Category Archives: Horror

Night of the Living Dead (1968) Review

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Night of the Living Dead (1968)

Time: 96 Minutes
Age Rating: 860949[1]
Cast:
Duane Jones as Ben
Judith O’Dea as Barbra
Karl Hardman as Harry Cooper
Marilyn Eastman as Helen Cooper
Keith Wayne as Tom
Director: George A. Romero

The radiation from a fallen satellite causes the recently deceased to rise from the grave and seek the living to use as food.

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Night of the Living Dead is known as a horror classic, and for basically creating the zombie genre. With that said, I remember feeling rather indifferent when I watched it for the first time some years ago. I rewatched it again years later hoping to like it more, but my opinion stayed pretty much the same. There’s no denying that its influence remains strong as ever. It was definitely an important milestone for film, and was very groundbreaking for its time. However, I can’t say that it aged rather well even though I can respect much of the movie for what it is.

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I should preface this with the fact that I know that this is a low budget horror movie from 1968, so I wasn’t expecting it to be timeless or anything. To get it out of the way, Night of the Living Dead is undoubtedly influential. It sets the groundwork for the zombie movie, and it was admirably constructed and subversive for when it was released in the late 60s. Having watched a lot of more recent zombie movies, much of the plot feels very familiar, but Night of the Living Dead really was the first movie that did this, it basically created the formula that countless zombie flicks use. Additionally, it was a bold movie that made bold choices. Despite being a horror movie in the 60s, it created a politically sharp narrative with social commentary, especially on racism. It also had a very bleak and memorable ending. With all that being said, I’d be lying if I said I was invested with the story. The plot is pretty simplistic: it amounts to a group of people trapped in one location while zombies are outside trying to get in. It is a slow burn, and I really found much of the movie pretty boring, especially the first 30 minutes. I don’t mind a horror movie having a slow pace, but I wasn’t interested in what was happening with the story and characters. So it was a bit of a painful drag, at least it was a relatively short movie. A lot of the movie focuses on dialogue, as again it was taking place in one location with its characters trapped inside. That’s fine, the problem is that nothing the characters say is actually interesting, and it’s quite repetitive. Onto the horror, I get that in 1968, this must’ve been the scariest movie ever made. Maybe its more radical elements for the time just land less effectively now, but it really didn’t land for me. With that said, I don’t hold that too much against the film, and it’s not even among my biggest issues with the movie.

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The characters alone played a large part in me not being invested in the movie. The character work is weak, the characters themselves are rather annoying and one note. They just keep arguing again and again over the same things and it gets tiresome. Additionally, a lot of the acting is quite bad. With that said Duane Jones’s Ben really was the star of the movie, he was actually good and by far the best character in the film. The casting of Jones, a black man, as the lead in a 60s horror movie was way ahead of its time and was a revolutionary move. It also helps that his performance was quite strong.

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This is director George Romero’s debut film, and I’d say that this is quite an impressive debut despite my issues with the movie. It is definitely low budget at $114,000, so you can appreciate why some of the technical aspects aren’t exactly polished. With that said, it is impressive how much they were able to achieve with that budget. The filmmaking is so minimalistic which as a result helps the living dead seem more grounded. The cinematography and lighting can look gorgeous in the darker scenes, and makes effective use of black and white photography. It also does have a sense of claustrophobia once the film arrives upon the primary setting of the film. I really was not scared at all in the movie, not by the zombies or the scary moments, but again I wasn’t expecting to be. It definitely does have dated elements.

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Night of the Living Dead is a movie that I appreciate, and respect more than I actually like. It’s impressive how much George Romero was able to achieve despite the limitations, it is definitely an important movie for the zombie genre and the horror genre on the whole. I think it is worth watching, especially if you are a fan of horror. However, I’m just not a big fan of it overall, and it’s not one that I’m particularly inclined to watch a lot. I don’t think it holds up, but I wouldn’t quite call it bad either.

Halloween: Resurrection (2002) Review

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Halloween Resurrection

Time: 94 Minutes
Age Rating: 860949[1] 
Cast:
Busta Rhymes as Freddie Harris
Bianca Kajlich as Sara Moyer
Thomas Ian Nicholas as Bill Woodlake
Ryan Merriman as Myles “Deckard” Barton
Sean Patrick Thomas as Rudy Grimes
Tyra Banks as Nora Winston
Jamie Lee Curtis as Laurie Strode
Director: Rick Rosenthal

Six teenagers, who are eager to experience thrills, spend the night in the childhood home of serial killer Michael Myers. But he returns to brutalise them.

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Halloween H20: 20 Years Later was the film that brought back the long running horror series by starting over and not continuing on from the previous movies, it had its fair share of issues, but had some good parts to it. One of these was the ending, which seemed to try to end things for good, at least with regards to Michael Myers. However with the movie being successful it was inevitable that it would get a sequel, and that meant yet again bringing back Myers. Almost everyone who has seen the entire series has called this the worst movie in the series, and it is for good reason. The ironically named Halloween: Resurrection killed the franchise for a while. So much of the movie just felt like they gave up, it’s actually quite astounding at times. I didn’t dislike the movie and even had fun with it at points but it’s very much not good.

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First of all, what should be talked about is the infamous opening scene. The ending of H20 was easily one of the best moments in the series, with Laurie Strode decapitating Michael Myers, killing him for good. That signalled a conclusive ending but as it turns out they retconned all that. Now, the person that Laurie Strode killed was some paramedic guy that Michael swapped outfits with (and crushing his larynx so he couldn’t speak), so at the ending, Laurie killed that paramedic. Then at the beginning of Resurrection has Laurie at a mental institute (the worst run mental institute I’ve ever seen in a movie I might add). Somehow, it’s an even lazier retcon than what they did in the opening of Halloween 5 to counteract what happened at the end of 4. All of this is delivered with one big exposition dump between random nurses who are there to tell the audience what happened, accompanied by some laughable flashbacks. On top of it just making no sense and making even less sense the more you think about it, it undermines everything that made H20’s ending thrilling and was executed in the worst way. I’d say that this is a spoiler but it’s very early in the movie: in the opening 15 minutes Michael Myers goes to the mental institute and kills Laurie. Then she’s just gone from the rest of the movie. It’s the most disrespectful treatment of a character in the series, and that’s even considering Jamie Lloyd from Halloween 6 (either version of that movie). What makes it worse is that her death has no real impact on the story, it’s not even mentioned in news footage. I guess the filmmakers had to justify Michael Myers having enough time to kill obnoxious teenagers who are in his house, so that’s why they had Laurie killed. Already the movie is off to a bad start and it doesn’t really get better. I could potentially give the beginning a pass if the rest of the movie and its different direction was in itself creative and/or good. It’s not.

