam Driver as Officer Ronald “Ronnie” Peterson
Tilda Swinton as Zelda Winston
Chloë Sevigny as Officer Minerva “Mindy” Morrison
Steve Buscemi as Farmer Miller
Danny Glover as Hank Thompson
Caleb Landry Jones as Bobby Wiggins
Rosie Perez as Posie Juarez
Iggy Pop as Coffee Zombie
Sara Driver as Coffee Zombie
RZA as Dean
Carol Kane as Mallory O’Brien
Selena Gomez as Zoe
Tom Waits as Hermit Bob
Director: Jim Jarmusch

In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. News reports are scary, and scientists are concerned, but no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: the dead rise from their graves and feast on the living, and the citizens must battle to survive.

The Dead Don’t Die is a movie I heard a little bit about for a month or so. I knew that it was a zombie movie that was anticipated but people felt rather mixed on when it released. It’s also got a great cast, with the likes of Adam Driver, Bill Murray, Tilda Swinton and more involved. It’s also the first movie that I’ve seen from director Jim Jarmusch, whose other films included Paterson and Only Lovers Left Alive (movies I’ve heard about but never got around to). Having only seen The Dead Don’t Die, I’m just going to assume that this is his worst movie.

All I knew going into this movie is that this was a zombie comedy, I was going in completely blind otherwise and so had no other expectations. This movie certainly has some weird humour throughout. I really do like deadpan humour, but I never knew it was possible for a movie to be too deadpan, to the point where the humour just completely disappears from them movie. I assume it’s somewhat trying to be comedic however, because if you look at the movie from a serious perspective, it’s even worse. So outside of some certain moments, it was neither serious nor funny, so I’m not exactly sure how to take most of the movie. The horror doesn’t even exist here, the few times that have some attempt at it are very weak. So you’d think that maybe it’s meant to be working on a deeper level with the story. Well there is some social commentary that the movie throws in throughout about materialism and the like, and it is incredibly ham fisted and blatant, none of that works either. So really the movie doesn’t work in any regard, not as a comedy, not as a horror, and it’s not a deep movie with important things to say about anything.

Despite the great cast, they can only do so much. Adam Driver, Bill Murray and Tilda Swinton come across the best here, with Driver and Murray as a pair of cops, and Swinton as an undertaker who also happens to be a samurai (or something). Driver actually does manages to elevate some of the scenes he’s in, with so many of his deadpan delivered lines being amongst the only funny parts of the movie. The rest of the cast don’t really do much, with Steve Buscemi, Austin Butler, Danny Glover, Caleb Landry Jones, Selena Gomez and Tom Waits being okay in their parts but but weren’t particularly memorable.

As I said up above, the movie barely has any horror, honestly Shaun of the Dead is much scarier. If you’re hoping to enjoy it for the gore at least, there’s maybe a few scenes like that but on the whole there isn’t much here. An observation is that for whatever reason, whenever part of a zombie is chopped off or shot, soot or dust comes out instead of blood, I’m not sure whether it’s an artistic decision or because of budgetary reasons but it’s like that in the movie.

By the end of The Dead Don’t Die, I wasn’t exactly sure what the point of all of it was. The jokes don’t land, the scares don’t work, the movie doesn’t entertain, and even if you just go by the message/social commentary, it’s so forced and poorly handled that it deflates the movie even further. I didn’t hate it, but it really gets worse the more I think about it, as it really doesn’t work well in any regard. Not even the cast can fully save it (though Adam Driver has some good moments). I guess if you’re really excited for the movie I guess you could give it a go. It’s harmless but rather forgettable and a bit of a timewaster, so if you’re sceptical about the movie, I’d say it’s not worth it.

BlacKKKlansman (2018) Review

Time: 135 Minutes
Age Rating: Violence, offensive language, sexual references & content that may disturb
Cast:
John David Washington as Detective Ron Stallworth
Adam Driver as Detective Flip Zimmerman
Laura Harrier as Patrice Dumas
Topher Grace as David Duke
Jasper Pääkkönen as Felix Kendrickson
Ryan Eggold as Walter Breachway
Paul Walter Hauser as Ivanhoe
Director: Spike Lee

Ron Stallworth (John David Washington), an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate (Adam Driver), who eventually becomes head of the local branch.

BlacKKKlansman is a movie I had been hearing about for a while: a black police officer successfully infiltrates the KKK is definitely a memorable premise with potential. With that premise and Spike Lee helming it, it looks like it could be something fantastic, and it certainly is that and more. However it still surprised me at how phenomenal it turned out to be. Excellent in its writing, acting and direction, BlacKKKlansman is entertaining, masterfully done and really is an essential viewing, and one of the best films of 2018.

