Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he’ll get over his lost love. He’s also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she’s a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.
I watched Fallen Angels after hearing so much about it and I loved it, so I was interested in watching more movies from director Wong Kar-wai. Like with Fallen Angels, I also heard a lot about Chungking Express, there have been particularly a lot of comparisons between the two movies. I went in fairly blind aside from knowing that it was another WKW romance film set in Hong Kong, and it was also great.
From everything from the story, to the characters, the settings, and the themes, Chungking Express is a beautiful film. Like with Fallen Angels, it is an unconventional romance story, and is what some would call a ‘vibe movie’. It’s fairly plotless and mostly just follows the lead characters of the movie. The movie works best when you allow yourself to go with the flow, and while there’s a number of vibe movies I just can’t get into as much as other people, I was really into this movie. The script is incredibly written, with some particularly great dialogue. Also like with Fallen Angels, Chungking Express is made up of two stories each of which are different and disconnected, yet parallel stories of people who want to connect with others. The first of these stories is about a man trying to forget his ex-girlfriend, the second is about a cop after going through a breakup. Both of these are interesting, and these characters felt like real people that you can relate to. One way it does differ from Fallen Angels is that Chungking Express is a considerably lighter movie, in fact it was more light-hearted than I imagined it would be. Something clear from both movies alone though is that Wong Kar-wai really knows how to capture love. It’s delightful and charming without falling into cliches and conventions, and is just really honest in depicting the ups and downs of love. It’s equal parts melancholic and happy, and I loved the dreamy atmosphere throughout the film.
The movie is made even better with the poignant and memorable characters, and the wonderful performances for them. Brigitte Line, Tony Leung, Faye Wong and Takeshi Kaneshiro are the main actors in the movies, and each of them are excellent in their respective roles.
Wong Kar-wai is a fantastic filmmaker just looking at Chungking Express and Fallen Angels alone. His directing style is so messy, yet so inventive and creative. The cinematography is beautiful and the whole movie is a visual feast. Much of the movie is shot in a handheld way and it really fitted the movie. WKW also really portrays the setting of the movie greatly, it’s incredibly well lit and vibrant, every frame dripping with warmth. The use of music was also great, from the score to the memorable soundtrack. California Dreamin is particularly a song that is used so many times in this one movie, it should get annoying but it actually works for the story (although it will be stuck in your head for a while afterwards).
Chungking Express is another heartfelt romance movie from Wong Kar-wai. The cast are amazing in their parts, both main stories were engaging, and the direction and handling made it a visual delight and a dream-like experience that you can get caught up in. I can’t tell for sure if I like this or Fallen Angels more, but whatever the case, if you haven’t seen them, check them out.