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The rest of the movie is some random 70 minute reality TV/found footage movie, and the plot of the movie really feels more like a parody than an actual Halloween movie. Basically, it focuses on a reality show called Dangertainment run by Busta Rhymes and Tyra Banks, who set their Halloween night episode inside of the actual Myers house and sends in a cast of college students for the night. If that sounds ridiculously horrible and quite possibly the worst direction to take the movie in, you’d be right, and it’s even worse than that. Plotwise on every level, it’s bad. Looking at the execution, it is made even worse. It is definitely aiming for teen audiences of 2002, and in that it has aged the worst of all the movies. H20 might’ve had a lot of references and was clearly influenced by the 90s, but at least the whole plot didn’t have a pop culture reference a key part of the narrative. There are lots of cameras set up inside the house, as well as cameras on each of the teenagers. It’s worth noting that Resurrection came after the boom of found footage horror like The Blair Witch Project, so that makes sense. The actual concept of found footage being brought into the Halloween series is not necessarily terrible and is at least trying to be something different, it just has to be handled very well. Unfortunately it really doesn’t really handle that potential well at all. Much of the movie’s premise defies logic altogether, in fact that can be said for the whole plot. The fact that people are being killed by Myers in the house and somehow people are remaining oblivious (both in the house and the people with cameras) is just ridiculous. Even though it seems to be aiming more for a creeping atmosphere than H20, with the characters, the dialogue, the bad humour, it doesn’t quite work out. Also, with the last bit of relatability of characters gone with Laurie in the opening scene, it requires some other characters to care about. All the other characters in this movie are bad, this is the first Halloween movie where you actually end up rooting for Michael Myers. With no Laurie Strode, Sam Loomis or Jamie Lloyd, you’ve either got Myers or the new characters, and there’s no way I was going to root for these new people.

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There are some ridiculous moments, including the finale with Busta Rhymes using kung fu to fight Michael. I had heard some widely disliked scenes involving those two. In fact there are at least three scenes involving Busta Rhymes and Michael Myers in which they treat the latter like a joke, and that’s the point where you know that they’ve given up. With that being said, I’m actually glad those moments are there because I found them hilarious. I was already very much not on board with the movie with the opening scene, and from everything after that I could tell I wasn’t going to like this movie, so those moments were just funny to me. I’d almost say the film is worth watching for the scene where Busta Rhymes in a Michael Myers costume telling off a very confused Michael Myers and telling him to get out the house. That and the way that Busta actually deals with Myers at the end of the movie. There are for sure plenty of hilariously bad moments in this movie that I enjoyed watching. Unfortunately, I can’t really call Resurrection so bad it’s good or anything like that, as those moments are sprinkled into effectively a bad and dull early 2000s slasher film. If you really want to get the most out of these moments, you’d be better off watching individual scenes online. Much of the movie is a bore, and the entire premise treats the plot like a joke. The film even ends with sequel bait, which was puzzling because I don’t know how they could’ve taken a look at what they had created and thought that they would be able to salvage a sequel out of it.  

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Then there’s the cast. First the (only) good performance, with Jamie Lee Curtis as Laurie Strode. She has been vocal about not being pleased with the film or her role in it, that she was basically forced into taking part in the sequence due to contractual obligations in H20. Jamie Lee Curtis plays it like a pro, way better than the other performances in the movie, despite her small screentime. There are many characters introduced, with Busta Rhymes, Sean Patrick Thomas, Katee Sackhoff, Tyra Banks, Thomas Ian Nicholas. The characters are obnoxious and underdeveloped, most of the performances are wooden, and none of them are good. I will say that Busta Rhymes does manage to be at least entertaining in his scenes.

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Funnily enough, Resurrection director Rick Rosenthal made Halloween 2, which was a decent Halloween movie. I have no idea how 20 years later he managed to end up making this. The direction has problems to say the least, but the weird thing is that there are actually aspects that are decent, though it’s not enough to save the movie. I will say it does seem to get closer to being a horror movie than H20 did. In fact, the production design with the main house as well as some of the look is nicely gritty. I also like some of the way it is shot, especially with the shadows. There are even some attempts at being suspenseful. However, it doesn’t really deliver on any of the scares. The jumpscares are obnoxious, most of the scares in the first half are just pranks from other characters. Michael Myers only sometimes appears in the first half, but I will say that all things considering, his performance and the physicality are good. The mask isn’t that great and is a little too expressive, it really only looks good in darkly lit scenes. Something that you do notice is that some scenes that feature Michael Myers are slowed down, and I think it was done in an attempt to make him look more intimidating but it’s out of place if anything. As previously said, the movie does utilise found (or in this case live) footage, and every so often jumps to those cameras. When the movie cuts to video cameras however, it looks awful. Editing is bad, and some of it makes the scenes look incomprehensible. The score by Danny Lux is actually really effective, one of the better scores for the movie from the past 4 movies at least.

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Halloween Resurrection is easily the worst movie in the long running Halloween series. It starts off with a borderline insulting opening and doesn’t get better from there with tired horror, bland and annoying characters, and some poor writing. Really, I can only recommend this movie to completionists and people who want to see if the movie really is as bad as everyone has been saying it is. I don’t hate it, and there are actually a couple things here that I liked (in addition to the hilarious moments especially towards the end), but the fact that the filmmakers clearly gave up and the series had ran out of steam just cemented it as the worst.

Halloween H20: 20 Years Later (1998) Review

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Halloween H20

Time: 86 Minutes
Age Rating: 860940[1]
Cast:
Jamie Lee Curtis as Laurie Strode
Adam Arkin as Will Brennan
Michelle Williams as Molly Cartwell
Adam Hann-Byrd as Charlie Deveraux
Jodi Lyn O’Keefe as Sarah Wainthrope
Janet Leigh as Norma Watson
Josh Hartnett as John Tate
LL Cool J as Ronald “Ronny” Jones
Joseph Gordon-Levitt as Jimmy Howell
Director: Steve Miner

After escaping serial killer Michael Myers’ attacks, Laurie Strode (Jamie Lee Curtis) relocates to California and adopts a new identity. However, years later, Michael returns to finish what he started.