I was entertained and interested in BlacKKKlansman. As far as accuracy goes, while I’m not certain, from what I can tell I think most of it is accurate, save for certain aspects that have been changed (like Laurie Harrier playing a character based on multiple real people) to benefit the movie overall. This movie does have a lot of comedy, as to be expected with a premise about a black man infiltrating the KKK. One of the best things about BlacKKKlansman is that it knows how absurd and insane it is, it pokes fun at the things that happened (such as the fact that the lead character, Ron Stallworth used his own name when contacting the KKK instead of using a fake name). However at the same time it takes things very seriously. The scenes of tension, mostly consisting of whether or not the KKK will realise that they have been duped, are really done well. One criticism that I know a lot of people will have is the lack of any subtlety. Spike Lee is known for not being the most subtle of directors, and BlacKKKlansman is not really any different, however I do think it really works very well here. A lot of the absurd things that happens, really did happen, so it’s not like Spike exaggerated a ton of stuff for entertainment or anything. Also, it’s impossible to be subtle about a lot of what happens here, especially with everything that has been going on nowadays. And in case you haven’t figured it out earlier, yes, BlacKKKlansman is a very political movie, there’s a reason why this movie was released a year after Charlottesville. There are reminders throughout the movie amongst the comedy that what happened here is real and it’s not afraid to delve deep into the unpleasantness of what happened/is happening. There are some direct references between what happens here to what happens in present day, no a lot of them aren’t subtle but it’s hard to be subtle with all this. The ending is going to be a topic of discussion, without delving deep into it (it’s not really a spoiler), it connects things to real life. A lot of people are not going to like it but even though you could cut it out and the movie would still work, I feel it was warranted because it takes you right back to reality in an incredibly sobering way. It leaves you with an absolutely shocked reaction, reminding you that no matter that Ron Stallworth duped the David Duke and how fun the ride was watching it, we aren’t done with racism and bigotry today. BlacKKKlansman is sure to provoke a lot of controversy and discussion.

John David Washington plays Ron Stallworth, and he did a great job. He has such a great amount of charisma (yes there are times where you can really see a lot of his father Denzel in him) and gives everything to this role. One interesting aspect is when it comes to him being a cop and black at the same time, and how that can result in some conflicts sometimes. This is particularly apparent when it comes to his interactions with Laurie Harrier, who is also good in her role. Harrier plays an amalgamation of different people but in the movie she’s the president of the black student union, and there is a bit of conflict between them regarding cops, because of course with racist cops abusing black people, and it was an interesting dynamic to watch. Also, the film doesn’t give a definite answer whether black people being cops is right or not, it shows the debate and allows the audience to decide for themselves. Adam Driver is also good as the white police officer who meets with the KKK in person acting as Ron Stallworth, who’s more reluctant to get involved with it than Ron. Driver proves himself to be once again one of the best actors working today. Topher Grace plays David Duke, the grand wizard of the KKK and you don’t see a ton of him but he was great. He seems so unassuming and seemingly charismatic on a surface level, yet he is shown to be clearly reprehensible. Portraying such a person is not easy and as uncomfortable as it was, Grace pulled it off really well. The other Klansman members, played by actors like Jaspar Pääkkönen, Ryan Eggold and Paul Walter Hauser are also great in their roles. Other actors like Michael Buscemi and Corey Hawkins are also good in their roles as well.

Spike Lee really does a fantastic job at setting the movie in the time period, with the costumes, production design, locations, music and more, the movie feels right in the late 70s. His style, direction and the editing really added to this movie incredibly well, and that shouldn’t be overlooked. The editing in particular should be praised, it led to some great sequence. For example there is one instance where they cut between scenes of the KKK and the black rights movement in the third act and it was really effective and impactful.

BlacKKKlansman is funny, shocking, important, entertaining, gripping, and all around fantastic. All the acting, direction and writing come together to bring a great movie and one of Spike Lee’s best (and that’s a lot considering some of the films that he’s made). BlacKKKlansman is not just one of the best movies of 2018, it might actually end up being the best so far.

Star Wars Episode 8: The Last Jedi (2017) Review

Time: 152 Minutes
Age Rating: Violence
Cast:
Mark Hamill as Luke Skywalker
Carrie Fisher as General Leia Organa
Adam Driver as Kylo Ren
Daisy Ridley as Rey
John Boyega as Finn
Oscar Isaac as Poe Dameron
Andy Serkis as Supreme Leader Snoke
Lupita Nyong’o as Maz Kanata
Domhnall Gleeson as General Hux
Anthony Daniels as C-3PO
Gwendoline Christie as Captain Phasma
Kelly Marie Tran as Rose Tico
Laura Dern as Vice Admiral Amilyn Holdo
Benicio del Toro as DJ
Director: Rian Johnson

Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.

Star Wars Episode 8: The Last Jedi was one of my most anticipated films of 2018. I loved The Force Awakens and with Rian Johnson attached to direct the sequel I was looking forward to where the story would progress. The Last Jedi has what you would typically expect in a good Star Wars movie, great characters and top notch visual effects and action sequences. But it managed to do something that recent Star Wars movies haven’t been able to do: surprise me. It went in directions I didn’t expect. After thinking upon it for a while, The Last Jedi just might be one of the all time best Star Wars movies.