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Despite how the original Halloween movie from 1978 is widely regarded as a classic, the reception of the sequels have generally ranged from mixed to negative. With that said, I heard that H20: 20 Years Later is one of the better movies in the series (despite having the worst title of the whole series, and that’s considering that the next entry being called Resurrection). After seeing the 6th Halloween movie, I was definitely interested to see what direction they would take it next. I can say that at the very least, they took it in a different direction, some of it works, some of it really doesn’t.

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Something to note is that H20 basically erases Halloween 4-6 and instead follows on from Halloween 2. That means no Cult of Thorn business, so that’s already a plus. Not only that, but they are also bringing back Halloween lead character Laurie Strode, along with actress Jamie Lee Curtis to reprise her role. Both changes are very welcome in this movie. We see how despite 20 years later, the events of the first two movies have still had a long lasting effect on Laurie. H20 explores Laurie’s PTSD from her encounter, and storywise it was probably the strongest aspect of the movie. The movie does open relatively well, reintroducing audiences to Laurie with her new life (she has a son named John), and her trauma. However you notice that the pacing is really slow, especially with the second act. It takes too long to kick off, you’re basically just watching Laurie and other characters interact. The first act is one thing as it is setting the scene for the whole movie, but the second act just focuses on John and his group of friends who have decide to sneak away from a field trip to have a double date at the school. It’s not interesting like the Laurie-centric narratives are, and feels really out of place. In fact, the movie does feels a little loose with its plot, and it really could’ve been much tighter. I actually checked the time, and it’s around an hour into the movie before things actually start getting real and Michael Myers begins doing a lot of killing. Keep in mind that the movie is less than 90 minutes long. With that said, the third act and the overall climax is really the star of the whole movie. It’s very satisfying, and without getting into the ending, would’ve been a great and fitting way to end the series (and then they made another follow up for some reason).

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Storywise, H20 does feel like fan service more than an eager or ambitious follow-up, but I guess that’s not a terrible thing. One new change was that it’s the first Halloween movie (at least of the ones featuring Michael Myers) that doesn’t take place in Haddonfield, instead being set in California. Not only does it make sense from a plot perspective (Laurie would logically move out of Haddonfield after what happened), but it also gave the movie a distinct look and feel. The setting for much of the movie is a school campus, and while it does set you at this location well, it’s not really creepy at all. Something to note is that the movie is clearly influenced by Scream, which came out in the mid 90s. Kevin Williamson wrote Scream, and then Miramax had him do a treatment for what would become the H20 script. He only has a producer’s credit, but his fingerprints are all over this. It doesn’t feel like a Halloween movie at all. With that said, considering the last 3 movies felt like they were on repeat, maybe a change in style and approach is what it needed. The end result is a mixed bag, however. It does feel painfully 90s, dating the movie painfully. H20 even feels older than Carpenter’s original film, which was pretty much timeless. There’s humour in it, some of it hits, some of it misses. There are references to the original (they flat out quote the original sometimes), and references to popular horror movies at the time, including Scream. While it does make itself distinct from the other movies, it just doesn’t work all that well. The tension and atmosphere just isn’t there, and even Halloweens 4-6 felt more creepy, even if they were worse movies.

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Jamie Lee Curtis returns as Laurie Strode, it’s so great to see her come back in the role that really started off her career. She does some amazing work here, and considering how underserviced and passive the character was in her previous appearance on screen with Halloween 2, it’s nice to see her have such an active role in the third act. She covers a lot of ground as Laurie goes from being an in-hiding over protective mom, to a full blown badass at the end. She really adds a lot of credibility and is easily one of the best parts of the movie. I wouldn’t say the other characters are great, but having more experienced actors on board definitely makes a difference especially when compared to some of the other Halloween sequels, and they had more chemistry together. Josh Hartnett is solid as Laurie’s son John, but is saddled with some bad material throughout most of the movie. With that said, he really works well in his scenes with Jamie Lee Curtis, their dynamic feels real and believable. If they focused more on those two in the movie, I think it would’ve worked better but they have probably 10 minutes of screentime together and John is forgotten for much of the rest of the second half of the film. Michelle Williams is also here in an early role for her, Janet Leigh also makes an appearance, even if it seems to be mainly to be meta with her being Jamie Lee Curtis’s mother, and to make some Psycho references. There’s also an early appearance from a young Joseph Gordon-Levitt in the opening sequence.

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H20 is directed by Steve Milner, and you can definitely that he was influenced by Scream on a visual level. The 90s influence also clearly carried over to this movie. On a visual level, it just looked a bit wrong to me. Now I’ve only had glimpses of Dawson’s Creek, but for much of the movie, H20 looks like a horror themed episode of Dawson’s Creek, from the look of the movie to the production design. The movie does well at setting you in this location of a school, especially with the long takes. However, it’s nonetheless just a school, it doesn’t feel creepy, claustrophobic or anything like that. I mentioned earlier that there isn’t much of a tense atmosphere, and again H20 is one of the least scary movies of the entire series. There isn’t much atmosphere at all honestly, with not much tension even in the third act. Michael Myers doesn’t feel very scary, and much of that has to do with the mask, or masks to be precise. There are 4 masks used over the whole filming of the movie (largely with reshoots), including one shot where they used CGI because the real mask wasn’t ready in time for the scene. The only version of the mask I liked in the movie was in the opening sequence where they used the mask from Halloween 6, but it wasn’t used much more because some people thought that audiences would be confused with that mask being from a different Halloween movie. Most of the kills are pretty forgettable except for one in the third act. Speaking of the third act, I did like how much of it was filmed, even if it wasn’t very scary. The score does have some moments but a lot of the time it doesn’t sound anything like a Halloween movie. This time they got John Ottoman to compose. He steered away from the synth heavy aesthetic that Carpenter and Howarth used in the early days of the franchise, and instead went for a fully orchestrated symphonic score that sounded more like Danny Elfman than John Carpenter. It feels very out of place and is among my least favourite scores in the series. It only really works when it actually plays the classic Halloween theme. Also, this movie has a Creed song playing over the end credits. I don’t know why.

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Halloween H20: 20 Years Later is a mixed bag of a movie, I think I would’ve liked it more if I saw it in the 90s. It is a movie that should have been way better than it actually is. The script has some missteps, and its new directions aren’t fully fleshed out, some of its influences holds the film back, and other aspects like the score and the mask have issues. With that said, there’s some good in here too. Jamie Lee Curtis is great, I liked the direction they took Laurie, Miner has some solid direction at times, and the third act, especially the ending, was satisfying. If you like any of the Halloween movies, I do think H20 is worth checking out, despite its many issues.

Halloween: The Curse of Michael Myers (1995) Review

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Halloween 6 The Curse of Michael Myers

Time:
88 minutes
(theatrical cut)
96 minutes
(producer’s cut)
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1]
Cast:
Donald Pleasence as Dr. Sam Loomis
Paul Rudd as Tommy Doyle
Marianne Hagan as Kara Strode
Mitch Ryan as Dr. Terence Wynn
Director: Joe Chappelle

Michael Myers (George P. Wilson), the notorious masked murderer, returns to haunt Tommy Doyle (Paul Rudd), a young man who has a history with the killer and the Strode family.

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I heard some pretty negative things about Halloween 6: The Curse of Michael Myers going into it, from what I can tell it’s one of the most negatively rated of the Halloween movies. After watching Halloween 5: The Revenge of Michael Myers, I wasn’t exactly looking forward to what the next movie had to offer. Having seen the 6th movie, surprisingly I do like it more than The Revenge of Michael Myers but not by a whole lot, it’s still quite a mess.

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Halloween 6 had some big problems with filming, with plenty of reshoots, rewriting and many changes during production. It seems that no one from the director to the producers were on the same page and thus there was no cohesive vision. As a result, there are two versions of the movie, the theatrical cut, and the producer’s cut which emerged later. With the first viewing, I watched the Producer’s Cut which is meant to be quite different and my knowledge of the theatrical cut is just from what other people have said about it and some of the brief clips I’ve seen of it. In 5, there were little things introduced involving this thorn symbol and this mystery man in black, and the filmmakers of that movie didn’t know at the time what it was supposed to be, it was just to give something the filmmakers of the 6th movie something to work with. Now there’s the culmination of all that with The Curse of Michael Myers. The movie largely involves this cult called the Cult of Thorn, and it’s really nonsensical. The plot actually starts out interesting enough but by the end it’s just a mess. There are exposition dumps, and the more you think about it and the more characters talk about it, the more you recognise it doesn’t make sense and is very silly, and not even in the entertaining way. It even introduces aspects like runes and telepathy. It is a very weird movie with weird ideas and I’m not sure how I feel about most of them, and I’m saying that as one of the few people who does like Rob Zombie’s Halloween 2.

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If you don’t like the idea of Michael Myers being anyone other than his own person, this version is definitely going to not work with you. I heard that the Theatrical Cut might be a little more for you and it gives Myers more agency, but I also heard it has its own issues. Cult aside, I really liked the portrayal of Michael Myers otherwise. He’s quite menacing in his scenes and really feels like a threat unlike in most of the past couple of movies. With that said, without going into it, the way it ends for Michael Myers at the end is just bizarre and hilariously anticlimactic (at least in the Producer’s Cut). For fans of the Halloween series, there’s going be stuff that you’re not going to like. The portrayal of Michael Myers when it comes to the cult especially will be a problem for many. The cult storyline has an attempt to explain what Michael Myers is and why he does what he does, and for most people any attempt at doing this is quite unpopular. Another example is the treatment of the character of Jamie Lloyd, who was really the protagonist of the past two movies. She’s in a small role in this movie and this time she’s played by J.C. Brandy instead of Danielle Harris because she refused to reprise the role after being offered some rather poor pay for it. After looking at the handling of the character, I don’t really blame her. In both versions, Jamie isn’t treated well at all, even the offscreen death of Laurie Strode in Halloween 4 was more respectful. The ending does try to set up a sequel, but as we know the next movie Halloween H20 would be a sequel from Halloween 2, Halloween 6 didn’t get a follow up on its storyline and I’m glad. Halloween 5 indicated that there wasn’t much room left for potential with this storyline and the 6th movie proved it.

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Donald Pleasence returns as Dr Loomis for the last time, he actually died during production, which makes his last performance bittersweet to watch. He’s really good here, he looks a little more worn down and tired, but it is very fitting given his character at this point. He’s also a much better version compared to the raving and crazy version of Loomis in the last Halloween movie. Paul Rudd is also in here in a bizarre early performance from him, playing Tommy Doyle who was a kid character from the first Halloween. If he was meant to be a bit creepy, Rudd kind of pulls it off but there’s something about him that’s feels hilariously off. I can’t tell whether the issue was him or if it was how he was directed but the best thing I can say about Paul Rudd here is that he delivered much better performances later in his career. The other major main character other than Myers is played by Marianne Hagan who is alright but nothing memorable. Nothing else to say about the other actors or characters really. The performance of Michael Myers is good, he’s menacing and it’s the best he’s been since Halloween 2.

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Joe Chapelle directs this, and some of the aspects are a bit of a mixed bag. Michael Myers does actually look good compared to the past couple of movies especially with the mask. The movie really makes him to be a force of nature and really intimidating. Some of the kills worked really well and Myers again is more violent and ruthless. The theatrical cut from what I heard does have even more bloody kills. For example there’s a scene where Michael Myers kills someone by shocking them, in the Theatrical Cut though it ends with the guy’s head suddenly exploding. The actual special effects are good. I found some of the music in the past two Halloween movies to be a bit underwhelming but I found the score here to be effective and worked well in their scenes.

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Halloween 6: The Curse of Michael Myers is often known as one of the worst movies in the series, and while I’m not quite sure that I dislike it, I completely understand why. At least with its Producer’s Cut, the changes it tries to make to the Halloween mythos are silly and don’t make sense, the plot itself is nonsensical, and it’s weird in the worst ways possible. Maybe it’s just because I watched Halloween 5 right beforehand, but I still like 6 more. I liked Donald Pleasence, some aspects of the direction, and ignoring the cult aspect, the portrayal of Michael Myers. The only reason I’d recommend watching The Curse of Michael Myers given that you’ve watched the 5th movie is that you made it to this point, so you might as well reach the end of it. As for which version to watch, neither of the two versions seem to be good, so that’s something you’ll have to figure out for yourself.