First thing I want to say is to make sure you don’t see any spoilers, I saw none of them before going in and I was surprised by many of the things that happened. For that reason, I can’t go into too much depth about why this movie is great. The story is darker and bleaker than The Force Awakens, yes it is still quite fun, it has very effective humour and it does have its good dose of adorable creatures in the form of Porgs, which are these little penguin hamster creatures (and surprisingly they are actually cute and not annoying). It’s very much still Star Wars. But at the same time it feels like its something different, most people in charge of this film wouldn’t go in this direction with its story and characters. If you felt that The Force Awakens plays it way too safe, I can see you liking The Last Jedi more. I can see this film dividing some audience members with regard to some of the decisions that the story takes but for me, I loved these decisions. I know I’m being very vague when talking about the plot but that’s because in order to do that I would have to go in depth and I just can’t, not in a non-spoiler review at least. As for whether some of these risky decisions should have been made at all, I think that a lot of it will depend on how the story is resolved in episode 9. This movie is 150 minutes long, making it the longest Star Wars movie to date. For the most part it earns its long runtime, and I say for the most part because there is a section which takes place on a planet with Boyega’s Finn and Marie Tran’s Rose that feels rather unnecessary. Outside of that I think most of the plot is great.

The returning cast is great, Daisy Ridley continues to impress as Rey, John Boyega is great as Finn and Oscar Isaac’s Poe gets a lot more to do here. Regardless of what you think about the character of Snoke, there’s no denying that Andy Serkis acted so well, this time we see Snoke in his non-holographic form and Serkis is so fantastic in his scenes. Carrie Fisher is as usual great as Leia and yes, she does have her chance to shine in certain moments. Carrie Fisher will be sorely missed. We also get some newcomers. Kelly Marie Tran is really good and likable in her role, if I can understand correctly this is the first real film that she’s been in and she does such a great job here. Laura Dern is also quite good in her role. If there’s a weak link, it’s Benicio del Toro’s character, Benicio is quite good in the role but the character feels like he could be played by anyone and wasn’t that memorable and didn’t feel that necessary. If I was to pinpoint the two stand outs of the whole film, I’d say that it’s Mark Hamill and Adam Driver. Mark Hamill is fantastic as Luke Skywalker, Luke has clearly been through a lot and has changed as a result from Kylo’s turn to the darkside and the guilt that he feels for it. He’s less hopeful and he’s not quite what you’d expect him to be but you can tell it’s still Luke, not just a grumpy old Mark Hamill. Not only is this the best Hamill has been as Luke Skywalker, it is also the best he’s ever been in a live action film. With regard to some of the polarising decisions of the film, many of them surround him, that’s all I’ll say. Adam Driver as Kylo Ren was one of the highlights of The Force Awakens and he was a highlight once again here. He’s even more conflicted and unstable now due him killing his father in episode 7 (if you haven’t watched The Force Awakens you really shouldn’t be reading this review by the way) and watching his journey was intriguing. Kylo Ren is almost at Darth Vader’s level in terms of Star Wars villains. Really everyone is great here, and they all get to have at least one moment to shine.

Rian Johnson directed this film excellently. The visual effects are incredible, there wasn’t a moment that stood out to me as being out of place in terms of CGI. The cinematography… I’m just going to say it, out of all the Star Wars films, The Last Jedi has the best cinematography. There are countless beautifully shot sequences, all of them fantastic. All the action sequences are great and I’d consider most of them to be amongst the best in the Star Wars series. It succeeded so well at making these sequences feel incredibly tense. The only sequence that felt out of place was the one I mentioned earlier with Finn and Rose, and even then that’s more to do with tone and how unnecessary it felt. The score by John Williams was also great, while his score for The Force Awakens was fine, it was below the quality of most of the other Star Wars scores. Here with the Last Jedi it’s absolutely great and it adds so much to the scenes.

Star Wars Episode 8: The Last Jedi wasn’t what I was expecting, along with being fun and entertaining, it is much more, it makes decisions that will divide its audience and for it to be this risky, I have to give Rian Johnson a lot of props. The story was so different from what I was expecting and without giving anything away, I loved it. I personally loved almost everything in this movie, all but one or two aspects. I’m going to say this now, The Last Jedi is in my top 2 favourite Star Wars movies. This movie is already dividing some audiences, even those who liked it have some aspect that they aren’t entirely sure about. So I say this, avoid all spoilers and just go into the movie with no expectations, even if some of the decisions are different, just be willing enough to go with it. And don’t try to predict where the story is going, because you won’t. I couldn’t be happier with this film and I’m now waiting with anticipation and nervousness to see whether Episode 9 will deliver a solid conclusion to the new Star Wars trilogy.