Halloween 5: The Revenge of Michael Myers (1989) Review

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Halloween 5 The Revenge of Michael Myers

Time: 97 Minutes
Age Rating: 79a0443c-3460-4500-922d-308b655c1350[1]
Cast:
Donald Pleasence as Dr. Sam Loomis
Danielle Harris as Jamie Lloyd
Ellie Cornell as Rachel Carruthers
Beau Starr as Sheriff Ben Meeker
Wendy Kaplan as Tina Williams
Tamara Glynn as Samantha Thomas
Director: Dominique Othenin-Girard

After lying in a coma for a year, Michael Myers (Donald L. Shanks) awakens and stalks his way back to his small hometown in Illinois, intent on killing his niece, Jamie (Danielle Harris), who has been confined to a mental institution since Michael’s last attempt to slay her. Suspecting a psychic link between Michael and Jamie, psychiatrist Dr. Sam Loomis (Donald Pleasence) joins forces with Sheriff Ben Meeker (Beau Starr) and attempts to stop Michael’s latest rampage.

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I was continuing the Halloween movie series, and I arrived onto the 5th movie, with the hard to take seriously title of The Revenge of Michael Myers. Halloween 4 wasn’t that good, but the ending was solid and had a possibility for the where the next movie could spring off from Unfortunately the follow up doesn’t take advantage of that, and on top of that, the movie on the whole ends up being bad by itself.

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The most interesting aspect of Halloween 4 was the ending. Halloween 5 doesn’t forget that ending, but they followed on from it in quite possibly the worst way possible. First of all, the film opens with a retcon of part of 4’s climax. The opening shows the moment in the previous movie where Michael Myers supposedly dies (again) in the graveyard, and shows him escaping by floating down a stream and being taken in by a hermit with a parrot, then there’s a time jump and then Myers gets up and decides to kill again. So that’s strange enough, but that’s not all. 5 flat out retcons the very end of the last moments of 4. As a reminder, 4 had the ending of Jaime finally snapping, and killing her stepmother in the same way that a young Michael Myers killed his sister. It was a good point to end the movie on, but they changed story direction here. It is worth noting that Donald Pleasence was also disappointed with this change in direction, wanting the character of Jaime to be portrayed as “all evil”. That would’ve been an interesting and fresh direction to take the story, even if the idea of Jamie being Michael’s sidekick seems strange, it would’ve been much better than whatever they chose to go for. In the revised events, the stepmother didn’t die, and Jaime just attacked her, she didn’t try to kill her. Jaime is also now in a children’s hospital, not a mental institute and is in a bad state. Loomis also no longer wants to kill Jamie like he tried to at the end of the 4th film, but is instead her doctor and is convinced that the ‘attack’ happened because Michael Myers made her do it through a psychic connection. Yes, it’s bizarre and the worst part is that he ends up being right and there’s not explanation for how he figured it out. Right out the gate with this opening section it doesn’t bold well for the movie. So all the potential is pretty much gone.

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Retconning aside, 5 ends up being a worse version of 4, and is beyond a generic slasher film. Apparently the filmmakers didn’t have a finished script when they began filming and it really shows here. The atmosphere and tension is practically non existent. 4 had its issues and wasn’t good in those areas but in 5, most of the time all the attempts at horror fall flat. There’s really only one moment that’s actually really good but that’s it. The pacing is off, and the characters range from being dull to being annoying. In fact, there’s a big chunk of it focused on some annoying characters. Imagine some of the characters in a slasher movie that fake scare each other, and then eventually gets killed. Then imagine that they have twice the amount of screentime that they would normally have. That’s what happens here, and it can be really frustrating to sit through. There’s even a couple of dumb cop characters thrown in for some bad comic relief, and there’s even a little comical theme music that plays for them when they are on screen. Something worth noting is that 5 introduces ideas about what is happening with Michael Myers, and try to give some sort of an explanation for him and why he’s killing. Now I’m not opposed to the series trying new things, it’s just that these new things that they are attempting don’t work out at all. The movie also introduces hints of what would happen in the next movie and try to add something to the Myer’s Mythos, with a mystery man dressed in black with a thorn symbol tattoo. This mystery man appears every so often throughout the movie with no explanation and even by the end of the movie he’s not given any explanation. What’s worse is that the writers genuinely didn’t know who this person was, they just added him as a potential thing to follow up on the sequel. When it gets to its cliffhanger ending, you realise what Halloween 5 really was, not a sequel but rather a 90 minute long trailer for Halloween 6: The Curse of Michael Myers.

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Danielle Harris and Donald Pleasence were among the better parts of the 4th movie, they are still good here but even they have some problems here. Danielle Harris returns as Jamie Lloyd, and in a large portion of the movie she’s basically been reduced to a mute that go into convulsions every so often when that psychic connection plays up again. Credit to Harris, she’s putting everything into her performance here, and she does especially well at seeming scared, especially in the third act. Donald Pleasence returns as Dr Loomis and he’s good as always, however the writing of his character is a bit weird to say the least. I get that by this point he would’ve lost his mind a bit, but some of his actions (especially in the third act) are out of character. Loomis is comically crazy like a raving madman for much of the movie, and I’m surprised that he didn’t end up as some surprise villain by the end of the movie. There’s nothing really to say about the rest of the cast and characters except that they are either forgettable or obnoxious.

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The direction by Dominique Othenin-Girard is not very good. In fairness some of the shots and the blocking is good, but most of the direction with regard to horror and scares falls flat. The kill scenes are just fine, but there’s nothing really memorable and as previously said the tension and atmosphere is practically non-existent. In all fairness to the movie, there actually is one sequence with Jamie in the third act which does actually work quite well, involving a laundry chute. That part stands out to me and was definitely a highlight. The Michael Myers mask in the 5th movie somehow looks worse than the one in Halloween 4. Instead of looking cheap it looks quite dumb, it is barely ever tucked in, and it looks constantly stretched so it barely fits the actor’s head. The movie already has problems with being tense or scary but Michael Myers looking quite silly with that mask doesn’t help matters. The score is just there, it just uses the typical iconic theme from the series at points but it doesn’t actually build any suspense. In fact there are some sequences where the score playing is bad and takes away from those scenes.

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Halloween 5: The Return of Michael Myers is likely one of the worst movies of the Halloween series. Despite some good performances from Harris and Pleasence as well as one good scene, it’s just not good. On top of squandering the potential that was practically gift wrapped to them, its just generally a worse version of the 4th movie. Despite some of my issues with 4, this is where the series is first taking a big sink for me, and it’s showing that this current storyline that started with 4 is not going to get any better.

Halloween 4: The Return of Michael Myers (1988) Review

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Halloween 4 The Return of Michael Myers

Time: 88 Minutes
Age Rating: 860940[1]
Cast:
Donald Pleasence as Dr. Sam Loomis
Ellie Cornell as Rachel Carruthers
Danielle Harris as Jamie Lloyd
Michael Pataki as Dr. Hoffman
Director: Dwight H. Little

The apparently comatose Michael Myers (George P. Wilbur) is being transferred from one hospital to another, but he wakes up when the ambulance crew talk about his surviving niece, Jamie (Danielle Harris). After slaughtering his attendants, Myers sets out to find his one living relative who is, fortunately, being cared for by a kind and resourceful foster sister named Rachel (Ellie Cornell). Meanwhile, the ever-cautious Dr. Loomis (Donald Pleasence) remains on the killer’s path.

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Halloween 3: Season of the Witch tried to steer the series in a different direction from the previous two movies, and aimed to be the start of an anthology series without Michael Myers. Given the negative response that the movie received however, it was pretty clear that audiences wanted the series to bring back Michael Myers, and the filmmakers gave them what they wanted. For the next movies, it followed on from Halloween 2 with its own direction. I heard some mixed things about just about all of the sequels. I watched 4 and generally it was pretty average as a movie, but it was overall alright.

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Laurie Strode from the original films is written off as being dead, which certainly was a questionable way of writing her out of the story. This time the main character who is being hunted down by Michael Myers is Laurie’s 7 year old daughter Jamie. This gives a very different dynamic between protagonist and Myers, as Jamie is way more vulnerable. The plot is a bit contrived, plodding and weak, with mostly boring characters that we are stuck with. Most of the plot doesn’t feel fresh at all, almost like it’s the most basic follow up one could think of for Halloween 2. The suspense and atmosphere from the previous 3 movies are practically non existence, even if the film tries to re-capture that. They reference the explosion at the end of Halloween 2 but don’t really explain how Michael Myers and Dr. Loomis managed to survive that. There were some potential with the new direction of the story, like it was somewhat different to see how the town reacts to Myers being back. There’s also some pretty silly parts to this movie, which at least made it somewhat entertaining. There is this hillbilly mob trying to hunt down Michael Myers, and the dialogue at many points are very goofy. I guess credit where credit is due, the police are slightly more competent, which was refreshing to seen in a Halloween movie. When Loomis comes to them when Myers escapes, they actually listen to what he says. So I guess that’s at least one aspect that the movie subverted. Most of the time thought the plot and scares are predictable. The third act for the most part is pretty underwhelming, especially with the climax. With that being said, the ending is great and one of the best parts of the movie, leaving the series open to take a different direction with the sequels from this point onwards.

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The character of Jamie Lloyd is played by Danielle Harris and she’s actually great on her part. She’s not Laurie from the original, but Harris is quite convincing, especially in the chase and intense scenes. Donald Pleasence returns as Dr. Sam Loomis, and like his past two film appearances is one of the best parts of the movie, I’m glad his character survived along with Myers. The movie (and the sequels he appears in I assume) would’ve been worse without him. It’s 10 years later, Loomis is battle scarred, a little unstable and just looks so done, especially when he finds that Michael Myers has escaped yet again. Ellie Cornell also plays Rachel, Jamie’s step-sister, and she was also pretty good in her part. One note about the physical acting of Michael Myers, he does have a bad mask however he also just doesn’t feel the same as the Myers from the from the first movie or even the second movie. From the smaller stature and awkward movements, he feels like someone wearing a Michael Myers costume rather than being him. He’s just not intimidating at all.

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The direction from Dwight H. Little is pretty bland, while I wouldn’t quite call it bad, it rather feels like it’s on autopilot. The opening credits actually work quite well, it doesn’t attempt to copy the opening credit sequences from the first two movies with the jack o lantern, and didn’t feature the opening theme. With its simple yet effective shots, it is effectively atmospheric and eerie. The cinematography is unremarkable, although the close up shots does make it stand out from the previous movies. The kills can be gloriously over the top and ludicrous (especially one instance involving a shotgun), but most of the time they are unfortunately rather bland. As previously said, the new mask on Michael Myers looks really bad, and the whole costume in fact looks really bad. What’s worse is that the costume he picked up in the original Halloween movie was just whatever he could find, for whatever reason in 4 he looks for that exact same costume. Early in the movie Myers is wearing bandages and I kind of wish that they stuck with that, even just for it being a different look for him. The chase sequences are rather bland and drawn out, and aren’t really suspenseful, though there was a scene on a rooftop that sort of works. Even the sound effects are pretty weak and cartoonish, particularly the sounds for the gunshots. The score contains similar themes from the original Halloween, although it doesn’t really add much to the suspense, almost like its an obligation or something.

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Halloween 4: The Return of Michael Myers is really a mixed bag. It’s very bland from the story to the direction, and the tension and atmosphere doesn’t work. With that said, there are some moments which are decent, the performances from Harris and Pleasance are solid, and it’s got a great ending. It’s an average slasher flick but if you’re curious enough, check it out for yourself.

Malignant (2021) Review

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Malignant

Time: 111 Minutes
Cast:
Annabelle Wallis as Madison Mitchell
Maddie Hasson as Sydney Lake
George Young as Kekoa Shaw
Michole Briana White as Regina Moss
Jacqueline McKenzie as Dr. Florence Weaver
Director: James Wan

Madison (Annabelle Wallis), a young woman, is terrified by visions of the murders of strangers. Later, Madison decides to find and save the victims.

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I was quite interested in Malignant, not only was it director James Wan’s newest film, but it also his first original horror movie in a while (the last instance being The Conjuring in 2013). I also found the initial reactions to the movie to be quite intriguing, with some people having no idea what they just watched. Honestly, I wish I had the chance to watch the movie in cinemas to hear the reactions, because it was quite an experience.

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It’s unsurprising that the trailers didn’t sell the movie that well considering how weird the concept sounds on paper. This is James Wan’s craziest film to date, and that’s saying a lot. There are some over the top moments and even comedy throughout the film, yet it somehow all fits together, managing to not ruin the grounded and dramatic moments. It is definitely an absurd movie, but it is self-aware of what it is, while still taking itself somewhat seriously. You can feel a mix of other horror directors’ influences, including Dario Argento, David Cronenberg and Sam Raimi, it feels like a perfect mixture of different horror subgenres. However, it is still all James Wan, while feeling so totally different from what he has done in the past. You could probably see elements of Saw, Insidious and The Conjuring, but Malignant still has its own distinct tone and feel. The first two acts build mystery around lead character Madison, intriguing you and locking you into the central mystery as she sees a lot of murders being committed by a mysterious killer. However, it is really the big reveal and the whole third act which is the point where you’ll realise whether you’re on board with the movie or not. Even if you’ve predicted the twist beforehand, the details surrounding the twist are so nutty that they have to be seen to be believed. I for one didn’t quite expect it, the third act was surprising, fun and satisfying and I had a blast with it.

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Annabelle Wallis is really good in the lead role and puts a lot into her performance. The rest of the cast aren’t bad, but they are serviceable. A lot of them act very odd at times especially with how they deliver their dialogue. However, it does work well for the movie’s campy feel at least. Ray Chase is also superb as the voice of the main antagonist of the film.

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This is a James Wan movie and as usual his work is really fantastic. This movie is visually beautiful to watch. There is also a great atmosphere throughout, greatly helped by the slick camera work as well as the sound design. It really should be said that this is by far James Wan’s goriest movie yet. Without going into the details of the scenes, there are some set pieces that are truly a sight to behold, especially in the insane third act. Everything from the choreography, the blood, the camerawork, everything in that last 30 minutes just turns everything to 11. The design and presentation of the main killer in the story is creative and truly memorable. The soundtrack from Joseph Bishara is great too. There’s particularly a piece of music that sounds like Where is My Mind by The Pixies, and it actually works as the main theme of the movie so well.

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Malignant definitely won’t be for everyone but I found it to be quite a satisfying and surprising horror film, with plenty of thrills, bloody and fantastic set pieces, and is absolutely bonkers. I’d go so far to say that it is one of James Wan’s best films. If you like horror movies, I do highly recommend watching it. Go into it blind, and if you find yourself not feeling it within the first 20 minutes, I recommend at least getting to the third act because it is worth watching the film for that alone.

Halloween III: Season of the Witch (1982) Review

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Halloween 3 Season of the Witch

Time: 98 Minutes
Age Rating: 860949[1]
Cast:
Tom Atkins as Dr. Daniel Challis
Stacey Nelkin as Ellie Grimbridge
Dan O’Herlihy as Conal Cochran
Director: Tommy Lee Wallace

Hospital emergency room Dr. Daniel “Dan” Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin), the daughter of a murder victim, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O’Herlihy), a madman who’s planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge, the use of Silver Shamrock masks and a triggering device contained in a television commercial — all designed to kill millions of children.

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Halloween 3: Season of the Witch is known as the odd movie of the Halloween series, as it’s the only movie in the series to not feature the iconic fictional killer Michael Myers. After the character’s death in Halloween 3, John Carpenter wanted to take the series in a different direction away from Myers, and to be more of an anthology horror movie series, with each entry being a standalone story. The movie was poorly received, and led to the following sequels bringing back Michael Myers. However, Season of the Witch has been receiving something of a cult following more recently, and having seen the movie, I can see why. While it’s not as good as the original movie by any mean, it’s pretty good and I had fun with it.

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As said previously, Halloween 3: Season of the Witch isn’t really connected to the series. The most you get is footage of the original Halloween as a movie playing in the background at some points, that’s it. The story is campy for sure, and it does have a B movie feel to it. There’s a lot that happens in the movie, robots that look like humans, rituals and a Bond-like villain. That campiness does make the movie quite entertaining, and its quite creative, which was quite a breath of fresh air compared to many of the Halloween sequels which mainly just consisted of Michael Myers trying to kill people yet again. Season of the Witch also plays more like a mystery thriller than a horror film at times, with a sense of suspense and dread. Also, while I said there was some cheesiness to it, there is a good amount of horror, and some stand out gory and grotesque scenes that I’m impressed the filmmakers went for, especially with one particular iconic scene. The ending is really good too, and quite memorable. The movie is just under 100 minutes long and that was a pretty good runtime and keeps you on board throughout, though at times has some pacing issues.

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The cast do pretty well in their parts. Most of them weren’t anything special, but the standouts were Tom Atkins who works as the main character, and Dan O’Herlihy who works as the rather James Bond-like villain of the whole movie.

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The direction from Tommy Lee Wallace was pretty good, definitely having a pretty good handle of the movie. For one it’s a well shot movie, the cinematography is beautiful and helps convey a spooky atmosphere. It looks straight from the 80s, but it actually works to its benefit, especially considering the tone and overall story of the movie. The effects and makeup are detailed, grotesque and hold up well today. The synth score from John Carpenter is also great, a slower, darker sounding synth score.

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Halloween 3: Season of the Witch is surprisingly good, well made, and makes for quite an entertaining and creepy 80s horror flick. While there are many other Halloween movies I have yet to watch, I think Season of the Witch is one of the best movies in the series, and I feel like the anthology approach to the series might’ve been for the better, but of course we know what happened when the movie was released. If was just titled Season of the Witch and ditched the Halloween subtitle (rather than calling it Halloween 3), it probably would’ve done better with people back then. If you haven’t given this movie a chance and you like horror, I recommend checking it out.

Halloween II (1981) Review

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Halloween 2 1981

Time: 92 Minutes
Age Rating: 860949[1] Violence
Cast:
Jamie Lee Curtis as Laurie Strode
Donald Pleasence as Dr. Sam Loomis
Director: Rick Rosenthal

After Doctor Samuel Loomis (Donald Pleasence) shoots Michael Myers size times and falls off a balcony, Michael escapes and continues his massacre in Haddonfield. Laurie (Jamie Lee Curtis) is also sent to the hospital and Dr Loomis gathers a group of police officers to hunt down Michael and put an end to his murderous rampage.

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I have watched some of the Halloween movies, I had seen the original, I had seen the recent follow up to it, and I had seen the reboot movies from Rob Zombie. However, I had never checked out Halloween 2 from the 80s, the original follow up to the original movie. Even though the current series continuity is going down a different direction (with Halloween 2018 onwards), I did want to check it out. It’s definitely not as good as the first movie and has a ton of problems, but it does have some decent moments.

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With Halloween 2, you really get the feeling that the sequel was made only because the original was successful. It does aim to be a second half to the first Halloween movie instead of a sequel, as it picks off right as the first movie ended. There are opportunities for Halloween 2 to show the effects of the last movie, as the town is shown to react in disorder and mayhem after the massacre. The hospital is also a classic horror and slasher setting, and works for this movie for some horror moments. On the whole though, it is a very by the numbers slasher. Also, it feels in many ways different to the first movie (despite trying to be a part 2 instead of a sequel), being over the top, less serious, and not as creepy or atmospheric. There are also some leaps in logic, whereas the first movie seemed somewhat grounded in comparison (invincible bogeyman aside). There is also a reveal added into the story that felt unnecessary, not to mention, it feels really forced. To the movie’s credit, Halloween 2 does try to actually end the storyline, with no hints at a sequel. Although of course it would continue with numerous sequels.

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Donald Pleasence is really good as Dr Loomis once again, especially as he’s under more stress and pressure after finding out that Michael Myers is still alive despite shooting him 6 times at the end of the last movie. Jamie Lee Curtis gives it her all as Laurie Strode but she doesn’t get much to do in this movie aside from be unconscious for half her screentime, and limp and run away for the remaining half. Everyone else just felt like bodies for Michael Myers to slaughter, you don’t care for any of them and some of their actions are rather dumb, it’s like they might as well be in a Friday the 13th movie.

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It isn’t Halloween 1 director John Carpenter directing this time, instead it is Rick Rosenthal. Still, Carpenter and Halloween 1 writer Debra Hill were closely involved as producers and writers. I found some of the direction to be a mixed bag. John Carpenter wanted to go insane with the over the top violence and bloody that was popular in the 80s (which explains the blood compared to the first movie). Rosenthal wanted to keep the film similar in tone to the first movie so it felt like a continuation. However his direction just wasn’t on that same level for it to work as well. It does utilise some of the familiar and successful aspects from the original, especially in terms of the overall look. Unfortunately, it doesn’t manage to create the same real tension, suspense and dread and instead goes more for gore. There are some memorable kills, though a lot of them were pretty silly. Halloween 2 does have one or two creepy moments, but overall isn’t very effective on the whole. With that said, it is a very well shot movie, with great tracking shots and POV sequences, and I also liked the use of colour and lighting. I also like the hospital setting, the empty rooms made it work, dimly lit rooms and the addition of Michael Myers really make it work. The mask of Michael Myers looks a bit off and worse than the first movie, it’s weird particularly seeing as it is a follow up to the original, which is right before the sequel. The score is also by John Carpenter, however it makes itself stand out by being more synth based.

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I wouldn’t say that Halloween 2 is bad, I’d say that it is relatively decent. It’s a by the numbers slasher that does have its moments, as well as aspects of the direction which work, but on the whole it is rather forgettable. However, if you liked any of the Halloween movies beyond the original and Halloween 2018, I’d say give it a look.

Censor (2021) Review

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Censor

Time: 84  Minutes
Cast:
Niamh Algar as Enid Baines
Nicholas Burns as Sanderson
Vincent Franklin as Fraser
Sophia La Porta as Alice Lee
Adrian Schiller as Frederick North
Michael Smiley as Doug Smart
Director: Prano Bailey-Bond

After viewing a strangely familiar video nasty, Enid (Niamh Algar), a film censor, sets out to solve the past mystery of her sister’s disappearance, embarking on a quest that dissolves the line between fiction and reality.

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I heard about Censor earlier this year, all I knew about it was that it was a British psychological horror film involving censors, it premiered at the Sundance Film Festival, and some people liked it. I really didn’t know what to expect beyond that and so I went into the movie mostly blind. I’m glad I did, going in with no expectations, I found myself really on board with where the movie went.

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Censor’s plot is definitely set against a retro backdrop, so it is worth noting the setting. The setting is the mid-80s during the era of the video nasties, in which low-budget exploitation movies were deemed a danger to society and the cause of murder, violence and the like. Censor applies this concept, connecting it to an intriguing character study, in which it focuses on the life and struggles of a film censor. This film censor finds uncanny similarities between the videos she watches, and her childhood experiences and trauma, and she begins going down a trippy rabbit hole. I will say that the movie didn’t have many twists and turns with its plot development, but it didn’t really need to. I was intrigued enough by the story and where it went. As you would expect with a movie having censorship as one of the key aspects, Censor touches on the question about whether watching violence on video or film would make people prone to commit violence themselves. I thought tha and the commentary on censorship was quite interesting. Despite this, the focus is more with the protagonist and her story for the most part, which was probably for the best. Even though it does take a slow pacing through the story, I was invested going along this journey with protagonist Enid. Unfortunately I do think the movie struggles to combine the two strongest parts, the setting with the video nasty era, and the character study. When it’s focusing on one at a time it really works, not so much when the film tries to combine them. In the end the censorship and video nasties aspect take a back seat later on in the movie anyway, and I felt the two elements could’ve been integrated better. Also the movie really feels like two halves, each of which almost feel like different movies. The first half is a slow but intriguing mystery, the second half picks up the pace but probably a little too much, with the change in pace being a little too quick. While I do enjoy the third act and the ending, it does go off the rails here, for better and for worse. Looking back at the story and themes, it doesn’t quite come together. It really needed a longer runtime to bring everything together. Speaking of which, the movie is only 80 minutes long. For some it will feel longer because of the pacing but I was invested in this atmospheric ride, and I think it would’ve been better if it was at least 10-15 minutes longer.

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This movie is essentially anchored by the nuanced and strong performance from lead actor Niamh Algar. As Enid she’s hypnotising and a great strong on-screen presence. She is playing a character who slowly unravels as the memories of her long missing sister resurface and intertwine with the movies she watches every day. Most of the movie is just following her, and she carries the movie incredibly well. Although Algar is definitely the highlight, the rest of the cast are all doing great in their roles as well.

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Censor is the directorial debut of Prano Bailey-Bond, and it was quite a good first film from her. Immediately you can tell from the style that its paying tribute and taking influence from a lot of great horror auteurs from the 80s, including Dario Argento, Brian De Palma, and David Cronenberg. At times it does become a little too fond of its influences, but for the most part Bailey-Bond’s direction is its own thing. It is very effective from an aesthetic standpoint, for one it has a throwback look to it, with the production design and use of 35mm film at points. If you also really like neon bathed cinematography, Censor has a lot of that. The editing is great, and the sound effects and score add a lot to the atmosphere that the movie slowly builds. There is gore in this movie, but don’t expect a lot of it.

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Censor will be divisive among many people (even those who like horror) but it was a good ode to the video nasty era and a solid psychological horror thriller. Though it doesn’t feel complete by the end with regard to the plot and themes, and I had some issues with the way the story is structured and turns out, I was intrigued all the way through, the direction was great, and Niamh Algar was fantastic in the lead role. If you like horror, I think Censor is worth a watch, especially if you like the video nasty era that the movie is paying tribute to.